ALEXEI LUBIMOV, Pianist ALEXEI LUBIMOV, pianist. musical training at the Central Music School and the MoscowConservatory, where he was one of the last students of heinrich neuhaus. http://www.anl.gov/ARTS/lubimov.html
Extractions: Sunday, April 6, 1997 at 3:00 p.m. Mozart Sonata in D Major, K. 311 Schubert Four Impromptus, D. 899 (Op. 90) Debussy Six Preludes from Book I Prokofiev Sonata No. 7 in B flat major, Op. 83 Alexei Lubimov , born in Moscow in 1944, received his musical training at the Central Music School and the Moscow Conservatory, where he was one of the last students of Heinrich Neuhaus. Lubimov, who is unique in the extraordinary breadth of his musical expertise, first made his mark as a champion of contemporary composers in 1968, when he gave the Moscow debuts of works by John Cage and Terry Riley. He also premiered works by Schoenberg, Webern, Stockhausen, Boulez, Ives, Ligeti, and many others in the Soviet Union. He is the founder and artistic director of Alternativa, the Moscow festival of the musical avant-garde. For some years, Lubimov was denied permission to perform outside Russia. During this period he developed an interest in authentic instruments. In 1976, he formed the Moscow Baroque Quartet and gave the first performances on fortepiano in the USSR of works by Mozart and Haydn. Together with Tatiana Grindenko, he founded a baroque ensemble, the Moscow Chamber Academy. Since 1987 Lubimov has performed outside Russia. He made his North-American debut at Lincoln Center in April 1991. Lubimov has a long-term contract with Erato, for whom he has recorded the complete Mozart Sonatas on fortepiano. Recent releases include Schubert Impromptus, Beethoven Sonatas, and works by Chopin and Brahms.
Musical Center Neuhaus heinrich neuhaus and his son Stanislav are legendary popularity (and effectiveness)of neuhaus school may third Musician, fourth pianist (the last http://neuhaus1.narod.ru/neuhaus.en.html
Extractions: Thoughts of the Neuhauses Not everyone had the privilege to hear music of G.G Neuhaus, but almost all serious admirers of classical music are familiar with creative work of such artists as S. Richter, Radu Lupu, E. Ghilels, E.Malinin, E. Liberman, V. Krajnev, E. Virsaladze, L. Naumov, V. Derevyanko, A. Lubimov, A.Sloboddyanik, A.Nasedkin, V. Gornostaeva, E. Mogilevsky, E. Ellin, A. Vedernikov, Gerard Fermi, T. Gutman, L. Brumberg, J. Zack, E. Richter. Listed above and others (for example B. Engerer, V. Viardo, A. Nikolsky, A. Gavrilova, I. Zetel, I. Sokolova, M. Lidsky etc.) regardless of personal style and bright individuality all of them may be described as musicians possessing the feeling of the form, phenomenal time operating skill and rhythm, and finally what is most important is concrete, singing sound of piano. But to what extent we can speak about these features as inner drive of pedagogical miracle of both Neuhauses? What makes this school so different from others that are also known by high demands to their students, deep und erstanding of musical text and outstanding mastery? Let us remind such musicians as A.Korto, R.Levina, A. Goldenveizer. So what made (and still makes) the school of Neuhauses so special to talented musicians? I think there are few reasons for such specificity.
Musical Center Neuhaus School, particularly its piano branch in spirit of heinrich and Stanislav a memorialcomplex of GG and SG neuhaus and also pianist, BTh Henrich neuhaus Jr. http://neuhaus1.narod.ru/music.en.html
Record Error ; Liner Notes pianiste heinrich neuhaus (Translation; One day in 1935 a young strangerasked to see the celebrated pianist heinrich neuhaus ). http://my.dreamwiz.com/fischer/RecordError/notes.htm
Extractions: Contribution ; The Classical Music , No.2(Sep. 1996) This item is saled as Mid-Price, only 3 CD set(version of Lulu is incomplete because recorded before Cerha's version came to light. The first recording using Cerha's is '78 DG by Boulez) in spite that other CDs of Wozzeck and Lulu are 4 CDs. Economically good and highly evaluated in general. Above all, Fischer-Dieskau's Wozzeck and Dr.Schon role is excellent. This CD must be criticized due to liner note. Looking at LP version of Wozzeck(DG 138 991/2), its liner note includes precise article on Georg Büchner(original author of the stage play "Woyzeck") and Alban Berg by Gustav Rudolf Sellner(Stage producer of Berlin Deutsch Opera) and on consideration of recording by Otto Gerdes(Recording producer). Synopsis and structure of this work with characters is set as table in order to understand easily.
