Extractions: The Los Angeles Times says of French pianist Jean-Yves Thibaudet that he *...is a pianist of the first order. In addition to a fabulous technique... he also has that indefinable gift of magic.* Jean-Yves Thibaudet will perform works by Chopin, Debussy, and Liszt in recital at the Rialto Center for the Performing Arts on Tuesday, April 20 at 7:30 pm. This is a Signature Series performance. Complimentary parking is available at the Allright parking deck on Luckie Street. Call 404-651-4727 for tickets. GSU students receive + price tickets, 90 minutes before the performance, with valid ID, one per ID. Joanne R. Kresic Manager of Marketing and Public Relations Rialto Center for the Performing Arts www.rialtocenter.org jkresic@gsu.edu tel: 404-651-2981 fax: 404-651-1332 Prev: Indian Creek (posted 13 May 1999) Next: Volunteers for Day in the Park, Wednesday April 14. (posted 30 Mar 1999)
Jean-Yves Thibaudet: Biographical Profile ill and had to cancel, and a dashing young pianist was summoned from Paris to fill his shoes. filled the hall as jeanyves thibaudet let off one melodic strain http://www.ffaire.com/thibaudet/jytocpac.html
Extractions: -FANFAIRE Guide to Original Content- *** WEBSITES *** Hildegard BEHRENS Vivica GENAUX The ARIA Foundation *** ARTISTS' ROSTER *** Performing Artists Fabio ARMILIATO Renate BEHLE Hildegard BEHRENS Richard BERNSTEIN Stephanie BLYTHE Richard BONYNGE Kenneth COX Michelle DE YOUNG John DUYKERS Adria FIRESTONE Nicolle FOLAND Jorge GARZA Vivica GENAUX Christine GOERKE Matthias GOERNE Susan GRAHAM Nathan GUNN Jerry HADLEY Ben HEPPNER Frank HERNANDEZ Elizabeth HYNES Karen KELTNER Mario LANZA Richard LEECH Susanne MENTZER James MORRIS Ken NODA Maureen O'FLYNN Louis OTEY Eric OWENS Hermann PREY Juliana RAMBALDI John RELYEA Regina RESNIK Sviatoslav RICHTER Mstislav ROSTROPOVICH Leonie RYSANEK Janos STARKER Joan SUTHERLAND Jean-Yves THIBAUDET Gregory TURAY Mel ULRICH Jon VILLARS Deborah VOIGT David WALKER Composers/Librettists L.v.BEETHOVEN Luciano BERIO Myron FINK George GERSHWIN Donald MORELAND W.A. MOZART Richard WAGNER *** WORKS *** The Conquistador Cronaca del luogo Ring Cycle Philosopher's Stone Samson et Dalila *** SECTIONS *** AudioFiles Discographies New Releases NewsBytes Viewers'Bylines *** MISCELLANEOUS *** Downloading Dock" Audience Etiquette HOME
Jean-Yves Thibaudet, Pianist French pianist Jean Yves thibaudet's 2001 US Schedule http://www.cincinnatipops.com/aboutus/guest_artists/thibaudet.htm
Extractions: An accomplished and sophisticated musician of musical depth and sensitivity, pianist Jean-Yves Thibaudet is renowned for his elegant playing, poetic interpretations, and exceptional command of rhythmic intricacies. Sought after by the world's foremost conductors, orchestras and music festivals, his extensive vocabulary of luminous colors and passionate sound, referred to as the "Thibaudet style," have earned him accolades from both colleagues and press alike.
