Dj Shadow: Wong Kar-Wai Signe Son Prochain Clip! Translate this page prochain clip. wong kar-wai, le cinéaste de Hong-Kong à qui l'ondoit In the Mood For Love, Happy Together, Les Anges Déchu http://www.mcm.net/news/index.php/28493/
Extractions: Mon Email Mon Portable Stages/Emplois Boutique jeux vidéo Tout MCM MCM La chaine MCM MCM2 La chaine MCMAG Tremplins MCM Session Mezzo MCM jeux Nous contacter News 24 juin 2002 Dj Shadow Dj Shadow: Wong Kar-Wai signe son prochain clip! DJ Shadow s'est associé à une pointure du cinéma asiatique pour réaliser son prochain clip. Wong Kar-Wai , le cinéaste de Hong-Kong à qui l'on doit In the Mood For Love Happy Together Les Anges Déchus Chunking Express ... est aux commandes de Six Days , le nouveau simple de DJ Shadow. Ce single ainsi que le clip seront disponibles le 19 août. 2 titres ont pour le moment été extraits de The Private Press , le nouvel opus du DJ de San Fransisco: Monosyllabik (édité en vinyle à 1000 exemplaires) et You Can't Go Home Again . En attendant la primeur de Six days , nous vous invitons d'ailleurs à retrouver le clip de You Can't Go Home Again , proposé en découverte le 17 mai 2002. (
Wong Kar-Wai Posters Your Online Store of wong karwai Posters. wong kar-wai Posters. Movie Posters Directors wong kar-wai. Click Here For All wong kar-wai Posters More Posters http://www.movie-posters-store.net/c8990-wong-kar-wai.html
The Films Of Wong Kar-wai of beasts, a delicate swordswinging action film, Ashes of Time revolutionizes theperiod heroic format in much the same way director wong kar-wai created a http://www.mondo-digital.com/ashesoftime.html
Extractions: Color, 2000, 97 mins. / Written and Directed by Wong Kar-wai / Starring Tony Leung, Maggie Cheung, Ping Lam Siu / Music by Mike Galasso / Cinematography by Christopher Doyle and Mark Lee Ping-bin Criterion (MSRP $39.98) / Letterboxed (1.85:1) (16:9) / Dolby Digital 5.0 Originally planned under the title Summer in Beijing , this evocative drama continues the string of Wong Kar-wai masterpieces named after pop standards (e.g., Happy Together ). Though the director already enjoyed a solid arthouse and cult reputation, In the Mood for Love garnered his widest mainstream acclaim thanks to its dizzying atmosphere and the star power of its two leads, a period dressed pairing made in movie heaven. In 1962 Hong Kong, newspaper man Chow (Tony Leung) and his wife move into an apartment where another couple by chance is also settling in down the hall. Left alone to unpack due to his wife's perpetual absence, Chow strikes up a silent rapport with the other couple's female half, Li-zhen (Maggie Cheung), a secretary whose husband also leaves her constantly in solitude. They pass each other on the stairs and in the hall, but significant clues lead to an encounter in a noodle shop where they realizes their respective spouses are having an affair. The tentative friendship which blossoms between them, indicating a potential for passion which may never erupt. The succulent, dreamy air of
Eye - Wong Kar-Wai's Happy Together - 1 - 12.04.97 Beginning of the end. Love dies in wong karwai's Happy Together. REVIEW. HAPPYTOGETHER. Written and directed by wong kar-wai. (STC). BY JASON ANDERSON. http://www.eye.net/eye/issue/issue_12.04.97/film/coverwong.html
Extractions: eye - Starring Leslie Cheung, Tony Leung and Zhang Zhen. Written and directed by Wong Kar-Wai. (STC) BY JASON ANDERSON Anguish and alienation have rarely seemed as attractive as they d o in the films of Wong Kar-Wai. In the 39-year-old Hong Kong director's previous films of the decade Days of Being Wild Ashes of Time Chungking Express and Fallen Angels characters divulge their feelings only in voiceovers, remaining pensive, solitary and gorgeous to the end. Even the most ardent lovers rarely get the chance to meet. While they have the advantage of actually knowing each other, the lovers in Happy Together , Wong's second film to be released in North America, are only marginally better off. The flighty Ho Po-Wing played by actor/pop star Leslie Cheung, best known in the West for Chen Kaige's Farewell My Concubine and the sullen Lai Yiu-Fai Tony Leung of John Woo's Hard Boiled and most of Wong's previous films make love vigorously only once, in the first scene. They've come from Hong Kong to Argentina to "start over," but everything quickly unravels. In Buenos Aires, Ho becomes a hustler and Lai works as a doorman at a tango bar. Their relationship erodes further as Ho convalesces in Lai's bedroom after being beaten by a trick. They're unable to tear away from each other so they can only tear
