Equipment And Instruments/Stringed/Bowed Strings/Violin/Violinists Skwortsow, Alexander The concert violinist's official website. Booking and repertoryinformation; biography and sound samples. spalding, albert- Biography of http://iomusic.com/Equipment_and_Instruments/Stringed/Bowed_Strings/Violin/Violi
Strings ( 826) $20. Menuhin, Yehudi The Compleat violinist. Summit. 1986. The art of playingex tempore upon a ground ( 485) $75. spalding, albert Rise to Follow. http://members.aol.com/mussleuth/strings.htm
Extractions: Books Abele and Niederheitmann: . Longwood. 1977. Edition: Reprint of 1952 edition. Condition: VG. "Illustrated and described from many sources; together with a list of Italian and Tyrolese Violin Makers" Alton, Robert: Violin and 'Cello Building and Repairing . Cassell. 1946. Condition: VG, dj. (#1059) Auer, Leopold: Violin Playing as I Teach It . Stokes. 1930. Edition: 10th. Condition: VG. (#409) Brandt, Nat: Con Brio: Four Russians Called the Budapest String Quartet . Oxford. 1993. Condition: VG, dj. (#1024) Broadhouse, John: The Violin: How to Make It . W. Reeves. ca. 1910. Condition: VG. With 47 illustrations and folding plates, plus list of sale prices of old violins Bull, Inez: Ole Bull Returns to Pennsylvania . Exposition. 1961. Edition: 1st. Condition: G/g. (#1918) Chapin, Victor: The Violin and Its Masters . Lippincott. 1969. Edition: 1st. Condition: VG/g. (#1828) Corredor, J. Ma.: Conversations with Casals . Dutton. 1956. Condition: G (some pen markings). (#1294) Ginsburg, Dr. Lev: Tartini: His Life and Times . Paganiniana. 1981. Condition: VG. (#1574) Grimson, S.B. and Cecil Forsyth:
American National Biography Online his playing comes closer to that of Kreisler than any other violinist of the Brownhad joined Maud Powell and albert spalding as part of the first wave of http://www.anb.org/articles/18/18-03638-article.html
Extractions: Brown, Eddy (15 July 1895-14 June 1974) , violinist and radio pioneer, was born in Chicago, Illinois, the son of Jacob Brown, a tailor and amateur violinist from Austria, and Rachel "Ray" Brown (maiden name unknown) from Russia. His mother, who had a keen interest in Christian Science, named him after Mary Baker Eddy. The Brown family moved to Indianapolis when Eddy was four. He took his first violin lessons from his father and then studied with Hugh McGibney at the Metropolitan School of Music (later Butler University's Jordan College), giving his first public recital at the age of six. In 1904 he traveled to Europe and entered the Royal Conservatory of Music in Budapest to study violin with Jenö Hubay. His teachers there included Eugene Ormandy and became a famous conductor.) The next year Brown opened the new hall at the Liszt Conservatory with a performance of the Mendelssohn concerto. In 1909 Brown graduated from the Royal Conservatory with an artist's diploma and the Premier Prix. That year he made his official Budapest debut with a performance of the Beethoven concerto. David Popper called it the best performance of the concerto that he had heard since Joseph Joachim. Brown continued his studies that summer with Hubay in Ostende and in October made his London debut at Albert Hall, playing the Tchaikovsky concerto with the London Philharmonic under Sir Landon Ronald. The renowned violin teacher Leopold Auer encouraged Brown to study with him in Russia. Brown agreed. After an extensive tour of England, Brown made his Russian debut and entered Auer's class at the St. Petersburg Conservatory the same month as did another prodigy
Classical Music And Record Collecting Guide - Clef Notes Classical music resources, record collecting help, articles on conductors, classical artists, composers, Category Arts Music Styles Classical Classical Artists Glenn Gould interviews Glenn Gould a classic from the GlennGould Archives in Canada albert spalding - Virtuoso violinist, spy and heir http://www.nviclassical.com/features.html
Extractions: It always happens first on records. And let's face it, most of us listen to classical music recordings much more often than live classical music, and there's more historical classical music being reissued on CD than new classical music recorded. The Clef Notes directory is a resource for historical classical music and the artists and conductors who made it live in our homes. You'll also find articles on classical record collecting and care.
