IGNACIO CERVANTES: PIANO DANCER By Glenn Jenks The important thing for the pianist to remember is not to interfere with by OrlandoMartinez in his article l'Orbita y creacion de ignacio cervantes shows its http://www.stevenestrella.com/composers/cervantesessay.html
Extractions: The music of Cuban composer Ignacio Cervantes (1847-1905) is almost entirely unknown in this country today. Despite the fact that he was published in both London and New York, his work has slipped beneath the radar of the academic community and scarcely ever gets programmed on the concert stage. The issue here is not an aesthetic one. Even a cursory examination of Cervantes' piano music reveals a composer comfortable in his craft, with a strong sense of musical propriety and an enviable melodic gift. Cuban musicologists hit their highest notes singing his praises, his genius eclipsed only by Ernesto Lecuona in the 20th century. Cervantes studied with the famous Cuban pianist Nicolas Espadero when he was a young boy. Espadero considered him his prize pupil, and when Louis Moreau Gottschalk visited Cuba the proud teacher introduced the two. Gottschalk took him on as a student, and later arranged for the young Cervantes to study with Antoine Francois Marmontel and Charles Alkan at the Paris Conservatoire. In Paris, Cervantes enjoyed much success, and in 1866 won first prize in a piano competition adjudicated by Daniel Auber and Charles Gounod, among others, for his performance of Heinrich Herz' Fifth Piano Concerto.
Cervantes, Ignacio Cuban student of Gottschalk and Alkan wrote the opera "Maledetto " a scherzo capriccioso for orchestra, and the piano suite "Danzas Cubanas." Link to recordings. cervantes, ignacio. cervantes, ignacio. Period Romantic the United States and Mexico as a concert pianist. Please see the excellent article on cervantes contributed by Glenn http://www.stevenestrella.com/composers/composerfiles/cervantes1905.html
Extractions: Ignacio Cervantes is an important figure in Cuban music history. Cervantes was among the first to use native Cuban rhythms and idioms in concert music. Cervantes studied piano with the American virtuoso and composer, Louis Gottschalk. He also studied at the Paris Conservatoire where he studied with Marmontel and Alkan. He then returned to Havana to teach and perform. He toured the United States and Mexico as a concert pianist.
Marcel Worms - Pianist ignacio cervantes 6 Danzas cubanas De Cubaanse componist en pianist ignacio cervantes- een van de grondleggers van de http://www.euronet.nl/~mrworms/toelichting6.html
Music, Portrait Of A Nation. the Cuban flavor and grace that this creole lady represents. cervantes, ignacio. pianist/COMPOSER. Havana 1847 1905. http://www.cubanet.org/lee/indexc_d.html
Extractions: CARBONELL, LUIS. Spoken Word Performer and Pianist. Santiago, 1923. Begins reciting poetry on a radio station in Santiago, where he also performs as an accompanying pianist. He has several recordings of afro-cuban poetry and vignettes. Among his most popular pieces are Y Tu Abuela A'onde Eta...Los Quince de Florita...En el Ultimo Cuarto Hay Son. CABRISAS-FARACH. DUO, SINGERS. Comprised of Irene Farach - Caibarien, and Jesus Cabrisas - Matanzas. Began performing in the 1950s in Havana and quickly began performing on television and radio as well as prodiucing recordings. Their repertoire was built around the traditional Cuban troubadour style. Their harmonizing and accompanying guitars readily identifies them.
Album De Fotos 3 Ana cervantes, pianist due to the generosity of their president, the fine pianist Andreas Werts. Washington, DC; Minister ignacio Durán, director of the Instituto; cervantes; Marcela Rodríguez; Deborah http://www.cervantespiano.com/Ana_s_Scrapbook/Album_de_Fotos_3/album_de_fotos_3.