Wong Kar-Wai Return to People Archive S W, wong kar-wai, (director, writer, producer,renowned auteur), selected filmography. Final Victory (1987)writer. http://www.lovehkfilm.com/people/wong_kar_wai.htm
Extractions: home reviews features people ... Return to People Archive S - W Wong Kar-Wai (director, writer, producer, renowned auteur) selected filmography Final Victory (1987)[writer] The Haunted Cop Shop (1987) [writer] As Tears Go By (1988)[director][writer] Days of Being Wild (1990) [director][writer][producer] The Eagle Shooting Heroes (1993) [producer] Ashes of Time (1994) [director][writer][producer] Chungking Express (1994) [director][writer][producer] Fallen Angels (1995) [director][writer][producer] Happy Together (1997) [director][writer][producer] First Love - Litter on the Breeze (1997) [producer] In the Mood for Love (2000) [director][writer][producer] Chinese Odyssey 2002 (2002) [producer] 2046 (2003)[director][writer][producer] back to top
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Extractions: Home Profile Biography Gallery News ... Links Wong, Kar-Wai Profile Gender : Male Nationality : Hongkong Location : Hongkong Place of Birth : Hongkong Date of Birth : N.A. Biography Category : Director Actor Reference Gallery : MuziGallery (1 photos) Community Discuss : MuziCafe (BBS) Related : Chinastar Guestbook Voting Charm no votes yet Talent no votes yet Look no votes yet Figure no votes yet
Extractions: Opens Fri Feb 16 at Harvard Exit. At the end of Wong Kar-wai's Fallen Angels , we find two lovers on a motorbike, racing through an underground tunnel. Suddenly everything hits slow-motion and we sense that something is up ahead. What is it? Are they about to break out into the open country? No, the lovers break out into a financial district with a crop of corporate headquarters rising hazily up into the morning twilight. What is significant about this scene is that the city vs. country binary order and its related formations (evil/good, closed/open, dirty/ clean) are rejected, and as a consequence, Hong Kong (unlike the New York of Taxi Driver ) is never questioned, doubted, viewed as a problem that must be corrected. Like Fallen Angels , Wong Kar-wai's new film, In the Mood for Love , which is set in Hong Kong in 1962, takes place in closed spaces, narrow streets, steamy basement restaurants, shared apartments, and low-ceilinged offices. Yet not once during the sensuous course of the film do we feel claustrophobic or the terror of continued proximity with strangers or neighbors. The reason why is that the small spaces are never contradicted. They are not haunted or challenged by wide-open space. Even the final sequence of the movie, which finds the hero, Tony Leung, contemplating life among some ancient ruins in a faraway rural area, does not denounce the small spaces of his Hong Kong world. Unlike the end of
Extractions: Home Local Business Technology ... Shop by Joshua Smith - May 28th, 2001 The Follow , a new film by critically acclaimed director Wong Kar-Wai, premiered on BMW Films.com last Friday. The Follow is the third installment of "The Hire" - an unprecedented web-based entertainment project that consists of five original films executive produced by filmmaker David Fincher, whose credits include such hits as Fight Club The Game and . The innovated project is managed by LA-based multimedia entertainment company Anonymous Content, and underwritten by BMW, whose vehicles are featured in each short. A poet of modern alienation, Wong Kar-Wai's universe is populated with characters both dark and comic, magical and existential. Wong Kar-Wai won the Best Director prize at the Cannes Film Festival for his 1997 film, Happy Together , and enchanted audiences this past year for his most recent work, In the Mood for Love . The short drama that Wong Kar-Wai has directed for this project has been equally acclaimed, with Time magazine describing the piece as "a fine, full movie in miniature, a perfect showcase for the director."
