Heinrich Neuhaus heinrich neuhaus Web Site. heinrich neuhaus RECORDINGS. home not so easy to find recordings of H.neuhaus. It is today hard to http://www.ninasvetlanova.com/Neuhaus/HeinrichNeuhaus.html
Extractions: HEINRICH NEUHAUS Heinrich Neuhaus was an outstanding pianist and pedagogue, a creator of a piano 'school' which is a great achievement in a development of the art of piano playing. Neuhaus' life-long teaching attitude was strongly influenced by the first impressions of his childhood. He was born in 1888 in a small, provincial city in Elizavetgrad, Ukraine. His father Gustav, of German origin, and his mother Olga, of Polish origin, were a music teachers. They opened the first music school in their town, and were teaching literally all day long. According to Heinrich Neuhaus, his father was very musical but with limited pianistic skills. In his teaching Gustav emphasized the so-called technical or physical side of piano playing beyond all reasonable limits. For years, everyday, for many hours, Heinrich heard his parents teaching in this way, completely based on the physical elements of playing, and he absolutely hated it. Therefore, the key concept of his own teaching was appeal to the intellect of the student. He perhaps avoided physical aspects somehow more than he later thought would be reasonable. His mother, Olga Blumenfeld, was the sister of
Trovar.com - Sviatoslav Richter Pages - Heinrich Neuhaus by heinrich neuhaus. now, it has been useless to try and argue about tastes, thatit is so impossibly difficult to determine who was the best pianist, the best http://www.trovar.com/str/neuhaus.html
Extractions: trovar.com Heinrich Neuhaus on Richter Our country is rich in excellent pianists: Vladimir Sofronitsky, Emil Gilels, Lev Oborin, Yakov Zak, Maria Grinberg, Maria Yudina, and in the younger generation: Dmitri Bashkirov, Yevgeny Malinin and others. There are too many to name and all of them are different. To me the question: "Who's best?" which usually intrigues the general public and is precisely why people throng to all kinds of competitions, seems an idle one. Who's "best" - Bach, Mozart, Beethoven or Brahms? Pushkin, Dante, Goethe or Shakespeare? Raphael, Velazquez, El Greco or Titian? Frankly, I don't know. In the world of physical reality we can positively state that Elbrus is the highest peak in the Caucasus and Mont Blanc the highest in the Alps. These things can be measured. Take the races: horse No. 1 beats horse No. 2 by a quarter of a head. This is an actual happening and can be measured (although I could never understand why this "quarter of a head" should rouse the spectators to such a pitch of excitement). But how can we measure accurately the qualitative differences of phenomena in the spiritual world, how can we determine their "height" as we determine the height of Elbrus or Gauri Sankar? For art is perceived not only intellectually ("measurably") but also emotionally, or in other words "non-rationally". The emotional approach to art is not a debatable subject because of the famous maxim that "tastes differ". (Personally, I think it's most debatable since tastes can be good or bad.)
Om Pianospelets Konst - Heinrich Neuhaus heinrich neuhaus. heinrich neuhaus (18881965) - framstående pianist och pedagog, betraktad som den ryska pianoskolans http://www.instantbook.se/books/piano.html
Extractions: Heinrich Neuhaus påpekar i sin bok mer än en gång att han egentligen inte är någon författare och att hans bok inte får betraktas som någon metodisk traktat i pianospel. Boken är en rik och inspirerande källa av pedagogiska råd och erfarenheter, men också en fascinerande ström av associationer och paralleller till musik, konst, filosofi, litteratur, arkitektur, matematik ... Vissa av Neuhaus' tankar kan betraktas som motstridiga eller kontroversiella, men de är alltid ärliga och aldrig doktrinära. Ofta skämtar han med sig själv och med sin läsare och bjuder på ett rikt utbud av vitser och anekdoter ur konstens och musikens sfär, vilket gör boken till både lärorik och fascinerande läsning inte bara för musikpedagoger och studerande utan för alla som intresserar sig för musik.
