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Riley Peter:     more books (100)

Passing Measures: Selected Poems (Poetry Pleiade) by Peter Riley, 2001-03-01 Energy Cycles (Cycles in Science) by Peter D. Riley, 1999-01-18 Woodland Life (Science in Our World) by Peter D. Riley, 1991-09-26 Survivors Science in the Rain Forest (Survivor's Science) by Peter D. Riley, 2005-09-15 Light and Sound (Signposts to Science Series) by Peter D. Riley, 1987-11 How Animals Move (Ways into Science) by Peter Riley, 2008-08-14 Inventions (Hot Topics) by Peter D. Riley, 2008-01-07 Anglo-Saxon Invaders and Settlers (Step-Up History) by Peter D. Riley, 2005-10-26 Space: Our Solar System and Beyond (Real Scientist) by Peter Riley, 2008-11-13 Longings of the Acrobats: Selected Poems by Nicholas Moore, 1990-07 Biology Now! 11-14 by Peter D. Riley, 1998-09-23 Dinosaurs (Hot Topics) by Peter D. Riley, 2007-06-04 Science and Life (Signpost to Science Series) by Peter D. Riley, 1988-05 Ocean Life (Fact Files) by Angela Royston, Peter Riley, 2000-05-25

lists with details

41. Peter Joseph Riley (1892-1954) And Margaret Riley (1899-1992) Of
    peter Joseph riley (18921954) and Margaret riley (1899-1992) of JohnsonCity, Tennessee. Margaret (Mrs. peter Joseph riley) (b. 26  
    http://www.contrib.andrew.cmu.edu/~jw3u/riley.html
    
    Extractions: Peter Joseph Riley (1892-1954) and Margaret Riley (1899-1992) of Johnson City, Tennessee Margaret (Mrs. Peter Joseph Riley) (b. 26 June 1899, d. 26 August 1992) married Peter Joseph Riley (b. 27 August 1892, d. 13 January 1954), a nightwatchman at a lumber yard. Margaret's mother was Minnie Wilcox White and father was James J. White . Peter's father was from Ireland, and his siblings are John Riley (b. 23 December 1885, d. 5 August 1945) and Mary C. Smith (b. 19 February 1882, d. 11 October 1959).

42. Peter J. Riley
    http://www.ph.utexas.edu/~riley/

43. Jacket 2 - Peter Riley - Three Poems
    peter riley. Three Poems. peter riley and friend, Cambridge (UK),1997. Photograph copyright © John Tranter, 1997. Château Musar.  
    http://jacketmagazine.com/02/riley02.html

44. Jacket 21 - Peter Riley - Second Sett
    peter riley. This material is copyright © peter riley and Jacket magazine 2002The URL address of this page is http//jacketmagazine.com/21/riley.html.  
    http://jacketmagazine.com/21/riley.html

45. Peter Riley Shupe, B: 1830 - Wythe County, Virginia
    peter riley Shupe Born 20 Oct 1830 Wythe County, Virginia Marr 23 May 1850- Died 24 Aug 1899 - Other Spouses Cynthia Lockain Born - Died - Other  
    http://www.gedhtree.com/welkmayn/gp325.htm

46. Peter Riley Shupe, B: 1830 - Wythe County, Virginia
    Husband peter riley Shupe Born 20 Oct 1830 Wythe County, Virginia Marr 23 May1850 - Died 24 Aug 1899 - Father peter Shupe(Shoop) Mother Sarah Wright  
    http://www.gedhtree.com/gp325.htm
    
    Extractions: Husband Richard Wright Born: 1739 - Grayson, Virginia Marr: - Died: 25 May 1820 - w/p, Grayson Co., Virginia Father: Mother: Other Spouses: Sarah ?Unknown Wife Born: - Died: - Father: Mother: Other Spouses: Children William Wright Born: 1758 - of Grayson, Virginia Marr: - Susannah Ingram Died: BEF. 1882 - of Grayson, Virginia INDEX HOME EMAIL Generated Mar 1, 2003

47. Peter Riley - 1931 - Archive Photograph Gallery. Education, Arts & Libraries. Lo
    peter riley 1931. peter riley and his wife in about 1931. He workedas an oil lamplighter for Dagenham parish council. If you have  
    http://www.barking-dagenham.gov.uk/4-heritage/people/p-peter-riley.shtml