Natasha Dukan, Pianist In pianist Natasha Dukan we see a rare combination of passion, intimacy who had studiedat Moscow Conservatory in its heyday when heinrich neuhaus roamed the http://www.goucher.edu/physics/dukan/natashaweb.htm
Extractions: A Pianist In pianist Natasha Dukan we see a rare combination of passion, intimacy, sensuality, refinement, a powerful differentiated sound and brilliant technique. Her career roots lie in the last turbulent years of the former Yugoslavia, and her Slavic temperament and fire are always in evidence in her performances. She has the rare capacity to play with utter abandon yet maintain absolute control over the myriad complex elements of pianistic craft which lie behind a truly mature technique. Critics have praised her from Moscow to Maryland and audiences are unanimous in their warm appreciation of her gifts. Critical Response Ronald Broun, critic for the Washington Post, claimed "Dukan played with [a] refined touch, reveling in Scriabin's exotic sonority and disquieting harmonic trickery her rhythmic pulse was pleasurably elastic, and she threaded limpid legato lines through densely scored commotions."
SVIATOSLAV RICHTER, LEGENDARY PIANIST His father was a respected pianist and piano teacher and his mother an him to studyin Moscow with one of Russia's foremost piano teachers, heinrich neuhaus. http://www.ffaire.com/transitions/richter.html
Extractions: Sviatoslav Richter -FANFAIRE Guide to Original Content- *** WEBSITES *** Hildegard BEHRENS Vivica GENAUX The ARIA Foundation *** ARTISTS' ROSTER *** Performing Artists Fabio ARMILIATO Renate BEHLE Hildegard BEHRENS Richard BERNSTEIN Stephanie BLYTHE Richard BONYNGE Kenneth COX Michelle DE YOUNG John DUYKERS Adria FIRESTONE Nicolle FOLAND Jorge GARZA Vivica GENAUX Christine GOERKE Matthias GOERNE Susan GRAHAM Nathan GUNN Jerry HADLEY Ben HEPPNER Frank HERNANDEZ Elizabeth HYNES Karen KELTNER Mario LANZA Richard LEECH Susanne MENTZER James MORRIS Ken NODA Maureen O'FLYNN Louis OTEY Eric OWENS Hermann PREY Juliana RAMBALDI John RELYEA Regina RESNIK Sviatoslav RICHTER Mstislav ROSTROPOVICH Leonie RYSANEK Janos STARKER Joan SUTHERLAND Jean-Yves THIBAUDET Gregory TURAY Mel ULRICH Jon VILLARS Deborah VOIGT David WALKER Composers/Librettists L.v.BEETHOVEN Luciano BERIO Myron FINK George GERSHWIN Donald MORELAND W.A. MOZART Richard WAGNER *** WORKS *** The Conquistador Cronaca del luogo Ring Cycle Philosopher's Stone Samson et Dalila *** SECTIONS *** Viewers'Bylines Discographies New Releases NewsBytes *** MISCELLANEOUS *** Downloading Dock" Audience Etiquette HOME Dorothy DeLay Hermann Prey Leonie Rysanek
Sviatoslav Richter Home Page (un-offical) heinrich neuhaus, wrote in his book on playing the piano that he had neverknown a pianist who made such brilliantly intelligent use of his talents. http://www.mmpc.mcgill.ca/people/philippe/richter.htm
Extractions: Singing coach at the Opera of Odessa, he gave his first recital in 1934. In 1937 he studied with Moscow master teacher Heinrich Neuhaus. In 1940 he began touring USSR. In 1942 he was the first performer of the 6th and 7th sonata by Prokofiev and shortly thereafter Prokofiev dedicated his Ninth Sonata to him. Richter was a legend in the West even before he finally appeared in Central Europe in the 1950s. In 1958, his young American colleague Van Cliburn exclaimed: "This is the most powerful piano playing I have ever heard". but the U.S., Canada and West Europe had to wait until the early 60's to see him live. His repertoire ? Gifted with exceptional technical capacities and an infatigable musical curiosity, he possesses an immense musical repertoire, from Bach to Webern, as well as works from lesser-known composers, such Glazunov, Szymanowski or Hindemith. His extensive discography is the largest of any other pianist of our time. His art is a constant balance between intellectual analysis and imaginative sensibility. His repertory ranges from piano solo pieces and concertos to lieder accompaniment and chamber-music ensembles.