Sound Judgment - Jean-Yves Thibaudet Mendelssohn Piano Concerto 1. jeanyves thibaudet. (Decca). there's a lightness, a crystalline sparkle and He was no mean pianist himself, of course, as plenty of contemporaries http://www.freep.com/fun/sj/qsound0413.4.htm
Extractions: Here is one of the silliest CDs in recent memory. Jean-Yves Thibaudet, a gifted classical pianist, performs transcriptions of songs and improvisations by jazz great Bill Evans. These beautiful tunes underscore the influence of Debussy and Ravel on Evans, but the performances are lifeless, like art-school copies of famous paintings. Thibaudet doesn't improvise, but that's just part of the trouble. The pulse at the heart of jazz even rubato ballad playing is absent, and in those few spots where Thibaudet is supposed to swing he sounds like a clumsy robot. One transcription in the context of a recital is a nice idea, but listening to 12 in a row is a waste of time when you could be digging Evans himself. By Mark Stryker BACK INDEX NEXT HEAR THE MUSIC Jean-Yves Thibaudet Turn Out the Stars Shockwave 28.8 (wav file)
Decca Music Group pianist jeanyves thibaudet welcomes you into his world with this fun documentaryEnjoy a closer look into his childhood, his friendship with Cecilia Bartoli http://www.deccaclassics.com/jeanyvesthibaudet/
Decca Music Group - Jean-Yves Thibaudet pianist jeanyves thibaudet welcomes you into his world with this fun documentary Enjoy a closer look into his childhood, http://www.deccaclassics.com/artists/thibaudet
Extractions: I have heard the future of Rachmaninoff pianists. His name is Jean-Yves Thibaudet. I've been aware of him being lauded as a great interpreter of Rachmaninoff, but have shied away from even listening to one of his recordings for a few years, because I feared the letdown would be too great, should he not live up to expectations (my breaking point came a couple of years ago, when I started hearing about this "wonderful new pianist, David Helfgott." I bought his CD of Rachmaninoff's Third Psycho That spiel off my chest; now back to Thibaudet: His understanding of Rachmaninoff is totally intuitive Thibaudet's performance of the Fourth Concerto exemplifies this observation. A very difficult piece to perform properly, this is the most satisfying recording I've heard of it, aside from the composer's own. Although the Fourth is generally thought of as a "heavy" concerto (especially as performed by Rachmaninoff and Ormandy), Thibaudet's touch is the very essence of light. He does not play with as heavy a hand as his accompanist, Vladimir Ashkenazy, did in his excellent 1984 recording with Bernard Haitink and the Concertgebouw Orchestra. Even the chordal progressions towards the end of the first movement
Jean-Yves Thibaudet: Champion Of The French Impressionists Music clip Pavane pour une infante défunte from the album Ravel CompleteWorks for Solo Piano jeanyves thibaudet, pianist (London 435 515-2). http://www.ffaire.com/thibaudet/jytrec1.html
Extractions: He is known as the Champion of the French Impressionists, and not without reason. He is after all French and he has played the music of Ravel and Debussy since he was a little boy. And if you think you don't care much for either, you only have to listen to Jean-Yves play their music to turn you around. Start with Ravel's which is what you're hearing now, or even Debussy's all too familiar Clair de lune and gradually soak in the rest of the repertoire...
Greg Sandow -- Jean-Yves Thibaudet for adventurous classical musicians, jeanyves thibaudet might have Mr. thibaudet'scourage paid off; unassumingly, he The pianist seemed to glare, restrained http://www.gregsandow.com/thib.htm
Extractions: If I'd been looking for adventurous classical musicians, Jean-Yves Thibaudet might have caught my eye at the Metropolitan Opera, acting a role onstage in Giordano's faded but irresistible old warhorse Fedora . Or I might have noticed him performing Schubert impromptus in the film version of Portrait of a Lady. Or I might have been intrigued by his latest CD, on which he plays music by jazz great Bill Evans. But what got my attention was his 1995 recording of Rachmaninoff's Third Piano Concerto. Normally that piece is played by romantic piano titans, and in some ways Mr. Thibaudet is one, at least in firepower. He commands the instrument, exploding huge cascades of notes, apparently with little effort. Yet at the same time he's restrained, almost intellectual. What makes his performance work (apart from its bracing virtuosity) is focus and intelligence, along with a disarmingly delicate, almost innocent touch when the music gets quiet. So on April 20 I was at Avery Fisher Hall, to hear Mr. Thibaudet play his biggest New York recital yet. He sat at the piano, hesitated briefly with his hands over the keys, and then traced a sound that could have been a pencil sketch of a shimmer in the air. This was the start of Debussy's second book of Preludes, a courageous opening for a concert in such a huge space. Mr. Thibaudet's courage paid off; unassumingly, he drew the space toward him. But after the second prelude, there was a sound like muttered thunder, the footsteps of late arrivals pounding to their seats. The pianist seemed to glare, restrained himself, and then resumed luckily the third prelude is assertive, and gave him energy only to be interrupted twice again. His quiet clarity helped keep the music's spell intact, though here I missed the sound that's not in his Rachmaninoff. I would have liked a kind of golden poetry that might have brought each of the dozen preludes into a world of its own. I could hear Mr. Thibaudet shaping separate worlds, but they emerged in black and white. I wanted color.