Chopin & Neuhaus' Method; The Artistic Integrity. forschender pianist auch für diese Amöbe im Reich des Klavierspiels interessieren" (heinrich neuhaus, Die Kunst http://members.surfeu.fi/kutrzeba/deut2.html
Extractions: Die M ethode von C hopin als ein aktives Element in der Klavierlehre von Professor H einrich N euhaus. Teil II. Motto II: "Nach Blumenfeld - von Neuhaus habe ich gelernt mehr als von allem anderen" V. Horowitz Inhalt: Die Differenzen Canto Die Balanz Die Wegezeiger ... Ein Wert zu finden Die Differenzen , und der zweite - die Zeit bel canto Frederik (Fryderyk) Chopin : "In this immensity of sounds we find a region in which the vibrations are more easily perceptible to us" (J-J. Eigeldinger, Chopin: pianist and teacher as seen by his pupils , Cambridge University Press, 1986, S. 196). Toccata oder Etudes d'execution transcendente Erst diese Werke haben das Problem der physischen Kondition als eine der wichtigsten Fragen der Technik des Klavierspiels geschaffen von Chopin sehr viel beigetragen Jetzt werden solche Elemente zum Vorschein kommen, die in den Methoden fast identisch sind oder sich auf jeden Fall nahestehen. Back to top Psychologie der Energieverwendung bei dem Klavierspiel bestimmen. Zu den zweiten Fragenkomplexen, die wir als die Technik der Energieanwendung eine im Grunde antiformalistische Grundlage in die Frage der klaviertechnischen Ausbildung "In this immensity of sounds we find a region in which the vibrations are more easily perceptible to us" [ J-J. Eigeldinger
Chopin & Neuhaus' Method; The Artistic Integrity. Die Methode von Chopin als ein aktives Element in der Klavierlehre von Professor heinrich neuhaus. "Ich liebe das Echte, Wahrhaftige, Unverfälschte " war für ihm "der geniale Komponist, pianist und Lehrer" (heinrich neuhaus, Die Kunst des Klavierspiels, Edition Gerig, http://members.surfeu.fi/kutrzeba/deut.html
Extractions: Die M ethode von C hopin als ein aktives Element in der Klavierlehre von Professor H einrich N euhaus. Teil I. Motto I: H. Neuhaus Inhalt: Geleitwort Vorwort Fakta Intelektueller Schwung ... Die Komplimente Geleitwort Chopins Methode Idee an das Tageslicht zu bringen. Back to top Vorwort (Karol Szymanowski we wspomnieniach [ In Erinnerungen] , en bloc Harry Neuhaus Karol Szymanowski Dieses unbestreitbar Faktum, die Kreation einer Schule Back to top Positive Zur Methode Back to top Fakta Pianonsoiton taide An zweiter Stelle sieht man wieder den Namen Ludwig van Beethoven (6 Mal zitiert), dann kommen Bach, Czerny und Liszt - je 2 Mal, und am Ende, Rachmaninov - 1 Mal. Back to top Intelektueller Schwung Wenn wir versuchen die Werte , nach der emotionalen Konsequenz der konstruierten Form des Werkes gesucht Seiner tiefe Erudition hat ihm in dieser Sache sehr viel geholfen: in dem Text des Die Kunst des Klavierspiels erinnert er an solche Namen wie Aristoteles, Balzac, Blok, Boileau, Buffon, Dante, Delacroix, Euclid, Flaubert, Goethe, Glinka, Gorkij, El Greco, Heine, Leibniz, Da Vinci, Lorrain, Majakovskij, Marx, Mendelejev, Michelangelo Buonarotti, Newton, Pasternak, Perugino, Pushkin, Raphael, Romain Rolland, Rutheford, Schopenhauer, Schweitzer, Sofokles, Stanislawskij, Terpander, Tizian, Tolstoi, Tschechov, Velazquez, Verlaine. Back to top Die Komplimente Flammarion, Paris, 1993).