Lybot.com: Musicians And Bands > A: 351 - 375 Extensive reviews and audio samples. 360, albert spalding Biography of violinist,albert spalding. 361, Albrechtsberger, Johann Georg (1736 1809. http://www.lybot.com/Musicians_and_Bands/Alphabet/A_351_375.htm
Entertainment ... Violin Category At SunSteam Search writing, albert spalding Biography of violinist, albert spalding index Switch to page 1 2 ( 21 documents found ) Click to Visit. http://www.sunsteam.com/directory/Entertainment/Music/Artists_and_Bands/Classica
Jascha Heifetz By Tim Page a spacious, elegant, and altogether cherishable recording of the Mozart SinfoniaConcertante (K. 364) with the American violinist albert spalding, but when he http://www.newcriterion.com/archive/14/sept95/page.htm
Extractions: by Tim Page S Apparently, there were few events To date, there has not been a reliable life of Heifetz. And so The Heifetz Collection , a vast trove of sixty-five compact discs (arranged into forty-six self-sufficient volumes) issued earlier this year by BMG S static proven Wunderkinder RCA Victor, then RCA Red Seal, and has now been transmogrified into a division of BMG Classics. The exceptions are some fine performances for EMI The Heifetz Collection BMG was unable to secure the rights. (A London-based magazine called The Strad was an absolute master of the violin miniature. And, because the one-sided 78- RPM H portamento everything The Heifetz Collection contains two chimerical renditions of the Glazunov Concerto in A minor; only Michael Rabin, on EMI H music RPM H agitato Sturm und Drang there The forty-sixth and final box in The Heifetz Collection USC The New York Times T The Heifetz Collection speaks volumes. From The New Criterion Vol. 14, No. 1, September 1995 Back to the top www.newcriterion.com
Klassik Suchmaschine - Klassische Musik Im Internet, Konzerte, Tickets, Orcheste Translate this page The World violinist Links Sehr umfangreiches Verzeichnis va englischsprachigerLinks www2.osk.3web.ne.jp spalding, albert Biographie, Diskographie etc. http://www.vioworld.com/de/suchmaschine/main_sub.asp?rubrik_id=50&rubrik_string=
Instrumentalists: Catalog 37 d/s below laid down sepia magazine photo showing the elderly violinist and teacherd spalding, albert SP 10 x 13 Matzene Chicago sepia shot of the very young http://www.rgrossmusicautograph.com/instrument37.html
Extractions: ARRAU, Claudio- 2 sided broadside 7 1/2 x 10 1/2 for concert at the Teatro Municipal Vina del Mar, Chile ( his homeland )- he boldly signs image on front side showing him late 40s-early 50s at the piano- the photo is captioned "EL PIANISTA GRANDE ENTRE LOS GRANDES"-verso has the program. This had been folded and is a bit scuffed but an unusual souvenir
Instrumentalists - Catalog 31 spalding, albert SP 7 x 9 photo of the popular American violinist playing ..$75 161. http://www.rgrossmusicautograph.com/instrument31.html
Dir For Gabales.com Diana Open this link in a new window Concert violinist, teacher, and recordingartist. Links to recordings and publications. spalding, albert Open this link http://dir.gabales.com/Arts/Music/Instruments/Stringed/Bowed_Strings/Violin/Viol
Chicago Historical Society - S Index South, Eddie, jazz violinist, 17/3+429. spalding, albert G., sporting goods magnate,18/25 (see also spalding, AG Company); and Libby Prison Museum, 23/161. http://www.chicagohs.org/pubs/s88index.html
Extractions: S. M. C. Cartage Company: site of St. Valentine's Day Massacre, 19/1+2:84 S. Thal (ship): and Christmas tree trade, 21/3:53 Sabath, Adolph J., alderman, 23/1: Sabota, Lou, 20/3+4:64 Sacco and Vanzetti trial: and Calvin Goddard, 19/1+2:85 Saigon, fall of, 23/3: St. Adalbert's Church, 18/4: St. George's Methodist Church, Philadelphia: and segregation of African Americans, 19/3+4:31 St. Ignatius College: see Loyola University St. Ignatius College Prep School, founded by Holy Family Church, 22/3:39 St. James Episcopal church, 23/1: St. Louis Giants (baseball team), 23/3:50 St. Louis Stars (baseball team), 23/3:50 St. Peter, Arthur, 20/3+4:56 St. Phillippe (church): founded 1720, 18/4:70 St. Stanislaus Kostka Church, 18/4: St. Valentine's Day Massacre, 19/1+2:8487, 25/2: Ste. Genevieve (church): founded 1740s, 18/4:70 Saint-Gaudens, Augustus, sculptor: selected for McMillan Commission, 18/4:35; Lincoln statue, 25/1:13, Salesmen, traveling, 17/3+4:419; "making" a town, 17/3+4:46; literary representations of, 17/3+4:5, 6, 7, 13, 1415, 16, 17, 20, 21; The Society of Commercial Travellers, 17/3+4:7; changes in business due to transportation and information improvements, 17/3+4:79, 25; trade magazines for, 17/3+4:
Extractions: Financial aid decisions are made for the full academic year on the basis of financial need, academic performance, and the availability of funds for your program of study. A student must demonstrate financial need, which is the difference between a student's educational costs and the amount the student and his or her parents are expected to provide as determined by an evaluation of the family's financial information. Eligibility for federal funds will be based on the student's and/or the family's financial information and formulas legislated by Congress. For the purpose of awarding University grant funds, standard institutional calculations will be applied to family financial information to determine need. These calculations have proven over the years to provide an equitable and reasonable assessment of a family's ability to contribute to educational expenses. The Free Application for Federal Student Aid (FAFSA) must be completed to apply for all federal financial aid. However, to be considered for University grant funds, undergraduates must also submit the College Scholarship Service (CSS) Financial Aid PROFILE.
Hilary Hahn performance of the concerto with the school's orchestra, led by Fritz Reiner, thoughthe official premiere came in 1941 with violinist albert spalding and the http://www.sonyclassical.com/artists/hahn/adnews.html
Extractions: Violinist Hilary Hahn premieres a new violin concerto written for her by American composer Edgar Meyer on a new CD which also features Samuel Barber's Violin Concerto. Joining Hahn for the recording are conductor Hugh Wolff and the Saint Paul Chamber Orchestra , with whom she collaborated in the world premiere performances of the Meyer concerto just a few days before the recording was made. "I could not be happier that a work with so much spirit, power, dramatic range and lyrical beauty is dedicated to me," Hahn said in describing the work, which she calls "a superb and challenging concerto by one of the most original composers writing in the late twentieth century." Coupled with it is a more established work that also has strong ties to the Curtis Institute of Music the Violin Concerto of American composer Samuel Barber. Barber, a Curtis alumnus, wrote his concerto in 1939 as a commission for a young violinist and Curtis graduate who was displeased with the final results. It was another Curtis student, Herbert Baumel, who proved in an impromptu test that the concerto's finale was not "unplayable" as had been suggested. Baumel gave the unofficial first performance of the concerto with the school's orchestra, led by Fritz Reiner, though the official premiere came in 1941 with violinist Albert Spalding and the Philadelphia Orchestra under Eugene Ormandy.
Classical Music CDs And Classical Records Serge KOUSSEVITZKY (conductor) Willem MENGELBERG (conductor) Nathan MILSTEIN (violinist)Fritz REINER (conductor) albert spalding (violinist) Peter RYBAR http://www.prex.com/buy-more/Classical-Music-CDs-LPs.html
Extractions: Princeton Record Exchange We stock over 10,000 Classical Music CDs and 10,000 Classical records! Visit Princeton Record Exchange and browse through our extensive selection including a myriad of Romantic, Renaissance, Baroque, Orchestral, Chamber Music, Vocal Recitals, Opera, and much much more. Our budget priced Classical CD section includes over 3,000 Classical music CDs priced from $1.99 - $4.99 each. Most other used Classical music CDs sell for between $6.99 - $9.99 per disc. Please Note: We do not currently sell by mail order, or publish a catalogue, mainly because our inventory changes greatly from day to day. Our selection of Classical music CDs and classical records includes many vintage pressings from the 50s and 60s to contemporary recordings. Selling To Us
Sell Classical Music CDs And Sell Classical Records Quartet Serge KOUSSEVITZKY conductor Willem MENGELBERG conductor Nathan MILSTEINviolinist Fritz REINER conductor albert spalding violinist Peter RYBAR http://www.prex.com/sell-classical.html
Extractions: We pay top dollar when you sell Classical Records and classical music CDs to us. Call (609)-921-0881 to sell Classical Music and ask to speak with one of our friendly, knowledgeable appraisers, or fill out our online questionnaire , when you sell Classical Music CDs or Classical Records to us. Alternatively, click here to learn more information about selling CDs and Records to Princeton Record Exchange in general. When selling your Classical CDs and Records to us (and other music), we recommend you bring them into our New Jersey music store. If you cannot bring them yourself, you may send pre-approved titles via UPS or via Mail. We do not accept, nor will be held responsible for unauthorized merchandise. We pay up to $4 per disc for strong selling Classical Music CDs in excellent condition. Below is a price-range we pay for many different CD labels. Below is a specific listing of more desirable artists of special interest to us on both Classical Music CDs and Classical Records (see below for records). Please note when you sell Classical Music CDs to us that there are many artists and titles that we cannot use, due to lack of demand or overstock. When you sell Classical Music to us, please note that discs, cases, liner notes, records, and covers must be in excellent condition.
