NELLY NOVAES COELHO LINK TO REBRA. ESPAÑOL PORTUGUÊS NELLY novaes COELHO. By Carlos Nejar.Nelly could have been a pianist, as was her famous aunt guiomar novaes. http://www.geocities.com/~rebra/autoras/13ingl.html
Extractions: Nelly could have been a pianist, as was her famous aunt Guiomar Novaes. She even distinguished herself in this career as a concert performer graduated from the Conservatório Dramático e Musical de São Paulo. However she found her true vocation: literary critique. That which she melodiously captivated with her fingers on the keyboard, she sought to subdue with an impressive consciousness of both the written word and her time. Hers is a work of clairvoyant humbleness, which enlightens written works, penetrates their hiding-places and labyrinths and discloses strange and estranged forms of beauty within a vaster and diligent project, that of the human condition. Nelly Novaes Coelho has thirty years of experience within the literary field, and it is tough to say which aspect of the career is greater: the critic (that brought her recognition), the cultural activist, the talent seeker, the passionate professor, the exemplary didactic or the creator of multiplicity. Or maybe that who bravely found a way of turning the Portuguese language into a nation. Nonetheless, the paths covered by this woman are amazing, always unstoppable, obstinate, enduring, lucid, inflamed with totality, bound to historical truth without ever separating thought from language. Generous.
Kalevala Day, In Finland 1688 FP Of Marc-Antoine 1895 Birth of Brazilian pianist Ms. guiomar novaes in Sao Joao da Bao Vista,Brazil. dSao Paulo, 7 MAR 1979. 1904 FP of Vincent d'Indy's Symphony No. http://www.geocities.com/musiclassical/FEB/28.html
Extractions: 1688 FP of Marc-Antoine Charpentier 's opera David and Jonathas in Paris. 1728 FP of Handel's opera Siroe, re di Persia 1739 Publication in London by music publisher John Walsh, Jr. of Handel's Trio Sonatas, Op. 5. 1747 Birth of American composer and horse breeder Justin MORGAN in Springfield, MA. d-1798. 1792 (29th) Birth of Italian composer Gioachino ROSSINI . d- 1868. 1808 Birth of English harpist and composer Elias PARISH-ALVARS . d-Vienna, 25 JAN 1849. 1857 Birth of American composer and conductor Gustave KERKER in Herford, Westphalia. d-NYC, 29 JUN 1922. In 1879, at 22, he wrote his first operetta, The Cadets . m-ROSE LEIGHTON (Keene) a burlesque artist from London. She was a prominent character actress on Broadway. 1862 FP of Gounod's opera The Queen of Sheba in Paris.
Classical Pianist 1998, Special Award, guiomar novaes award, awarded by Judge Ivan Davis in the nameof the Brazilian 1994, First Prize, Young pianist Competition in New Jersey. http://www.classicalpianist.net/classicalpianist_htm/lavrova_competitions.htm
Extractions: Home Competitions Repertoire Education ... Art Links (click to enlarge) Competition Honors and Awards First Prize , Sarah Lawrence Concerto Competition Second Prize , New Orleans International Piano Competition Second Prize , Isabel Scionti Piano solo Competition Special Award , Guiomar Novaes award, awarded by Judge Ivan Davis in the name of the Brazilian Embassy Third Prize, Fort Collins Colorado Young Artists Concerto Competition with the Fort Collins Symphony Orchestra T hird Prize , Kingsville International Young Performers Concerto Competitions Second Prize and the Audience Choice Award , Silver Lake International Concerto Competition 1996, Participant, first two rounds of the Leeds