Radu Lupu Radu Lupu. pianist. Radu was born in Rumania and began studying the piano at the age of six he studied with Galina Eghyazarova, heinrich neuhaus and later with Stanislav neuhaus. http://www.terryharrison.force9.co.uk/radu.htm
Extractions: Radu Lupu Pianist Radu was born in Rumania and began studying the piano at the age of six with Lia Busuioceanu, making his public debut with a complete programme of his own music at the age of 12. He continued his studies for several years with Florica Muzicescu and Cella Delavranca before winning a scholarship in 1961 to the Moscow Conservatoire where he studied with Galina Eghyazarova, Heinrich Neuhaus and later with Stanislav Neuhaus. He won first prize in three competitions: the 1966 Van Cliburn, the 1967 Enescu International, and the 1969 Leeds International. In 1989 he was awarded the prestigious "Abbiati" prize, given by the Italian Critics' Association. He is regularly invited to play with all the great orchestras of the world including the Berlin Philharmonic, with whom he made his Salzburg Festival debut in 1978 with Karajan, the Vienna Philharmonic, with whom he opened the 1986 Salzburg Festival with Muti, the Royal Concertgebouw, all the major London orchestras, and all the great American orchestras. His first major America appearances were in 1972 with the Cleveland Orchestra and Barenboim in New York, and with the Chicago Symphony and Giulini. He has played at all the major music festivals and has been a regular guest at the Salzburg and Lucerne Festivals. Radu Lupu's recordings include: the Beethoven Piano Concertos with the Israel Philharmonic and Zubin Mehta; several Mozart Concertos; Brahms 1; Grieg and Schumann; the complete Mozart Violin and Piano Sonatas with Szymon Goldberg; and solo works by Beethoven, Brahms, Schumann and Schubert (Decca). He has also made two records with Murray Perahia (CBS), and two albums of Schubert Lieder with Barbara Hendricks (EMI). His most recent releases for Decca are Schubert's Sonatas in A major D664 and B flat major D960 which won a GRAMMY for 1995, and Schumann's Kinderszenen, Kreisleriana and Humoresque, which won an Edison Award for 1995 - in each case as the "Best Instrumental Record of the Year." Last year, for Teldec, he joined with Daniel Barenboim for a disc of pieces for four hands by Schubert.
Heinrich Neuhaus Web Site Associazione Musicale heinrich neuhausItalia, is dedicated to this Russian pianist and teacher. It also includes Svjatoslav Richter, Emil Gilels, Radu Lupu, and others. http://www.neuhaus.it/
Grigory Kogan As a pianist, Grigory Kogan had a huge repertoire and enjoyed a very intensive recitals,he also played piano duets with Grigory Ginzburg and heinrich neuhaus. http://www.ninasvetlanova.com/Kogan/GrigoryKogan.html
Extractions: GRIGORY KOGAN Grigory Mikhailovich Kogan was one of the most remarkable figures of his time. As a man of extraordinary scholarship, he spoke many languages, pianist, lecturer, critic and pedagogue, he was author of many books, on a variety of subjects, ranging from The Psychological Requisites for Pianistic Success The Piano Texture , to Ferrucio Busoni Couperin , the important monography The Pianist's Work , etc. Read two Chapters from the first English edition of "Busoni" by Kogan. He also edited a number of piano pieces and music books, wrote articles in newspapers, magazines and encyclopedias, wrote concert and book reviews, school curriculums, etc. Grigory Kogan defended his doctoral dissertation at the age of 19 and soon became professor of Kiev Conservatory. He was also an art historian, scholar and polemicist, and was very influential to a whole generation of Soviet pianists through his lectures, books, reviews, articles and concerts. Kogan came to Kiev in 1911 at the age of 10 and lived there for 15 years, until 1926.
