Kies, Paul Philemon Papers, 1621 - 1970 paderewski, Ignace jan, 18601941 Polish pianist Seyfried, ignaz Xavier Rittervon, 1776-1841 German conposer conductor November 23, 1836 308. http://www.wsulibs.wsu.edu/holland/masc/finders/cg308.htm
Extractions: Approximate number of items: 1500 Paul Philemon Kies was born at Highland, Illinois, in 1891. In 1915 he received a Master of Arts degree in German from the University of Nebraska and a degree in music from Lincoln Musical College. After teaching in high school at Goodland, Kansas, Kies accepted a pastorate in Illinois for two years. He graduated from the Chicago Musical College in 1920, then taught English at Penn College in Iowa until 1924 after which time he accepted a teaching position at the State College of Washington in Pullman, Washington. In 1928 he received a doctorate in English from the University of Chicago. He worked at the State College of Washington until his retirement as Professor Emeritus in 1956. He died at Pullman in 1971. For more information regarding Paul Philemon Kies, see Roger B. O'Connor, Paul P. Kies: Scholar
Iclassics.com - Classical Music And More 2(000) CD Hungaroton - 2002 Daniel Pollack, pianist 1958 and 30 ignaz FriedmanCD - Philips - 1999 Great 74 Ignacy jan paderewski CD - Philips - 1999 Great http://www.iclassics.com/iclassics/artists_result.jsp?entityId=555
Iclassics.com - Classical Music And More Artists International 1994 Daniel Pollack, pianist 1958 and 30 ignaz Friedman CD- Philips - 1999 Great 74 Ignacy jan paderewski CD - Philips - 1999 Great http://www.iclassics.com/iclassics/opus_result.jsp?opusId=922
Redirection Gold-music By ignaz jan paderewski) La Valse (Ravel; Arr. more information about this musicshop arranged by Gail Smith - Complete Church pianist - Hymn Arrangements http://www.gold-music.com/index.php?pubq=Edwin Hawkins Singers
Extractions: information listed after his or her name. 1 May Day 1786 ~ The Marriage of Figaro premier in Vienna 1904 ~ Czech composer , noted for his ninth symphony, "From the New World", died. 1909 ~ Kate Smith , American singer of popular music, God Bless America When the Moon Comes Over the Mountain 1928 ~ Sonny James (James Loden), The Southern Gentleman, singer 1931 ~ Singer Kate Smith began her long and illustrious radio career with CBS on this, her birthday. The 22-year-old Smith started out with no sponsors and a paycheck of just $10 a week for the nationally broadcast daily program. However, within 30 days, her salary increased to a more respectable $1,500 a week! 1939 ~ Judy Collins, American guitarist, songwriter and singer of folk and popular music 1939 ~ The two-part Sy Oliver arrangement of Lonesome Road was recorded by the Tommy Dorsey Orchestra. Listening carefully, one might note that the lead trombone is not that of
Records International Catalogue June 2002 ignaz jan paderewski (18601941) Violin Sonata in A Minor, Op 16/2. One of paderewski'sleast-known compositions pages of valuable notes from pianist Johnson on http://www.recordsinternational.com/RICatalogJun02.html
Extractions: Home January 2002 January 2001 January 2000 ... December 1997 Alexander Moyzes Stupid Label Tricks follow-up: We were able to supply almost all of the Reinecke (04D042) orders when those CDs finally arrived but, upon reordering, we were back-ordered (!) so, for those of you who still haven't received your Reinecke, we can only hope that resupply will occur sometime this month. Those of you who have been waiting a long time for (02D005 - Ivanovs) will be shocked to know that Campion has finally seen fit to resupply their distributor after three months. Unfortunately we don't know yet whether this particular title is in the shipment... This month's nightmare comes to us courtesy of Naxos of America which was unable to resupply us on the Atterberg (05D009) after our initial order. So, we wait.... NOTE: In order to let you know which titles in each catalogue are going to be more-or-less 'ephemeral', the items carrying this symbol - * - next to the price denote titles which have no regular U.S. distribution. This means not only that you are unlikely to find them somewhere