Estela Telerman - Piano / Klavier music studies in her native Buenos Aires and was a student of Argentine pianist DoraCastro. In New York she specialized in Bach studies under rosalyn tureck. http://www.geocities.com/SoHo/Hall/1278/Telerman/index2.htm
Extractions: English Estela Telerman began her music studies in her native Buenos Aires and was a student of Argentine pianist Dora Castro. She graduated at the Municipal Conservatory of Music and completed her studies in Liberal Arts at the University of Buenos Aires. In New York she specialized in Bach studies under Rosalyn Tureck. She was awarded the "JUAN CARLOS PAZ" Prize for her performance of contemporary piano music , and gave first performances of many works by Argentine composers, some of them dedicated to her. She gave first performances in Argentina of CLARA SCHUMANN's Concerto in a minor and FRANZ LISZT's Concerto Nº 3 . In 1998 she gave the first performance in Roumania and recorded Liszt 's Concerto Nº 3. She also recorded early and late works by Liszt and works by Argentine composers. Mrs. Telerman gave recitals and concert-lectures in English , French , and Italian on Argentine piano music in concert halls and universities in the United States, Canada, Peru, Colombia, Ecuador, Costa Rica, France, Italy, Spain, Norway , and Holland. She recorded Argentine music for the Italian TV and for Radio Nacional (Spain). Besides her activities as a concert pianist, Estela Telerman has taught at the University of Buenos Aires and presently teaches at the National University Institute of Art (National Conservatory of Music and National Drama School. In 1999 she created and presently coordinates and performs with the DRANGOSCH GROUP for the Recovery, Performance , and Dissemination of Argentine Musical Heritage.
Extractions: Philips 456814-2 ADD/DDD 2 discs: 77:54, 76:37 Great Pianists of the 20 th Century series with follow-up volumes devoted to Rosalyn Tureck and Jorge Bolet. Both pianists, incidentally, were born in 1914; Bolet died in 1990, and Tureck remains alive and kicking, as far as I know. Her volume is particularly welcome because it includes recordings that have been hard to find for decades. Although Bolet's volume contains more recent material from his last London/Decca years, it is good to have a de facto "Liszt's Greatest Hits for the Piano" selection as comprehensive as this one. Tureck is often described as the "high priestess of Bach," a statement that might have given harpsichordist Wanda Landowska pause! Although she has played the music of many other composers, Bach was her forte from an early age, and so he has remained. She has done six commercial recordings of the
Extractions: Don Satz Excellent issues come from Aldwell, Hewitt, and Gould. Betraying the common notion that Gould plays everything too fast, his F sharp prelude is the slowest of the seventeen versions. The performance has all I could want except for some less than strong accenting at times; his use of staccato is revelatory. Aldwell is almost as slow as Gould with a heart-felt and joyous interpretation. Hewitt is faster and provides sensational syncopation. Suzuki's performance seems to me a perfect one. On the slow side, he delivers wonderful levels of comfort and delicacy mixed with superb accenting and syncopation. Suzuki gives me an inner glow; it must be magic. Aldwell is toward the low end with a rushed performance; he sounds as if he's "toughing it out". Jarrett eschews the rushed approach and zooms though the fugue without looking back; it works very well as he puts a lot of excitement into the piece. Other fine versions include the dark-hewn Hewitt, the highly playful Schiff, the tender and slow Roberts, the comforting Horszowski, the delightful Richter, the angular Leonhardt, the cautious and deliberate Tilney, the urgent Suzuki, and the swift and energetic Fischer. Aside from Aldwell, each of these issues is well appreciated. Glenn Gould is in class of his own. He does everything the other great versions do and also creates a musical drama of highly contrasting emotions. The urgency and sense of resolution keep me glued to the headphones. This is certainly one of Gould's best Bach interpretations.