The Music Dealer's Network neuhaus, heinrich (18881964) - Associazione Musicale heinrich neuhaus-Italia,is dedicated to this Russian pianist and teacher. http://www.music-dealers.net/start/Keyboard_Players/
Extractions: Top : Keyboard Players Hop to: Select a Category Auction Brass Choirs Ensembles Events Insurance Keyboard Magazines Makers Materials Miscellaneous Newsgroups Orchestras Percussion Repairers Schools String Teachers Universitys Wholesalers Woodwind Discuss the industry with Music Dealers, Musicians, Makers and many more professionals:
Band 3 Der Edition IME Translate this page Der pianist und Pädagoge heinrich neuhaus war eine der bedeutenden Persönlichkeitenin der Geschichte des Klavierspiels im 20. Jahrhundert. http://www.ime-online.de/publikationen/schriften/edition3/
Heinrich Event about remarkable russian musician heinrich neuhaus, presented by pianist and piano teacher Nina Svetlanova. heinrich http://www.spicybytes.com/samsung-maximum-zoom.htm
Equipment And Instruments/Keyboard/Piano/Pianists neuhaus, heinrich (18881964)- Associazione Musicale heinrich neuhaus-Italia,is dedicated to this Russian pianist and teacher. http://iomusic.com/Equipment_and_Instruments/Keyboard/Piano/Pianists/iomusic_mp3
DISCOVERCLASSICS.com pianists and teachers of the 20th century, heinrich neuhaus practically createdhis The pianist's vast repertoire included compositions by Beethoven, Schumann http://www.discoverclassics.com/index.php?do=pv&pid=111
DISCOVERCLASSICS.com Ms.Gornostaeva is a graduate of the Moscow State Conservatory, where her teacherwas the outstanding Russian pianist heinrich neuhaus, one of the founders of http://www.discoverclassics.com/Gornostaeva/
Extractions: Links Without question, Vera Gornostaeva belongs to a constellation of brilliant Russian musicians. As well as having a huge career as a classical pianist, Ms.Gornostaeva is also a dedicated teacher and enlightener: she is a prominent professor at the Moscow Conservatory, holds masterclasses in different countries, including Italy, Germany, France, Switzerland, Japan, the USA, and the UK as well as annual seminars for Russian teachers in music, regularly appears on radio and TV with lectures on the classical music and performing arts, publishes numerous articles and books. She is a jury member and often chairman of the jury at many prestigious international music competitions as well as the President of the Moscow Association of Musicians. Ms.Gornostaeva is renowned for having trained 26 winners of international piano contests such as, Alexander Slobodianik, Simeon Kruchin, Dina Ioffe, Pavel Egorov, Eteri Andzhaparidze (Russia), Ivo Pogorelich (Yugoslavia), Marian Pivka (Czech republic), Ayako Uehara (Japan), Yurie Miura (Japan) and others. She has made numerous recordings with Philips, Fenix, Yamaha and other recording labels, featuring piano works by
Extractions: English Version Here you will find news about my life and my performances, and you can hear at some original musical excerpts (MIDI files for OPL3). Amilda, as a classical pianist Amilda, as a composer My piano duet amilda.bonfanti@bigfoot.com Versione italiana Cosa potete trovare qui: Notizie sulla mia vita e la mia carriera, e ascoltare alcune mie composizioni originali (file MIDI per OPL3). Amilda, pianista classica Amilda compositrice In duo con Annapiera Protopapa US server Italian server Heinrich Neuhaus Society (Italy) My musical association is devoted to the teacher of many contemporary great pianists. Svjatoslav Richter, Emil Gilels, Radu Lupu are some of the pupils of Heinrich Neuhaus. I took master classes from Valerij Voskobojnikov (one of the Neuhaus' pupils) who also is President and Musical manager of the Society. Historical and contemporary piano duos. Ancient photos, and some detail about contemporary duos Duo pianistici e a quattro mani famosi, storici e contemporanei. Vecchie foto e qualche notizia su formazioni contemporanee.