else in the U.S. but that they were difficult to find, buy and import and that, while back-orders may be possible, it will most likely be a while before we will be able to get them again after our inital stock sells out. Please let your ordering (and patience) be guided accordingly! REINHOLD GLIERE (1875-1956): Violin Concerto in G Minor, Op. 100 (compl. Lyatoshinsky), Symphony No. 2 in C Minor, Op. 25. Begun in the year of his death, Gliere's violin concerto exists only as the first movement which was completed and orchestrated from sketches by the Ukrainian composer Boris Lyatoshinsky. Lasting 17-and-a-half minutes, the movement has an immediately memorable first theme, somewhat exotic in character, which wends its way through rich, lush orchestration which is utterly anachonistic for 1956 but also utterly appealing to anyone who loves the music of such late 19th-century Russians as Glazunov. The symphony, from 1907 and recorded by Chandos recently, is a 50-minute work with pronounced folk elements in all four of its movements and firmly in the heroic-romantic tradition of Borodin and Glazunov. Yuko Nishino (violin), Philharmonia Orchestra; Yondani Butt. ASV DCA 1129 (England)
JANUARY 23RD 1ST VINTNER IN SONOMA VALLEY, IMPORTS 10,000 1865 jan 25TH) BATTLE 16 OTHERS GO ONTRIAL IN STALIN'S GREAT PURGE 1940 pianist ignaz paderewski BECOMES PREMIER http://www.onmybirthday.com/cgi-bin/jan23.html
Extractions: Agents and Managers Barenboim, Daniel Bernstein, Leonard Biret, Idil ... Argerich, Martha (1941) - Excerpts from a 1979 interview with Dean Elder; in-print discography; reviews. Rubinstein, Arthur (1887-1982) - International Music Society Page, includes these biographical notes by Harold C. Shoenberg. Reichert, Aviram - Born in Israel, includes biography, contact info, MP3 clips. Saracino, Siro - Curriculum, concerts, repertoire. Kolacny, Steven and Stijn (1969, 1975) - Pianoduo; biography, RealAudio samples, calendar, contact info and more. Brendel, Alfred (1931) - Links to biography, discography, essays and quotes. Kapell, William (1922-1953) - Brief biography and notes. Klein, Andreas - German pianist; studied at Julliard School; biography, audio clips, reviews, concerts, photos. Rhodes, Julian (1964) - Piano, organ, and harpsichord player. Biography, calendar, etc. Sassmann, Albert
PMC Sites Ignacy Paderewski Biographical essay and list of works by Wanda Wilk from the Polish Music Reference Center.Category Arts Music Instruments Keyboard Piano pianists P 1. Who was paderewski? November 6th marks the anniversary of the birth of the mostfamous and popular pianist of all times Ignacy jan paderewski (1860-1941). http://www.usc.edu/dept/polish_music/composer/paderewski.html
Extractions: 1. Who was Paderewski? November 6th marks the anniversary of the birth of the most famous and popular pianist of all times - Ignacy Jan PADEREWSKI (1860-1941). Although discouraged by his teachers from becoming a pianist, he launched his artistic career in 1885 and literally swept the world with his playing and his dynamic personality. In 1932 American president Franklin Delano Roosevelt called him a Modern Immortal and two years later in a book written by author Charles Phillips, The Story of a Modern Immortal, the introduction began as follows, "It is difficult to write of Paderewski without emotion. Statesman, orator, pianist and composer, he is a superlative man, and his genius transcends that of anyone I have ever known. Those of us who love Poland are glad that she can claim him as a son, but let her always remember that Ignace Jan Paderewski belongs to all mankind." Yes, here was a personality that was not one in a million, but perhaps one in a century; an "artist of such a distinctly pronounced individuality as to be an exceedingly rare occurence -indeed - phenomenal." Paderewski was a genius, an intellectual, a "statesman par excellence;" a beautiful orator in a language that was not his; a linguist who spoke no less than seven languages fluently; a great musician; a patriot; and most of all, a humanitarian who was so generous that every act of kindness to him was always returned manifold.