Pianists : Art Directory Russian/Canadian pianist. Includes awards, orchestra repertory, reviews, discographyand links. (Rating 0.00 Votes 0) Rate It. tureck, rosalyn (b.1914 http://www.123artist.com/art/Arts/Music/Instruments/Keyboard/Piano/Pianists/more
Pianist Stefano Greco Official Website -- Curriculum . The pianist, composer and conductor Marcello Abbado has numbered Greco's thelegendary versions of Wilhelm Backhaus, Andras Schiff and rosalyn tureck. http://www.stefanogreco.com/english/curriculum2.htm
Extractions: (Lincoln Center) Alice Tully Hall , in New York's Lincoln Center, and the Opera City Concert Hall in Tokyo. Thanks to his artistic accomplishments, during his tour in the United States, he was nominated "Honorary Citizen of Little Rock" (capital of the State of Arkansas), where he also received the title of "Arkansas Traveler" from the Governor and Secretary of that State. Tokyo: Opera City Concert Hall He is currently participating in important seasonal concerts, such as the International Piano Festival in Rimini and the Schubertiade in London, and performs for societies such as the
Extractions: english version curriculum repertoire photographs ... ascolto cd var site="s10stefanogreco" e-mail: info@stefanogreco.com www.stefanogreco.com_ RECENSIONI menu di scelta rapida curriculum repertorio fotografie recensioni agenda CD Variazioni Goldberg pagina iniziale Pianist Stefano Greco Official Website sulla realizzazione per due pianoforti della Musikalisches Opfer BWV 1079 di J. S. Bach, ad opera di Stefano Greco e Francesco Lotoro. [...] ho avuto modo di seguire da vicino l'elaborazione e la realizzazione di un progetto quanto mai ardito: quello della trascrizione per due pianoforti dell'Offerta Musicale di Bach, lavoro portato a compimento con competenza e passione tali da destare il mio incondizionato plauso. Il monumento bachiano, nella sua doppia veste pianistica, merita di essere proposto all'attenzione di quanti amano la musica [...] questa nobile fatica onora altamente due giovani musicisti di grande talento.
Other Resources - ThereminWorld rosalyn tureck rosalyn tureck is a Bach pianist who studied with ProfessorTheremin and played at Carnegie Hall in 1932. Be sure http://www.thereminworld.com/otherlinks.asp
Extractions: Home Learn Shop Other Resources ... Other Links Search Amazon: window.document.title = "Other Websites" Resources - Other Websites (In no particular order...) Edd Simpson's theremin project atelier-Theremin Thereminvox.com Shockwave Theremin The Moog Archives Fred Nachbaur's Theremin Exploits Theremin.Info Images XXI Infusion Systems Infusion Systems produces the I-Cube , a platform for building customized interactive musical instruments. Several different sensors are available for the I-Cube, including the theremin-like "Close" "Reach" read the Reach manual "ReachClose" , and "FarReach" sensors. Cool stuff!
Welcome To Piano.com Tsygichko, Andriy biography and repertory for this Ukrainian pianist. tureck,rosalyn - provides biography for the Turkish pianist and teacher. http://www.piano.com/pianist/pianist_classical.cfm
Clickmusic: Clickmusic_Web_Guide/Instruments/Keyboard/Piano/Pianists Tselyakov, Alexander Russian/Canadian pianist. Includes awards, orchestra repertory,reviews, discography and links. tureck, rosalyn (b.1914) Includes the http://www.clickmusic.co.uk/Clickmusic_Web_Guide/Instruments/Keyboard/Piano/Pian
Vindex, De Vindplaats Van Het Nederlandse Web Omschrijving Cosmopolis archive Italian pianist biography and concert review.http//www.cosmopolis.ch/english/cosmo4/pollini.htm. tureck, rosalyn (b.1914). http://www.vindex.nl/dir/Arts/Music/Instruments/Keyboard/Piano/Pianists
PF Music Land tureck, rosalyn. Dynamiic changes must be made on the first note of the new colour,for the pianist's habit of continual rise and fall does not suit Bach. http://pfwonderland.bizland.com/Interpretation/StudiesNotes/Tureck_1.htm
Extractions: [Fingering] In order to phrase in several moving lines, the fingering used in Bach's time must be incoporated into the muscular habits of the hand, for contrapuntal music gave rise to a keyboard technique which suited its need. Lacking constant use of the thumb and with less emphasis on successive fingering than in modern technique, overlapping, underlapping and frequent silent change of fingering on the same note are indispensable. ....An admirable equipment for choral, virtuoso, and melodic playing in a single line, this later technique makes no provision for contrapuntal structures, and the addition of earlier keyboard technique is indispensable for adequate performance of Bach's more complex music. ... [Phrasing] ... All musical elements combine to influence its shape, and shape in music is as vital contrapuntally and aurally as it is visually in painting... The long phrase marks indicate breathing periods; do not confuse them with legato playing. ..... The long phrase forms the unity of design to which the inner phrases belong, but the successful performance of a long phrase is itself dependent upon the delineation of its parts...
PF Music Land Eigeldinger, JeanJacques. Chopin pianist and teacher as seen by his pupils. tureck,rosalyn. An Introduction to the Performance of Bach. Books I, II and III. http://pfwonderland.bizland.com/musicstudies/mystudies/Punctuation1.htm
Extractions: The meanings behind slurs, fingering, and motif development Pei-Fen Chen Treatises since the 18 th century have provided clearer ideas and instructions for music interpretation. However, there are always no definite answers of articulation and phrasing for a specific style of a composer. F. Couperin's L'art de toucher le clavecin may have introduced some of his contemporaries' performing habits, but it also presented more of his own techniques. Furthermore, it is hard to ascertain if J. S. Bach favored using a harpsichord or a clavichord in playing some of his keyboard works, so Rosalyn Tureck's interpretation of Bach's music with the harpsichord would be one possibility. How about C. P. E. Bach's ? It revealed some of J. S. Bach's revolutionary ideas of performance practice, but the theory can sometimes be harmonized with the music of later composers in the 19 th century too.