3clefs.com Pianist & Keyboard Bookshelf No. 2 Teach Piano Successfully (Third ed GP40) by James W. Bastien, cover The Art ofPiano Playing by heinrich neuhaus, cover The Aspiring Jazz pianist Piano Method http://3clefs.com/002pianobks.htm
Robert Fulford's Column About Glenn Gould's 1957 Russian Tour The writer, heinrich neuhaus, then 69, was a great piano teacher In the summer of1957, neuhaus wrote in the journal frankly that Gould is not a pianist, he is http://www.robertfulford.com/gould.html
Extractions: Globe and Mail , March 11, 1998) The great hall of the Moscow Conservatory was only half filled on May 7, 1957, the first night of Glenn Gould's first European tour. At the age of 24 Gould was already well launched in North America, having played with the New York Philharmonic under Leonard Bernstein and recorded Bach's Goldberg Variations. But in Russia he was largely unknownuntil the May 7 concert changed everything. News of his talent flashed around Moscow, and tickets for his remaining concerts sold out the next day. He "became famous literally overnight," according to Sofia Moshevich, a pianist who grew up in the Soviet Union and now lives in Toronto. She discusses Gould's Russian trip, a great event in Canadian cultural history, in an article for GlennGould , the twice-yearly magazine of the Gould Foundation (P.O. Box 190, 260 Adelaide Street East, Toronto M5A 1N1). An engaging combination of scholarship and nostalgia, GlennGould resurrects obscure Gould interviews and reviews, covers new Gould books, announces events like the international Gould conference in Toronto in September, 1999, and charts the progress of his reputation around the world. The issue containing the Russian piece also has a fascinating article about Gould's status in Japan, written by Junichi Miyazama, the writer and critic who regularly translates Gould material into Japanese.
Arts/Music/Instruments/Keyboard/Piano/Pianists URL http//racheljimenez.com neuhaus heinrich (18881964) Associazione Musicaleheinrich neuhaus-Italia is dedicated to this Russian pianist and teacher. http://www.arts-entertainment-recreation.com/Arts/Music/Instruments/Keyboard/Pia
Extractions: Search: Welcome to arts-entertainment-recreation.com, the comprehensive search portal dedicated to the arts. We have located some of the finest art and entertainment resources from across the Web and accumulated them into a single directory. Here you can choose from a wide variety of documents, reviews, articles, and Web sites about your favorite activities. Whether you enjoy film, Broadway shows, television, books, fine art, or travel, there is something here for you. As you peruse the directory, you will notice several categories pertaining to the arts. Feel free to navigate through these categories, from broad art-related topics to specific information on selected subjects. Our search portal also gives you the option to conduct a query using our intelligent search feature. Arts Music Instruments Keyboard ... Piano Pianists Agents and Managers
Decca Music Group - Sviatoslav Richter period endowed him with a knowledge of opera unusual in a pianist and taught two heentered the Moscow Conservatory, as a pupil of heinrich neuhaus, and under http://www.deccaclassics.com/artists/richter/biog.html
Extractions: Died: 1 August 1997, Moscow Ukrainian pianist Sviatoslav Richter was soon dubbed "notoriously unreliable" - cancelling concerts almost every year (often at he last moment) or changing his whole programme. But there were always inner constraints or health reasons, and ultimately it has not harmed his reputation as one of the world's finest pianists. As a boy, Richter had only sporadic piano lessons, yet a natural, insatiable curiosity about everything to do with music helped him on his way until he began as a repetiteur at the Odessa Opera when he was eighteen. This period endowed him with a knowledge of opera unusual in a pianist and taught him how to make the piano "sing". The same year he began rehearsing the piano literature in earnest, gibing his first public recital - still self-taught - the following year. At twenty-two he entered the Moscow Conservatory, as a pupil of Heinrich Neuhaus, and under the latter's intelligent direction he matured into a professional, without losing his originality.
