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Wong Kar Wai: more books (43)

Wong Kar-Wai: Auteur of Time (Bfi World Directors) by Stephen Teo, 2005-03-08

Wong Kar Wai by Wong Kar Wai, 1997-07-02

Wong Kar-wai (Contemporary Film Directors) by Peter Brunette, 2005-04-25

Wong Kar-Wai's Happy Together (The New Hong Kong Cinema Series) by Jeremy Tambling, 2003-09

Wong Kar-wai (French Edition)

Film Réalisé par Wong Kar-Wai: 2046, in the Mood for Love, My Blueberry Nights, Chungking Express, Nos Années Sauvages, Happy Together (French Edition)

Zeichen und Wunder. Das Kino von Zhang Yimou und Wong Kar-Wai by Josef Schnelle,

Films and Dreams: Tarkovsky, Bergman, Sokurov, Kubrick, and Wong Kar-Wai by Thorsten Botz-Bornstein, 2008-08-21

Wong Kar-Wai's Ashes of Time (The New Hong Kong Cinema Series) by Wimal Dissanayake, Dorothy Wong, 2003-09

Wong Kar-Wai

Films Directed by Wong Kar-Wai (Study Guide): 2046, the Hire, Chungking Express, in the Mood for Love, My Blueberry Nights, Happy Together

Chinese (Hongkong): Jackie Chan, Bruce Lee, Maggie Cheung, John Woo, Leslie Cheung, Anthony Wong Chau-Sang, Tsui Hark, Wong Kar-Wai (German Edition)

Best Director Hkfa: John Woo, Tsui Hark, Ang Lee, Wong Kar-Wai, Hong Kong Film Award for Best Director, Johnnie To, Stephen Chow, Ann Hui

Réalisateur Hongkongais: John Woo, Tsui Hark, Jackie Chan, Wong Kar-Wai, Stephen Chow, Sammo Hung, Yuen Wah, Johnnie To, Wong Jing, Gordon Chan (French Edition)

lists with details

Happy Together De Wong Kar-wai Avec Leslie Cheung Et Tony Leung
Translate this page wong kar-wai, le réalisateur de Hong-Kong réinvente l'amour et ses effets, enremodelant la passion, les décisions définitives et les éternels remords.
http://www.6bears.com/happytogether.html
Asia Studios > Wong Kar-wai Interview
wong karwai Exclusive Interview. Two So begins the trajectory of Happy Together , the latest film by director wong kar-wai. It
http://www.asiastudios.com/interviews/members/wongkarwai.html

Extractions: Two lovers embrace one another and make love. Just moments later, one abandons the other on the roadside. So begins the trajectory of "Happy Together", the latest film by director Wong Kar-wai. It is a road fraught with loss, sadness, and the misplaced expectations of not just the two characters of the film, but the film itself, which explores these elements to find things not quite as they are expected to be. The image of Argentina, where the film takes place, of homosexuality (the two lovers are male), are just two of these elements. We talked to Wong Kar-wai about his film and about misplaced expectations. Question : What have you been doing for the past couple days in New York? Wong Kar-wai : Two of my films are being shown in the New York Film Festival so I just dropped by and also because one of the films, "Happy Together," is going to be released in this country; it's showing in New York City already, and so we're spending time doing interviews. Question : The name of your film is "Happy Together." What is happiness?
Asia Studios > Wong Kar-wai Interview
wong karwai Exclusive Interview. With Rapturously received by critics,it firmly established wong kar-wai as a talent to watch. This
http://www.asiastudios.com/interviews/wongkarwai.html