Extractions: 3/93Gottschalk, Louis Moreau - recordings A Crazy Quilt of American Piano Music. Leo Smit, pianist. Musical Heritage Society MHC 9534, 1986. American Jubilee. Cincinnati Pops Orchestra; Erich Kunzel, conductor. Telarc CD-80144, 1988. The American Romantic. Alan Feinberg, pianist. Argo, 1990. The American Virtuoso. Alan Feinberg, pianist. Argo, 1992. Brasiliana. Miguel Proenca, pianist. Scotch 3M5.0007, 1987. Caramia, Tony. Tony Caramia, pianist. Eastman School of Music Faculty Showcase Recital, 30 April 1991. Cervantes, Saumell, Gottschalk. Georges Rabol, pianist. Opus 111 OPS 30-9001, 1990. Classics of the Americas. Georges Rabol, pianist. Opus 111 OPS 50-9114, 1991. Creole Belles: Music on the Mississippi from Stephen Foster to Scott Joplin. Hyperion Records CDH 88009, 1988. Doyle, John Godfrey. Louis Moreau Gottschalk, 1829-1869: A Bibliographical Study and Catalog of Works. The College Music Society Bibliographies in American Music, eds. J. Bunker Clark and Marilyn S. Clark, no. 7. Detroit: Information Coordinators, 1983. [Complete Gottschalk discography to 1983]. Flight of the Bumblebee. Various pianists. London/Viva 411836-1LV, 1984. Gottschalk, Louis Moreau. A Centennial Concert. Guiomar Novaes, John Kirkpatrick, Robert Pritchard, Alan Mandel, pianists. Turnabout TV-S 34426, 1969. Gottschalk, Louis Moreau. Cakewalk. John Arpin, pianist. Pro Arte Digital CDD 515, 1990. Gottschalk, Louis Moreau. Forty Works for Piano. Alan Mandel, pianist. Desto DC 6470-73, 1969. Gottschalk, Louis Moreau. Louis Moreau Gottschalk on Original Instruments. Richard Burnett, pianos. Amon Ra CD-SAR 32, 1988. [Reviewed in Musical America 111.3 (1991): 76-77]. Gottschalk, Louis Moreau. Piano Music of Louis Moreau Gottschalk. Musical Heritage Society MHS 9040, 1984. Gottschalk, Louis Moreau. Selected Piano Music of Louis Moreau Gottschalk. The Smithsonian Collection. Lambert Orkis, pianist. Smithsonian ND 033, 1988. [Reviewed in Musical America 111.3 (1991): 76-77]. Gottschalk, Louis Moreau. The World of Louis Moreau Gottschalk. Includes Grande Tarantelle for Piano and Orchestra and A Night in the Tropics; Utah Symphony Orchestra, Maurice Abravanel, conductor. Vanguard VSD 723/724, 1973. Inaugural Concert. Pantheon Music International CA-PFN 2231, 1985. Musical Souvenirs: Composers' Impressions of Faraway Places. Performers not given. Cameo Classics CC 1012, 1985. Musique Americaine Pour Piano. Noel Lee, pianist. Harmonica Mundi LDC 278-1067, 1991. Octubafest 1984. Various student instrumentalists; David Pickett, conductor. Indiana University School of Music, 1984. Panorama Brasileiro. Olinda Allessandrini, pianist. Ariole Discos API 4437, 1990. The Robin's Return: An Evening of Favourite Victorian Piano Pieces. Alan Etherden, pianist. Hunters Moon Promotions HMP 0813, 1983. Silks and Rags. Great American Main Street Band; Mark Gould and Samuel Pilafian, leaders. Capitol, 1991. Spindler, Howard. Howard Spindler, pianist. Eastman School of Music recital, 4 June 1989. Spring Ballet. [Videorecording/VHS Hi-fi]. Indiana University Ballet Theater, Indiana University, 1990. Turibio Santos e Orquestra de Violþns do Rio de Janeiro. Turibio Santos, conductor and guitarist. Kuarup Discos, 1985. Uptown Jazz. The Louisiana Repertory Jazz Ensemble of New Orleans. Stomp Off Records S.O.S. 1055, 1984. Virtuoso Piano Showpieces. Decca, 1984. Virtuoso Piano Showpieces. Martin Jones, pianist. Nimbus Records, 1992.
