Russian Culture Navigator TRIBUTE TO oleg YEFREMOV; 95TH ANNIVERSARY OF THE BIRTH public theater accessibleto all Fyodor volkov was born 125 years since the outstanding pianist was born http://www.vor.ru/culture/cultarch_eng.html
Extractions: Archive 4 March 2003 KAZIMIR MALEVICH: THE PHILOSOPHY OF ART SERGEI PROKOFIEV: THE GLOBE'S MUSIC CHAIRMAN THE "RUSSIAN SPRING" OF REGIS OBADIA 4 March 2003 130TH BIRTH ANNIVERSARY OF WRITER-POET MIKHAIL PRISHVIN PASHKOV HOUSE RECONSTRUCTION LAUNCHES "THERE ARE MANY THINGS I WOULD LIKE TO DO " (talk with composer Alexei Rybnikov) TENDER SOUL OF RUSSIAN ROMANCE (interview with romance singer Yulia Belyakova) 28 February 2003 YURI BASHMET'S METAMOFPHOSES GEORGY ALEXANDROV'S BIRTH CENTENERY ALEXANDRE DUMAS' TRAVEL IN THE RUSSIAN EMPIRE (Display at Pushkin Memorial Museum in Moscow) 11 February 2003 THE TREASURES OF VLADIMIR AND SUZDAL (the Golden Map of Russia project at the Tretiakov Gallery) THE ANALYTICAL PAINTING OF PAVEL FILONOV 24 January 2003 CULTURE-2002: WRITER VLADIMIR GUSEV TAKES A LOOK AT LAST YEAR YURI KUKLACHEV'S CATS THEATRE 17 January 2003 CHRISTMAS RITES: THE STOVE ACT CULTURE-2002: THE RESULTS OF THE YEAR A NEW STAGE FOR THE BOLSHOI (a talk with the Bolshoi's director Anatoly Iksanov) IN SEARCH OF RUSSIAN SOUL (Awarding Ceremony "Russia's Soul" For Achievements In Promoting Folk Arts) ... GRANDDAD DUROV'S WONDERLAND (90th anniversary of Moscow Animals' Theatre) 31 December 2002 RESULTS OF THE YEAR. FILMMAKER ANDREI KONCHALOVSKY
Freeserve - Radio Listings - Radio 3 oleg Kagan (violin), Sviatoslav Richter (piano 1.00 PM, News; The Radio 3 LunchtimeConcert pianist Freddy Kempf in a recital given at the Conductor Ilan volkov. http://www.freeserve.com/tvnradio/radio3.htm
Extractions: ( last updated 11:00 PM, 02 April) 6.00 AM Morning on 3 With Penny Gore. Vaughan Williams: Household Music. Northern Sinfonia/Richard Hickox. 6.40 Haydn: Symphony No 41 in C major. Tafelmusik/Bruno Weil. 7.20 Rota: Five Pieces for flute and piano. Mario Carbotta (flute), Carlo Balzaretti (piano). 7.45 Larsson: Pastoral Suite. Stockholm Sinfonietta/Jan-Olav Wedin. 8.10 Kodaly: Dances of Galanta. Budapest Festival Orchestra/Ivan Fischer. 8.45 Bach: Oboe concerto in D minor, BWV1059, Chamber Orchestra of Europe/Douglas Boyd (oboe). Including 6.00, 7.00, 8.00 News. 7.30, 8.30 Headlines 9.00 AM Composer of the Week Vincenzo Bellini. Donald Macleod examines the many tales of the composer's romantic entanglements. Vincenzo Bellini: Sogno d'infanzia. Veronika Kincses (soprano), Lorant Szucs (piano). Bianca e Fernando (final scene). Young Ok Shin (soprano), Gregory Kunde (tenor), Aurio Tomicich (baritone). Haijing Fu (baritone), Armando Caforio (bass), Chorus and Orchestra of the Massimo Theatre/Andrea Licata. Beatrice di Tenda, Act 1, scene 3. Joan Sutherland (soprano), Cornelius Opthof (baritone), LSO/Richard Bonynge. I puritani, Act 1, scene 3. Montserrat Caballe (soprano), Alfredo Kraus (tenor), Julia Hamari (soprano), Agostino Ferrin (baritone), Stefan Elenkov (baritone), Philharmonia Orchestra/Riccardo Muti 10.00 AM
Rec.music.makers.piano FAQ-Piano Internet Resources List ps/efi/ http//www.schirmer.com * Guiomar Novaes Brazilian pianist http//www http//www.basistech.com/bach/* oleg volkov http//members.aol.com/ovolkov1/home http://isc.faqs.org/faqs/music/piano/internet-resources/