Georges Longy concert made up of Pablo Casals, Jacques Thibaud, ignaz jan paderewski, Alfred Cortot Thepianist, Heinrich Gebhard, who played with the Longy Club would be at http://idrs.colorado.edu/Publications/DR/DR13.2/DR13.2.Jeskalian.Longy.html
Extractions: Georges Longy by Barbara Jeskalian San Jose, California In the initial pamphlet describing the aims of the Longy Club, Georges Longy tells his readers and listeners: 'I propose to give a series of public concerts in Boston, at which a number of works especially written for wind instruments will be performed. These will consist of solos, duos, trios, quartets and the like. The public hitherto has had little opportunity to hear such works performed; and yet the great masters, Bach, Handel, Haydn, Mozart, Beethoven, Schumann, Brahms and others, wrote highly interesting compositions for these instruments ... At the present time the array of artists composing the BSO makes possible any desired combination of instruments, and the obstacles formerly existing have been obviated. The principal instruments which will form the fundamentals of these concerts will be the Flute, the Oboe, the Clarinet, the Horn and the Bassoon..." There would be a different configuration of the ten performers that comprised the Longy Club throughout the years, but its one constant would be Georges Longy. In the fourteen years of its existence, founded in 1900, the Longy Club would change personnel a number of times, but two additional constants would be the quality of musicianship of the players as well as a catholic taste in the Club's programming. Before he joined the Boston Symphony for the 1898-99 season as first chair oboe, an event that would be precursor to the establishment of the Longy Club, Georges Longy had had a distinguished career in Paris. He was a section player with the Opera Comique and the Lamoureux, and the principal oboe with Colonne's Follies Bergere. While he received distinction with these orchestras in the country of his birth, he would exceed the name he developed there by his success and reputation with the Boston Symphony.
Great Pianists Of The 20th Century critcics may quibble over the choice of this or that pianist, or debate 21, IgnazFriedman, 1882, 1948, Polen, cd 30. 51, Ignacy jan paderewski, 1860, 1941, Polen,cd 74. http://www.oboss.nl/muziek/Greatpianists.htm
Extractions: De serie heet niet " The great pianists of the 20th century"of "Great est pianists of the 20th century" of " The great es t pianists of the 20th century" maar de titel is bewust "Great pianists of the 20th century. Proef de verschillen. Daarmee geeft samensteller Tom Deacon aan dat het een keuze is. Er hadden ook andere pianisten in de serie kunnen zitten maar hij volstaat met deze pianisten. Het merendeel van de voorspelbare kritiek richt zich daar dan ook op. Maar elke keus is dubieus en elke criticus wil in zijn stukje aangeven dat hij niet van de straat is door andere namen te noemen.
Arbiter Liner Notes Two other gifted sons, jan, a violinist, and Boris Beethoven Piano Concertos, editedby ignaz Moscheles guardian in Britain who, with paderewski, helped finance http://www.arbiterrecords.com/notes/109notes.html
Extractions: London recordings from 1912 - 1995 Vienna, 1907: Ignaz Friedman, then an upcoming twenty-five year-old pianist, sighed to a relative: "Mark Hambourg! Er macht besser!" [He does it better!]. Despite a legacy of nearly two hundred recordings and two vivid, informative autobiographies, Mark Hambourg (1879-1960) has become an enigmatic, forgotten figure. Some of his recordings make one agree with Friedman. Yet Hambourg did not like the studio atmosphere, or specific works selected by his producers: some wayward results have discouraged listeners from seeking Hambourg's great performances, which place him among the finest artists ever captured on disc. Was it possible to learn how his art developed, whether it was truly represented and its aftermath? While compiling a Hambourg CD in 1994, it seemed imperative to reissue his performance of Beethoven's C minor Piano Concerto, as it contained Moscheles' cadenzas. Equally compelling was a recording of the little known Concerto Pathetique for two pianos by Liszt: joining Hambourg was his 14 year-old daughter Michal. Their collaboration bears a remarkable unity of ensemble and ideas. It is hard to discern who took which part, as both play as equals. Hambourg lauded Michal in his writings, for she had reached musical maturity under his guidance. Was she still alive, and if so, where? Had she preserved or imparted her family's musical knowledge and documents? As the Liszt recording dates from 1934, one feared that the Hambourg legacy could have disappeared.
Index Translate this page PÄDAGOGEN, Tiroler Landesgruppe. PÄDAGOGIK Siehe Musikpädagogik. paderewski,Ignacy jan. PAER, Ferdinand. PLESS, Hans. PLEYEL, ignaz Joseph. PLODERER, http://ezines.onb.ac.at:8080/moravec/pub/index/1P.htm
Extractions: Once you have found the information in the index click each call number to reach the collection concerned. Then type the call number which consists of cassette folder and letter number into the search mask (e.g.325/4-135). You will need the search mask for navigation through large collections of letters! N.B. When using the indexes also use the search mask for the key words you are looking for. You need not page through all the entries if you do not wish to do so!
