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Editorial Review Product Description
More secrets of the world's deadliest mutant are exposed! Wolverine, Cyclops and the enigmatic Fantomex travel to the other side of the world and beyond in search of the keys to their pasts. However, what they find within the deadly Weapon Plus program may be more frightening than their worst nightmares. ... Read more Customer Reviews (9) 
morrison's worst (worse than invisibles)
this is the worst new x-men volume in grant morrison's run. i almost gave it three stars because the first story-arc has some sick moments (with beak and fly-girl)... but i couldn't do it. first of all, in the first story-arc bishop shows up and you think some hardcore action is gonna come, but it never does...(which isn't really that bad, 'cause the plot is decently suspenseful). BUT then the 2nd story arc comes and its so atrociously bad (art AND writing), that i can't help but give this two stars.
this is some of the worst x-men i've read (as bad as claremont when he's bad [which is most of the time]).
Sadly, A Black Mark On An Otherwise Good Run
Up to this point, Grant Morrison's New X-Men had been very good.In my opinion, it wasn't as good as Whedon's Astonishing X-Men, which picks up where Morrison eventually leaves off, but it was still good in its own right.This trade paperback contains two story arcs, Murder at the Mansion and Assault on Weapon Plus.The first is good, but the second is absolutely terrible.
Murder at the Mansion picks up right after the end of the previous arc.Jean Grey has discovered that Emma Frost has been having a "psychic affair" with her husband, Scott Summers/Cyclops.Enraged, Jean begins to torment Emma, but her fun is cut short when it is discovered that someone shot Emma in her diamond form, shattering her.What ensues is an investigation to find out who killed her, and though Jean is a prime suspect, the story takes some interesting turns.This story seems to set up the arc after Assault, which I can't wait to read.
Assault on Weapon Plus surprised me, but in a terrible way.It tells the story of Cyclops, Wolverine, and Fantomex, the French mutant that was introduced a few arcs back, as they plan on infiltrating the agency that made Wolverine into a living weapon.Everything about the story is awful.The dialogue, the twists, and the art.I could barely tell what was going on due to such bad artwork.Though I doubt that good artwork could have saved this story.Many of the plot points were laughable and annoying.
Sadly, this story serves as an extreme low point to what was an otherwise solid run.This trade is essential though, due to its inclusion of Murder at the Mansion.I don't know what Morrison was thinking, but hopefully his last two arcs are better than this.
Now I know why I didn't buy Morrison's run...
I really didn't enjoy this TPB that much, and it definitely enforced why I'm not that fond of Morrison's writing on any X title from Marvel. He brings the angst to the characters, and he writes them intelligently enough, but he also makes me dislike all of them. Even normally upright characters like Jean Grey and Cyclops were so twisted I forgot they were heroes in this. Yuck.
My main complaint is that I was hoping for a cleaner back history of Wolverine's Weapon H/Weapons Plus origin, and I really didn't get that from this at all. Instead, Wolverine's mission with Cyclops is tacked on as an untidy footnote to three (or four, I lost count) issues focusing on the love triangle of Emma Frost, Jean Grey, and Scott Summers. I thought the title of the TPB was misleading because of that.
The opening issue continues Jean's discovery of Scott's psychic infidelity with Emma. Jean barges into his thoughts and finds Emma dressed up in her old Phoenix costume, which was kind of tacky and bizarre, anyway, when you consider that Emma's old organization, the Hellfire Club, was responsible for Jean turning into Dark Phoenix and subsequently destroying herself. My first thought was, why would that be a turn-on? Very twisted scene. So, Jean strikes out at Emma, invading her mind and plowing through her most private memories as she searches for the first moment when they started their affair. Emma stays in character, not feeling as though she had done anything wrong by offering Scott salvation from his unhappy marriage, and calling Jean "a playground bully" hiding behind her righteous posturing. Pot calling the kettle...
That issue itself offered sympathy for Emma from unexpected sources, namely Hank and Logan, both of whom I automatically expected to side with Jean. In the meantime, all any of them did was blame Jean for the dissolution of her marriage by "not taking care of it sooner." That alone made me not like this story.