Greg Sandow -- Rachmaninoff 3d Comparisons jeanyves thibaudet (48 seconds). With Ashkenazy yes, the pianist conductingthe Cleveland Orchestra (coupled with Rachmaninoff's first concerto on London http://www.gregsandow.com/rach3.htm
Extractions: This all started with a "Consumer Guide" I wrote for the Village Voice, New York's big alternative weekly. I listened to 17 recordings of this suddenly popular concerto, and wrote 17 quick paragraphs, with a grade attached to each one. Poor David Helfgott got an F; Vladimir Horowitz got an A, for his version with Fritz Reiner conducting. (Though a later Horowitz release, a live performance with Eugene Ormandy, only got C+.) You can read this adventure, right here on this site. Much later and by a happy coincidence I was asked to write about the concerto once again, this time for the Los Angeles Times. In fact, I was asked to defend it against critical attacks, which I was happy to do. The more I listened to it, for my Voice consumer guide, the more I loved it. And I enlisted two very articulate pianists to help me defend it Alexander Toradze, and Byron Janis. This piece, too, is available here But you want to hear the music my comparisons of six pianists playing the same Rach 3 excerpt. Click the RA icons below to hear the pianist of your choice, and if you have RealAudio 3.0 or higher installed on your computer you'll hear the excerpts "streaming" down the Internet in real time.
Thibaudet pianist jeanyves thibaudet. Two visual art exhibits supported byYoHA are complemented by live performances in March. pianist Jean http://www.engin.umich.edu/org/YoHA/yoha-web/spacing/Eve_det-thibaudet.html
Extractions: Acclaimed by the press as "one of the truly magnificent voices of our time," American soprano Renée Fleming's international career spans over a decade. Renowned for her commanding musicianship, intelligence and interpretive abilities, the Grammy Award winning soprano has cultivated a devoted following worldwide for her work on the operatic stage, in concerts and recitals, on television, radio and recordings, and as a champion of new music. Don Giovanni, James Levine conducting, followed by the October 4 season opening gala of Lincoln Center's Great Performers telecast on PBS' Live From Lincoln Center from Avery Fisher Hall. Ms. Fleming ended the year with performances of Der Rosenkavalier with the San Francisco Opera, Charles Mackerras conducting. In January 2001, Ms. Fleming returned to PBS with another national Live From Lincoln Center telecast. She then traveled to Europe for performances of the Verdi
Extractions: Critics have been moved to call her voice the most beautiful in the world, while the late Sir George Solti declared he was in love with it. Now at the pinnacle of achievement, soprano Renée Fleming continues to magnetize international audiences with her lustrous tone and insightful interpretations. It is with great pleasure that we present her long-awaited Vancouver debut. " an artist as close to perfection as perfection ever gets." - Alan Rich Praised for his "indefinable gift of magic," Jean-Yves Thibaudet is acclaimed as both a solo and collaborative pianist. An elegant and multi-faceted artist, he has appeared on our series in recital and with mezzo-soprano Angelika Kirchschlager. Mandoline, Op.58, no.1
MSO: Jean-Yves Thibaudet, Piano Madison Symphony Orchestra jeanyves thibaudet, piano John DeMain, conductor. wasa famous vehicle for the legendary young American pianist William Kapell http://www.madisonmusicreview.org/doc/r_200210_mso.html
Extractions: Two 20th-century works opened the Madison Symphony Orchestra's second subscription pair at the Oscar Mayer Theatre, Copland's suite from The Tender Land and the Khachaturian piano concerto. Neither of these works, however, would be likely to offend the tastes of musical conservatives, who in any case got their lengthy due in the form of the Franck Symphony that concluded the program. Audiences for these concerts continue to be large and enthusiastic. In 1958, Copland excerpted an orchestral suite from his 1954 made-for-television opera The Tender Land (cancelled before it could be performed). The three sections of the orchestral work derive from various scenes of the opera and incorporate the composer's "open" style of setting folk-music elements, drawing upon the resources of a large orchestra. There is, unsurprisingly, considerable modernity in the suite: complex rhythms, large-scale dissonance and subtle orchestration. By far the most successful is the closing section, "The Promise of Living." However, the purely orchestral arrangement fails to convey the emotional content of this music in the context of the opera itself, where it is set as a vocal quintet that closes the first of the three acts and establishes a deeply affecting aura of hopefulness that the drama's subsequent action will dissipate. That said, the MSO gave a first-rate performance of the music, a style for which DeMain has a particular affinity, I think.