Extractions: A TO Z: A SELECTION This document contains a selection of musicians, from all times and all places, for whom the Harvard Biographical Dictionary of Music includes entries. The entries in the Dictionary themselves range in length from a paragraph to five or more pages. Use this alphabet to jump to a particular letter: A B C D ... Z ABSIL , Jean (b. Bon-Secours, Hainaut, Belgium, 1893; d. Brussels, 1974). Composer. ACUFF, Roy (Claxton) (b. Maynardville, Tenn., 1903; d. Nashville, 1992). Country-and-western singer, fiddler, songwriter, and publisher. ADDERLY, Cannonball [Julian Edwin] (b. Tampa, 1928; d. Gary, Ind., 1975). Jazz alto saxophonist and leader of small groups. ADORNO, Theodor W(iesengrund) (b. Frankfurt am Main, 1903; d. Visp, Switzerland, 1969). Philosopher and writer on music. ANDERSON, Laurie (b. Chicago, 1947). Composer and performer. ANDERSON, Marian (b. Philadelphia, 1897; d. Portland, Ore., 1993). Contralto. ANDREWS, LaVerne,
Luca Chiantore - Historia De La Técnica Pianística: Bibliografía Translate this page paderewski, Ignacy jan Memoirs, en colaboración con Mary Lawton. Pleyel,ignaz y Dussek, jan Ladislav Méthode pour le piano-forte. http://www.chiantore.com/spagnolo/3-0_ur-technil/3-3_ur-technik-spa.htm
Katalog Der Tonaufnahmen Mit Wiedergaben Von Einspielungen Auf Translate this page Early recordings by the pianist. Der Erlkönig / Transkription Franz Liszt - IgnazFriedman, Klavier von Franz Liszt - Ignace jan paderewski, Klavier - Rolle http://www.ub.uni-freiburg.de/referate/29a b/welte.htm
The Works Of Frédéric Chopin the edition corrected by jan Kleczynski (Gebethner The paderewski edition remains,nonetheless, a popular Peters, Leipzig 1879) and ignaz Friedman (Breitkopf http://www.chopin.pl/recepcja/edytorstwo_muzyczne/wydaw_nut_en.html
Extractions: Score editions and editorial traditions Historical context 1. First editions 1. Source-critical editions 2. The critical-heuristic tendency ... Some editions of Chopin's selected works Since their creation, Frédéric Chopin's works have enjoyed a steady popularity among both performers and the public. 150 years of success have generated a constant need for new score editions. Their abundance and variety have urged us to classify this interesting "production" and to explain the source of the phenomenon. It is worth stressing that the term "tradition" as applied to editorial practice and performing traditions can only be understood historically. The source of this tradition can be seen in a number of "tendencies" in the interpretation of the musical text. Over the years these tendencies have gradually shaped into performing and editorial traditions and as such can today be subjected to scientific study. It seems necessary, in order to properly understand this deceptively simple genesis, to examine all historical editorial criteria, since specific editions have usually seen the light as fruit of several combined conditions. A matter of particular relevance is the purely commercial element of the editorial policy of publishing houses, who were motivated mainly by financial profits. The appearance of new editions was an answer to the requirements of the musical market. Publishers knew they were running few risks as Chopin's works have always sold well.
Epta Cassette Service Overzicht 1992/1994 Tausig Aufforderung zum Tanz; ignaz Friedmann Weber paderewski Franz Liszt Hongaarserhapsodie; Vladimir de Grünfeld Straussparafrase; jan Smeterlin Strauss http://www.eptanederland.nl/cd-service/1994.html
Extractions: lecture-recital Onder deze titel gaf op 8 november 1992 Janine van Mever samen met Michel Dispa, cellist, een voordracht. Deze door Coosje de Wit opgenomen lezing is in een studio herbewerkt, en geluidstechnisch verbeterd. Er komen diverse aspecten aan de orde waar we als begeleider van strijkinstrumenten, en dan met name de cello, mee te maken hebben. Met diverse voorbeelden live gespeeld, waaronder de Brahms sonates voor piano en cello N94-MILA
Composers Datebook, 1/13/2003 - 1/19/2003 28 and May 4, respectively; 1919Polish composer and pianist ignaz jan Paderewskibecomes premiere of Poland. Saturday, january 18 Play today's program. http://www.composersdatebook.org/listings/datebook_20030113.shtml