NOPL Rare Vertical File--Part 3 Concerts, 35 North, Central and South American Exposition Handbills, 20 Letterheads19thCentury Business Firms, 7 novaes, guiomar pianist ProgramsConcerts http://nutrias.org/~nopl/rvf/rvf3.htm
Extractions: A B C D ... Z L. Grunewald Co., Ltd. Business Cards, 28, 29 L. Soards Receipts, 22 Advertisements, 8, 9, 10, 11 Business Cards, 37 Letterheads20th Century Business Firms, 46, 199 Laborde, B. [Mortician] Invoices, 44 Lacroix Automobile Co. Letterheads20th Century Business Firms, 167 Ladies Benevolent Association of Louisiana ProgramsAnniversaries, 4? Ladies Confederate Memorial Association ProgramsAnniversaries, 4? Lafargue, Andre InvitationsLectures, 2 Lafayette, Marquis de ProgramsAnniversaries, 7, 8, 9 Lafayette Fire Insurance Co. Blotters, 43, 44 Letterheads20th Century Business Firms, 5 Lafayette Square ViewsBuildings, 63 LaHache, Theodore Von [composer] Sheet Music, 3 Lakes-to-the-Gulf Deep Waterway Association Certificates, 18 Land Show (1912) Handbills, 18 Lane, Joseph Souvenirs, 23 Lane Mills Letterheads19th Century Business Firms, 30 Letterheads20th Century Business Firms, 105, 207 The Lantern Newspapers, 4 La Lanterne Magique Receipts, 4 Law Library Catalogs, 3
Iclassics.com - Classical Music And More The Masters VHS Kultur - 1991 Piano Masters - guiomar novaes CD - Pearl In MemoriamCD - Deutsche Grammophon - 1998 Pachmann The Mythic pianist 1907-1927 http://www.iclassics.com/iclassics/opus_result.jsp?opusId=834
Email Corrections Recordings Of The Chopin Waltzes (complete) Recordings of the Chopin Waltzes (complete), pianist, Waltzes included, OriginalLabel, Rec. MoreiraLima, Arthur, 1-14, Denon, 1977, novaes, guiomar, 1-15, Vox,1965, -. http://www.albany.edu/~rshaf/waltzes.html
Extractions: email corrections Recordings of the Chopin Waltzes (complete) Pianist Waltzes included Original Label Rec. Date CD Issue? Alexeev, Dimitri Melodyia LP Alexeev, Dimitri EMI Seraphim Seraphim Anda, Geza Eurodisc RCA Anievas, Augustin EMI Seraphim Seraphim Arrau, Claudio Philips 1980's Philips Ashkenazy, Vladimir Decca Decca Askenase, Stefan DG (LPEM 19,397) Barbosa, Antonio Connoisseur Society Biret, Idil Naxos Naxos Blumenthal, Felecja Claudio Records Claudio Brailowsky, Alexander Columbia. Philips ABL 3311? Sony EC Ciccolini, Aldo Seraphim Collard, Jean-Philippe EMI 1990's EMI Cortot, Alfred HMV (EMI) EMI, Arkadia Cziffra, Gyrogy Philips d'Arco, Annie Calliope Darre, Jeanne-Marie Vanguard VCS 10115 LP Vanguard Davidovich, Bella Melodyia 1960's Dorfmann, A. Victor 'Bluebird' LBC 1050 1950's Doyen, Jean EPIC LC 3468 Entremont, Philippe Columbia CBS Odyssey Fiorentino, Sergio Saga XID 5016 1960's Fowke, Philip Classics for Pleasure CFP Francois, Samson EMI 1950's EMI Gianoli, Rene Ades Ades Haas, Werner Epic Haebler, Ingrid Vox GBY 11970 Allegretto Haebler, Ingrid Philips c.1970 Harasiewicz, Adam
Recordings Of The Chopin 24 Etudes, Op.10 And Op.25 (complete) Recordings of the Chopin 24 Etudes, op.10 and op.25 (complete). pianist, OriginalLabel, Rec. novaes, guiomar, Vox PL 10,930, 1958, includes trois nouvelles etudes. http://www.albany.edu/~rshaf/etudes.html