Untitled Document as Solomon and Ashkenazy, finds a faithful follower in heinrich neuhaus, even if Bothpianist and harpsichord virtuoso, Jacobs became the official pianist of http://www.audaud.com/audaud/FEB01/REISSUES/recdsFEB01.html
Extractions: STRAVINSKY and PROKOFIEV Conduct Their Own Works: STRAVINSKY: Divertimento from Le Baiser de la Fee; Dumbarton Oaks Concerto; PROKOFIEV: Suite No. 2 from Romeo and Juliet, Op. 64b Igor Stravinsky conducts Symphony Orchestra of Mexico (Divertimento); Dumbarton Oaks Festival Orchestra/Serge Prokofiev conducts Moscow Philharmonic Parnassus PACD 96023 68:09 While Igor Stravinsky and Serge Prokofiev were excellent pianists, their abilities on the podium were limited; Ansermet used to tell the story of how Stravinsky led "Le Sacre du Printemps" at a slow tempo because of his deficiencies, then claimed everyone else's tempo was wrong! Prokofiev learned the conductor's craft from Nikolai Tcherepnin (and Nikolai Malko), and he gained a fairly adequate technique in leading his own music, as well as music by Verdi and Beethoven. Stravinsky left a considerable legacy as a conductor, not only in his own music, but in that of Tchaikovsky as well; the 1941 Divertimento with the Symphony Orchestra of Mexico fairly coincides with his Tchaikovsky Violin Concerto in New York with Erica Morini, which survives from a radio broadcast. -Gary Lemco SHOSTAKOVICH: Piano Quintet in G Minor, Op. 57; String Quartet No. 2 in A, Op. 68
Kempf Translate this page Sohn Ludwig heinrich siedelt von neuhaus nach Baden Der Stammvater dieser Linie istheinrich Kempen * 1663 in in Jütgenrode/Berlin - 1991) (Komponist/pianist). http://home.t-online.de/home/petrakempf/kempf.htm
Extractions: Bedeutung des Namens Kemp(f), Kempe, Kaempf, Kaempf Erste Quellen um 1000 Cempho, 1182 Champfo, 1257 Kempe, 1259 Kempf .Aus dem Althochdeutschen kempfo kempfe, kempfer Osterode Johann Christoph Kempf Verbreitung der Kempf's und Kempe's in Deutschland Thomas Scharnowski bereitgestellt. Details zur Verteilung KEMPF und KEMPE in Deutschland Karten der Siedlungsgebiete meiner Kempf-Sippe seit 1585 bis heute Kempff, Wilhelm
Konstantin Scherbakov, Russian Piano Virtuoso For the first time a pianist dared to begin a recording of the entire taught fromLev Naumov who was himself pupil of the legendry heinrich neuhaus - at the http://www.podiuminternational.de/bios/older/scherbakov.htm
Extractions: MStep@PodiumInternational.de The Podium International is proud of representing such a unique pianist in France. We will do our best, to introduce Maestro Scherbakov to the french concert halls. Konstantin has a web page on himself, with biography, in English, Italian, German, and with some examples of his outstanding recordings. his new biography in english and french version some critics in englisch in other languages and a list of all his CD recordings And some music in mp3-Format : Respighi's Fantasia Slava. organized by the Hypo Kulturstiftung french version, T he season 1997/98 was accompanied for the pianist Konstantin Scherbakov from an impressing series of excellent critics. Specialized classic periodicals, such as Fono Forum, , Diapason or Gramophone considered Scherbakov's newest CD recordings with the best marks, between them particularly valuations from piano specialists like Attila Csampai and Klaus Umbach in the german magazine Spiegel unplayable.
Mastroyiannis(dino) Dino Mastroyiannis is a famous pianist from Volos, who possesses a very Ganevi andalso with Vassily Lobanov (students of heinrich neuhaus), and especially http://www.musiciansgallery.com/start/keyboards/pianists/mastroyiannis(dino).htm
Extractions: Fax: +30 421 39420 EMAIL-1 EMAIL-2 WEBSITE Dino Mastroyiannis is a famous pianist from Volos, who possesses a very special position among to the Greek pianists in the latest years. Dino Mastroyiannis has given recitals and chamber-music recitals in various towns of Greece and abroad. He has cooperated as a soloist with many orchestras, such as the Slovak State Philharmonic Orchestra Kosice (Slovak Republic), the Macedonian Philharmonic Orchestra (Republic of Macedonia), the State Philharmonic Orchestra "Oltenia" (Romania), the Plovdiv Philharmonic and the Vratca Philharmonic Orchestra (Bulgaria), the Thessaloniki State Orchestra (Greece), the Volos Symphony Orchestra (Greece) etc., always extracted flattering reviews from the press and also from famous pianists and musicologists of international reputation, such as Paul Badura-Skoda, Roberto Szidon, Konstantin Ganev, George Hadjinikos etc. He has recorded many times for the Greek Broadcasting (ERA) and performed for the Greek Television (ET3). Among his best collaborations are counting two great concerts as a soloist with the Skopje Philharmonic Orchestra, after which he came to terms with the most flattering criticisms from the critics and the audience. The orchestra was conducted by Angel Shurev (Director of the Belgrade Philharmonic Orchestra, Yugoslav F.R.) and by Vladimir Altschuler (Conductor of the St.-Petersburg Philharmonic Orchestra, Russia).