Saint Paul Sunday, February 2003 Broadcast Listings Celebrated French pianist jeanyves thibaudet will perform several Satie works,including the radio première of his recently published seventh Gnossienne, a http://sunday.mpr.org/listings/shows03_02.htm
Madison Symphony Orchestra jeanyves thibaudet, PIANO. Luminous and passionate, the thibaudet style hasforged an career for this versatile and sophisticated French pianist. http://www.madisonsymphony.org/concerts/thibaudet.php
Extractions: Sun Oct 13 2002 at 2:30 PM Luminous and passionate, the "Thibaudet style" has forged an international career for this versatile and sophisticated French pianist. He is sought after by the worlds foremost conductors, orchestras and music festivals, and we are pleased to have at last arranged his Madison debut. Copland Suite from The Tender Land Khachaturian Piano Concerto Franck Symphony in D minor
Aprés Un Rêve jeanyves thibaudet is een groot pianist die in de Verenigde Statenzeer hoog aangeschreven staat. Ik ben heel blij dat ik samen http://www.rombaux.be/Klpunt202.htm
Extractions: De Boom en het geheugen ( Gil Shaham ) De piano...een groot orkest ( Claire-Marie Le Guay ) Familiegeschiedenis "Bachiana" ( Reinhard Goebel) ... Westminster The Legacy (de wedergeboorte van een legende ) Nauwe banden Frankrijk, Oostenrijk, Rusland Het recital van de Amerikaanse sopraan Renée Fleming, begeleid door Jean-Yves Thibaudet , evolueert subtiel van de intimistische wereld in de Parijse salons van Gabriël Fauré naar de melodieën van Sergei Rachmaninov die sterk aan opera doen denken. De melodische lijnen overlappen elkaar in een parkoers dat even charmant is als de voorgaande recitals van Renée Fleming Er zit blijkbaar een zekere evolutie in uw recital geïnspireerd op de nacht. Dat is inderdaad zo. Die evolutie is noodzakelijk in de samenstelling van een recital. Bovendien vraagt het thema van de nacht om enige uitleg. Dit is geen intimistisch programma zoals een nachtelijke atmosfeer zou kunnen doen vermoeden. Bepaalde werken hebben een zeer krachtige expressie. Ik hou van dit romantische repertoire boordevol sensualiteit. Ik koos het met Russalkas lied aan de maan van Dvorak in mijn hoofd Ik dacht aan dat thema van de maan, omdat ik het interesssant vind een rode draad te hebben bij het samenstellen van een recital.
Klpunt507.htm SaintSaëns misschien. Ook hij was een buitengewoon virtuoos pianist. TheMagic of Satie. jean-yves thibaudet, piano. Terug naar overzicht. HOME. http://www.rombaux.be/Klpunt507.htm
Extractions: Links Hemelse klanken Anne-Sophie Mutter Placido Domingo Cecilia Bartoli ... Matthias Goerne - Jean-Yves Thibaudet - Selecties Ilya Gringolts piano/vocaal Symfonisch ... te verwachten Alle reeds verschenen CD's kan U voortaan "online" aankopen via onze webwinkel aan een tijdelijk extra voordelige introductieprijs... Thibaudet behoort tot de zeldzame pianisten die met evenveel genot zowel Rachmaninov, Bill Evans, Debussy als Erik Satie vertolken. Vertel hem over recent ontdekte partituren, een heel speciale componeerstijl en zijn nieuwsgierigheid is meteen gewekt. Toen ik aan deze integrale begon had ik geen flauw idee van haar rijkdom Hoe bent u ertoe gekomen een integrale op te nemen van het pianowerk van Satie? Decca had me gevraagd een recital op te nemen met de meest bekende werken van Erik Satie. Ik heb me in deze muziek verdiept en nog onuitgegeven schatten ontdekt die nog nooit eerder waren opgenomen. Hierdoor ontstond het idee om het pianowerk van Satie integraal op te nemen. Het werden zes volumes, waarvan het eerste album de titel meekreeg: The Magic of Satie. Ik ben werkelijk in de ban geraakt van deze componist die eigenlijk nooit de plaats heeft gekregen die hij verdiende, nooit erkend is geworden als ernstig componist naast Debussy of Ravel. Men beseft niet hoe belangrijk hij is geweest. Hij was een visionair musicus. Sommige van zijn partituren uit het begin van de 20ste eeuw hebben John Cage in de jaren 1950 geïnspireerd. Als u het mij vraagt, was Satie de eerste minimalist. U begrijpt dat ik na een integrale van Ravel en Debussy dit parcours van Franse componisten heb willen voortzetten met een artiest als Satie.
KlassikAkzente Renée Fleming Und Jean-Yves Thibaudet Translate this page Aber wie jean-yves thibaudet erzählt, erschien Renée Fleming zu den ersten Treffen dieamerikanische Starsopranistin und der französische pianist mit dem http://www.klassikakzente.de/CDA.jsp?objectId=5063&menu=genre
