Extractions: One Of The Most Prominent And Versatile Conductors Of His Generation In May 2002, Kenneth Kiesler was appointed Music Director of New Hampshire Symphony Orchestra in Manchester for a three-year period and his inaugural performances will begin with the 2002-2003 season. He will travel from Ann Arbor, Michigan where he is director of orchestras and head of the orchestral conducting program at the University of Michigan School of Music. Conductor Laureate Kenneth Kiesler, Conductor Laureate of the Illinois Symphony and Chamber Orchestras, inspired unprecedented artistic development during a 20-year conducting tenure and received widespread community support for his leadership. His achievements were exemplary. He was the founder of the Illinois Symphony Orchestra and Music Director for 20 years. He served as Music Director of the Illinois Chamber Orchestra from its inception in 1985 until June of 2000 and led its debut at Alice Tully Hall in 1987 and Carnegie Hall in 1990. Ann Ker of the Springfield, Illinois State Journal-Register said: Recording Projects During the past year Kiesler has been at work on several recording projects. One of them is an extraordinary ten-year effort, an eighty-disc set, produced by the Milken Archive of American Jewish Music to be released in Fall 2003. In his portion of the project, he conducted the University of Michigan Symphony and Chamber Orchestras, with chorus and soloists, in scenes from operas by David Amram, Abraham Ellstein, David Schiff, and Paul Schoenfield. He also recorded, sacred pieces for chorus, orchestra and organ with the BBC Singers and Orchestra in London for the Milken Archive set. Another project includes first recordings of new concertos by Leslie Bassett, William Bolcolm, and Michael Daugherty on the Equilibrium label for release next January.
Pianists Top Arts Music Instruments Keyboard Piano hollander, lorin Featuring reviews, concerts, residencies, teaching and mentoring,institutes Huang, Eileen Chineseborn pianist and writer; brief biography http://alchoholism.gowebinfo.com/Top/Arts/Music/Instruments/Keyboard/Piano/Piani
Michael Colgrass, Composer, Writer And NLP Trainer pianist lorin hollander can see in his mind's eye the notes of a piece he'slearned, almost as if the music were on a music stand in front of him. http://www.michaelcolgrass.com/73.html
Extractions: What's the best way for a musician to prepare for performance? How do we learn fastest and memorize best? Each performer is unique and we have no pat answers to these questions, but I have found that the most solid performers not only hear and feel the music deeply, they also use imagery to improve their performance. For example, string players strive to develop a big tone, but simply practicing longer and louder will only fatigue the fingers. Violist Emanuel Vardi is known for the gigantic size and beauty of his tone, even though he uses a small viola. I once asked him how he accomplished this richness of sound and he told me he had spent long periods of time practicing while looking at mountains and projecting his sound to the uppermost peaks. He would actually see the sound floating to the mountain tops. His fingers instinctively made all the adjustments necessary to accommodate this image, and when he got to the concert hall he could project effortlessly to the last row of the balcony. French Horn player Joseph Eger solved the age-old problem of "cracking" on an entrance by making a visual image of a target and imagining the note he was about to play as the bull's eye. Not only did he avoid cracking, but he improved his intonation as well, because he hit the note dead center. Mezzo-soprano Jan DeGaetani used imagery to guarantee a high level of performance. I once asked her how she managed to sing at her highest standard when performing with an inferior orchestra, which all great performers are occasionally obligated to do. "Oh, that's easy, she said, "I just imagine the ideal orchestra and conductor for the music I'm singing. If it's Mahler, I see Karajan on the podium and hear the Berlin Philharmonic."