Performers ~ Sd Phila, 23 MAR 1917 Rye, NY, 24 JUL 2000) Am=violinist, cond., teacher. Sop; Spacagna,Maria (Providence, RI - )Am=Sop, MET 1990; spalding, albert ( - )Am=V; http://members.tripod.com/perfartists/sd.html
February 1, 2003: AMERICAN VOICES The upshot was the violinist's dismissal from the project. The premierewas given in 1941 by albert spalding and the Philadelphia Orchestra. http://www.norwalksymphony.org/febprog.html
Extractions: close window AMERICAN VOICES "Certain musical works seem to have careers of their own, independent of those of their authors. For several years after it was written, conductors programmed Music for the Theatre more frequently than any other piece of mine. I suspect that this was partly because of the jazz content in several of the movements. Music for the Theatre was written with no specific play in mind. It had started with musical ideas that might have been combined as incidental music to a play, were the right one at hand. The music seemed to suggest a certain theatrical atmosphere, so I chose the title after developing the ideas into five short movements." This introduction to Music for the Theatre by Aaron Copland (1900-1990) himself can be amplified only by mentioning that Serge Koussevitzky commissioned the work for the Boston Symphony Orchestra, and that it was written and premiered in 1925. This was the height of the Jazz Age, a year following the premiere of George Gershwin's Rhapsody in Blue (though there is little connection between Gershwin's idea of jazz and Copland's). Describing the Prologue, the composer writes
Edward MacDowell lessons at eight with Juan Buitrago, a Columbian emigré living with the MacDowells(later the teacher of the American violinist, albert spalding), and took http://www.eroica.com/phoenix/jdt148-emd.html
Extractions: After marrying Marian Nevins, MacDowell settled for about three years (1885-1888) in Wiesbaden where the couple received among other musical friends, George Templeton Strong, Jr., George Whitefield Chadwick, Arthur Foote, and most importantly, Benjamin Johnson Lang, one of the arbiters of musical taste in Boston. Lang subsequently convinced MacDowell to move to the Boston area to pursue his career as a composer, performer, and teacher. He made his American debut in Boston as composer-pianist at a Kneisel Quartet concert at Chickering Hall, November 19,1888 playing three movements from his First Modern Suite and assisting in Goldmark's Piano Quintet in B-flat. On Lang's recommendation, Wilhelm Gericke invited MacDowell to play Ids new Second Piano Concerto, Op. 23, with the Boston Symphony Orchestra in the spring of 1889, but he actually played the work with an orchestra under Theodore Thomas in New York, s Chickering Hall on March 5, 1889, a month before the Boston concerto April 12, The conductor Frank van der Stucken invited MacDowell to play the concerto in a concert of American music at the Paris Exposition Universelle on July 12. From that inaugural year of 1888 to 1896, when he left Boston to accept an appointment as Columbia University's first professor of music, MacDowell's successes as a virtuoso and composer continued unabated. It was during this period that most of the major works on which his reputation as a composer rests were created: Hamlet and Ophelia, Op. 22; Lancelot and Elaine, Op. 25; Six Love Songs, Op. 40; First Orchestral Suite, Op. 42;Sonata tragica, Op.45; Eight Songs, Op. 47; The Indian Suite (Second Orchestral Suite), Op. 48; Sonata eroica, Op, 50; and Woodland Sketches, Op. 51.
