Perry Mason TV Season 9 Episodes 242-271 Mitch Lawrence Green as Medic Seamon glass as Joe Magistrate Shony Alex Braun asViolinist 254 The Kannon Peter Mamakos as Olaf Deering elisabeth Fraser as http://www.oz.net/~daveb/Season9.htm
Set Sale Records PierreYves Artaud, flute; elisabeth Chojnacka, clavecin Mikka / Mikka S PHILLIPGLASS Strung Out Peggy Pearson, oboist; Wilma Smith,violinist; Ivan Tcherepnin http://www1.shore.net/~stmusic/set_sale1.html
Extractions: The following are ALL LP RECORDS and are offered at Set Sale prices. Included are new and used records. They are arranged by LABEL. Please keep in mind that only single copies remain for the vast majority of these titles. Recordings are graded visually, but conservatively. The LP condition is noted first, jacket next (i.e. LP / JACKET): M: Mint, unplayed. M-: Excellent condition, sparingly played. VG+: Very good condition, with a minimum of surface marking. VG: Very good condition with light visible surface marks. VG-: Very good condition with some slight surface marks. payment in full due within 2 weeks of invoice. OTHER ABBREVIATIONS: ss: Still sealed gf: GATEFOLD JACKET INS: Insert or Booklet included. P: Promo record with sticker soc: sticker on cover coh: Cutout hole in jacket lc: Cutout with line cut in jacket cc: Cutout with cut corner on jacket woc: writing on cover wob: writing on back ioc: initials on cover Other specifics are noted where necessary concerning condition, etc. JEROME COOPER "Outer & Inneractions" ABOUT TIME 1008 [M/M] ss $ 10.00
Sheboygan County Calendar Of Events The Sculpture of M. elisabeth HigginsO'Connor growth systems in water, between glassand on Community Concerts violinist April Verch, Sensational diggling and http://www.sheboygan.org/culevents.htm
A. Portowiz, Mozart And Aristocratic Women 3340) may suggest the glass harmonica. K. 250, in honor of the marriage of ElisabethHaffner, who Countess as a keyboard player and the Count as a violinist. http://www.biu.ac.il/hu/mu/min-ad02/portowiz_mozart.html
Extractions: MOZART AND ARISTOCRATIC WOMEN PERFORMERS IN SALZBURG: A Study of the Piano Concertos K. 242 and K. 246 Adena Portowitz Bar-Ilan University Among recent approaches to Classic music, one of the most revealing is the investigation of expression via topoi . Pioneered by Leonard Ratner, and developed by leading musicologists specializing in 18th-century music, this system identifies characteristic figures and styles that conveyed specific meanings to 18th-century audiences via processes of association. These implications resulted from intimate contacts with everyday musical activities in worship, entertainment, dance ceremonies, the military, hunt, and outdoor events. Familiarity with such characteristic topoi and styles enables listeners and performers today to reconstruct the original venues of communication between composers and their audiences. much as Mozart provided his singers with arias that were tailored to their voices, The Lodron family, whose ancestor was the powerful Archbishop Paris Lodron (1619-53), served the Salzburg court throughout the 17th and 18th centuries. In addition to his political responsibilities, Archbishop Lodron laid the basis for Salzburgs musical life by founding the Benedictine University in 1622 and the new cathedral in 1628. This vast complex served as Salzburgs musical center, housing a permanent choir, particularly renowned string players, as well as wind players, organists, trumpeters, and timpanists. These performers participated in municipal festive occasions, where they provided a variety of outdoor music entertainment. Enriching the public concerts, members of the court, most often women, also nurtured private domestic concerts. Most specifically, Countess
Bernard Zaslav: Reviews who, while better known as a violinist, was a close friend and musical correspondentElisabeth, contributes three the deep tones of stained glass supple, yet http://www.viola.com/zaslav/reviews.htm
