Mmd.foxtail.com/Archives/RawDigests/99.05/digest.99.05.09.txt Hess 6453 Chopin Etudes Op 25/9 and 10/5, pl guiomar novaes Schubert - Impromptu Nonethelessfor a top-rank pianist of his calibre to recognise the PPG http://mmd.foxtail.com/Archives/RawDigests/99.05/digest.99.05.09.txt
Slima.html studied with Luigi Chiaffarelli, Busoni's pupil, who had also taught guiomar Novaesand Antonietta As a pianist he played in the main capitals of Europe, with http://ourworld.compuserve.com/homepages/rpassarj/slima.html
Extractions: Click here for his autograph J Guiomar Novaes and Antonietta Rudge , among so many pianists of the early 1900's. When he was 16 he had already composed many works, for he also studied composition with Agostino Cantu. His talent was noted by Senator Freitas Valle, who, at the time, was one of the main sponsors for the arts in Brazil. Souza Lima was sent to Paris, where he attended the Conservatory under the famous Marguerite Long and got a Premier Prix Rhapsody in Blue Burlesque for Piano and Orchestra). Still in Europe, Souza Lima worked for some time, with Mme. Debussy, the complete piano works of Debussy. He also studied with Alexander Brailowsky. Villa-Lobos was one of the frequent visitors to his Parisian home. As a composer he left one opera, O Rei Mameluco . His got the Fourth Prize at the Reichold Pan-American Competition, in 1946, in the USA. His piano works range from extremely easy to very difficult. Especially appreciated are his Souza Lima didn't record much. In the 50's and 60's he could be heard playing his recordings of Francisco Mignone's Fantasia Para Piano e Orquestra , Heckel Tavares's Concerto em Formas Brasileiras . He also made a live recording of Gershwin's Rhapsody in Blue . There were some recordings of orchestral works by Brazilian composers with Souza Lima as a conductor. After his death, his daughter-in-law Emma recorded in Portugal a CD with some of his piano works.
Extractions: CD-4702(1) Add to Shopping Cart The Brazilian pianist, Guiomar Novaës (1896-1979) lived in New York for about half a century. It was the utter naturalness, freshness and spontaneity of her playing which endeared her to audiences and critics alike. In the New York Times, critic Harold C. Schonberg admirably summed up Novaës' contribution to the music world: "The sheer beauty of her playing managed to transcend any other considerations; it was its own reward. There may have been more monumental pianists, more intellectual pianists, but it is hard to think of a pianist whose playing gave as much sheer pleasure as that of Guiomar Novaës... Her very best recordings were the acoustics she made for Victor in the early 1920s". Schonberg also singled out the early Novaës discs in his book The Great Pianists as "supreme treasures of the early piano discography". British critic James Methuen-Campbell praised the early discs reproduced here as "by far the most impressive examples of her art".
Extractions: CD-702(1) Add to Shopping Cart The Brazilian pianist, Guiomar Novaës (1896-1979) lived in New York for about half a century. It was the utter naturalness, freshness and spontaneity of her playing which endeared her to audiences and critics alike. In the New York Times, critic Harold C. Schonberg admirably summed up Novaës' contribution to the music world: "The sheer beauty of her playing managed to transcend any other considerations; it was its own reward. There may have been more monumental pianists, more intellectual pianists, but it is hard to think of a pianist whose playing gave as much sheer pleasure as that of Guiomar Novaës... Her very best recordings were the acoustics she made for Victor in the early 1920s". Schonberg also singled out the early Novaës discs in his book The Great Pianists as "supreme treasures of the early piano discography". British critic James Methuen-Campbell praised the early discs reproduced here as "by far the most impressive examples of her art".