Extractions: Recordings of the Chopin 24 Etudes, op.10 and op.25 (complete) Pianist Original Label Rec. Date Aide, William CBC Musica Viva Aneivas, Augustin EMI Arrau, Claudio EMI (mono) includes trois nouvelles etudes Ashkenazy, Vladimir Ashkenazy, Vladimir Decca Backhaus, Wilhelm HMV DB 1132-4, or DB 1178- Berezovsky, Boris Teldec includes trois nouvelles etudes Bingham, John Meridian Binns, Malcolm Pearl includes trois nouvelles etudes Biret, Idil Naxos 1990's Brailowsky, Alexander RCA Victor LM 6000 1950's Browning, John RCA Cherkassky, Shura HMV ALP 1310-1 (Philips CD) includes trois nouvelles etudes Cortot, Alfred (2 versions) HMV 1930's Cziffra, Gyorgy Philips AL 3427 Duchable, Francois-Rene Erato Fialkowska, Janina Opening Day Elinson, Iso Pye CCT 31002-3 Francois, Samson EMI includes trois nouvelles etudes Gavrilov, Andrei EMI Ginzburg Melodyia Goldsand, Robert Nixa CLP 1132-3 includes trois nouvelles etudes Haas, Werner Fontana EFL 2516 Harasiewicz, Adam Philips - PHC 9115 Hobson, Ian Cfp Koczalski, Raoul Decca LY 6115-21 mono includes trois nouvelles etudes Leimar, Kurt
RR-uut Muusikakogus Songs without words / Mendelssohn ; performed by guiomar novaes, piano. Rondo inD major K. 382 / Mozart ; performed by Alfred Brendel, pianist, Pro Musica http://www.nlib.ee/anded/muus/m78-02.html
Extractions: ISSN 1406-3921 RAAMATUD NOODID HELISALVESTISED RAAMATUD NOODID Kapp, Artur . Don Carlos : dramaatiline avamäng Friedrich Schilleri järgi = Don Carlos : dramatische Overture nach Friedrich Schiller / Artur Kapp ; redigeerinud = herausgegeben von Vardo Rumessen ; [noodigraafika = Notengraphik: Heiki Laanemaa ; kujundus = Gestaltung: Kadi Pajupuu, Piret Hiis ; deutsche Übersetzung: Hans-Gunter Lock]. - Tallinn : Eres Estonia, 2002. - 1 partituur (83 lk.) - ND-03014 Körber, Martin . Kaks tuntud laulu eesti koorimuusikas / Martin Georg Emil Körber ; [esikaane kujundas: Koidula Raudmägi]. - [Tallinn] : Tallinna Saarlaste Segakoor : Eesti Kultuurkapital, [2002]. - 14, [3] lk. koos kaanega - NC-22250 Körber, Martin . Laulud Sõrvemaalt : segakoorilaulud Ansekülast 1861-1866 aastal / Martin Georg Emil Körber ; [sõnad: Martin Körber, Karl Johannes Masing ; esikaane kujundas: Koidula Raudmägi ; tagakaane kujundas: Jaan Jääts]. - [Tallinn] : Tallinna Saarlaste Segakoor : Eesti Kultuurkapital, [2002]. - 26, [2] lk. - NC-22248. Körber, Martin
Latina Pianist Shine With Talent, Tenacity by critics with such great Latin virtuose as Teresa Carreno and guiomar novaes, evenwith The pianist has an 8 yearold granddaughter of whom she says I see http://www.artsbeach.com/used_pages/Articles/Art-0001.htm
Extractions: jroos@herald.com The parade of classical pianists marching through South Florida this month includes three who upend the stereotype of the iron-fisted male in a tailcoat. They are fleet-fingered Latin ladies: Alicia de Larrocha, Zenaida Manfugás and Juana Zayas. De Larrocha, the acclaimed virtuosa from Barcelona, plays a wide repertoire convincingly but is closely identified with Spanish masters like Granados, whose music she'll celebrate Friday. Manfugás, who'll open FIU's Music Festival 2001 on Oct. 25, was a protégé of Ernesto Lecuona and the legendary Walter Gieseking, but is a comparatively well-kept secret. She never achieved extraordinary fame, in part because of racism. Zayas, who plays this afternoon at the University of Miami's Gusman Hall, and Thursday with the Symphony of the Americas in Broward, seems an even better kept secret. Like De Larrocha and Manfugás, she was weaned by her mother on music, then went to study abroad, where she won prizes, but married young and began raising a family. Combining motherhood and performances didn't work for her at that time, and now she's making a comeback. No matter the difference in details, each of these women has striven to fulfill their musical ideals.