48. Peter Riley 1931 - Archive Photograph Galleries. Heritage And History. London Bo
    Picture of peter riley 1931 Click image for larger version peter riley1931. peter riley 1931 Click image for larger version peter  
    http://www.barking-dagenham.gov.uk/4-heritage/people/p-peter-riley.html

49. Peter Chowka Speaks With David Riley, MD
    of the mistletoe study in the journal he edits, David riley, MD went on the recordin a telephone interview from his home in Santa Fe, NM. peter Chowka Most  
    http://www.annieappleseedproject.org/petchowspeak.html
    
    Extractions: As a cancer treatment, Iscador/mistletoe is injected, almost always under a physician's supervision. It is generally used as an adjunct or complement to other treatments, conventional and unconventional. In Europe, and to a limited extent in the U.S., it is employed as one of a number of treatments of anthroposophical medicine, an alternative philosophical and healing system developed by Rudolph Steiner, PhD (1861-1925), a European scientist, philosopher, educator, and the founder of Anthroposophy. Contrary to Cassileth's assertions in People magazine, there are ample reports of mistletoe's value in treating cancer. James Gordon, MD, the chairman of the White House Commission on Complementary Alternative Medicine Policy, summarizes some of the promising research on pages 138-140 of Comprehensive Cancer Care (2000, Perseus Publishing).

50. Free Verse - Peter Riley
    peter riley was born 1940 near Manchester and now lives in Cambridge wherehe sells books. Copyright © 2003 by peter riley all rights reserved.  
    http://english.chass.ncsu.edu/freeverse/FV3/Poems/P_Riley.htm

51. Untitled Sequence By Peter Riley
    ISBN 1 903090 16 4. Click here to read an interview with peter riley conductedby Keith Tuma. See below for author's note and extract. Author's note  
    http://www.wildhoneypress.com/BOOKS/US.html
    
    Extractions: 13x21 cm, 16 pages, 250 gsm green Strata card cover, hand sewn with green twist. The cover image is from an old physics book showing a longitudinal wave. ISBN 1 903090 16 4 Click here to read an interview with Peter Riley conducted by Keith Tuma. See below for author's note and extract. Author's note: A set of poems which in its first incarnation was the fifth and last section, subtitled 'Germany', of The Linear Journal , which was published by Grosseteste Review Books in 1973. Its reading implies some acquaintance with this book, to which the first

52. Peter W. Riley - Schwebel, Goetz & Sieben - Minnesota Personal Injury Law Firm
    peter W. riley DIRECT DIAL 612344-0425 E-MAIL priley@schwebel.com I deeplyappreciate the honor I am given when asked to represent an injury victim.  
    http://www.schwebel.com/attorney/peter-riley.html
    
    Extractions: I deeply appreciate the honor I am given when asked to represent an injury victim. My goal is to see to it that my clients' needs are fully met. I accomplish that goal by working with my team here at the firm to assure regular communication with each of my clients, and by being as accessible as I can be.

53. Does Mr2.1 Actually Work ? -- Peter Riley -- 1999/12/09
    Subject does mr2.1 actually work ? From peter riley peter_r@glassworks.co.uk .Date Thu, 09 Dec 1999 120622 +0000. I have a  
    http://www.softimage.com/community/xsi/discuss/Archives/mental.archive.9912/msg0
    
    Extractions: Date Thread Author Search: Subject: does mr2.1 actually work ? From: peter_r@glassworks.co.uk Date: Thu, 09 Dec 1999 12:06:22 +0000 I have a volume shader that appears to work on single frames and sequences of 1 -200 frames but when I set off a render for 500 frames it ground to a halt after a while with the time per frame going from 1-2 mins to 30 mins. Is there a recognised fault with MR2.1 taking exponentially longer or is it more likely that my shader is shite? Cheers, Pete. Date Thread

54. Lens Shader/motion Blur In MR2.1 -- Peter Riley -- 2000/03/13
    Search , ,,, Subject lens shader/motion blur in MR2.1. From PeterRiley Peter_R@glassworks.co.uk . Date Mon, 13 Mar 2000 132232 0000.  
    http://www.softimage.com/community/xsi/discuss/Archives/mental.archive.0003/msg0
    