Who We Are, Who Is Neuhaus WHO WE ARE WHO IS neuhaus, heinrich neuhaus is a legendary musicianand pianist. Up to some year ago we would have added Soviet . http://www.geocities.com/Vienna/6216/english/whoweare.html
Extractions: WHO IS NEUHAUS Heinrich Neuhaus is a legendary musician and pianist. Up to some year ago we would have added "Soviet". But we are today a little bit in embarrassment defining this man, born in Ukraine from German father and Polish mother, who lived in Pietrograd, Kiev, Georgia and Moscow, pupil of Leopold Godowski , merely a Russian. Perhaps it is more correct to consider him as belonging to a universal culture.
Pianists : Art Directory (Rating 0.00 Votes 0) Rate It. neuhaus, heinrich (18881964) Associazione Musicaleheinrich neuhaus-Italia, is dedicated to this Russian pianist and teacher. http://www.123artist.com/art/Arts/Music/Instruments/Keyboard/Piano/Pianists/more
Who We Are, Who Is Neuhaus heinrich neuhaus is a legendary musician and pianist. Up to some yearago we would have added Soviet . But we are today a little http://www.neuhaus.it/english/whoweare.html
Extractions: visitors since October, 16th, 2000 Heinrich Neuhaus is a legendary musician and pianist. Up to some year ago we would have added "Soviet". But we are today a little bit in embarrassment defining this man, born in Ukraine from German father and Polish mother, who lived in Pietrograd, Kiev, Georgia and Moscow, pupil of Leopold Godowsky , merely a Russian. Perhaps it is more correct to consider him as belonging to a universal culture. His students, of all nationalities, are scattered around the whole world: United States, France, Italy, Germany, Switzerland, Israel, Bulgaria, Czechoslovakia, Hungary, Romania, Japan. Here, in an unpublished photo, Neuhaus is surrounded by students of various countries of the world. From left to the right: Gérard Frémy (France), Gabriel Amiras (Romania), Snezhanka Barova (Bulgaria), Maria Vlad (Romania), Lenina Popova (Russia), Maria Kruscelnycka. His students, among which great pianists like Sviatoslav Richter, the Romanian Radu Lupu, the French Gérard Fremy, the Czech Zdenek Hnat, the Bulgarian Ganev, Lazarova, the Hungarian Gaby Amiras, and so many ex-Soviets, continue to spread the teaching and to remember him. Many of his students have operated and continue to operate in Russia, such as Emil Gilels, Jakov Zak, Anatolij Vedernikov, his son Stanislav Neuhaus, Teodor Gutman, Evgenij Malinin, Lev Naumov, Vera Gornostaeva, Vladimir Krajnev, Evgenij Mogilevskij and many others. Some of them wanted to accomplish a far-reaching achievement. Esja Elinajte has established an Association Heinrich Neuhaus in Switzerland. Elisso Wirsaladze has annually organized In Georgia a Festival devoted to Heinrich Neuhaus - until the civil war made it impossible.
A Note To The Text About Godowski, By V.Voskobojnikov heinrich neuhaus Web Site. neuhaus recollections about Godowsky as a composer andas a teacher while his opinions about the Godowsky as a pianist were fully http://www.neuhaus.it/english/godovosko.html
Extractions: visitors since October, 16th, 2000 "An example about how much some Russian composer greatly valued Godowsky, can be considered the Rachmaninoff’s "Polka", which is dedicated to him. This composition exactly reproduces the way of thinking and the style of Godowsky's transcriptions. I used to make a joke about this matter, answering to people which was asking me about what Godowsky transcription I liked more: 'The Rachmaninoff Polka, so much is similar …'. " Neuhaus was particularly puzzled about the transcriptions of the Chopin studies that Godowsky made. They are astonishingly difficult, so that only a pianist of the caliber of Godowsky could afford them. Neuhaus believed they were quite unuseful. Also the collection "Renaissance" make him quite doubtful. It collects some elaboration - in a modern fashion – of excerpts of ancient music. The Godowsky’s Sonata was long and prolix. There were plenty of themes, intricacies, imitations of Beethoven, Chopin, etc. The composer was aware of that, when he told Neuhaus during 1935: "Maybe I’m a incurable scribbler, and maybe for this reasons I normally write so much!"
