Past Events tian ying, piano April 7, 2001. Concert with Song Tu, clarinet and Pi-Hsun Shih,pian, (together as Duo Asiatica), and pianist Elaine Chew - May 12, 2000. http://www.chineseperformingarts.net/past_events.htm
Foundation She described the performance as Spectacular!. 37. April 7,2001. pianist tian ying at Jordan Hall. Mr. Michael Minning of http://www.chineseperformingarts.net/about_us.htm
WCO: Hindemith, Beethoven, Finzi, Mozart After intermission the very gifted pianist tian ying gave a clearly heartfelt readingof Gerald Finzi's Eclogue for Piano and Strings, the slow movement of an http://www.madisonmusicreview.org/doc/r_200103_wco.html
Extractions: The Wisconsin Chamber Orchestra's Wednesday evening concert at the Union Theater, Andrew Sewell conducting, was splendidly in tune, as well as musically vigorous and absorbing. Hindemith's carefully crafted Five Pieces for Strings, Op. 44, No. 4 opened the program. Suzanne Beia gave an excellent account of the fleet violin solo in the last movement, and throughout Sewell brought out the work's deep lyricism. Brief moments of unsteady ensemble in the quick movements did no real damage. Beethoven's Symphony No. 1 in C Major , which Sewell conducted from memory, was notably clean and precise, with good tempi and a solid sound. Beethoven's wind writing often affords a slightly raucous edge over the strings, used in this piece to good effect. The work is deceptively difficult, but it got a first-rate exposure here. After intermission the very gifted pianist Tian Ying gave a clearly heartfelt reading of Gerald Finzi's Eclogue for Piano and Strings , the slow movement of an unfinished piano concerto. The music, typically for Finzi, is introspective, and Ying made the most of its basically simple song form.
WCO: Ravel, Bizet success Saturday evening at the First Congregational Church in a program devotedto Ravel and Bizet, thanks in no small part to pianist tian ying, who gave a http://www.madisonmusicreview.org/doc/r_200001_wco.html
Extractions: Andrew Sewell, the third and final contender for the post of the Wisconsin Chamber Orchestra's music director, achieved a notable success Saturday evening at the First Congregational Church in a program devoted to Ravel and Bizet, thanks in no small part to pianist Tian Ying, who gave a simply spectacular performance of Ravel's Concerto in G Major . The orchestra players too were impressive in this piece and in Bizet's youthful Symphony in C Major Ying's fingers are as solid and secure as any I've heard. Ever. I know the piece well and did not spot even small flaws in its very demanding outer movements. But the slow movement was the major revelation: instead of the insouciant simplicity one usually hears there, Ying brought a somewhat Beethoven-like, lyrically probing intensity to his reading, running the high risk of overinterpreting the score. The gamble paid off, opening up new musical terrains by daring to be original in a familiar work. At 31, Ying can expect a great future if he maintains such a high level of musicianship. Contributing greatly to the polish of this piece, Sewell paid unusually close attention to the soloist's nuances. The Bizet's fast movements were a technical stretch for the WCO players, but that's part of the challenge of growth for any established ensemble. Here too the slow movement (
PRP: WUOL's University Of Louisville Concert Hour For Broadband Users November 10, 2002, Diana Richmond, The Kalichstein Laredo - Robinson Trio,Classical. November 3, 2002, Diana Richmond, tian ying - pianist, Classical. http://216.24.56.185:8080/WUOL's University of Louisville Concert Hour for Broad
Extractions: PRP / WUOL's University of Louisville Concert Hour for Broadband Users Thanks for checking out Public Radio Partnership's Audio Archive. We can bring it to you through the financial support of our members. If you're not a member yet, visit our Membership page and place a value on this service. Programs Program Date Topic / Host Guest Genre March 23, 2003 Diana Richmond Krista Wallace-Boaz/Grace Baugh-Bennett Classical March 16, 2003 Diana Richmond Kentucky Center Chamber Players Classical March 9, 2003 Diana Richmond Louisville String Quartet Classical March 2, 2003 Diana Richmond Kentucky Center Chamber Players Classical Febuary 23, 2003 Diana Richmond Univ. of Louisville Faculty Artists Classical January 19, 2003 Diana Richmond The Lark Quartet Classical December 29, 2002 Diana Richmond McHugh-Oliphant Duo Classical December 22, 2002 Diana Richmond Pianist - Stanislav Ioudenitch Classical December 15, 2002 Diana Richmond YPAS Philharmonia Orchestra Classical December 8, 2002 Diana Richmond Kentucky Center Chamber Players Classical December 1, 2002
