For Immediate Release Contact: Liza Roy Hargrove; violinist Maxim Vengerov; cellist YoYo Ma; Ballet Folklórico de México;The Philadelphia Orchestra; pianist evgeny kissin; pianist Emanuel Ax http://www.wpas.org/pr/pr_2002_season_release.htm
Extractions: For Immediate Release Contact: Liza Holtmeier Updated May 15, 2002 Washington Performing Arts Society James F. Lafond, Chairman Douglas H. Wheeler, President 2002-2003 Season Announcement WPAS Begins Season with Mezzo-soprano Cecilia Bartoli WPAS Presents Vienna Philharmonic Orchestra For Two Nights, Two Programs WPAS Celebrates Season Opening with London Philharmonic Orchestra WPAS Commissions Two New Works WPAS Collaborates with Nine Community Partners From the Greater D.C. Area By Local Artists Robert Massey and David Wilson WPAS Presents 11 Artists in Education Activities WPAS Presents More Than 70 Performances WPAS Presents 10 Orchestras From Around the World WPAS Presents 16 Artist Debuts For Immediate Release Contact: Liza Holtmeier Updated May 15, 2002 Washington Performing Arts Society Announces 2002-2003 Season Vienna Philharmonic Orchestra, Cecilia Bartoli, Denyce Graves, Maxim Vengerov and Alvin Ailey American Dance Theater To Perform Highlights include the finest in classical, jazz and gospel music
Extractions: BUY NOW AmazonUK AmazonUS Recordings by Evgeny Kissin are always eagerly awaited. On paper, this programme should work well: the Mussorgsky is true virtuoso fare; the Bach/Busoni is born out of the Romantic tradition; the Glinka/Balakirev from the self-same Russian line as the Mussorgsky. The Bach/Busoni of 1900 is an enormous conception (nearly twenty minutes long). One cannot but admire the technical aspects of Kissins performance: the sterling fingerwork; the clear laying-out of part-writing. Yet it was Busoni himself that referred to this work as majestic, rich in feeling and bold and Kissin does indeed miss the grandeur inherent in this piece. Fortes can be harsh (there is a subito forte around 517 which is just uncomfortable), and the effect is highlighted by the bright recording. The Fugue is the best, with an impressive build-up to the climax, almost as if Kissin wanted the listener to forget the Toccata and the Adagio.
Extractions: Concert Review Beethoven Piano Concertos:Kissin with Philharmonia/Ashkenazy ( RFH, 15 April) and Kempf with RPO/Gatti ( Barbican, 17 April) Stravinsky Symphony in C, etc. Royal Philharmonic Orchestra/Danielle Gatti . Barbican Centre, 17 April 2000 It is always fascinating to compare pianists in standard fare, but when the pianists are Kissin and Kempf the task is immeasurably more interesting. Evgeny Kissin, now 30, has already established a reputation as one of the most brilliant pianists of our time, and Freddy Kempf, 22, is well on his way to becoming one of the most perceptive and masterly of the younger generation. Their styles differ enormously. Kissin is often aloof, his playing almost crystalline in its beauty, a geometricist who choreographs from the keyboard like a landscape painter. Kempf is almost the antithesis of this, a pianist who establishes a kineticism with his audience as he draws from the keyboard a divinely crafted set of miniatures. With Kissin one is tempted to say we get the overall picture rather blandly presented, with Kempf an asyntactic canvas, not quite complete, but with quite spellbinding moments of insight and luminosity. The tension and austerity of the opening of Beethoven's op.37 were not quite as they should have been in Kissin's RFH concert. The arpeggio and the descending scale were poorly articulated by
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BBC - About Music - Profiles Nitin Sawhney Nitin Sawhney Multitalented British Asian culture melder.evgeny kissin evgeny kissin Romantic enigmatic Russian pianist. http://www.bbc.co.uk/aboutmusic/profiles/
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BBC - Proms - Reviews was really brilliant due to a virtuosi performance of evgeny kissin. I was livingin Russia when evgeny won his young talents and now he is a stunning pianist. http://www.bbc.co.uk/proms/you/reviews/0508b.shtml
Extractions: What the Papers said: Kissin showed many flashes of brilliance, but he seemed to be immersed in his own private world, while Davis and the BBCSO tried valiantly to guess his next move. THE DAILY TELEGRAPH Instead of world-weary romanticism, his [Kissin's] performance revealed a monstrous, snarling side to Brahms, even if the music, and the audience, had to be trampled into submission to achieve it. EVENING STANDARD Concert Reviews: Index for July's Concerts Index for August's Concerts Index for September's Concerts What YOU said: I approached the first half of this prom with some trepidation - I had never heard the Froissart overture which it began with and the second piece - Anthony Payne's Visions and Journeys was a World Premiere. On this performance, I would hope it was its last. Payne's self indulgence was akin to watching a child thumping a piano, writ large onto the orchestra. The Journey aluded to in the title was nowhere to be seen - disjointed sections of tuneless passage play were the order of the day.