As Tears Go By, De Wong Kar-wai Translate this page As Tears go by, de wong kar-wai. Por Emilio Toibero. Una opera 1988. Cantonés,color, 102m. Dirección y guión wong kar-wai. Intérpretes http://www.otrocampo.com/criticas/astearsgoby.html
Extractions: Citizen Kane (Orson Welles, 1941) o A bout de souffle Shadows , (John Cassavetes, 1960) o Cronaca di un amore Running Scared (David Hemmings, 1972) o Blood Simple (Joel Coen, 1984) y, finalmente, aquellas que adquieren importancia debido al posterior devenir de su autor como The Boy With Green Hair (Joseph Losey, 1948) o As Tears Go by gags Final Victory
Wong Kar-wai Revisitado Translate this page wong kar-wai revisitado (Avanzando hacia el misterio). Por Emilio Toibero.1. Cantonés, color, 102m. Dirección y guión wong kar-wai. http://www.otrocampo.com/6/wkw_revisitado.html
Extractions: (Avanzando hacia el misterio) Citizen Kane (Orson Welles, 1941) o A bout de souffle Shadows , (John Cassavetes, 1960) o Cronaca di un amore Running Scared (David Hemmings, 1972) o Blood Simple (Joel Coen, 1984) y, finalmente, aquellas que adquieren importancia debido al posterior devenir de su autor como The Boy With Green Hair (Joseph Losey, 1948) o As Tears Go by gags Final Victory
Interviews wong kar-wai - 17 Mai 1997 16.30 Dernière Leréalisateur wong kar-wai a très bonne réputation. Film http://www.cannes-fest.com/wong.htm
Extractions: - 17 Mai 1997 16.30 Dernière conférence de presse avant la palme. Happy Together est un film très attendu sur la croisette. Le réalisateur Wong Kar-Wai a très bonne réputation. Film événement, hier soir la salle fut en tous cas séduite. Ce matin, la presse asiatique est particulièrement présente. Wong Kar-Wai (réalisateur), Tony Leung Chiu-Wai et Chang Chen (acteurs) suivi de Christopher Doyle (chef opérateur) font leur entrée sous une pluie d'applaudissements. Depuis le début du festival, c'est une des rares fois où l'accueil est aussi chaud. Happy Together se passe en Argentine, au début le film devait s'appuyer sur le roman Buenos-Aires Affairs mais au fur et à mesure, Wong Kar-Wai s'en est éloigné : Ce fut difficile car on ne connaissait pas l'argentine, ça a évoluer .En fait ce film parle de Honk-Kong surtout. Au sujet de l'homosexualité des deux personnages principaux, Wong précise tout de suite sa vision des choses : Ce film n'est pas seulement sur deux hommes mais sur la relation humaine, la communication humaine et les moyens de la maintenir ; c'est deux hommes mais ça pourrait être n'importe quel autre couple.