Extractions: music/piano/internet-resources_1046773629@rtfm.mit.edu music/piano/internet-resources_1044094773@rtfm.mit.edu music/piano/digital-pianos-faq_1046773629@rtfm.mit.edu isako@mit.edu (Isako Hoshino) Newsgroups: rec.music.makers.piano rec.answers news.answers Subject: rec.music.makers.piano rec.music.makers.piano news.answers and rec.answers . This FAQ is available for retrieval from rtfm.mit.edu via anonymous FTP under: /pub/usenet/news.answers/music/piano/internet-resources If you do not have access to anonymous FTP, you may retrieve it by sending e-mail to mail-server@rtfm.mit.edu with the message (leave the subject line blank): SEND usenet/news.answers/music/piano/internet-resources You also have access to rmmp FAQs on WWW: http://www.ptg.org/rmmp/ ========================================================== Changes since v 1.8 updates ========================================================== Piano-related Internet Resources FAQ List You may run a search onthe topics using the [#] pattern where "#" is the topic number. CONTENTS: [1] FAQs. [1.1] FAQs for newsgroup rec.music.makers.piano
Extractions: Translated by Yoshiyuki SUZUKI and Cathy FISHMAN A Shortage Of Information On Jazz In The Former USSR The shortage of information on contemporary jazz in the countries of the former USSR makes it difficult for us to discuss this music. It was only several years ago that people in Western countries had their first opportunities to hear actual performances of jazz from this region. In fact, no former - USSR jazz album was released in the West until 1980, when London's Leo Records released an album which became the object of a great deal of interest and curiosity. Until then, many Western people doubted that standard jazz even existed in the former USSR. Today, the former USSR is experiencing such a severe paper shortage that only an extremely small number of music magazines and books are being published. Nikolai Dmitriev, editor-in-chief of "Jazz" - the only jazz magazine in the former USSR - laments, "We can only obtain enough paper to publish one issue a year." Because of this situation, we in the West have less and less information about music in this region. Another difficulty is the fact that many areas of the former USSR broke away and became independent states. Since the Soviet era, each area and ethnic group has incorporated its own folklore into jazz to create its own jazz mood and style. But the separation and independence of these areas has made it nearly impossible to gather comprehensive information on this music.
.:::Tamizdat..Dispatch..E-Zine:::. of the outstanding Russian pianist, composer, writer sax player Shilkloper/Starostin/volkov(Rus) New the band Bondzinskij Designer - oleg Kotelnikov, artist http://www.tamizdat.org/dispatch/live/previews/01_04_02_skif.html
Extractions: Sergey Kuryokhin International Festival (SKIF) is a festival of modern art, based on the concept of Pop Mekhanika, the multicultural project of the outstanding Russian pianist, composer, writer and public figure who died untimely death in 1996. Kuryokhin's long-time partner cellist Boris Raiskin conceived the festival in New York City. SKIF-1 and SKIF-2 took place in New York in 1997 and 1998. The festival's venue - St.Petersburg Dvorets Molodezhi - Palace of Youth - is a perfect site for such a feast of arts. Self-contained building with a spacious concert hall, winter-garden type in the huge foyer, gallery, several smaller halls, and a club, it provides room and space for all possible kinds of performances. Everything moves at its own pace simultaneously, and the audiences are free to choose between scores of events - from panel discussions and readings in the afternoon, to various concerts and performances in the course of the night to post midnight rave parties at the foyer.