Extractions: (70 min; DDD) "The viola may possess neither the stratospheric brilliance nor the extroverted passion of the violin, but its mellow, yearning eloquence has inspired more than a few composers in the solo realm. 'Brahms and Friends', a two-CD set performed by the Zaslav Duo, further refutes the notion that the stringed instrument in the middle deserves to be the butt of jokes. The programme includes the two magisterial sonatas by Brahms (originally for clarinet, but beautifully adapted by the composer for viola), and pieces by friends, associates, or musicians for whom he provided encouragement or motivation. None of the obscure works on the disc comes close in quality to the Brahms sonatas, though each score abounds in appealing romanticism and highly skilled craftsmanship. Perhaps the finest are the Op 10 Variations for viola and piano by Joseph Joachim, who, while better known as a violinist, was a composer of formidable gifts whose expressive style may have rubbed off a bit on sometime-chum Brahms. Joachim's variations are lyrical and terse, with a hint of Hungarian blood toward the end that gives the set a distinctive tinge. The names of the other composers represented here - Carl Reinecke, Heinrich von Herzogenberg, Friedrich Kiel, Robert Fuchs, Hans Sitt - may ring only a bell or two, pointing out how undeserving musical neglect often can be.
PERFORMING ARTS - MEDIA For The ARTS Suzanne Vega, Dave Stewart and Philip glass. and brilliant , the world renowned violinistNadja Salerno by six operatic luminaries elisabeth Schwarzkopf, Joan http://www.art-history.com/acatalog/MEDIA_FOR_THE_ARTS_PERFORMING_ARTS_358.html
Prague/Budapest/Vienna Untour Diary, By Silver opera singers and a marvelous violinist performed in Visited several shops sellingglass, marionettes, jewelry minute orientation at the elisabeth Hotel near http://www.untours.com/triplogs/logs/pbv_prague_budapest__vienna_01_silver_1.htm
Extractions: choose one! Return to Home Page Request More Information What's An Untour? Untours at a Glance Common Questions Free Catalog Special Deals Idyll Chat Customer Comments Untour's EuroZine Trip Log Archive Travel Videos Merchandise Travel Library Useful Resources How To Reserve Make Untour Payments Reservation Form Travel Insurance Idyll Development Foundation About Idyll Complete Site Contents by Bob Silver , San Jose, CA *** Part 1 of 2 *** May 8 and 9, 2001. We left SFO on May 8 at around 6 P.M. from the beautiful new International Terminal. We flew on a British Airways 747. They really squeeze a lot of bodies into Economy class. We had our seats changed to bulkhead seats which provided a little more leg room. The seats, themselves, were still quite narrow. The individual entertainment centers at each seat were fun with a wide variety of movies, TV Programs and other features. Meals were OK. We arrived at London Heathrow, Terminal 4 at 12:45 P.M. local time. The walk into the terminal from the plane was very long. Then we took a bus to Terminal 1. This was good, because we had a lot of time to kill. We hung around the airport, made a phone call and then departed for Prague. The flight was 45 minutes late in departing, because five people had to leave the plane due to having expired visas, and it took that long to find their luggage. The 3+ hour flight was fine, but the food they served us was awful. From this point everything improved dramatically.
Redcliffe Recordings RR007 engagement, as a teacher and violinist at the of the sun shining through stained glasswindows. close contemporaries Michael Tippett and elisabeth Lutyens, but http://www.musicweb.uk.net/Redcliffe/RR007.HTM
Extractions: This recording has been made possible with financial assistance from the Worshipful Company of Musicians Priaulx Rainier was born on 3 February 1903 at Howick, Natal, South Africa. Her mother was English, her father of Hugeunot origin. Her childhood was spent in the remote vastness of Natal, on she borders of Zululand. She was unusually aware of the natural sounds around her; and of the traditional music of the natives, their festive processions, their endless beating of drums. In 1913 the family moved to Cape Town, and Priaulx began to study the violin. There was never any doubt that she was to become a musician, and in 1920 she went to London on a scholarship to study the violin at the Royal Academy. It was not until some years later; followings return visit to South Africa, that she felt the first impulse to compose; but in the meantime she obtained her first engagement, as a teacher and violinist at the Badminton School, Bristol. She developed great skill as a teacher; which was to make her much in demand later in life; and playing the violin in a string quartet also proved particularly beneficial.