UNH Celebrity Series history. Featuring the inimitable pianist, lorin hollander, this jazzprogram is designed to have you dancing in the aisles. Copland http://www.unh.edu/celebrity/act_nhso.html
Extractions: Quick Access To Events Ballet Stars of Moscow Robert Honeysucker Emanuel Ax Verdi's Il Trovatore NH Symphony Shanghai String Quartet NH Symphony Orchestra Thursday, Feb. 13, 2003 Kenneth Kiesler, conducting ~ Lorin Hollander, piano Thursday, February 13, 2003, 8:00 p.m. Johnson Theater, PCAC . In 1973, while a student at UNH, Kenneth Kiesler organized and conducted a stunning all-Gershwin concert at Johnson Theatre, including the first performance since 1924 of the original version of Rhapsody in Blue for piano and Jazz Band. The Union-Leader said in its review: "A standing ovation of several minutes ended an historical and gala evening." Join us, thirty years later, as we remake history. Featuring the inimitable pianist, Lorin Hollander, this jazz program is designed to have you dancing in the aisles. Copland: Music for the Theatre Gershwin: Three Preludes Gershwin: Promenade Gershwin: Rialto Ripples Joplin: The Entertainer
The Hamilton Spectator Columnists Recording superstar pianist and conductor lorin hollander is the next big namecoming to the Boris Brott Summer Music Festival. He illuminates two events. http://www.hamiltonspectator.com/fraser/587420.html
Order Form remake history. Featuring the inimitable pianist, lorin hollander,this jazz program is designed to have you dancing in the aisles. http://www.portsmouthnh.com/tickets/eventDetail.cfm?EventID=692
Mercyhurst College - News & Events That evening, a reservationonly recital featuring pianist lorin hollander will christenthe Dr. Barrett and Catherine Walker Recital Hall in the Hirt Center. http://www.mercyhurst.edu/NewsandEvents/MM_AR/NE_MM_021021.htm
Extractions: About Mercyhurst Academics Admissions Athletics ... Radio Station Rate this Site Monday Morning Online Archive: 2001-2002 Vol. 20, No. 6, October 21, 2002 Mrs. Hirt went on to receive her high school and college education from Mercyhurst, where the Mercy vision, an influence that began with her aunt, the late Sister Helen Claire; and a dear friend and neighbor, former Mercyhurst President Sister Carolyn Herrmann; continued to mold her philosophy of living. In an about-face, is back at his desk at Preston Hall but it may not be for long. A commander in the U.S. Naval Reserve specializing in intelligence and a history professor at Mercyhurst College, Belovarac returned to the classroom this fall after spending nearly the entire 2001-2002 academic year on active duty in Japan. But no sooner had he rolled up his shirtsleeves and got back into lecture-mode than he received a new assignment to a reserve unit at the Defense Intelligence Agency in Washington, D.C., which supports attaché personnel at embassies throughout the world. Soon he will attend a two-week orientation course at the Defense Attaché School in Washington. A year ago, in the aftermath of the Sept. 11, 2001, terrorist attacks, Belovarac was mobilized as part of U.S. Naval Reserve counter-terrorism support in Japan. His role was to assess the terrorist threat in Japan and aid in force protection efforts.
Pianists Information Sites Berman, Boris pianist of international stature and teacher at Yale UniversitySchool of Music. hollander, lorin - Featuring reviews, concerts, residencies http://songsorg.com/Instruments/Keyboard/Piano/Pianists/
Jocelynchapman.com email.com objective To enhance my skills as a pianist for the teachers; EnriqueGraf, 1996present; Paul Schenly, summer 1999; lorin hollander, summer 1998; http://www.jocelynchapman.com/jc/resume.asp
Extractions: Graduate, Carnegie Mellon University, School of Music. Received University honors and completed undergraduate requirements a semester in advance. Piano performance major. Graduate, Medway High School, Medway, MA. Maintained a 3.8 and graduated fourth - class of 1995. Graduate of the preparatory program at the Rivers School of Music in Weston, MA - class of 1995. Attended the Longy School of Music, Cambridge, MA 1991-1993.
Jocelynchapman.com In March her experience as a pianist with large ensembles led to an In addition shehas played in masterclasses with Earl Wild, lorin hollander and Vladimir http://www.jocelynchapman.com/jc/index.asp
Extractions: bio press upcoming concerts download music ... resume bio Jocelyn Chapman has been described by her teachers and mentors as "an exceptionally gifted pianist full of youthful vigor" and "a serious musician to watch for in the future". Born in 1977 in Durham, New Hampshire, Jocelyn began her piano studies at the age of three. Early success in competition led her to the national finals of the National Music Teacher's Association piano competition in Interlochen, Michigan at the age of six. After moving to the Boston area, Jocelyn continued her studies at the Longy School of Music with Faina Bryanskaya winning second prize in the Longy School of Music Young Artist Concerto Competition. In 1995 Jocelyn received an undergraduate music scholarship to study at Carnegie Mellon University. For all four years of study at Carnegie Mellon, Jocelyn served as pianist for the Carnegie Mellon Contemporary Ensemble and the Carnegie Mellon Philharmonic. With both organizations she performed numerous contemporary works in ensemble and with orchestra. In her third year at Carnegie Mellon University, Jocelyn won the Carnegie Mellon Concerto Competition playing Poulenc's Concerto for two pianos with Costa Rican pianist, Walter Morales. Jocelyn and Walter's performance with the Carnegie Mellon Philharmonic received much acclaim and led to an invitation to play with the Chilean National Symphony Orchestra during Las Semanas Musicales in Frutillar, Chile. This past summer Jocelyn was one of twelve pianists chosen to attend Pianofest in the Hamptons, a festival directed and founded by Paul Schenley. At Pianofest Jocelyn performed weekly at Avram theatre in Southampton and received instruction from Paul Schenley, Yoheved Kaplinsky, and Arie Vardi. In addition to Pianofest, Jocelyn has performed at Piccolo Spoleto USA in 1998 and the Wellfleet Summer Concert Series in 1997 and 1998.