Gigs 10 pm Makvala Kasrashvili (soprano), Vladimir Rumyantsev (piano), Ivan volkov (clarinet)and the oleg Lundstrem Jazz 10 pm Olga Nesterova jazz pianist. http://www.tmtmetropolis.ru/plain/07022003/gigs.html
ÏßÒÛÉ ÌÅÆÄÓÍÀÐÎÄÍÛÉ ÔÅÑÒÈÂÀËÜ project of the outstanding Russian pianist, composer, writer singer and sax player;Shilkloper/Starostin/volkov (Rus) New Designer - oleg Kotelnikov, artist. http://www.kuryokhin.com/indexe.html
Arkady Kirichenko - Freeman. of Vyacheslav Gayvoronsky (trumpet) and Vladimir volkov (bass), with the band Archangelsk,with pianist Misha Alperin of Improvisation, directed by oleg Kisilev http://business123.com/freeman/page2b.htm
Extractions: Tuba, Bass Trumpet, Contr-alto Flugelhorn, Vocals. Arkady Kirichenko was born in 1956 in Novoshakhtinsk, Russia. He began his musical education at the Moscow Military Music School (1967-1972). From 1972-78 studied the tuba at the Gnesin State Music School. Arkady began playing professionally in 1979 in Alexander Eisenshtadts jazz band. From 1983-1988 performed in the Moscow dixieland band " Capella Dixie " under the direction of Lev Lebedev . With "Capella Dixie" performed at numerous festivals throughout the Soviet Union and at the International Dixieland Festival in Dresden, East Germany. In 1985, together with Serguei Letov (sax, reeds) and Arkady Shilkloper (French horn) founded the first in Russia improvisational brass band TRI-O . With TRI-O performed at practically all festivals and concert halls of the Soviet Union and Eastern Europe (Poland, Bulgaria). In the West Tri-O performed in Switzerland (Moods, Sud des Alpes), Germany, Austria (Blue Tomato), Finland, Norway, Italy, Holland (Bimhuis), and USA (Knitting Factory, the Cooler). Later, Tri-O was joined by Alexander Alexandrov (bassoon) and the diva of Tuvan throat singing
March 2002 musician of those represented here is pianist Sergey Kuryokhin Destiny , a duet withVladimir volkov on bass amazingly fat, rubbery alto sax), oleg Udanov (drums http://www.paristransatlantic.com/magazine/monthly2002/03mar_text.html
Extractions: The Braxtaal offering (the third outing by a group which has been together since 1987) fares much better, precisely because Blonk's lyrics are written in "Onderlands.. which sounds like Dutch [though] even native speakers of that language cannot understand it." The texts are included, all scan and rhyme perfectly and they evidently mean something to Blonk, who declaims them with gothick Jabberwockian intensity. Rob Daenen and Theo Bodewes both use their samplers to great effect, and Bodewes also contributes some hard-driving percussion. Strip away the wacky lyrics and some of the wilder samples, and this is basically an indie rock cabaret album, and a very entertaining one at that.
Music / Classical / Ballets Dances / Tarantellas oleg volkov All Russian ~ Special Order Alexander Borodin(Composer), et al / Brioso Recordingsby a Moscow pianist / Dmitry Paperno Johannes Brahms(Composer http://classicalmusic.giphoria.com/classical/browse/ballets_dances/tarantellas.h
Monarch2000 bass baritone, and Francis Rayner who is a concert pianist. b14= 6 9 6 2444 4.59 1.417 volkov,Sergey w34+ 4½ 9 4½ 2312 3.69 0.81 20 GLADYSHEV,oleg .. http://www.isleofmanchess.7p.com/monarch2000.htm
Extractions: Small business Web site hosting and ecommerce - BizHosting.com Monarch 2000 Last revised: 21 May, 2002 Isle of Man Chess Association Southern Chess Club Visitor Number Visitor Number http://www.fxweb.com/tracker/index.shtml THE MONARCH 2000 BULLETIN IS NOW AVAILABLE FROM DENNIS HEMSLEY On this page Monarch 2000:- Open results/games Major results/games Minor results/games THE 9th INTERNATIONAL MONARCH ASSURANCE PLC OPEN CHESS TOURNAMENT 14 - 22 October 2000, Cherry Orchard Hotel, Port Erin, Isle of Man HEBDEN IS MONARCH The Monarch Assurance International Open Chess tournament was won in resounding fashion by Grandmaster Mark Hebden from Leicester. After the nine days of play at Port Erin's Cherry Orchard Hotel, he finished a full point ahead of his two nearest rivals - GM Emil Sutovsky , Israel, who had won it in the two previous years, and GM Ruslan Sherbakov from Russia. Four players finished in a group half a point behind them. These were Ketev Arakhamia-Grant of Georgia, one of the two women participating in the Open;
Movies From 70 Starring Yuri Yarvet, Elza Radzinya, Galina Volchek, oleg Dal, Donatas volkov,A. Kaidanovsky et al. The meeting of a Japanese womanpianist and a Russian http://www.russianbookvideo.com/movies70.htm
Famous Directors Bondarchuk, Pavlik Boriskin, Z. Kirienko, P. volkov et al performance of such mastersas oleg Basilashvily ? An acquaintance of pianist Platon Ryabinin and Vera http://www.russianbookvideo.com/famousdirectors.htm