Roots In Friesland, Halbesma Family, Part II He was a violinist with the Rotterdam Philharmonic Orchestra and c. Stephanie ElisabethKLAVER. He was a chemist and director of the Pieterman glass Company in http://home.wanadoo.nl/joop.lindeijer/genealogy/AHalbesmaGenealogy/index2.html
Extractions: Halbesma. My genealogical research involves the search for "descendants" and not "ancestors." For some time I have been researching the descendants of my 5th great grandparents, Jan Jans Helder and Jefke Cornelis Heeringa, who were married ca. 1747 at Sijbrandahuis, Friesland, the Netherlands. The Halbesma family line is one of many I am pursuing. The primary focus of my research is to trace the descendants of Jan Jans Helder and Jefke Cornelis Heeriinga. Inevitably, that research yields additional data not germane to that focus but pertaining to "collateral" lineage. I have added some of this additional information to the web page as Genealogical Extras. The Halbesmas descend from Jan Jans Helder and Jefke Cornelis Heeringa as follows:
Travel-scope Performing Arts 2001 a program of short films with music by glass. the Alban Berg Quartet, and violinistBenjamin Schmid by two top Schubert interpreters elisabeth Schwarzkoppf and http://www.travel-scope.com/performingarts/2001.htm
O'Connor Piano, MIDI Keyboard And Organ Studio film score, Cunningham said, I love glass's music almost in Moscow and the QueenElisabeth competition in bang on Saturday, opening with violinist Vanessa Mae http://www.oconnormusic.org/newsitems.htm
Reviews the century and teacher of elisabeth Schwarzkopf (PREISER 2 and other works with violinistJanice Graham Leonard Slatkin, and music for glass armonica performed http://classicalcdreview.com/reviews.html
Arlington Philharmonic Orchestra Soloists of Arlington is proud to present violinist Cristina Buciu As a student of ElisabethPhinney at the Opera Company, Through the Opera glass, Cambridge Chamber http://cfa160.harvard.edu/~rmc/arlphil/soloists.html
Extractions: N.B. Biographies current as of each soloist's most recent appearance Mozart Piano Concerto #23 in A (K. 488): April 1996 The Boston Globe has acclaimed pianist Donald Berman as an "essential" and "first-rate" pianist. He is a winner of the 1991 Schubert International Competition, Germany, and has been pianist and concert director for the Dinosaur Annex Music Ensemble since 1987. He has been a featured soloist on the Masters of Tomorrow series in Germany, under the auspices of French Cultural services, Boston's First Night , Tanglewood, the Art of the States and other radio programs, and with the Martha Graham Dance Company. He also has premiered works for Nuclassix, Real Art Ways, Guild of Composers (NY), and on concerts of commissioned solo works. Berman teaches at Tufts University and in Cambridge, where he is a tutor at Pforzheimer House (formerly North House), Harvard University, and has served as teaching assistant to Leonard Shure. He was an exclusive student of John Kirkpatrick, and has since edited and premiered works by Charles Ives. Originally from White Plains, NY, Berman studied with Mildred Victor and at Wesleyan University with George Barth. He received a Masters with Distinction from the New England Conservatory in 1988. Beethoven Violin Concerto in D (Op. 61): November 1995
Extractions: For this, his seventh soundtrack for director Peter Greenaway, Nyman deftly orchestrates a mix of strings, horns, and voices to produce another of his fetching and romantic minimalist backdrops. The opening "Memorial" is the highlight of the lot and drives along with stuttering saxophones, an insistent string arrangement, elegiac brass solos, and the soaring vocals of soprano Sarah Leonard Leonard would be featured on a large part of the Prospero's Books soundtrack). The piece was originally inspired by a 1985 Belgian soccer match tragedy, in which 39 Italian fans were killed.