PROF'S:The Late Greats I And, in his own case, the musician and the pianist were completely fused thoughthe pianist remained always the servant of the guiomar novaes (1896-1979). http://w3.gwis.com/~fschoett/great.htm
Extractions: SOLO PIANISTS "Artur, you will never be a pianist. You are a musician." These prophetic words were uttered by the legendary early 20th century teacher, Theodor Leschetizky, to his young student, Artur Schnabel. "In later years, Schnabel took special delight in repeating Leschetizky's prophecy as a paradox, because he himself could never make any distinction between pianist and musician, even for his pupils. And, in his own case, the musician and the pianist were completely fused - though the pianist remained always the servant of the musician."*
NOEL NASCIMENTO FILHO Translate this page Noch als Kind reisste der pianist wochentlich nach Curitiba, und spater als wie LuisThomaszeck, Gilberto Tinetti, Arnaldo Estrela, guiomar novaes und Magda http://attrium.tripod.com/noelg.htm
Extractions: Get Five DVDs for $.49 each. Join now. Tell me when this page is updated NOEL NASCIMENTO FILHO CURRICULUM VITAE Noel Nascimento Filho wurde am 24. dezember 1957 als Sohn eines Staatsanwaltes und einer Gimnasiallehrerin in Curitiba, Brasilien, geboren. Sein erster Klavierunterricht erhielt er im Alter von sechs Jahren von seiner Mutter, als die Eltern noch in einem brasilianischen Dorf auf dem Lande lebten. Noch als Kind reisste der Pianist wochentlich nach Curitiba, und spater als Jungling nach São Paulo, um qualifizierter Musikunterricht zu erhalten. Sein erster ofizieler Klavierlehrer war Daniel Costa da Silva, an der Escola de Música e Belas Artes do Paraná, in Curitiba. Wahrend seines Musikstudiums in seiner Heimat machte Noel Nascimento Kontakt mit bedeutenden Pianisten wie Luis Thomaszeck, Gilberto Tinetti, Arnaldo Estrela, Guiomar Novaes und Magda Tagliaferro, die ihm folglich auch in Paris als Schuler aufnahm.Von besonderer Bedeutung fur die Ausbildung des Pianisten waren die unterrichtstunden bei Luis Thomaszéck, ein fruhgestorbener Schuler von Claudio Arrau. Im Jahr 1979 reisste Noel Nascimento nach Munchen, um dort auf Empfehlung von Luis Thomaszéck bei Rafael de Silva, dem Assistenten von Claudio Arrau der in der bayerischen Haupstadt lebte, Unterricht zu erhalten. Bald machte der Pianist Bekanntschaft mit Claudio Arrau, bei dem er in den folgenden Jahren mehreren Unterrichtstunden hatte, wahrend der Konzertreisen des Meisters in Europa. Im Folge dessen gehorte der Pianist fortan der Pianistengruppe die die musikalisch-pianistische Linie von Claudio Arrau vertretet und verbreitet.