Collage (January 25 - January 31, 1996) For the first concert in November, Chinese pianist tian ying came billed by legendarypiano teacher Russell Sherman as being not one of those keyboard bangers http://www.tucsonweekly.com/tw/01-25-96/collage.htm
Extractions: MUSICAL ALTERNATIVE: Can't tell a Cowboy from a Steeler? A fourth down from do-it-again? A beer bikini team from a cheesy cheerleader? Me either. But there's an alternative to the Super Bowl on Sunday. The Arizona Friends of Chamber Music is sponsoring a concert that does more than give the football-impaired an excuse to get out of the house. It's also been crafted to help those ignorant of classical music get a small taste of its quiet pleasures. "Piano and Friends," in its inaugural series this year, features young, relatively unknown musicians who play the kind of music that gets neglected in a scene that favors the big symphony. Sunday's concert, at the Leo Rich Theater, will have Bernadene Blaha, a young Canadian pianist, and Peter Rejto, a cellist formerly at the UA and now at Oberlin, playing a variety of duets and solos by Bach, Shostakovitch, Chopin and Brahms. "This is a type of concert that's tremendously neglected all over the country," says Jean-Paul Bierny, a Tucson physician who is president of Arizona Friends of Chamber Music. "We're trying to change that." For years the Friends have hosted evening chamber music performances by some of the most famous groups in classical music. For the new, lower-key series, their strategy is to ferret out talented young musicians who have not yet broken into the big-time scene, or whose playing, perhaps, is not of the flashy style favored in the prestigious competitions. They contacted well-known piano teachers around the country for recommendations. So far, the strategy has paid off, Bierny says.
The Toledo Symphony :: Encore, Encore! pianist tian ying, an outstanding artist discovered by Andrew Massey, joins Andrewin a program including the English masterpiece, Enigma Variations and Samuel http://www.toledosymphony.com/season/classics2.asp
Googlism Where Is Ying her grandmother ying is an ideal rachmaninoff pianist ying is house and earns excellentwages and tips ying is the principal teacher of the tian yi sydney http://www.googlism.com/where_is/y/ying/
Extractions: Googlism.com will find out what Google.com thinks of you, your friends or anything! Search for your name here or for a good laugh check out some of the popular Googlisms below. "Find out what the Web says about you" - Flazoom.com Who What Where When Who is What is Where is When is ... Travel-Center.com: Save on Hotels in Mexico, Belize and Dominican Republic
Googlism : Who Is Ying creative photography ying is an ideal rachmaninoff pianist ying is very excited aboutthe upcoming camp ying is the principal teacher of the tian yi sydney http://www.googlism.com/who_is/y/ying/
The Davis Enterprise pianist tian ying will play Rachmaninoff's Piano Concerto No. 3. ying,born in China, made his debut with the Shanghai Philharmonic http://www.davisenterprise.com/display/inn_spotlight/FEATURE STORIES/352ENT.TXT
ThrottleBox Arena the Shanghai String Quartet and ying Quartet, has Now tian has turned to composing,while continuing original recording, reveals the pianist's romantic nature. http://www.throttlebox.com/Content/385.shtml
Dr. Henri-Robert Delbeau I should also give homage to my teachers, tian ying, in NY, Jerome Lowenthal, of Dr.HenriRobert Delbeau, Physician and Concert pianist, at Blue Lady Lounge http://www.exploredance.com/insideperspectives112702.html
Extractions: www.BailaTango.com/tour/ Travel to Istanbul August 1-10, 2003 for unforgettable Tango workshops, milongas and passion! ExploreDance.com's coverage of this dance adventure has been sponsored in part by Delta Airlines! h.delbeau@att.net See Review, Concert, Faust Harrison Pianos By Dr. Roberta E. Zlokower November 27, 2002 Dr. Henri-Robert Delbeau is an award-winning concert pianist, as well as an Administrator and Inpatient Specialist at Long Island Jewish Hospital. Dr. Delbeau joined me at Blue Lady Lounge, Shelly's New York, 104 West 57th Street, NY, 212.245.2422, where another musician, who was published in ExploreDance.com, Hilliard Greene, was performing on bass. See photos below. REZ - How did you prepare for your recent concert with such a busy schedule? HRD - I regulate my life, when it comes to work. I try to create a balance. I don't have 8 hours/day the week before a concert, maybe 8 hours/month. But, I was able to practice 8 hrs/week. REZ - How did you choose the pieces?