Cuba Chévere Chispa' is a descendant of the great pianist and composer ignacio cervantes Kawanagh who had a decisive influence on the http://www.musica-cubana.net/en_Chispa_y_Los_Complices.htm
Extractions: and Glenn Jenks This collection of danzas, waltzes, Terra Verde and other syncopated specialties is played brilliantly by ragtime and classical composer / pianist Glenn Jenks . A delightful blend of Latin-American and romantic piano sensibilities, of old and new music, Invitation to the Danza represents the eleventh release of new World Piano Music from Viridiana. SELECTIONS
PROGRAM NOTES CD 1. IGNACIO CER V ANTES KA W ANAGH (Cuba, 1847-1905) PROGRAM NOT tangogeschiedenis, zoals Osvaldo Pugliese en Horacio Salgan waren, behalve orkestleider . ook pianist. (19021972) - Tango (1927). 9. ignacio cervantes Kawanagh (1847-1905) - 6 Danzas http://www.sunflute.com/Triangulo/cds_files/cd%20program%20notes.pdf
Marcel Worms - Pianist zoals Osvaldo Pugliese en Horacio Salgan waren, behalve orkestleider, ook pianist. StefanWolpe (19021972) - Tango (1927) 9. ignacio cervantes Kawanagh (1847 http://www.euronet.nl/~mrworms/discografie.html
Extractions: De cd's: 'Jean Wiéner - Works for piano' en 'Pictures at a Van Gogh Exhibition' zijn ook direct te bestellen door middel van een e-mail Tangos for Piano from Latin America and Europe (BVHAAST 0702) Download hier 'A fuego lento' van Horacio Salgan (MP3, 504 KB) Het repertoire op deze CD plaatst tango's uit Zuid-Amerika (het continent waar de dans ontstond) naast en tegenover tango's, die Europese componisten aan het begin van de twintigste eeuw begonnen te schrijven zodra de tangomuziek Europa bereikt had. De piano is vrijwel vanaf het begin een belangrijk instrument in het tango-ensemble geweest en vele grootheden uit de tangogeschiedenis, zoals Osvaldo Pugliese en Horacio Salgan waren, behalve orkestleider,
Excite France - Répertoire - Pianists 14) Brendel, Alfred ( 3) Busoni, Ferruccio Benvenuto@ ( 11) cervantes, ignacio@ (2) Chopin Young Albanian pianist living in London, the site includes biography http://www.excite.fr/directory/Arts/Music/Instruments/Keyboard/Piano/Pianists
Excite Italia - Cartoline Busoni, Ferruccio Benvenuto@ ( 11). cervantes, ignacio@ ( 2). Chopin, Frederic@ ( 1 16) Spanish pianist's personal home page. http// www. http://www.bluemountains.it/directory/Arts/Music/Instruments/Keyboard/Piano/Pian
Extractions: Le più cliccate La tua cartolina Amicizia Politically S-correct Appuntamento ... Fiori Momenti da ricordare NATALE MATRIMONIO COMPLEANNO FESTA DEL PAPA' ... CAPODANNO makeAD("http://ad.tiscali.com","/SITE=IT.EX.EXCITE/AREA=ECARD.HOME/POS=R2/LANG=IT/AAMSZ=120x600",120,600) Chi siamo Excite in home page! Liberatoria Legale Scrivi ... Aiuto makeAD("http://ad.tiscali.com","/SITE=IT.EX.EXCITE/AREA=ECARD.HOME/POS=C2/LANG=IT/AAMSZ=1x1",1,1)
Vindex, De Vindplaats Van Het Nederlandse Web Brendel, Alfred Busoni, Ferruccio Benvenuto@ cervantes, ignacio@ Chopin, Frederic OmschrijvingFrench pianist page with biography, discography, repertoire and http://www.vindex.nl/dir/Arts/Music/Instruments/Keyboard/Piano/Pianists
Recordings Ana cervantes, pianist Later, at the request of another pianist, Olga Gorelli transformed the song into a solo piano piece. Cry Anymore) of the Cuban composer ignacio cervantes. This last dance and the http://www.music.columbia.edu/~roosevlt/cervante/Recordings/recordings.html
Extractions: Translations by Ana Cervantes, Irizelma Robles Álvarez, Roberto Rhett and Adriana Morales " Cervantes is not about purism. She is about passion, and that's what this recording delivers." - Paul Somers, Classical New Jersey Cervantes reveals that she can hold her own against any interpreter of Bach on the piano , [combining] clarity of line with roundness of phrasing her sense of timing lends excitement to the music. The Cuban Dances incorporate the subtle but vivid elasticity that gives authentic Spanish music its tension.