Vox Music Group Presents: The Piano Taub, piano This is the freshest Beethoven from a young pianist in a 20, K. 466 guiomar novaes, Piano; Vienna Symphony Orchestra; Hans Swarowsky, conductor http://www.voxcd.com/piano.html
Extractions: T he piano is unique among musical instruments in its universal appeal. It has been adopted by and assimilated into every musical genre from jazz to rock and roll and everything between; nevertheless, the piano would never have achieved its standing among popular styles of music had it not been for the efforts of classical composers and musicians, and the craftsmen working on their behalf. It was their strong desire to compose for and perform on an instrument capable of limitless expressive potential which fueled the development of the piano as we know it today. Wolfgang Amadeus Mozart (1756-1791) was one of the earliest converts to the modern piano. A composer of gifts in every way so vast that only the term 'genius' seems appropriate, Mozart was writing minuets at six years old that already surpassed the quality of his father's compositions. In fact, as a performing pianist from early childhood, Mozart composed much of the music he performed while on recital tours. There are astonishing descriptions of his harpsichord performances, with him improvising virtuoso works on the spot while blindfolded, or with a cloth covering the keyboard. Mozart embraced the technical advances made in the piano. It is in large part due to him that the instrument gained full acceptance in Europe. Mozart insisted on playing an updated piano he had tried in Vienna in 1777 for a series of concerts in Paris. The French, who had initially opposed the instrument, now recognized its value, and it soon thereafter became the standard concert instrument on European stages.
Vox CD Liner Note Detail Page the year. The recording engineer said, after the session was over, In three dayswe record one sonata with guiomar novaes (the legendary Brazilian pianist). http://www.voxcd.com/linernotes_5515.html
Extractions: T his magnificent work was completed on March 9, 1785, barely a month after the more famous concerto in D minor. Though scored for the same orchestral resources (strings, flutes, oboes, horns, trumpets and drums) the two are utterly different in character, and provide a good instance of Mozart's habit of composing strongly contrasting works in pairs, the first stormy and passionate, the second a blend of the monumental and the poetic. This C major concerto was composed for Mozart's own performance at the subscription concerts in Vienna, where all these great works were heard for the first time. The choice of the neutral key of C gives Mozart scope for a wide range of subtle modulations, in the same imaginative style as we find in the superb string quartet and quintet and, of course, in the later piano concerto in the same key. His own cadenzas, mentioned by Leopold Mozart in a letter to his daughter of April 8, 1785, are unfortunately lost.
Alla Breve - Alumni Notes Chopin and Julio Alberto Hern ndez in a recital with pianist YaTing Chang presenteda series of recitals in tribute to the Brazilian virtuosa, guiomar novaes. http://www.peabody.jhu.edu/cons/alumni/alla-breve/alla11-97.html
Extractions: November/December 1997 Last season, pianist MICHAEL ADCOCK (MM'89) performed as a member of the Altair Trio at the Corcoran Gallery of Art in Washington, DC. In the Washington Post, Joseph McLellan stated that Mr. Adcock "kept his instrument in fine balance with the strings at all times, avoiding all temptations to self-indulgence." Alumna KAREN AMANDA ALLEN has produced a CD of her chamber music compositions entitled Da Camera. DOMINIK ARGENTO'S (TC'50, 51, BM'51, MM'54) compositions A Water Bird Talk and Miss Havisham's Wedding Night, which are both one-act operas, were recorded by the Sinfonia of St. Cecilia under the baton of SARA WATKINS (PC'95) and has been released on the Koch International Label. AUGUSTUS BRATHWAITE (BM'68, MM'70) has recently been hired as a Curriculum Specialist with the Baltimore City Public Schools. For the past four years, he was a member of the music faculty at Morgan State University. STEVE BROWN (MM'96) won the bass trombone post-graduate division of the Classical Solo Competition held at the Eastern Trombone Workshop at Fort Myer in Arlington, VA. Mr. Brown is now a doctoral student at the Cincinnati College-Conservatory. For the third consecutive year ROBERT CANTRELL (MM'90, GPD'92) performed the Priest and Somnus in the production of Handel's Semele at the Spoleto Festival Dei due Mondi in Italy. In November, he will sing the role of Escamillo in the Annapolis Opera's production of Carmen. Mr. Cantrell is on the faculty of the Baltimore School for the Arts.