Chamber Music America: American Ensemble June 1998 Beethoven's Quartet Op. 18 No. 6, Zipper's Erlebnisse, and Brahms PianoQuintet Op. 34 with pianist tian ying. Open rehearsals; roundtable http://www.chamber-music.org/magazine/15_3/american_15_3.html
Extractions: FANFARE FOR FORT WORTH'S NEW BASS HALL The new Nancy Lee and Perry R. Bass Performance Hall, a $65 million, multi-purpose facility and the first of its kind in Fort Worth, opened May 15. The 2,056-seat Bass Performance Hall was designed by architect David M. Schwarz in the classic European opera house form and combines Beaux Arts and Viennese Secessionist architectural styles. Built entirely with private funds contributed by more than 4,000 individuals, corporations, and foundations, the hall will be the new home of the Fort Worth Symphony Orchestra, Fort Worth Opera, Fort Worth-Dallas Ballet, and the Van Cliburn International Piano Competition Opening concerts during May 15-17 included the Ying Quartet performing Beethoven's Quartet Op. 18 No. 6, Zipper's Erlebnisse, and Brahms Piano Quintet Op. 34 with pianist Tian Ying. Open rehearsals; roundtable discussions with the design team and artists; tours of the interior of the hall with its designer David Schwarz; and acoustical walk-abouts with the acousticians, Jaffe/Holden, were also part of the introductory celebration. CINCINNATI GOES CLASSIC ERGONOMICS IN ASPEN ALEXANDER PLUS SHEINFELD E = mc2 The Alexander String Quartet performed the world premiere of David Sheinfeld's E = mc2 for string quartet and orchestra with the Berkeley Symphony Orchestra (Feb 14) with Kent Nagano conducting. Sheinfeld, now 91, calls the piece "my homage to Albert Einstein, whom I consider to be the greatest influence on my musical thinking...I have treated musical time and space in special ways in the symphony." The score calls for a specific kind of relativity-the simultaneous occurrence of different tempos. Based in San Francisco, the Alexander String Quartet includes violinists Ge-Fang Yang and Frederick Lifsitz, violist Paul Yarbrough, and cellist Sandy Wilson. For news about the Alexander's self-produced recordings see this issue's cover story.
Virtuoso Returns To His Roots at 14 and then was a Presidential scholar at the New England Conservatory, wherehe studied with the celebrated pianist Russell Sherman. tian ying has become http://www.chinadaily.com.cn/star/2001/0104/wh26-3.html
Extractions: Virtuoso returns to his roots By Joshua Shi, Shanghai Star. 2001-01-04 Shanghai-born Tian Ying is to play in a return performance at Shanghai Concert Hall. IT was March 1982 when 10-year-old Tian Ying climbed for the first time onto the stage of the Shanghai Concert Hall to perform with the Shanghai Symphony Orchestra directed by Cao Peng. Nineteen years later, Ying, now a renowned Chinese American pianist, will return to the same stage where he received his first applause and cheers from a public audience, again conducted by Cao Peng. "I will bring to my people what I have honed in playing the piano in the past years," said Ying, winner of many international awards including the Eighth Van Cliburn International Piano Competition in 1989. Ying is just one of Shanghai's talented children who have made their name and fortune abroad and come back home to perform. Born in Shanghai, Ying took his first piano lesson from his mother at 3, and made his debut with the Shanghai Symphony Orchestra at 10. Raised in the United States, he attended Interlochen Arts Academy at 14 and then was a Presidential scholar at the New England Conservatory, where he studied with the celebrated pianist Russell Sherman.