This arc was kind of odd going in because it was sandwiched between arcs of the other X titles without reflecting anything that was happening in the others. Bishp and Sage were both fresh from X-Treme X-Men, namely "Schism," after solving the Jeffery Garrett murders in Alaska. The second issue to this story arc features a murder mystery, since Emma is shot and shattered while in her diamond form. I've heard readers comparing it to Clue, but I don't give it that much credit, I thought the plotting was weak. I noticed that Sage and Bishop never once implicated Storm, who not only hates Emma, but who openly threatened her with hurling a spear at her carried by tornado-strength winds to see if she would shatter. Hello? Missed the boat there, Grant. I'm guessing Storm's name never came up simply because this wasn't her book. Oh well.
The motive for Emma's murder was kind of silly; two minor characters have a secret to hide in the farmhouse on the Xavier property, and Emma's prize pupils, the Stepford Cuckoos, know what's going on but won't spill their guts.
The Weapons Plus arc started with what was actually a satisfying confrontation between Logan and Scott at the Hellfire Club. The artwork was weird, though. I like Bachalo's work on Uncanny and New X-Men Academy, but he makes it darker, and the inks are heavy-handed. Bachalo draws the ugliest Cyclops I've ever seen, and his Wolverine looks like a gopher. In this scene, Cyclops tells Wolverine that he refuses to come back to the X-Men, but Logan instead recruits him for a big mission with Fantomex, an upgraded Weapons Plus graduate who clarifies that Logan was really Weapon Ten, not Weapon X as previously assumed. This was the most poorly written issue of this collection, and it jumped around too much for me to tell where the action was taking place. Somehow Logan and Scott ended up on an asteroid, presumably with help from E.V.A, Fantomex's ship. Somehow they managed to escape, leaving Logan behind to blow up the asteroid and destroy Weapon Fifteen. Morrison and Bachalo didn't even bother to pitch a knock-down, dragout battle between Logan and Fifteen that could have been the highlight of the story. It was a waste.
The jump from Jimenez's clean penciling to Bachalo's more cartoony style is very stark and does not work. I longed for Frank Quitely's pages instead, feeling he would have done a better job of conveying the images. As a lead-in to the much more important "Planet X" arc (still not one of my favorites, but better than this drivel), this book was very weak.
Overall, I'm sorry I spent the money on this story, and I will avoid Morrison's back issues going forward.
The calm before the storm
Collecting both the "Murder at the Mansion" and "Assault on Weapon Plus" storyarcs, this TPB is more of a calm before the storm of Grant Morrison's now legendary run on New X-Men.Picking up where "Riot at Xavier's" left off, Jean Grey catches Cyclops and Emma Frost and learns of their psychic affair, sending Cyclops running off, and eventually leaving Emma in a pile of shattered diamond.From there on, Bishop and Sage make guest appearances as they investigate the murder, which leads to the beginning of Morrison's stunner twist in the next TPB, Planet X.Phil Jimenez, who provides the art for this arc and the Planet X TPB as well, creates some mouth watering renderings of Jean and Emma, and his art is nothing short of beautiful.The second arc kicks off as a drunken and depressed Cyclops is reluctantly teamed up with Wolverine and the mysterious Fantomex as they travel to the space bound the World so Wolverine can learn the secrets of the Weapon X program that made him what he is today.While this arc is a solid and innovative storytelling from Morrison, the chopy art by Chris Bachelo just looks plain sloppy.The action scenes are incoherent, and the character models are funky looking, but if you can get past that, you might enjoy the story.All in all, Assault on Weapon Plus isn't as revolutionary as the rest of Morrison's run, but it's still a solid X-Men yarn that sets forth the pivotal events in Planet X and Morrison's stunning finale, Here Comes Tomorrow.
Hmm...
This was the weakest story arc in Morrison's new X-Men run.
It begins with the weakest issue of his entire run, an issue that does not seem at all to be even remotely close to a Grant Morrison comic book.
Chris Bachalo's art is the most radically different from any of the other 8 artists on the series. While Igor Kordey's art was not great, it at least fit in with van Sciver, Grant, Jiminez, Quitely, Yu and Leon. Bachalo does not resemble them stylistically.
And the story itself is probably the weakest in Morrison's run.
That being said, this is still better then most of the non-MOrrison x-books that are for sale.
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