Movie Review: Wong Kar-wai's "In The Mood For Love" wong karwai's In the Mood for Love Reviewed by Edward Shei The ChineseDiaspora has provided the world with some of the best filmmakers http://www.chinanow.com/english/shanghai/city/movies/moodforloveprint.html
Extractions: The Chinese Diaspora has provided the world with some of the best filmmakers of the turn of the millennium, including celebrated action director John Woo and Taiwanese filmmaker Edward Yang. Perhaps the most influential and internationally respected among them all, however, is Wong Kar-wai, one of the last film-auteurs in the tradition of French New Wave cinema and one of the last great mood creators in the world of film. Wong Kar-Wai has recently emerged from a three-year hiatus following the art house and Cannes-winning hit Happy Together to write, produce and direct In the Mood for Love ( Huayang Nianhua It is 1962 in Hong Kong. Maggie Cheung plays Su Lizhen, a secretary at a shipping firm, who first meets journalist Chow Mo-wan, played by Tony Leung, when they move into adjacent apartments in a claustrophobic building. Both are exiles from Shanghai, and the spouses of both are conspicuously absent. We soon learn that their respective spouses are having an affair, a discovery that leads Su and Chow to come together, but eventually also to separate. Wong has never placed a high priority on narrative in his films, though, and to focus obsessively on the plot is to completely miss the point of his stories. By cutting away the plot to its barest essentials, Wong is free to create a slow motion world where characters, setting, and atmosphere crystallize under his breathtaking directorial skill.
Movie Review: Wong Kar-wai's "In The Mood For Love" wong karwai's In the Mood for Love Reviewed by Edward Shei The ChineseDiaspora has provided the world with some of the best filmmakers http://www.chinanow.com/english/shanghai/city/movies.html
Extractions: choose subject art galleries bars books buy/sell calendar cd's clubs community concerts consulates culture daytrips discos education exhibitions history hotels housing jobs offered jobs wanted live music maps medical movies music organisations personals phototour relocation restaurants sights sports/leisure teaching theaters touristinfo The Chinese Diaspora has provided the world with some of the best filmmakers of the turn of the millennium, including celebrated action director John Woo and Taiwanese filmmaker Edward Yang. Perhaps the most influential and internationally respected among them all, however, is Wong Kar-wai, one of the last film-auteurs in the tradition of French New Wave cinema and one of the last great mood creators in the world of film. Wong Kar-Wai has recently emerged from a three-year hiatus following the art house and Cannes-winning hit Happy Together to write, produce and direct In the Mood for Love ( Huayang Nianhua It is 1962 in Hong Kong. Maggie Cheung plays Su Lizhen, a secretary at a shipping firm, who first meets journalist Chow Mo-wan, played by Tony Leung, when they move into adjacent apartments in a claustrophobic building. Both are exiles from Shanghai, and the spouses of both are conspicuously absent. We soon learn that their respective spouses are having an affair, a discovery that leads Su and Chow to come together, but eventually also to separate.
Wong Kar-Wai - ForeignFilms.com wong karwai Add to my favorites Email this page to a friend Rate filmsBorn 1958 Shanghai, China. Merchandise. wong kar-wai http://www.foreignfilms.com/person.asp?person_id=1064
Extractions: Love Denied Part 1: Wong Kar-Wai and Eric Rohmer feel frisky Zouzou thinks infidelity is just dandy New York theaters are currently showing two movies from different cultures and different decades filmed in wildly different styles that are about the same thing: the temptation of an extramarital affair. One of them, Wong Kar-Wai's "In the Mood for Love," is a new release, the other, Eric Rohmer's "Chloe in the Afternoon," is nearly 30 years old. Both films - stylistically as different as they could be - hit home with uncanny power, one through rational observation, the other through its wordless suggestiveness.