Extractions: 52SW - 1952 Steinway Guiomar Novaes Grand Piano AD View more images Price: $ 10.00 This is a great 1952 ad featuring the great pianist Guiomar Novaes at a grand piano. The piano shown is a Hepplewhite in mahogany. It was only $147.50 back then. This measures approx. 6.5 x 9.5 inches and great for the collector. STEINWAY - THE INSTRUMENT OF THE IMMORTALS. Item Number:
Vassar History, 1930-1939 devoted to graduate study. 1934, Feb. 10. guiomar novaes, Brazilianpianist, gave a recital. 1934, May 810. Art Week was observed http://vassun.vassar.edu/~daniels/1930_1939.html
Extractions: 1930, Jan. 21 Federico Garcia Lorca, Spanish poet, lectured on "La Cancion Espanola." 1930, Apr. 19 Dr. W.E.B. Du Bois, educator, lectured at Vassar on "Racial Segregation." 1930, Apr. 26 "Poetry and the Machine," a reading by Stephen Vincent Benet, author of John Brown's Body, was presented under the auspices of the Vassar Cooperative Bookshop. 1930, May 1 Hallie Flanagan, Director of the Experimental Theatre, sailed for Europe in charge of a group of ten instructors, to study the theatres of Russia. 1930, May 3 The Vassar College Choir made its New York debut with a concert in Town Hall. 1930, June 28 The Classes of 1904 and 1930 gave a library fund in honor of Herbert E. Mills, Professor of Economics, 1890-1931. The income has been used to buy books by and about Robert Owen, one of the library's special collections. The Library has been enriched by many gifts including important collections given by Rebecca Lawrence Lowrie, '13, the Honorable Herbert Claiborne Pell and Francis Fitz Randolph, trustee. Trustee plans for an arboretum on the banks of the Fonteyn Kill and the Casper Kill were carried out through gifts of the Class of 1875, supplemented with a gift from Mr. Paul E. Zehe, husband of Emma J. Chamberlain, '75.
»çÀÌÆ®·Î ±¸¼ºÇÑ ¼¼°è¹®Çп¹¼úµµ¼°ü pianist(GR) Paula da Mattapianist(BR) Jon Nakamatsupianist Erik Nilssonpianist(SE)Marilyn Nonkenpianist guiomar Novaespianist(BR)(d. 1979) Ignacy http://school.pressian.com/dictionary/ART_music_07.htm
Vladimir Horowitz Live At Carnegie Hall This recording made me realize that guiomar novaes was far from the only pianistwho could play this music, and that in fact her renditions were stale in http://www.sorabji.com/cds/horowitzatcarnegie.html
Extractions: I know a lot of people who say they were in attendance at these concerts. I never had a chance to see Horowitz live in concert. It's my understanding, though, that these records are not true renditions of the actual performances. Horowitz and his engineers doctored them up afterwards, and if you listen to these CDs with headphones the splices are hopelessly obvious. Harold Schoenberg goes on at some length about this matter in his biography of the pianist. The Schumann Fantasy is among the greatest piano recordings ever made. Horowitz himself, however, was said to have dismissed it as unsatisfactory. I've always liked Horowitz's recording of Chopin's Posthumous E Minor Nocturne. This recording made me realize that Guiomar Novaes was far from the only pianist who could play this music, and that in fact her renditions were stale in comparison to what Horowitz and a variety of others did with them. Please Return To Your Seat
Rec.music.makers.piano FAQ-Piano Internet Resources List http//www.shef.ac.uk/misc/rec/ps/efi/ http//www.schirmer.com * guiomar NovaesBrazilian pianist http//www.geopages.com/Paris/2169/guiomar.html * Links to http://isc.faqs.org/faqs/music/piano/internet-resources/
Extractions: music/piano/internet-resources_1046773629@rtfm.mit.edu music/piano/internet-resources_1044094773@rtfm.mit.edu music/piano/digital-pianos-faq_1046773629@rtfm.mit.edu isako@mit.edu (Isako Hoshino) Newsgroups: rec.music.makers.piano rec.answers news.answers Subject: rec.music.makers.piano rec.music.makers.piano news.answers and rec.answers . This FAQ is available for retrieval from rtfm.mit.edu via anonymous FTP under: /pub/usenet/news.answers/music/piano/internet-resources If you do not have access to anonymous FTP, you may retrieve it by sending e-mail to mail-server@rtfm.mit.edu with the message (leave the subject line blank): SEND usenet/news.answers/music/piano/internet-resources You also have access to rmmp FAQs on WWW: http://www.ptg.org/rmmp/ ========================================================== Changes since v 1.8 updates ========================================================== Piano-related Internet Resources FAQ List You may run a search onthe topics using the [#] pattern where "#" is the topic number. CONTENTS: [1] FAQs. [1.1] FAQs for newsgroup rec.music.makers.piano
Sonia Rubinsky, Biography which have not been heard since the great days of guiomar novaes .. São Paulo PianistRubinsky gave the Beethoven (Fourth Concerto) an extremely intimate http://ccrma-www.stanford.edu/~cello/Rubinsky/SoniaBio.html