Extractions: With "Happy Together", Hong Kong director Wong Kar-wai is "Hong Kong's premier cinematic iconoclast." Today, Wong, with his trademark steel-rimmed sunglasses and lanky frame, can barely shuffle down the Croisette in Cannes without being approached by Armani-clad men on cellular phones Hollywood agents, all of them wanting a piece of the man who has been hailed as one of Hong Kong's most innovative contemporary directors. Born in Shanghai 1958, he movied with his family to Hong Kong five years later. He studied Graphic Design at the Hong Kong Polytechnic, where he developed a passion for photography, especially for the work of artists such as Robert Frank, Henri Cartier-Bresson and Richard Avedon. Upon graduating in 1980, he enrolled in a training programme for TV drama production run by Hong Kong Television Broadcasts Ltd., (HKTVB) Starting work as production assistant on a variety of drama serials, he swiftly progressed to scriptwriting, notably for the popular soap-opera/thriller Don't Look Now (1981). Here's just some of Wong Kar-wai's responses to the questions in this exclusive interview.
Chinastar : Wong, Kar-Wai : Home
Muzi.com Chinastar Director wong, karwai Home, 2003-02-07. Photos slide(1) thumbnail (1). Name. wong, kar-wai (English); Wang, Jiawei (Pinyin). Category.
http://1chinastar.muzi.com/ee/1/20917.shtml
The Onion A.V. Club | Wong Kar-Wai
Director wong karwai talks about his memories of the period, shooting withouta script, his trouble with finishing his films, and the changes in Hong Kong
http://www.theonionavclub.com/avclub3707/avfeature_3707.html

Extractions: Wong Kar-Wai (Jump to David Sylvian) By Scott Tobias One of the most exciting directors in contemporary world cinema, Wong Kar-Wai has refined a ravishing style reminiscent of a jazz musician's improvisational riffs. After nearly a decade of writing scripts for television and genre films, Wong made his directorial debut with 1988's As Tears Go By, a violent gangster melodrama frequently compared to Martin Scorsese's Mean Streets. He followed it with a couple of extremely different projects: 1990's Days Of Being Wild, about a young man's search for his real mother in the Philippines, and 1994's Ashes Of Time, a sprawling period epic about swordsmen in ancient China. But Wong didn't find a significant audience in America until Chungking Express was released through longtime fan Quentin Tarantino's Rolling Thunder imprint in 1994. Originally intended as a trio of Hong Kong stories, Chungking Express was cut down to two charming pop romances; the third storyline formed the basis for 1995's Fallen Angels.
MSN Entertainment - Celebs: Wong Kar-Wai
Enter your search query. Main. Biography. Filmography. Awards. Links More.Find on TV. Music Info. wong karwai. Director, Producer, Screenwriter. Born1958.
http://entertainment.msn.com/celebs/celeb.aspx?c=264220
Bergen Filmklubb / Cinemateket USF - Wong Kar-wai
wong karwai - MTV-alderens Godard. Forfatteren wong kar-wai begrenset segtil dialoger og beskrivelser av enkelte situasjoner og handlinger.
http://www.bergen-filmklubb.no/artikler/h99/kar-wai.html