Extractions: NYFF 2000 REVIEW: Wong Kar-wai's Beautiful, Sad Lament for Love Denied in Hong Kong Patrick Z. McGavin [EDITOR'S NOTE: Patrick Z. McGavin reviewed Wong Kar-wai's "In The Mood For Love" last spring in Cannes (where it was awarded two prizes) for indieWIRE. Tonight the film will screen as part of the New York Film Festival. USA Films will release the picture in February, 2001] A movie suffused with a ravishing physical beauty and an infinite sadness, Wong Kar-wai 's " In the Mood for Love " is a devastating piece of work. It marks a vital and necessary move away from the signature aesthetic that made his reputation, to extend his art in new and invigorating directions. This virtuoso moviemaker withholds the very impulses that have defined his movies their flamboyance, movement and intensity in favor of an emotionally acute examination of love, loss and regret. He reveals new dimensions, conceptually, emotionally, in a body of work that has made him one of the most exciting directors working anywhere. In many respects this is Wong's most conservative, classically structured film. It is a restrained, interior work that functions in a wholly different way than his previous films. The film has a visual texture dark, velvety blacks, crystalline, piercing reds and diaphanous blues of haunting beauty that woven together create and sustain a musical, lyrical rhythm. The movie is bound to frustrate some people; there isn't a great deal of plot, and it is a movie more attuned to feeling, mood, and longing than the visceral, boldly expressive action of Wong's "
Extractions: INTERVIEW: The "Mood" of Wong Kar-wai; the Asian Master Does it Again by Anthony Kaufman /indieWIRE (indieWIRE/ 02.02.01) It's only February, granted, but Wong Kar-wai 's " In the Mood for Love " may very well turn out to be the best movie of 2001. Winner of a special technical jury prize at last year's Cannes Film Festival (for its production designer William Chang , and cinematographers Christopher Doyle and Li Ping-Bing ), "In the Mood for Love" makes a strong case for making movies on celluloid in the new millennium. Wong Kar-wai's 7th feature film is a wonder to behold; sumptuously designed, gorgeously colored, profoundly sad this is a movie you can simply drown yourself in. After already staking a claim as the most exciting filmmaker on the planet, Wong just keeps getting better. With a series of near or total masterpieces to his credit " As Tears Go By Days of Being Wild Ashes of Time Chungking Express Fallen Angels ," and " Happy Together " the Chinese director continues to explore themes of solitude and desire with "In the Mood for Love," a love story set in 1960s Hong Kong about two neighbors whose respective spouses are having an affair with each other.
An Exchange On Wong Kar-wai's Film In The Mood For Love An exchange on wong karwai's film In the Mood for Love. 21 May 2001. I would hardlyblame wong kar-wai for the manipulations of the American film industry. http://www.wsws.org/articles/2001/may2001/corr-m21.shtml
Extractions: for world domination Oppose US war ... Correspondence 21 May 2001 Use this version to print Send this link by email The following is a letter on the WSWS review of the film In the Mood for Love , followed by a reply by Arts Editor David Walsh. Some thoughts on David Walsh's review on In the Mood for Love http://www.wsws.org/articles/2001/mar2001/mood-m20.shtml It is obvious what background David Walsh is from, and how it shapes his view of how movies should be made. His critique on In the Mood for Love , is in my humble opinion, unwarranted precisely because of how Walsh's limited view is shaped. ITMFL ? If so, it is ironical that Wong Kar-wai is blamed for being commercial, considering that a few years ago audience demanded their money back after watching Ashes of Time and it is not only until recently that the Hong Kong mainstream audience started appreciating him a little bit.
Letters And A Reply On Wong Kar-wai's In The Mood For Love Letters and a reply on wong karwai's In the Mood for Love. 30 May 2001. Mostof the film world worships wong kar-wai, as witnessed recently in Cannes. http://www.wsws.org/articles/2001/may2001/corr-m30.shtml
Extractions: for world domination Oppose US war ... Correspondence 30 May 2001 Use this version to print Send this link by email Below we are posting three letters sent to the WSWS An exchange on Wong Kar-wai's film In the Mood for Love , as well as a reply to a reader by WSWS Arts Editor David Walsh. Dear Mr. Walsh, In the Mood for Love. Your comments on the film are the first I have read by you, and I agree with many of the sentiments you expressed. Since reading this review I have since read many of your other reviews, and have discovered we share similar views. This is particularly true with regard to Chinese-language films. What a joy it was to read your views of In the Mood for Love.