Women Of Achievement B. 1214-1914, rosalyn tureck, renowned interpreter of JS Bach, pianist,harpsichordist, and teacher. First woman to conduct the http://www.undelete.org/woa/woa12-14.html
Extractions: 12-14 TABLE of CONTENTS: The incredible story of two old women... Doria (Ahmad) Shafik MRS. KIYO MINIJIMA Cooking Class from Space for Woman - Hard Science for Men ... QUOTE by Rosalyn Tureck and Margaret Chase Smith. Etta Shiber and Kitty Beaurepos At the time of the German invasion of France, Etta Shiber, American author of Paris Underground (1943), then in her 60's, lived in Paris with her good friend Kitty Beaurepos. They had met in a dress shop on a trip Shiber had made to Paris in 1925. Her book graphically describes the confusion and fear felt by the refugees on the crowded roads, some on foot carrying what possessions they could, others in dog- or horse-drawn vehicles, and some like Shiber-Beaurepos in automobiles - all subject to being machine-gunned and bombed from German planes - and there was no food left anywhere. The two old women stopped at an inn to search for food and found, instead, a British aviator who failed to get evacuated at Dunkirk. They hide him in the trunk of their car and when the Germans caught their refugee column and turned them back to Paris, the aviator - undiscovered - went with them. They hid him in their apartment, finally making contact with the underground to get him out.
Extractions: BUY NOW Crotchet AmazonUK AmazonUS Bachs Well-Tempered Clavier is a set of twenty-four preludes and fugues, in each major and minor key. Widely considered to be the summit of keyboard music, it is an encyclopaedia of forms and styles, and, especially, of contrapuntal composition. Rosalyn Tureck, once called the High Priestess of Bach, has certainly marked the twentieth century with her many recordings of Bachs keyboard music on piano. This recording, made for the BBC in 1975 and 1976, is a welcome addition to her discography. Rosalyn Turecks landmark 1953 recording of the Well-Tempered Clavier remains one of the milestones in the discography of Bach recordings, but this set, recorded more than twenty years later, shows the pianist at the summit of her form. Benefiting from an additional two decades of experience with this music, she gives it insights of which few pianists would be capable.
Pianist - Wikipedia A performing classical pianist usually starts playing piano at a very Alexander Toradze;David Tudor; rosalyn tureck (also famous for her harpsichord playing); http://www.wikipedia.org/wiki/Pianist
Extractions: Main Page Recent changes Edit this page Older versions Special pages Set my user preferences My watchlist Recently updated pages Upload image files Image list Registered users Site statistics Random article Orphaned articles Orphaned images Popular articles Most wanted articles Short articles Long articles Newly created articles Interlanguage links All pages by title Blocked IP addresses Maintenance page External book sources Printable version Talk Log in Help From Wikipedia, the free encyclopedia. A pianist is a person who plays the piano A professional pianist can perform solo pieces, play with an orchestra or smaller ensemble , or accompany one or more singers or solo instrumentalists A performing classical pianist usually starts playing piano at a very young age, some as early as three years old. Many well-known classical composers were able pianists themselves; for example, Sergei Rachmaninov Wolfgang Amadeus Mozart Franz Liszt Frederic Chopin , and Robert Schumann were all virtuoso pianists. Some pianists have special preferences as to which composer's music they play. Most western forms of music can make use of the piano. Consequently, pianists have a wide variety of forms and styles to choose from, including
Theremin Birthday Cameos Aug-Dec . . rosalyn tureck. Although known principally as a Bach pianist,rosalyn tureck was an important figure in early theremin history. http://www.ccsi.com/~bobs/8_12brth.html
Extractions: Joseph Schillinger - August 31, 1895 - March 23, 1943. "...music plus electricity equals the sound of the twentieth century." - Joseph Schillinger. Russian-born Joseph Schillinger is responsible for some major contributions to the history and development of the theremin as well as a major work of theremin literature. Formerly a musicology professor in Petrograd, he moved to New York in the late 1920s where he began working with Leon Theremin, helping with the writing of theremin manuals and the development of several new models of the instrument. Schillinger's FIRST AIRPHONIC SUITE for theremin and orchestra was premiered in Cleveland November 28, 1929 with Leon Theremin as soloist. He also collaborated with Theremin in producing several landmark electronic concerts. One of these at Carnegie Hall featured fourteen theremins. As a composition teacher Schillinger was greatly respected and taught a number of well-known musiciansBenny Goodman, Glenn Miller, a host of successful film composers and some symphonic composers such as Gershwin among others. Theremin enthusiasts who want to read more about Schillinger and his opinions on electronic music may want to check out Schillinger's essay, "Electricity, a Musical Liberator," MODERN MUSIC, 8:3 (Mar.-Apr., 1931), 26-31; Frances Schillinger's JOSEPH SCHILLINGER: A MEMOIR (New York: Greenberg, 1949); WIRELESS IMAGINATION: SOUND, RADIO, AND THE AVANT- GARDE, ed. Douglas Kahn and Gregory Whitehead (Cambridge, MA: MIT, 1992.)