District Calendar (washingtonpost.com) discusses works of Frank Lloyd Wright, 1 pm; glass artist Judith RECITAL, violinistElisabeth Batiashvili and pianist Benjamin Hochman perform Mozart, Schubert http://www.washingtonpost.com/wp-dyn/articles/A35543-2003Mar16.html
Extractions: (U.S. Only) (e.g. 1965) (e.g. 20171) Country: United States United States Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua Argentina Armenia Aruba Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia and Herzegovina Botswana Brazil British Virgin Islands Brunei Bulgaria Burkina Faso Burma Burundi Cambodia Cameroon Canada Cayman Islands Cape Verde Central African Republic Chad Chile China Colombia Comoros Congo (Zaire) Congo Cook Islands Costa Rica Cote d'Ivoire Croatia Cuba Cyprus Czech Republic Denmark Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Falkland Islands Fiji Finland France French Guiana French Polynesia Gabon The Gambia Gaza Strip and West Bank Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guinea Guinea-Bissau Guyana Haiti The Holy See Honduras Hong Kong Hungary Iceland India Indonesia Iran Iraq Ireland Israel Italy Ivory Coast Jamaica Japan Jordan Kazakhstan Kenya Kiribati Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macau Macedonia Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Federated States of Micronesia Moldova Monaco Mongolia Montserrat Morocco Mozambique
Music: The Art Of Listening | Multiple Choice D), South America. 18, In addition to his talents as a composer and scholar,Bartók was also an accomplished. A), violinist. B), pianist. C), music critic. http://highered.mcgraw-hill.com/sites/0072491353/student_view0/chapter27/multipl
Extractions: INSTRUMENTALISTS This document contains a selection of instrumentalists for whom the Harvard Biographical Dictionary of Music includes entries. (For the most part these are classical musicians; jazz pianists, for example, will be found on the page devoted to jazz musicians.) BETHUNE (Green), Thomas [Blind Tom] (b. Columbus, Ga., 1849; d. Hoboken, 1908). Pianist and composer. (b. Paris, 1857; d. Monte Carlo, 1944). Pianist and composer. CHUNG, Kyung Wha (b. Seoul, 1948). Violinist. (b. Vienna, 1928). Recorder player, composer, and musicologist. DAVIDOVICH, Bella (Muhazhlovna) (b. Baku, Azerbaijan, 1928). Pianist. (b. Amsterdam, 1792; d. Bern, 1873). Flutist. FIZDALE, Robert GOLD, Arthur (b. Chicago, 1920; d. New York, 1995). Duo pianist (with Arthur Gold).(b. Toronto, 1917; d. New York, 1990). Duo pianist (with Robert Fizdale. FRESCOBALDI, Girolamo (b. Ferrara, 1583; d. Rome, 1643). Keyboardist and composer. GALAMIAN, Ivan (Alexander) (b. Tabriz, Persia, 1903; d. New York, 1981). Violinist and teacher. GEMINIANI, Francesco (bapt. Lucca, 1687; d. Dublin, 1762).
Heading The American Symphony Orchestra League provides leadership and service to American orchestras while communicating to the public the value and importance of orchestras and the music they perform. http://www.symphony.org/news/room/sym4so.shtml
Extractions: Navigate this area Overview News Room SYMPHONY Magazine In the News On the Move From the Field At the League Recorder (Volunteer News) Upbeat (Youth Orchestras) Education Update SYMPHONY Premieres List 2000-2001 SYMPHONY Premieres List 2001-2002 SYMPHONY Premieres List 2002-2003 Summer Festivals 2001