Extractions: Sacred "Merkabbah" Frequencies-Tuning Attention/Implosion - Anatakarana and the 'Phi-ish' Rainbow Bridge -This 'Helping Friendly Book' is dedicated to 'Wilson' of PHI-ish.. whose step into Yesterday required this Phi'ish RAINBOW... from Dan Winter, 4/11/2000, url: ../antakarana - other articles at ../sitemap.html note: the Carefully Calculated Plank Length Based Implosion Sound Tones Below Require the Flash Plug in. .to play. And your are warned, they are hazardous .(see below). There is power and hazard in this relatively accurate implosion sound, with it's VERY noticeable disturbing effect. The point is that you do FEEL something, you realize the PHI harmonic cascade effect is real. Please help me to use the impact of this, with all it's hazard, to help me pursuade the academic community that continuing to IGNORE the principle behind PHI IMPLOSION, is much MORE hazardous than this audio test could ever be. Note: Insert Added (bottom of this article) 6/7/2000: Phase Conjgate Mirror - Perfect Annihilation Implosion- How Glands Make BLISS - Time Reversal in Light - FasterThan Light SOUND- vs DOVE Mirror : HERE IS THE PATH LIGHT OR SOUND NEEDS TO MAKE TO CREATE Perfect Fusion, Phase Conjugation, Annihilation, Implosion, Grail.. (animated at
Main Attrations Fri., Jan. 31, 8 PM pianist lorin hollander copresented with WHQR91.3FM Public Radio and with support from the NC Arts Council. http://www.thalianhall.com/mainattract.htm
Keyboard Links - Ken Davies' Musical Instrument Links Memorial Foundation founded to remember the pianist Andrew De hollander, lorin -Featuring reviews, concerts, residencies, teaching and mentoring, institutes http://www.kendavies.net/resources/instrumentlinks/keyboardlinks.html
Chicago Sun-Times - Calendar $16$106. Conducted by lorin Maazel, performing works by Respighi, Penderecki andStrauss. Thu, 8 pm; Nov. DR. JEFFREY hollander. pianist. Tue, 530 p. $20. http://www.suntimes.com/calendar/classical.html
Extractions: Powered by Events for week beginning Nov. 15 AMERICAN CHAMBER STRINGS. Sat, 7:30 pm. Free. Northfield Community Church, 400 Wagner, Northfield. (847) 446-3822. ARS VIVA SYMPHONY ORCHESTRA. With mezzo-soprano Julia Bentley. Sun, 7:30 pm. $15-$45. North Shore Center for the Performing Arts, 9501 Skokie, Skokie. (847) 673-6300. BACH SOCIETY MUSICIANS. Sun, 7:30 pm. $8-$15. Highland Park Presbyterian Church, 330 Laurel, Highland Park. (847) 432-4458. CHICAGO CHAMBER CHOIR. Sun, 3 pm. $10, $15. Unity Lutheran Church, 5409 N. Magnolia. (312) 409-6890. Mon, 7:30 pm. St. Pauls United Church of Christ, 2335 N. Orchard. (312) 409-6890. CHICAGO SYMPHONY ORCHESTRA. Conducted by Lorin Maazel, with soprano Jessica Jones, performing works by Mendelssohn, Kernis and Bartok. Fri, 8 pm; Sun, 3 pm; Tue, 7:30 pm. $16-$106. Conducted by Lorin Maazel, performing works by Respighi, Penderecki and Strauss. Thu, 8 pm; Nov. 22-23, 8 pm. $16-$109. Symphony Center, 220 S. Michigan. (312) 294-3000. CIVIC ORCHESTRA OF CHICAGO.
Missouri Southern News Robert Henry is an internationally distinguished pianist whose performances LeslieHoward, Sergei Babayan, Sergey Dorensky, lorin hollander, Constance Carroll http://www.mssc.edu/pages/news/seniorwinner02.htm
Extractions: JOPLIN, MO (SNS) - Robert Henry, age 28 of Greenbelt, Maryland, USA, was awarded first prize in the Senior Division of the Ninth Missouri Southern International Piano Competition held April 23-27 on the campus of Missouri Southern State College in Joplin, Mo. Henry received a $10,000 cash award plus a New York debut in Weill Recital Hall at Carnegie Hall scheduled for October 7, 2002. Robert Henry is an internationally distinguished pianist whose performances have been recognized as technically brilliant, musically sophisticated, and full of personality. In the 2001-2002 season, Robert Henry won first place in four international piano competitions, the most recent of which was the inaugural 2002 Atlanta International Piano Competition, where he received an unexpected engagement with the Atlanta Symphony Orchestra in 2004. He took first place in the 2002 Missouri Southern IPC, receiving a Carnegie Recital Hall debut. He also won first prize in both the 2002 Washington IPC and the 2001 New Orleans IPC. He is a prizewinner of many other competitions, including the 2001 Cleveland IPC. Since presenting his first solo recital at the age of 13, Mr. Henry has been heard at many universities, conventions, recital series, and on several NPR broadcasts. He made his orchestral debut at the age of 17, performing Prokofiev's Third Concerto to critical acclaim, and he has performed with several orchestras throughout the Southeast. Henry has upcoming solo performances at the Kennedy Center, Washington, D.C., Georgia, South Carolina, Indiana and Denmark, as well as orchestral engagements with Atlanta Symphony, Louisiana Philharmonic, Acadiana Symphony, Indianapolis Chamber Orchestra, and the FMM C Orchestra in the upcoming season.