Extractions: www.cinemateket-usf.no Hong Kong er Østens Hollywood. Byen har de seneste årene vært åsted for en rekke nyskapende filmfrembringelser, i tillegg til de sedvanlige masseproduserte kampsportfilmene. Flere regissører har maktet å kombinere det beste fra øst og vest. Hollywood-baserte John Woo er representert på høstens filmklubbprogram med actionhybriden Face/Off (se egen omtale). Den urbane filmkunstneren Wong Kar-wai har vi imidlertid anledning til å bli kjent med gjennom hele tre kvelder på Studentsenteret. En varm anbefaling. Å begynne med begynnelsen for deretter å berette et logisk og lineært livsforløp er nesten blasfemisk når det er Wong Kar-wai man skal fortelle om. Det er ihvertfall helt ulikt Wong Kar-wais egen måte å formidle på. I Wong Kar-wais filmverden er rekkefølgen ikke nødvendigvis kronologisk, plotet er ikke strømlinjeformet og strukturen ikke alltid like lett å få øye på. Derimot er fargene sterke, tempoet kjapt og billedteksturen vekslende mellom sylskarp og utflytende til det abstrakte. Wong Kar-wais stil har blitt beskrevet som "MTV-stil": musikkvideoens hektiske estetikk. Men hvordan kan den fenge gjennom en hel film? Det friske filmpustet fra Hong Kong har primært to store talenter: han har en eksepsjonell billedsans og en egen evne til å finne gode historier. Han har da også bakgrunn både fra fotolinjen ved den tekniske høyskolen for grafisk kunst i Hong Kong og som filmmanusforfatter. For mannen selv er det ingen direkte sammenheng mellom rollen som manusforfatter og rollen som regissør. Ord og bilder er to strengt adskilte felt. Ord kan ikke uttrykke en visjon, ifølge Kar-wai. Derfor er hans manus fra perioden da han skrev for andre filmskapere skrellet for visuelle indikasjoner. Forfatteren Wong Kar-wai begrenset seg til dialoger og beskrivelser av enkelte situasjoner og handlinger. Resultatets utseende var helt opp til regissøren å avgjøre. Dersom Kar-wai hadde en formening om bildenes komposisjon, lyssetting, valg av skuespillere eller spillestil, så holdt han det for seg selv.
Bedrijf: Wong Kar-wai
Click this bar to hide the sitemap. wong karwai, Hong Kong, biografie wongkar-wai emigreerde op vijfjarige leeftijd van Shanghai naar Hong Kong.
http://www.filmfestivalrotterdam.com/2003/nl/company/23000.html

Extractions: ZOEK NEDERLANDS ENGLISH DROPDOWN SITEMAP ... PULL UP SITEMAP Service HOME Contact Kaartverkoop Reserveren ... FAQ's Films Programmaoverzicht Programmawijzigingen Programmaonderdelen Premieres ... Films A-Z Events Speciale Filmdagen Tentoonstellingen Special Events Over IFFR Organisatie Geschiedenis Archief Awards ... Vacatures IFFR Activiteiten Educatie Distributie IFFR mailinglist Pers Persberichten Foto's Persaccreditatie Persconferenties ... Pers Screenings Film Professionals Gastenaccreditatie Industry Screenings Industry manual Guestlist ... Premiere info CineMart Welkom Application Programme 2003 CineMart Online Hubert Bals Fund Welkom Application Selection HBF Harvest Film Entry 2003 Entry Form Wong Kar-wai Hong Kong Wong Kar-wai emigreerde op vijfjarige leeftijd van Shanghai naar Hong Kong. Na een opleiding grafisch ontwerpen die hij in 1980 afsloot, volgde hij een opleiding bij de Hong Kong Television Broadcasts. Hij werkte daarna bij dit televisiebedrijf als productieassistent, maar werd al snel scenarist. In 1988 voltooide Wong zijn eerste film als regisseur, As Tears Go By, naar aanleiding waarvan hij direct als een van de belangrijkste hedendaagse filmmakers uit Hong Kong werd beschouwd.
Wong Kar-Wai
wong karwai. . English ? Cantonese wong kar-wai. Mandarin WANGGu-Wei. Director - Chungking Express. Pronunciation Guide. Filmography
http://www.hkdvdheaven.co.uk/WongKarWai.htm

Extractions: Just for Fun (1983) Silent Romance (1984) Unforgettable Fantasy (1985) Intellectual Trio, The (1985) Chase a Fortune (1985) Goodbye My Hero (1986) Rosa (1986) Sweet Surrender (1986) Haunted Cop Shop, The (1987) Flaming Brothers (1987) Final Victory (1987) Walk On Fire (1988) As Tears Go By (1988) Days of Being Wild (1990) Return Engagement (1990) Ashes of Time (1994) Chungking Express (1994) Fallen Angels (1995) Happy Together (1997) In the Mood for Love HOME ABOUT THE REVIEWER BUYERS GUIDE ... UPCOMING REVIEWS
Chinastar : Wong, Kar-Wai : Photos
Muzi.com Chinastar Director wong, karwai Photos, 2003-02-07. Vote forwong, kar-wai Your Scores, Cafe (BBS);
http://www.1chinastar.com/ee/1/20917,3.shtml
Wong Kar-Wai
Born in 1958 in Shanghai, wong karwai moved to Hong Kong with his parents atthe age of five. He entered the Hong Kong film industry as a screenwriter.
http://www.wkw-inthemoodforlove.com/eng/prop_agency/wkw.asp