McCain's 2001-02 Season, Aug. 23, 2001 Inview Nov. 16 Arianna String Quartet, featuring pianist tian ying, All Faiths Chapel. 3 pm Dec. 2 The Nutcracker, performed by Ballet Oklahoma. http://www.mediarelations.ksu.edu/WEB/News/InView/82301mccain.html
Extractions: Information provided by K-State Media Relations and Marketing may be reproduced without permission. The marks and names of Kansas State University are protected Trademarks and may not be used in any commercial or private endeavor without the approval of the university. Question/comments about this Website, please contact media@k-state.edu Home I News/Events I Media Guide I Achievements I InView I Radio I Video I Forms I Search I Links I Staff
Capital Public Radio Arts Features Archives The Sacramento Philharmonic will make its debut at the Mondavi Center in Davisthis weekend with a concert featuring Chineseborn pianist tian ying and the http://www.csus.edu/npr/artsarchives.htm
Extractions: Archived CPR Arts Features and Reviews Reporter/Reviewer Feature/Review Aired Jeff Hudson Now through January 19th, California Musical Theatre is staging the annual Martin Luther King, Jr. Memorial Project. This year's production, Keeping The Dream Alive is an elaborate, free-admission show with music, monologues and dance.
Concert Schedule Artist Information How To Purchase Tickets Donor piano; Christine NieldCapote, flute; Robert Weiner, oboe; tian ying, piano; Jana WindEnsemble with UMs Margaret Donahue, clarinet and pianist, Ellen Rowe. http://www.music.miami.edu/festivalmiami2002/festivalschedule2002.html
Extractions: The University of Miami Symphony Orchestra , Thomas Sleeper, conductor with critically acclaimed guest artist, Italian piano virtuoso, Pietro de Maria perform Saint- Saens Piano Concierto # 2 in G minor . Also programmed is the world premier of Specters by John Van der Slice. Presented in collaboration with the Miami Civic Music Association.
Van Cliburn Foundation Feghali and Kathryn Selby ($1,000 each Van Cliburn) Highest Ranking pianist of the Shtarkman/USSR/5,000/Mr.and Mrs. F. Howard Walsh 5. tian ying/People's Rep. http://www.cliburn.org/competition/pastcomptext.html
Extractions: Adler, Vicky (Brazil); Alexanian, Anahid Lydia (Canada); Alvarez, Carmen (Uruguay); Bethel, Edward Clement (USA); Boatright, Jo Garner (USA); Borges, Rafael (Mexico); Cho, Sung-Mi (Korea); Cooper, William D. (USA); Garcia Salas, Zoila Luz (Guatemala); Hallman, Milton Hastings (USA); Jolly, James (USA); Keillor, Elaine (Canada); Kim, Jung Kyou (Korea); Lima, Arthur Moreira (Brazil); Linzmeyer, Marlene M. (USA); Lipovetsky, Leonidas E. (Uruguay); Mastroianni, Thomas (USA); Motekaitis, Manigirdas (USA); Noguera, Marta Hebe (Argentina); Paik, Yun Hee (Korea); Payne, Dorothy Katherine (USA); Pinto, David (UK); Saarinen, Gloria (New Zealand); Sandoval, Jr., Jose (Mexico); Thomas, Charles Edward (USA); Watson, Margaret C. (USA); Wells, Leslie Marie (USA); Wilkinson, Grace (UK); Wolfe, Walter (USA); Yaggy, Sandra (USA)
Van Cliburn Foundation belief that ranking needs to be attenuated, that only rarely does one pianist emergehead s in New Zealand, Jon Nakamatsus in America, or tian yings in http://www.cliburn.org/competition/laureates.html
Extractions: Van Cliburn Foundation In order to learn what direction their careers have taken since participating in the Van Cliburn International Piano Competition, the Van Cliburn Foundation recently asked all finalists of the first ten competitions to send us information about their current activities. The following summary, culled from their responses, continues to support our belief that ranking needs to be attenuated, that only rarely does one pianist emerge head and shoulders above all the others, and that the group that surfaces at the end of a competition represents the collective and subjective preference of the jury during a specific point in time without an implicit suggestion of one finalist being better than another. A close examination of the depth and diversity of accomplishments achieved by the majority of our past winners helps to expand our traditional definition of success as it applies to forging a career in music. Laureates of the Cliburn Competition may have developed careers without the benefit of the competition. However, it is more than likely that the springboard offered by the competition helped to open a few doors that otherwise may have remained closed for a while. The success of our laureates should not, in any case, be measured solely by performing regularly at Carnegie Hall. The handful of pianists who do so remains a small oneMurray Perahia, Evgeny Kissin, Maurizio Pollini, Krystian Zimerman, and one or two others including Radu Lupu, a Cliburn gold medalist. But there are literally thousands of orchestra and recital presenters the world over who require pianists for live performances, for which the superstars cannot possibly be available, affordable, or even desirable. As Rildia Bee OBryan Cliburn used to say, There is no one preacher who can deliver all sermons.