Extractions: Selected Recordings in RealAudio format Ms. Rubinsky began her musical studies in her native Caminas and gave her first recital at the age of six. At twelve, she was already performing with orchestra, and, while still an adolescent, was enthusiastically praised by Arthur Rubinstein. After graduating from the Rubin Academy of Music in Jerusalem, Ms. Rubinsky attended The Julliard School, where she received her doctorate. Her teachers include Olga Normanha, Benjamin Oren, Vlado Perlemuter, Beveridge Webster, William Daghlian, and Jacob Lateiner. Since her widely acclaimed solo CD recording with works by Debussy, Villa-Lobos and Messiaen, for the Daghlian label, Ms. Rubinsky has recorded for Nonesuch/Elektra and Daktylos labels. In addition, Ms. Rubinsky is recording the complete works of Villa-Lobos for piano for the Naxos label. The first volume, recorded in Santa Rosa, California will be issued worldwide in 1999. Critical acclaim for Sonia Rubinsky:
Women Of Achievement itself in sound. . B. 0228-1895, guiomar novaes, Brazilian concertpianist who specialized in romantics such as Chopin. B. 02-28 http://www.undelete.org/woa/woa02-28.html
Extractions: will be published here in the future. 02-28 TABLE of CONTENTS: Revealing the "unknown" Dr. Alice Hamilton DATES, ANNIVERSARIES, and EVENTS QUOTE by Hepzibah Menuhin. Dr. Alice Hamilton, continued from WOA 02-27 Like several other women doctors at the time, Alice Hamilton had to go to Germany to get her advanced education. She studied at Leipzig and Munich on the condition she did not make herself conspicuous and then studied at Johns Hopkins. After her graduation, she lived at Jane Addams' Hull House in Chicago (she'd heard Addams speak in Germany) and then worked closely with the Secretary of Labor Francis Perkins and with the Department of Interior and was instrumental in gaining worker's compensation laws and safer working conditions. working conditions. She got her MD degree at the University of Michigan, Ann Arbor 1893 and after her return from Germany taught at the Women's Medical College, Northwestern University and was active in the birth control movement.
Vassar History Index Wanda Landowska, pianist, Gives Recital; College Choir Gives Performance of GuiomarNovaes Gives Recital; Pushkin Centennial Observed; Vassar and Princeton Give http://vassun.vassar.edu/~daniels/theater_music_dance.html
Sorabji.com (Like maybe he would have let the pianist grab that D I recently bought the GuiomarNovaes recordings of the Chopin Etudes (recordings which I grew up with but http://www.sorabji.com/
Extractions: Konstantin Sherbakov - Bach/Godowsky - Sonata No.3 A minor - Fantasia: Grave March 12, 2003 - 1:41 AM One of my infinitely generous friends recently gave me all his darkroom equipment, and I've been developing pictures in my kitchen for the last several nights. I've only gone as far as developing from negatives. I have not successfully spooled film onto a reel and developed actual negatives. In fact, for as much time as I've spent on it so far I don't really know much. This afternoon, though, I was walking around outside and I found a negative strip that someone had discarded. Naturally I picked it up and took it home and developed it. The strip had been run over by cars and stepped on, but it looked like at least one shot was salvageable: I realize once in a while that I take too many pictures. Well, for the purpose of taking pictures you can never, in my opinion, take too many pictures. But for the purposes of experiencing whatever it is in front of you, it is easy to go overboard with documenting it in a picture. I reach the point where I am not looking at things, I am only taking pictures of them.
Steinway Piano of high quality This is a great 1952 ad featuring the great pianistGuiomar novaes at a grand piano. The 52SW 1952 Steinway http://www.danubiusband.com/nude-photo-of-sharon-stone.htm
Roper Piano Studio: Piano Music CD Recordings Vox boasted one great superstar in olden times the Brazilian pianist GuiomarNovaes, whose records spanned the late 40s to the early 60s. http://sj.znet.com/~regina_r/cds.htm
Extractions: So many of our studio parents are professionally engaged in high-tech Silicon Valley industries that we have decided to provide an occasional article on our webpage, dealing with some of the technical issues related to the recordings, software, and electronic equipment we have purchased for use in our Studio. TEACHING WITH CDs In short, this practice is to be shunned by the professional music teacher. First, the teacher should certainly have the students' repertoire in her fingers, and should be able to communicate the details live Furthermore, one often has no information on the album's documentation about the edition used, or any emendations by the artist. No two great pianists ever "deviate" creatively from the printed score in precisely the same way; and no student should be drilled to "copy" the style of a concert artist like a Horowitz or Rubinstein. Even the relatively rare variety of concert pianists who make very "straightforward" and unmannered recordings always subtly introduce their own characteristics of phrasing, and best utilize the strengths of their individual techniques, which may not be replicable by a young student. Recordings are best used on an individual basis by the student, to enrich their musical education, broaden their horizons, and introduce new works of diverse types that will complement their study of keyboard literature. They should