Extractions: Born in 1958 in Shanghai, Wong Kar-Wai moved to Hong Kong with his parents at the age of five. He entered the Hong Kong film industry as a screenwriter. His directorial debut As Tears Go By established his strong visual style and announced him as an upcoming talent in the industry. The film was invited to the Critics' Week section of the Cannes Film Festival in 1989. In 1990, Wong assembled a cast of the most popular young actors in Hong Kong to make Days of Being Wild , set in a vividly imagined 1960. The project was planned as a diptych, but the second part was never made. The film won five Hong Kong Film Awards, including Best Film, Best Director and Best Actor (Leslie Cheung). In 1992 Wong convened another all-star cast to make Ashes of Time , a martial arts drama shot in remote regions of China. Nearly two years in production, the film premiered at the 1994 Venice Film Festival. During a break in the film's post-production Wong made
Fwkwmenu
Translate this page wong kar-wai. L'auteur de Hong Kong. Au CKE Article Sur Chungking Express(1994) de wong kar-wai. Retour au Sommaire principal. Ashes
http://www.ifrance.com/hkcinemagic/site/frealisa/fwkwmenu.htm
Wong Kar-Wai
Short profile and selected filmography for wong karwai. wong kar-wai'ssecond film wong kar-wai. Born 1958. wong kar-wai's second film
http://www.thecontext.com/docs/1259.html

Extractions: Wong Kar-Wai Born: Wong Kar-Wai's second film, Days Of Being Wild, signalled a major new talent in its effortless ability to evoke a previous era and its haunting portrayal of rootless, emotionally bereft characters. Then, in 1994, Chungking Express - a blissful ecstasy rush which disinterred the spirit of early Godard. Cameraman Chris Doyle's splashy, stop-motion camerawork meshes perfectly with William Chang's exquisite set designs to create intensely textured cinemascapes for Wong. None of his films look or feel alike, but they share a genuine sympathy for his dreamers' (generally thwarted) hopes and ambitions, bestowing grace and compassion on the humblest of lives. Kieron Corless Where next? Jean-Luc Godard Info on: 14 films (director), 1 film (star) Stanley Kubrick Info on: 6 films (director) Directed by Wong Kar-Wai As Tears Go By Days Of Being Wild Chungking Express Fallen Angels ... In The Mood For Love External links Want to buy Wong Kar-Wai stuff? Search www.blackstar.co.uk Search:
In The Mood For Love - Wong Kar-Wai
Review of the film with images.Category Arts Movies Titles I In the Mood for LoveIn the Mood for Love A wong karwai Film There is no one for me to talk to aboutthis film, so I am putting this review in a hole in a wall and covering it
http://www.coldbacon.com/movies/wkw-inthemood.html

Extractions: "There is nothing but emptiness, the empty existence I exchanged for the truth." - Lu Xun Now when did they stop making movies like this? No really, I haven't seen a movie this good since, well, Kubrick. In the Mood is a stylistic masterpiece for so many reasons, the most obvious being the sheer beauty of the film. Wong Kar-Wai's camera immortalizes everything in frame, from cigarette smoke to droplets of rain, from noodle steam to the grill of a small metal fan. And unlike the oppressive floating bag speech in American Beauty, In the Mood just shows you the damn beauty without the instructions. And what about that dress she had on during the umbrella scene? Hey now. And the narrow red hallway in that hotel. And the music? It proved once and for all that you don't need Yo-Yo Ma to have a good cello soundtrack. Now you could argue that there's just too much beauty, too much music and slow motion, not enough kung fu flying and shit. If you're going to make that argument, I guess you win. The next of WKW's talents is the ability to move the camera. It's not as if lots of other directors don't do this. They do. The results are often bad. But with the help of Christ Doyle, long time colleague and camera savant, WKW does it in a way that recalls masters like the great X and the inimitable Y. Next would be the humor. Any great film (besides
TIMEasia.com | Wong Kar-wai: And The Winner Is ... | 5/24/2000
FEATURES HOME WEBONLY EXCLUSIVE And the Winner Is wong kar-wai's filmIn the Mood for Love By STEPHEN SHORT, wong kar-wai It's a long story.
http://www.cnn.com/ASIANOW/time/features/interviews/int.wongkarwai05224000.html

