Joel Quarrington - Double Bassist I'm just violinist, but it sounds interesting! I'll be back. mayumi seiler mailtomdkent@interlog.comat Wed Feb 3 233829 1999. Thanks for the inspiration! http://www.interlog.com/~henshaw/guest.html
The Wholenote Magazine opera orchestra in Hamburg, and Midori seiler, the youngest, is a freelance violinistand baroque solo performer in Berlin. According to mayumi, they played http://www.thewholenote.com/wholenote_june_00/cover_story.html
Extractions: by Allan Pulker L ooking back over the 1999-2000 music season, the things that meet the eye first, are discordant the traumatic TSO strike; the seemingly endless machinations that threaten to undermine yet again the long overdue Toronto opera house; the very sad demise of the Ford Centre music series; and the close call, just weeks ago, for the Downtown Jazz Festival. To this litany, one could add a 40% reduction in Ontario Arts Council funding over the past four years; continuing budget woes at the CBC; and what looks like the planned systematic destruction of music education in our public schools. But the pages of WholeNote offer another view of the season: the many, many small details that together are evidence of the healthy abundance in our musical scene. T he choral scene is flourishing, with new choirs, like VocalPoint and The Riverdale Childrens Chorus being created, and older ones (too numerous to mention all by name) attracting new members and presenting innovative repertoire to (usually) large audiences. A sign of this strength: one of our choirs, the Exultate Chamber Singers, not only won in its category in the CBC Choral Competition, but also won the top prize as the most outstanding choir.
Glenn Gould Studio March 1999 Schedule violin This allMendelssohn program features the dazzling Canadian violinist MayumiSeiler performing Mendelssohns Concerto for violin and orchestra in D http://glenngouldstudio.cbc.ca/9903.html
Extractions: At the end of the 20th century, and the dawn of a new one, do we need a new understanding of God? Come and be part of the live studio audience for a spirited debate organized by the CBC Radio's Tapestry. Join Canadians from across the country who will be grappling with issues that cut to the heart of religious and spiritual experience, whether they be traditional believers, skeptics, or searchers who feel we need to replace the "old" story of God with a new
CBC Radio Two -- In Performance -- Listings August 2002 Andrew's Presbyterian Church. The Ottawa Chamber Music Festival presents. ViolinistMayumi seiler and pianist Walter Delahunt. Schumann, Violin Sonata No. http://www.radio.cbc.ca/programs/inperformance/2002/02Aug_listings.html
Extractions: with cellist Han-Na Chang Prokofiev, Symphony No. 1 "Classical" Prokofiev, Sinfonia concertante Mistery piece From McGill University's Pollack Hall "Bravo Bellini! Viva Verdi!" Concert marking the 100th anniversary of Verdi's death, and the 200th anniversary of Bellini's birth. Richard Raymond, piano
I FURIOSI - Guest Biographies Beginning his musical training as a violinist under the late Harry Gomez, he MayumiSeiler began her musical upbringing in Osaka, Japan, where she was born of http://www.ifuriosi.com/guests.htm
Extractions: Guillaume has recently directed Dal Male il bene, a baroque Commedia in Musica at the Innsbruck Festival of Early Music. He has been working in opera since 1996, when he started to collaborate as text advisor and assistant director with post-modern American choreographer Trisha Brown on her opera projects (Monteverdis L'Orfeo, 1998; S. Sciarrinos Luci Mie Traditrici, 2001, both at Théâtre Royal de La Monnaie, Brussels). Last year he directed a semi-stage production of Handels Saul conducted by René Jacobs, with Andreas Scholl in Brussels. He also remounted Stanislas Nordeys production of Claude Viviers Kopernikus in Montreal and Toronto. Canadian-born Guillaume Bernardi was raised and educated in France, where he studied French and Italian literatures at La Sorbonne. Subsequently, at the Graduate Centre for the Study of Drama at the University of Toronto, he directed, among other projects, Pirandello's It's Nothing Serious (1990) in his own translation and Racine's Bajazet (1992). Working as the assistant director to Robert Lepage for his visionary 1992 production of Macbeth was another marking experience. From 1993 to 1996, he worked with the Paris-based Compagnie du Samovar on a series of experimental productions of non-dramatic texts, with a strong emphasis on music and movement. Since 1997, Guillaume Bernardi has also worked regularly in Toronto, directing innovative pieces that embraces a highly physical style and new approaches to text. (The Progress of Love by Alice Munro (1999), Six Characters in Search of An Author, by L. Pirandello (2000) Duos based on poems by Anne Nenarokoff-Van Burek (2002).
WWW VL Classical Music: Artists, From Soloists To Orchestras Engelsviken (tenor); Jozsef Eotvos (guitar); Robert Eshbach (conductor/violinist); MayumiSeiler (violin); Dejan Sinadinovic (piano); Alim Shakhmametyev; Regina http://www.geocities.com/debmort2001/Html/soloists.htm
Extractions: Soloists. Bill Adam Tribute Web site (trumpet) Afrocentric Voices in Classical Music ; Biographies and bibliographies on African Americans in classical vocal music John Mark Ainsley (tenor) John Aler (tenor) Susan Allen (harp) Sir Thomas Allen (baritone) Valentina Alykova (violin) Janet Anthony (cello, chamber music) Ole Edvard Antonsen (trumpet) Ole Edvard Antonsen (trumpet) Fabio Armiliato (tenor) Bodil Arnesen (soprano) Susan Asbjornson (soprano) Franck Avril (oboe) Paul Ayres (organ) Thomas Bacon (horn) Suren Bagratuni (cello) Alison Baker (organ) Jean Jacques Balet (piano) Richard Bamping (cello) Kimberly Barber (mezzo-soprano) Daniel Barenboim (conductor, piano) Dame Josephine Barstow (soprano) Benjamin Bayl (organ) Patrice Michaels Bedi (voice) Jos Beijer (organ) Mary Bella (soprano) Rupert Bergmann (bass-baritone) Bart Berman (piano) Anne-Lise Berntsen (soprano) Roar Berg (tenor) Mark Bernat (double bass) (includes the artist's transcription and recording of the complete Bach suites for double bass) Alexander Besa (viola) John Marcus Bindel (bass-baritone) Gerald Blanchard (baritone) Michel Block (piano) Thomas Bloch ; (Glass Harmonica, Ondes Martenot, Cristal Baschet)
La Loge - Tuesday From St Andrew's Presbyterian Church The Ottawa Chamber Music Festival ViolinistMayumi seiler pianist Walter Delahunt Schumann, Violin Sonata No 2 Koprowski http://www.laloge.org/archives/august/27.htm
Extractions: The Italian opera-going public adored Meyerbeer, hailing each of his operas as even greater than the last Donald Macleod uncovers the stories of Meyerbeer's life in Italy, leading up to his first international success, Il Crociato in Egitto, which was performed as far afield as Constantinople, Havana and Rio de Janeiro
Extractions: AVIS AU LECTEUR Le lecteur devrait confirmer par téléphone les détails de chaque concert en cas de changement ou d'annulation. On trouvera les # de téléphone soit dans le calendrier dans la description de l'événement, ou dans la section « Lieux de concerts », ou sous le nom de la compagnie dans les « Abréviations ». Les prix sont arrondis au dollar près. Les prix sont ceux des billets pour le public général, pas pour les abonnés ou membres. Dans chaque section géographique, les concerts ont lieu dans la ville principale (d'après laquelle la section est nommée), et le numéro de tél est dans le code régional principal, sauf indication contraire.