Music/Instruments/Keyboard/Piano/Pianists - Fractured Atlas Links Directory Kempff, Wilhelm (3). kissin, evgeny (5). Kocsis, Zoltan (2). Aleksander, Adam Polish/CanadianClassical pianist, includes biography and contact information. http://www.fracturedatlas.org/site/links/Music/Instruments/Keyboard/Piano/Pianis
Kennedy Center: Once a child prodigy, pianist evgeny kissin's mature style has been described byThe Washington Post as transcendental. Acclaimed for his musical insight and http://www.kennedy-center.org/calendar/index.cfm?fuseaction=showEvent&event=WDWA
ASNE - Kissin Powers An Electric Occasion THE pianist evgeny kissin propelled himself stiffly onto the stage of AveryFisher Hall on Thursday, looking rather as if his joints needed oiling. http://www.asne.org/kiosk/writingawards/1998/davidson2.htm
Extractions: Saturday. March 29, 1997 THE PIANIST Evgeny Kissin propelled himself stiffly onto the stage of Avery Fisher Hall on Thursday, looking rather as if his joints needed oiling. He dutifully bent his mouth into a labored and momentary smile, gave a quick jerk of his torso in lieu of a bow, and then sat at the piano where, in an instant, all his discomfort melted into power and control. Watching the awkward young pianist plunge into music was like seeing a seal slip into water, and in the 40 mesmerizing minutes that followed, Kissin gave one of the most lissome and lyrical performances of Beethoven's Piano Concerto No. 5 that I have ever heard. Kissin has made a specialty of playing the same concerti every other pianist does, but he is alone in his ability to make the commonplace seem rare. There was not a trill that came off as filler or a scale run that sounded formulaic in this performance, and he made the rhetorical flourishes that open the concerto so intensely poetic that by the time the first theme arrived in the orchestra, the musical argument seemed almost already complete.
Van Cliburn Foundation PIANO (Tuesday, April 8, 2003) A pianist of staggering technical brilliance andpowerful musical instincts (The New York Times), evgeny kissin is one of http://www.cliburn.org/concerts/0203press.html
Extractions: Van Cliburn Foundation Fort Worth, Texas, March 24, 2002 - The Van Cliburn Foundation has announced its 2002-03 Cliburn Concerts season, featuring eight extraordinary evenings of music at Bass Performance Hall. In its 27th season, Cliburn Concerts offers audiences a unique combination of rising stars and established favorites in the world of classical music. This seasons illustrious line-up will continue the Cliburn tradition of bringing world-class performers to North Texas. 27th Season Features: · Famed pianists such as Evgeny Kissin and András Schiff · Celebrated singers Olga Borodina (Metroplex debut) and Dawn Upshaw and Grammy Award-nominated violinist Hilary Hahn (Metroplex recital debut) · Current and former International Cliburn medalists Olga Kern Philippe Bianconi and Jon Nakamatsu (with the Berlin Philharmonic Wind Quintet Featuring one of the most splendid line-ups in its 27-year history, this seasons Cliburn Concerts offers a variety of first-rate performances to North Texas audiences. This year we are pleased to offer audiences the distinct opportunity to hear three of our former Cliburn medalists, says Van Cliburn Foundation President Richard Rodzinski. We are also very excited about presenting the unusual format of a Cliburn medalist paired with the great Berlin Philharmonic Wind Quintet.