Extractions: Hong Kong director Wong Wong Kar-wai's latest feature In the Mood for Love earned movie star Tony Leung Chiu-wai the Best Actor award at the Cannes Film Festival on May 21. Rushed to completion, the film, about love regret in 1960s Hong Kong and starring Maggie Cheung, also picked up a technical achievement prize for cinematography and editing. Time Asia reporter Stephen Short spoke to Kar-waiwhose previous hits include Chungking Express and Happy Togetherduring filming of the movie. Excerpts from the interview:
Miguel Anjo : Wong Kar-Wai
http://student.dei.uc.pt/~anjo/wong.html

Extractions: Biografia Rádio Björk Universidade Wong Kar-Wai Conheci-o numa sala de cinema em inícios de 1996, quando fui espreitar um filme "chinês", 'Chung King Express'. O som e o barulho de California Dreamin' dentro de fim fizeram apaixonar-me por aquelas imagens imparáveis, o movimento contínuo e saltitante, mais rápido que as cores. No cinema King, logo na altura, apeteceu-me ver novamente, rir, imaginar, criar, tudo o que este filme consegue sem se notar. A história para cada um pode ser diferente, mas é sempre a melhor. Um ano depois e na sua sequela vi Fallen Angels, com a mesma companhia e riqueza e genialidade de filmagem, em que o título diz muita coisa, ao contrário da maioria das outras películas. Wong Kar-Wai consegue transportar-nos para um Hong Kong mágico, imparável e sonhador, em que o inesperado acontece, em que a imaginação é o prato forte para se ter uma boa ideia do filme. Revivi entretanto o primeiro filme novamente no cinema e depois em casa, e de facto é notável o trabalho deste realizador. Mais tarde uma história completamente diferente: Happy Together, passada desta na Argentina. Em 2001, o melhor actor em Cannes pertence a um filme de Kar-Wai. O filme é In Mood for Love. A não perder por nada deste mundo. Miguel Anjo
Kataweb Cinema | Speciale Cannes 2001
http://www.kwcinema.kataweb.it/cannes2001/0,6054,117030-25,00.html

Extractions: Kataweb Katalogo kwAnnunci kwArt kwChat kwCinema kwCucina kwEdu kwFinanza kwLavoro kwLex kataLibri kwMappe kwMeteo kwMotori kwMusica kwRadio kwSalute kwSatellite kwScuola kwShopping kwSport kwSound kwVideo kwVideogiochi Cellularmania CNNItalia.it Easytickets Esperya Eviaggi Fantacalcio Katabusiness Wong Kar-wai, professore per un giorno La "lezione di cinema" che tiene a Cannes uno dei più riconosciuti giovani talenti del cinema contemporaneo, il cinese trasferito a Hong Kong Wong Kar-wai, è naturalmente una lezione da festival, con lunga coda per entrare, flash di fotografi all'inizio, presenza in sala di autorità cinematografiche e non (Carrière, Delvaux, Agnès Varda, Francesco Rosi e il ministro francese della cultura) poiché si tiene nel quadro di uno di quegli incontri di autori dalle intenzioni molto ambiziose e molto fumose che piacciono tanto anche da noi. E che essenzialmente servono a invitare ai festival dei cineasti che non hanno al momento nessun film da mostrare.

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