    Extractions: Date Thread Author Search: Subject: lens shader/motion blur in MR2.1 From: Peter_R@glassworks.co.uk Date: Mon, 13 Mar 2000 13:22:32 -0000 Hello, I've written a fisheye lens shader in both MR 1.9 and 2.1 for use with Soft SP2. Under NT, motion blur works fine with both versions, but using IRIX, motion blur is non existent for the 2.1 version. Any ideas? Cheers, Pete. Date Thread

55. Jacket 11 - Keith Tuma - An Interview With Peter Riley
    Keith Tuma An Interview with peter riley This interview is part of issue 4/5 ofthe magazine «The Gig», a booklength collection of essays on the work of  
    http://www.zip.com.au/~jtranter/jacket11/riley-iv-by-tuma.html
    
    Extractions: Keith Tuma: I have just been reading your essay "The Creative Moment of the Poem" in Denise Riley's collection, and I want to begin this interview with a question or two about it, or rather about your own work as it might be set beside some of the claims of that essay. [Peter Riley, "The Creative Moment of the Poem." In «Poets on Writing: Britain, 1970-1991», ed. Denise Riley, 92-113. Houndmills: Macmillan, 1992.] You are at some pains in the essay to define the poem as "an object between poet and reader which is both a means of communication and a barrier to communication," as an artifact "neither opaque nor transparent," a "body of light" which reflects "the need to say and be revealed crossed with the need to remain silent and secret." You set up a clear opposition between poetry and prose; unlike poetry, you say, prose has to do with a more "direct transmission" between writer and reader. "Prose, properly speaking, draws a thread from a singular past through an author and a construct to an imaginative reconstruction in the future." I want to use these remarks as background to a question about the prose in some of your own books. «Alstonefield», for example, opens with excerpts from your letters to Tony Baker. One might read these letters as, in part, meditation on the possibility and politics of pastoral poetry, but they are letters - direct address - to a real person who happens to be a poet. Then there's the prose opening «Lines on the Liver», which is full of provocative claims about the nature of the self and desire, industrial "encrustation" and "marine fossil energy in suspension which has men mining in their sleep," and so on. The prose there, as also to a lesser extent in the letters to Baker, sometimes takes the form of rhetorical questions - e.g., "Isn't the lack which drives us into work then something from a distance, if not distance itself?" The prose is meditative but it is also propositional - much the same might be said of the poems - though the questions do suggest a direct turn to a real or supposed reader.

56. Peter Riley: Alstonefield
    http://www.shearsman.com/pages/books/backlist/page4_riley1.html

57. Peter Riley: Snow Has Settled [...] Bury Me Here
    One can draw so much from peter riley's poems, because they are poemsby someone wholly in command of their art and their language.  
    http://www.shearsman.com/pages/books/backlist/page4_riley2.html
    
    Extractions: ...They are not fashionable poems, they won't win prizes, they probably won't be broadcast on the radio. They are, nonetheless, quite excellent. Martin Stannard, Poetry Quarterly Review One of the real pleasures of this book, apart from the many striking phrases and lines in particular poems, is the sense of rhythmic undulation of the poems taken as a group. The language can cary from the sinuously colloquial to echoes of a Spenserian poetic diction. The density of the poems varies from the most vitally immediate to the really quite gnarled and knotty... A fascinating book in which formal constraints give a tautness to the expression while also providing a system of coordinates which the poet explores and transforms. Randolph Healy, Orbis

58. - Creatop - Peter Riley
    peter riley. Managing Director peter has extensive experience in navigationdesign and computer mediated communication as well as  
    http://www.creatop.com.au/index.cfm?MenuID=127&&TopMenuID=23

59. Season's Greetings From Chris, Laurie, Peter, Riley, And Lise
    Freeze up at Fifteen Mile Creek. Our Holiday Message, Season's Greetings. Home.  
    http://web.uvic.ca/~lalonde/holidays/

60. Happy Holidays From Chris, Laurie, Peter, Riley, And Lise
    Christmas photos  
    http://web.uvic.ca/~lalonde/holidays/2001/

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