Extractions: Remarkable young Russian pianist Evgeny Kissin opens the Philharmonic Society of Orange County's 2000-01 season on Thursday, September 28, 2000 at 8 p.m. at the Orange County Performing Arts Center. The recital honors the work of the Committees of the Philharmonic Society, whose 1,200 members present the Society's nationally recognized music education programs for youth. Kissin performs Beethoven's Piano Sonata No. 17 in D minor, Op. 31, No. 2, "Tempest," Schumann's Carnaval, Op. 9 and the Piano Sonata No. 3 in F minor, Op. 5 by Brahms.
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Excite France - Répertoire - Pianists Horowitz, Vladimir ( 4) Jarrett, Keith@ ( 6) Kempff, Wilhelm ( 2) kissin, evgeny( 4) Kocsis Young Albanian pianist living in London, the site includes biography http://www.excite.fr/directory/Arts/Music/Instruments/Keyboard/Piano/Pianists
Kissin evgeny kissin,This homepage is for my idol, the young Russian pianist evgeny kissin. http://kissin.myetang.com/cover.htm
Rachmaninoff.co.uk Richardson) evgeny kissin Pf Boston Symphony Orchestra, Seiji Ozawa RCA on the recordingand that kissin had indeed for this concerto, the pianist takes his http://www.rachmaninoff.co.uk/kissin.html
LINK&LINK kissin, evgeny (3); Korfker, Berent and Kana Yamaguchi a violin-piano duo in Kreisler,Fritz; Leonhardt, Gustav; Lewis, Paul - Concert pianist from UK; Lin, Cho http://www.nsknet.or.jp/~saekims/LINK.htm
Extractions: Altramar - medieval music ensemble. Of interest to fans of early, folk, traditional, and new age music, as well as those interested in medieval history and culture. Amsterdam Guitar Trio Anderson, Marian Atamian, Dickran - pianist. Ax, Emanuel Bach, Kasper - Danish pianist. Bachmann, Maria Baker, Josephine Bashmet, Yuri Beecham, Sir Thomas ... Bellugi, David - a recorder virtuoso, concert and studio musician, and professor (of recorder) at the Florence conservatory. Berman, Bart - Israeli concert pianist specializing in Schubert and contemporary music performance. Bernstein, Leonard - play a wide range of music for piano duo and duet. Bjoerling, Jussi Brain, Dennis Bream, Julian Bronfman, Yefim ... Carlson, Anne - flutist Caruso, Enrico Celestial Winds - Very romantic and relaxing, we are professionals in the metaphysical healing arts use "CW1" for Massage meditation, Aromatherapy, Acupuncture. Chee-Yun - One of today's most talented young violinists. Cliburn, Van
Schumann | Carnaval | Kissin | BR-Online Translate this page Der russische pianist evgeny kissin ist der Solist dieser Aufnahme, der unsSchumanns klingende Bilder mit brillanter Heftigkeit und raffinierter http://www.br-online.de/kultur-szene/klassik/pages/cdtipps/cd20030104.html
Extractions: Go to the Feedback Archives. Recently in Feedback: Just Desserts - Didja have Thanksgiving and lie around on the floor in... (Dec. 1, 1999) This Is Hip - We're celebrating a couple of firsts here tonight," Bob Dorough... (Dec. 1, 1999) D-I-V-O-R-C-E - Prior to TLC's Halloween-night appearance at the Baltimore Arena, the... (Nov. 17, 1999) More by Daniel Schlosberg Jordi Savall - Jean-Baptiste Lully: L'Orchestre du Roi Soliel... in Sound Tracks (Nov. 10, 1999) Hell's Bells - As classical-music critic Stephen Wigler recently re-illuminated in The Sun,... in Feedback (Nov. 3, 1999) Sound Tracks (Oct. 27, 1999) December 15 - December 21, 1999 EMAIL DANIEL SCHLOSBERG The Piano Man Evgeny Kissin Review By Daniel Schlosberg Evgeny Kissin Joseph Meyerhoff Symphony Hall, Dec. 8 Russian pianist Evgeny Kissin possesses a most absorbing stage presence. With his trademark waft of wavy hair, he quickly walks on stage, takes several distinguished bows, and immediately seats himself. It's very poised and dramatic, yet at the same time it foreshadows just a fraction of the fire and authority he produces while moving his fingers. More fireworks followed the intermission: an evocative, dramatic, and at times touching reading of Alexander Scriabin's seldom-heard 3rd Sonata. Kissin seemed even more confident here than when playing the Rachmaninov, especially in the last two movements. After a thoughtful transcription of Rachmaninov's