Bibliography On Russian Guitar by Miron Abramovich Vajsbord, wellknown pianist and musicologist. magazine reissuedin Moscow by volkov and I oleg Timofeyev and Marco Bazzotti, La chitarra http://seicorde.org/articles/rusbib.htm
Extractions: compiled by Marco Bazzotti 1. Russian sources in chronological order Books and Essays from 1700 to 1899 Jakov Shtelin, Nahr von Die Musik in Russland , St.Petersburg 1769 This book was re-issued in 1935 bearing the title Izvestija o muzyke v Rossii - Muzykalnoe nasledie (News on Russian Music - Musical Inheritance). A copy at Glinka Museum (f. 359, N° 71, l. 231-232). The writer Jakov Shtelin, a Petersburg dweller, was a member and a professor of the Russian Science Academy and an encyclopedist numbered as being one of the earliest Russian musical historians. He was active until 1740 as columnist for the newspaper S.Peterburgskie vedomosti . He was able to provide us with the earliest indications on the guitar cultivation in Russia. This is in all probability the first source on the appearance of guitar in Russia. The author describes it as follows: "At the end of the telling about the musical news and curiosity at court of Elizabeth, one should mention also the Italian kitarra [sic]
Klaus Unland´s Embryo Biographie Update 12.1999 Translate this page Nick Mac Carthy und dem Russen Vladimir volkov. Novosibirsk .ln Moscow hejoinedthe oleg Lundstren orchestra Bandbus wie der russische pianist Vladimir Miller http://home.t-online.de/home/Klaus.Unland/embryobio_2.htm
Extractions: Update: 1999 - September 2000 EMBRYO NEWS 1999 Das dreißigste Jahr von Embryo entwickelte sich zum Jahr der Begegnung mit Meistermusikern aus aller Welt. Es begann bei dem Jubiläumsfestival im Münchner Babylon, der größten Bühne im Kunstpark Ost, wo zwischen den über 30 Embryo Musikern, die auf der Bühne standen, der chinesische Pipa und Flötenmeister Sa Mu mit seinen überraschenden Einfällen alle Beteiligte in seinen Bann zog. Das Fest war ein glücklich verlaufender Abend: Kontinente verbrüderten oder gaben sich die Hand, ein vierstündiger Soundtrip um die Welt. Germanrock e.V. German Rock 2000. (eine speziell hierzu eingerichtete Info-Page gibt es unter: http://www.germanrock.de/navigation/cd/index.htm Ein paar Wochen später kam der ägyptische Meisterviolonist und Komponist Abdu Dagir nach München. Roman Bunka hatte alles vorbereitet, denn er ist seit vielen Jahren sein gelehriger Schüler, der Ihn oft live in Europa vorstellte. Die Sessions mit einer kleinen Besetzung im kammermusikalischen Sound setzten ein hohes musikalisches Niveau. Abdu Dagir, der schon im Orchester der sagenumwobenen Oum Kalzum mitgespielt hat, ist eine lebende Schatzkammer der orientalischen Tonkunst. Seine Geigenimprovisationen und Kompositionen werden im gesamten arabischen Raum höchst geschätzt. 1999 ermöglichte die weltberühmte Kulturstätte Miro Foundation gleich zwei Projekte zu ver-wirklichen, die außerhalb der finanziellen Möglichkeiten von Embryo gelegen hätten. Zwei bedeutende Meistermusiker konnten von weit her eingeladen werden:
Klaus Unland´s Embryo Biographie Update 12.1999 English Griffin, and is featured trumpeter in oleg Lundstren's big Nick McCarthy and, fromRussia again, Vladimir volkov. and so did the russian pianist Vladimir Miller http://home.t-online.de/home/Klaus.Unland/embryobio_2_english.htm
Extractions: Embryo meets Mahmoud Gania EMBRYO NEWS 1999 The 30th year of embryo was a year of encounter with master-musicians from all over the world. It began with a festival in Munich in Babylon, which has the biggest stage in the Kunstpark Ost, where the surprising ideas of the chinese pipa and flute-master Sa Mu attracted the attention of the public as well as that of his over 30 fellow-musicians. The whole event turned out to be a happy party; different continents embraced and communicated with each other, a four-hour journey through the sounds of the whole planet. http://www.germanrock.de/navigation/cd/index.htm Some weeks later, egyptian violinist and composer Abdu Dagir came to Munich. Roman Bunka organised his stay, since he has been playing with and learning from him since many years, as well as presented him to the european audience. The sessions involved fewer musicians, and were entirely acoustic, with a chamber-music sort of atmosphere and on a high musical level. Abdu Dagir has played in the orchestra of Egypt's most famous female singer, Oum Kalzum, and is a living treasure-box as far as oriental music is concerned. His violin improvisations and his composition are highly esteemed in all arab countries. In 1999, the famous museum Fondació Miró helped to realise two projects with embryo. Two important musicians have been invited:
GRADUATE STUDY AT BILKENT UNIVERSITY Concert pianist and soloist with many international Leonid volkov, Instructor (clarinet).MoscowState oleg Yakubovic, Instructor (oboe).Russian Music Academy http://www.art.bilkent.edu.tr/graduate99/music/music2.html
Extractions: The Department of Music Faculty Arif Abbasov, Instructor (violin). Azerbaijan State Conservatory, 1984. Member, Bilkent Symphony Orchestra (BASSO). Feruza Abdullayeva, Instructor (violin). Tashkent State Conservatory, 1982. Member, BASSO. Igor Abramov, Instructor (clarinet). Moscow State Conservatory, 1980. Worked for the Russian State Symphony Orchestra and Russian National Symphony Orchestra. Member, BASSO. Muzaffer Agamalizade, Instructor (flute). State Conservatory, 1964. Worked for the Azerbaijan State Symphony Orchestra until 1992. Permanent soloist of Azerbaijan State Radio and TV. Member, BASSO. Marina Agapova, Instructor (violin). Uzbekistan State Conservatory, 1992. Member, BASSO. Iltuzur Ahmedov, Instructor (viola). Azerbaijan State Conservatory, 1965. Attended viola and conductor courses. Performed in Azerbaijan State Chamber Orchestra. Member, BASSO. Seyran Ahundov, Instructor (violin). Azerbaijan State Conservatory, 1971. Member, BASSO. Cem Akcora, Instructor (horn). M. M. Bilkent University Faculty of Music and Performing Arts, 1995. Member, BASSO. Davut Aliyev
Jazz News - News CONTACT Igor Zavertkin trombone oleg Stepurko - flugelhorn Texas-born pianist JoeSample is rooted in THE MAIN THINGS SHILKLOPER-volkov-STAROSTIN (Petersburg http://home.nestor.minsk.by/jazz/news/arc0104.html
Extractions: Concerts feature the best in Bay Area jazz artists, as well as a sampling of the most exciting world musicians, all free and open to the public. This season's performers will include Cuban, Brazilian, and Venezuelan rhythms, as well as African dancing and drumming, swing stars, classic jazz singers and guitarists, and much more. San Francisco concerts are perfect for lunchtime entertainment and Peninsula evening performances provide an enjoyable break from shopping at the posh Stanford Shopping Center. Produced by SFJAZZ in association with series locations, event schedules are as follows:
Europe-Asia Festival In Kazan Vladislav Zakharov flute, Denis Lonshakov trumpet, Marat volkov double bass Music flutist, Ilya Lundin, clarinetist oleg Tantsov, pianist Mikhail Dubov http://www.newmusicon.org/v10n1/v101rovner.htm
Extractions: Europe-Asia Festival in Kazan a Crossroads of Continents becomes a Crossroads of Stylistic Musical Trends of the World By Anton Rovner Lasting only for three days, the festival presented such a saturating program, that it seemed to many to last for a much longer period of time. Its highly diverse programming presented different styles and genres of music, from straightforwardly classic academic music to music with a slant towards folk and popular styles, from traditional to avant-garde styles, being an adequate venue for both its own Tatar composers as well as composers from other parts of Russia as well as guests from abroad. An important element of the festival was presenting music with distinctly Tatar exoticism, for the most part derived from Tatar folk music traditions as well as inspired by Tatar folk tales, epic stories or the Muslim religious tradition. This was clearly manifested in the very first musical piece performed at the opening concert, which was a Tatar traditional choral piece, which, being quite simple in its construction, contained exotic melodic ornamentation. The Folk Music Ensemble of the Tatar State Philharmonic Society, directed by Marat Yahyayev sang it. An excellent example of the way contemporary composers treated folk material was Almaz Monasypovs Legends of Ancient Bulgar, a large-scale work in five movements for folk music ensemble, performed by the aforementioned ensemble. Dressed in exotic Tatar folk costumes, carrying the folk instruments, the musicians came out on stage and started playing. A solo melody started out, played on a pipe, accompanied by the folk instrument the gusli as well as by the violin. Then the singers lines came in successively, one by one, presenting folk-style music. The music was accompanied by slow and steady choreographed dancing. The national exoticism was a good attraction for the festival guests. The piece had strong epic qualities, suggesting a recounting of a story, though some of the music contained some popular cliches, suggesting 1950s American musicals, in the vein of Richard Rodgers.