WNYC - Music Bach on the piano, from the years of Wanda Landowska and rosalyn tureck, throughthe in the mid1950's, brought worldwide attention to both the pianist and the http://www.wnyc.org/music/articles/5525
Extractions: Credit: Photo: Christine Butler The supremely gifted and wildly eccentric pianist Glenn Gould died 20 years ago this October 4. To mark the occasion, this special edition of the Fishko Files, "20 years After Glenn Gould," examines Bach as it is played on the modern piano, especially as it has or has not been influenced by Gould's style. Distinguished pianists Murray Perahia, Vladimir Feltsman, Angela Hewitt, Edward Aldwell, Maria Tipo and Sergei Schepkin are among the participants. The program traces the rise and fall and rise of Bach on the piano, from the years of Wanda Landowska and Rosalyn Tureck, through the Gould years to the present. Ample excerpts of performances by the pianists, as well as by Gould himself, will illustrate the commentary. Glenn Gould's arresting version of the Bach Goldberg Variations, first released in the mid-1950's, brought worldwide attention to both the pianist and the composition. More recordings and performances of Bach followed, in a style so distinctive as to have all but eclipsed other Bach players of his generation. Gould famously chose the recording studio over the concert stage early in his career, declaring, "the concert is dead." Known for his peculiar work habits (most notably his obsession with temperature in the studios) and a contrarian's approach to music in general (he dismissed many of Beethoven's greatest works while becoming fascinated by Petula Clark) Gould was one of the rare classical musicians to cross over into popular consciousness. But before the world knew about the oddities of his behavior, they knew about his Bach playing. It is his performance of the music of Bach and its effect that will be examined in 20 Years after Glenn Gould.
WNYC - Music 820 on Radio Lab The supremely gifted and wildly eccentric pianist Glenn Gould onthe piano, from the years of Wanda Landowska and rosalyn tureck, through the http://www.wnyc.org/music/articles/5130
Extractions: In observance of the 70th birthday of the legendary Canadian pianist Glenn Gould on September 25and the 20th anniversary of his death on October 4WNYC presents a special series of programs highlighting his unique legacy. Among the 20th century's most fascinating and eccentric pianists, Gould is best known for his mesmerizing performances of repertoire ranging from Bach to Schoenberg. What's more, he made a name for himself as a recording artist, radio and television producer, writer, and an outspoken apologist for the electronic media. WNYC explores these multiple roles as they contributed to his greater mystiqueone that influences countless artists to this day. Below is a complete summary for WNYC programming between September 21-October 5. Also, read more about the
Juilliard | The Juilliard Journal Online he was even called to step in for another pianist on 12 Josef and Rosina Lhévinne,Sascha Gorodnitzki, Adele Marcus, Olga Samaroff, and rosalyn tureck, as well http://www.juilliard.edu/update/journal/563journal_story_0209.asp
Extractions: Edgar M. Roberts, a concert pianist and faculty member of The Juilliard School for 56 years, died on July 25 in Kingston, N.Y. at the age of 80, after a long struggle with cancer. Edgar Roberts Born in Sulfur Springs, Okla., Mr. Roberts was raised in Texas. He got an early start in his piano career at age 3, when he would sidle up to his Aunt Willette (the accompanist at the silent movies hosted in his father's theaters in Memphis, Tex.) and play "by ear" while she worked the pedals. He began formal study at 7 and entered the Fort Worth Conservatory in 1933. At 15 he hosted his own solo piano program on the Texas State Network and on radio station WFAA-WBAP in Dallas and Fort Worth. Two years later, he won the prestigious Dealey Award, sponsored by the Dallas Morning News, which brought performances with the Dallas Symphony Orchestra. Dubbed "the flaxen-haired virtuoso," he was even called to step in for another pianist on 12-hours' notice for a performance of The Firebird , under the baton of Stravinsky himself.