The NDSU Libraries: Germans From Russia in Odessa. From 1937 to 1947, Richter studied at the Moscow Conservatoryunder wellknown pianist heinrich neuhaus. He became the http://www.lib.ndsu.nodak.edu/grhc/outreach/friends/richter2.html
Extractions: Updated: German MOSCOW Sviatoslav Richter, who rose to fame in the Soviet Union in the 1940s to become one of the 20th century's leading pianists, died of a heart attack Friday in a Moscow hospital, the Russian Culture Ministry said. He was 82. Renowned for improvisatory genius, Richter could sell out any concert hall in the world, even at age 80. Although the music world had many pianists who were technically brilliant, Richter was one of the few who excelled both technically and artistically. His was a wide repertoire that included practically all styles, from Bach to Debussy, Prokofiev and Shostakovich. When Richter played a series of concerts at the Los Angeles County Music Center and the Pasadena Civic Auditorium in 1965, Times music editor Albert Goldberg said audiences were treated to "true Richter magic." "Pianistically the quality was unvarying," the critic wrote. "He is one of the masters of the instrument."
Extractions: Peer Resources Index Mentor Index Coaching Index Mentor Learning Index CLASSICAL AND BROADWAY MUSICIANS, PERFORMERS, COMPOSERS, CONDUCTORS, BALLET AND MODERN DANCERS Virtually anyone can benefit from having a mentor. And most well-known, accomplished and successful artists can identify people in their lives who acted as mentors. The following list of mentor pairs was compiled by Rey Carr from a variety of sources including autobiographies, biographies, newspaper articles, personal interviews, and diligent historical research. If you know of mentor pairs that ought to be added, we have provided an opportunity for you to submit the names and details: Add a Mentor Pair CLASSICAL AND BROADWAY MUSICIANS, PERFORMERS, COMPOSERS, CONDUCTORS, BALLET AND MODERN DANCERS Isaac Stern mentor to Pinchas Zukerman (Israeli violinist and conductor), Itzhak Perlman, Miriam Fried, Shlomo Mintz, Sergui Luca and Yo-Yo Ma
Oregon Symphony News Releases her masters and doctorate degrees under the guidance of Professor Vera Gornnostayeva,a pupil of the legendary pianist and pedagogue, heinrich neuhaus. http://www.orsymphony.org/news/releases99-01/CL2release.html
Extractions: FOR IMMEDIATE RELEASE Contact: Carrie Kikel Director of Public Relations OR Karen Pederson Public Relations Writer ALL-BEETHOVEN PROGRAM TO FEATURE PIANIST ETERI ANDJAPARIDZE Portland, Ore. ... Eteri Andjaparidze, a pianist known for a commanding presence and exquisite technique, will join Music Director and Conductor James DePreist and the Oregon Symphony to perform Beethovens Emperor Concerto as part of an all-Beethoven program, Oct. 9 11, at the Arlene Schnitzer Concert Hall in the Portland Center for the Performing Arts. Media support for Classical concerts is provided by The Oregonian. The recipient of her nations highest decoration, the Peoples Artist of Georgia, Andjaparidze was, at age 17, the youngest participant in the 1974 Tchaikovsky International Piano Competition and was awarded Fourth Prize. Two years later, she became the first Soviet pianist to be awarded Grand Prix at the Montreal International Piano Competition. In 1991-93, she presented a recital series in memory of Sergei Rachmaninoff at New Yorks Steinway Hall, portions of which were televised on NBC. She made her American orchestral debut with the Oregon Symphony in 1992, received standing ovations for her performance then (Rachmaninoffs Piano Concerto No. 2) as well as for her 1996 return engagement performance (Tchaikovskys Piano Concerto No.1).
Piano - CD Shop Musica Bona information about this title, Recordings by a Moscow pianist Brahms Johannes informationabout this title, Russian Piano School heinrich neuhaus Brahms Johannes http://www.musicabona.com/cdshop1/piano08.html
Piano - CD-Shop Musica Bona Translate this page über diesen Titel an, Recordings by a Moscow pianist Brahms Johannes Informationüber diesen Titel an, Russian Piano School - heinrich neuhaus Brahms Johannes http://www.musicabona.com/cdshop3/piano08.html