Programs April 10, 2003 Thursday, May 15, 2003, pianist Christopher O'Riley Trumpeter JensLindemann Discovery Artists pianist lorin hollander Organist Frederick Swann http://www.newwestsymphony.org/league/programlist.html
Extractions: Programs Meet the Artist Before each Amgen Masterpiece Series and Discovery Artist concert, the inimitable New West Symphony Music Director Boris Brott engages in an intimate conversation with the week's guest artist "up close and personal". You are invited to join League members and other music lovers to enjoy the delightful repartee as guest artists reveal how they have come to follow the career they have chosen, give insight into their up-coming performance and share other fascinating facts about the life of a musician. The audience is given the opportunity to participate. Meet the Artist takes place in the Founder's Room of the Thousand Oaks Civic Arts Plaza at 9:30 am on the Thursday morning of each concert week. This program is free and open to the public. Complimentary refreshments are served at 9:30 a.m. Schedule Thursday, October 10, 2002
Programs 16 17, 2003 February 20 21, 2003 March 20 21, 2003 April 10 11, 2003 May15 16, 2003, Discovery Artists pianist lorin hollander Organist Frederick http://www.newwestsymphony.org/league/programs.HTML
Extractions: Programs Meet the Artist Before each Amgen Masterpiece Series and Discovery Artist concert, Meet the Artist offers a rare opportunity to get up-close and personal with the guest artist for that week's concert. Maestro Boris Brott leads the engaging conversations with the guest artists, exploring their musical backgrounds and their careers while uncovering the stories that influenced their decisions to become professional musicians. The audience is given the opportunity to participate Free and open to the public, Meet the Artist programs take place in two venues during the week preceding each concert - at 9:30 Thursday in the Founders Room of the Thousand Oaks Civic Arts Plaza and at 11 a.m. Friday at Borders Bookstore in the Oxnard Esplanade (take the Vineyard exit off the 101 freeway). Complimentary refreshments are served in Thousand Oaks on Thursday morning. Borders Bookstore Cafe is available on a cash basis on Friday mornings. Schedule tba (Beethoven 9th Symphony soloist) Pre-concert Dinners A great way to start your Symphony evenings and beat the traffic! Prior to each Amgen Masterpiece Series performance, concertgoers are invited to take advantage of the pre-concert dinners offered at each venue. These convivial dinners provide an opportunity to meet and mingle with other music lovers while enjoying a delicious meal before the concert. The Symphony's Artistic Administrator Charles McDermott presents a short, witty and informative discussion of the music on that night's program.
Music Concert pianist lorin hollander has described the rich visual imagery he hasexperienced all his life on playing the works of the great composers. http://www.nyu.edu/classes/neimark/music.htm
Extractions: Dr. Ohno has notated over fifteen songs of the DNA of a variety of living organisms during the past two years. He finds that the more evolved an organism is, the more complicated is the music. The DNA of a single-cell protozoan, for example, translates into a simple four-note repetition. But the music transcribed from human DNAe.g., the body's receptor site for insulinis much more complex. Listeners knowledgeable about music have taken these DNA-based compositions for the music of Bach, Brahms, Chopin and other great composers. These melodies are majestic and inspiring. Many persons hearing them for the first time are moved to tears; they cannot believe their bodies, which they believed to be mere collections of chemicals, contain such uplifting, inspiring harmoniesthat they are musical... Recognizing the music latent in DNA suggests a new way of looking at evolution. Rather than a method of passing genes from one generation to another, the evolutionary process could be a way of passion the music along each generation "making music" for the next. Mutations would be ways of tinkering with the melody, of creating new, more complex tunes. "survival of the fittest' might mean "staying in key," "playing with the orchestra," or "maintaining the harmony." The natural world would not be "nature red in tooth and claw," it would be a gigantic symphony instead, composed of innumerable instruments...