The Boeuf Chronicles | Vamo Maruca, Vamo from four recordings first a sung version of section B, performed by an unidentifiedchildren's chorus, followed by pianist guiomar novaes playing her own http://www.brazzil.com/daniv/Texts/Le_Boeuf/boeuf.pt.18.htm
Extractions: Corso in Rio Le Boeuf sur le Toit or the names of their composers, but some images stayed with him for decades. In the unpublished article Bresilien Music I arrived in Brazil just in the middle of the carnaval. It is a time during which popular mirth bursts forth with a violence undreamed of by Europeans accustomed to the three days of festivity of a carnaval in Nice or Aix, interrupted by the sternness of Ash Wednesday giving way to Lent. In Brazil three days are not enough. During the months preceding a carnaval, one organizes it. Clubs are founded, a group of friends decides that they will remain together during the carnaval festivities and thus forms a committee with a president, a vice-president, a secretary and a treasurer. The major part of their savings goes into the making or the renting of gorgeous costumes, in which ostrich feathers play an important part. For several weeks on Saturday evenings these small clubs sing and dance along the streets; they take part in the popular dances held in public squares or enter the dance halls. In the country these same groups, seated on floats covered with foliage, sing their favorite songs on the roads, accompanied by the different instruments indispensable to all carnavalesque clubs.
Extractions: CALENDAR 9:00 AM at Brazilian Day at 46th St. between Broadway and Madison Avenues 9:00 PM Vanessa Falabella 3:00 PM Ana Maria Bauer (painter) at Borders Books - 9633 Westheimer - (713) 797-1428 - Expo open until October 1 9:00 PM Grupo Saveiro at Scala Brazil 8:30 PM at Nino's 10:00 AM - 5:00 PM (Until September 14) - Art Exhibition 5:00 PM and others at the Street Scene '96 (Gaslamp Quarter) - (619) 268-9025 9:00 PM (pianist) at University of Houston's Dudley Recital Hall - (713) 961-3063 9:30 PM Oba Oba show with Swing Brasil at Zabumba 9:30 PM MILA Samba School Ana Gazzola 7:00 PM Marcos Santos at Ginga Brazil 7:00 PM Geraldo Azevedo with and at John Anson Ford Amphitheatre - (818) 566-1111 9:30 PM ULA Samba Band at Zabumba 9:00 PM at Coconut Grove 10:00 PM at Bahia Cabana SACRAMENTO, CAL.
Reviews Brazilian pianist Sonia Rubinsky She produced pages of ecstasy which have not beenheard since the great days of guiomar novaes Sao Paulo, Diario Popular. http://www.soniarubinsky.com/reviews.html
Extractions: Rubinsky's tone is crystalline, her marksmanship unerring. She phrases flexibly and ornaments freely but tastefully. But she earns her place among the piano masters of Mozart (Perahia, Uchida and Brendel, to name some names) because she knows how to differentiate Mozart's consonants from his vowels - playing rhythmically with a percussive edge and lyrically with a fluidity that makes the listener forget the piano makes sounds when hammers strike strings.
Daniella Thompson On Brazil guiomar novaes, Antonieta Rudge and Eudóxia de Barros are some of the pianists severalaudio recordings of Levy's work, performed by the pianist Eudóxia de http://daniv.blogspot.com/archives/2002_08_01_daniv_archive.html
Program Notes: March 14-15, 2003 brujo. Falla subsequently revised the score. CSO premiere February1926, Fritz Reiner conducting; guiomar novaes, pianist. Last http://www.cincinnatisymphony.org/calendar/programnotes/notes20.htm
Extractions: PASSACAGLIA, Opus 1 At the time Webern was composing the passacaglia, he was also finishing a doctorate in musicology at the University of Vienna. For his dissertation he analyzed and edited the Choralis Constantinus by renaissance composer Heinrich Isaac (1450-1517). From these historical studies Webern developed a lifelong interest in such contrapuntal procedures as passacaglia (used in Opus 1) and canon (used occasionally in Opus 1 and throughout many of his atonal and twelve-tone pieces). In 1904 Webern became the first private composition student of Arnold Schoenberg, who was then at the threshold of his career. Thirty years old, he was just emerging as a prominent composer working in a late tonal style. For him as for Webern, modernism and atonality still lay in the future. The younger composer showed his new teacher his most ambitious work to date, an orchestral piece called Im Sommerwind . Schoenberg advised Webern to avoid large ensembles for the time being and to concentrate on the string quartet. Thus, in the ensuing months he wrote several exercises and compositions for that medium, including the