The 19th Century - Page 25 Americas. She resumed her career as a pianist in 1889. Hubert De Blanck1856 1932. One death. ignacio cervantes 1847 - 1905. His http://home.prcn.org/~pauld/opera/19cent25.htm
Extractions: Louis Moreau Gottschalk was an American composer and pianist. He is known to have composed two operas, though all that survives is a fragment of the second, Charles X . For this work Gottschalk used part of the libretto to I Capuleti e i Montecchi , originally set by Bellini. A frequent visitor to Cuba, Gottschalk conducted at least part of the opera there in 1860. In Canada in the 19th.century most opera was performed by travelling companies, either from the United States or from Europe. Very little original opera was written, with most performances being European works. One noteworthy performance was of Boieldieu's La Dame Blanche The Widow , written for New Orleans, saw a revival in 1976, in Hamilton, Ontario, Even Canada's own Emma Albani, the first Canadian star in the world of opera, was rarely heard in Canada. She brought her company to Montreal's Academy of Music in 1890 and again in 1892. Angela Peralta 1845 - 1883 In Mexico much of 19th.century opera was also performed by touring companies. One of these companies was led by the Mexican soprano Angela Peralta. After a debut in Mexico Peralta went to Italy in 1861, for further study. She sang at La Scala and Turin and toured Europe, where she was known as the "Mexican nightingale".
Buy A Treasury Of Cuban Piano Classics In Our Simplest-shop.com including a very rare version of another great Cuban pianist of yesteryear In herhands, the apparently simple music of ignacio cervantes is treated with such http://simplest-shop.com/classical/product/85/B000050HYQ/0/1/A%20Treasury%20of%2
Extractions: Artists: Ignacio Cervantes see more Classical Music by Ignacio Cervantes Alejandro Caturla see more Classical Music by Alejandro Caturla Gisela Hernandez see more Classical Music by Gisela Hernandez Ernesto Lecuona see more Classical Music by Ernesto Lecuona Juana Zayas see more Classical Music by Juana Zayas Top stores Description Price amazon.com Availability: Special Order our shop Used offers, as low as... see all used offers our shop ThirdParty new offers, as low as... see all ThirdParty new offers
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Extractions: Artists: Manuel Saumell Robredo see more Classical Music by Manuel Saumell Robredo Ignacio Cervantes see more Classical Music by Ignacio Cervantes Ernesto Lecuona see more Classical Music by Ernesto Lecuona Top stores Description Price amazon.com Availability: THIS TITLE IS CURRENTLY NOT AVAILABLE. If you would like to purchase this title, we recommend that you occasionally check this page to see if it has become available. our shop Used offers, as low as... see all used offers
GuitarPeople.com - Lessons some of the best composers in Latin America Manuel Saumell, ignacio cervantes, JuanMorel nature soon achieved him recognition as a pianist, organist, cellist http://www.guitarpeople.com/classical/contrdanza.asp
Extractions: During the 19th century the contradanza and the danza developed in the Caribbean, particularly in Cuba and Puerto Rico. Developing with it were some of the best composers in Latin America: Manuel Saumell, Ignacio Cervantes, Juan Morel Campos. Many other composers from throughout the Caribbean, Latin America, and South America had success in composing in these same forms. The origin of the danza is believed to be from England and the word contradanza translates as country dance. However, there is speculation that the danza may have begun in Normandy and then adopted by the English. The contradanza consists of two sections of eight measures which are repeated, for a total of thirty-two measures. The first section is called the paseo or promenade where the people would stroll around the dance floor. The second part is faster and couples would start dancing. This second part is better defined than the first and shows the true character of the danza. The contradanza is written in 2/4 and 6/8 time and belongs to the so-called square dance, a style of dancing where couples collaborate to form diverse figures. The culture of Cuba is a wonderful mixture of Caribbean, Spanish, and African influences, which provides the foundations of Cuba's music. This created an extraordinary and varied culture heritage from which to draw inspiration, creating a unique and rich setting for music. The city of Havana supported Italian Opera, Spanish Zarzuela, theaters, movies, and military bands providing aspiring musicians many opportunities. Spanish contributions to the music of Cuba are melodic and harmonic while the rhythmic African influence supplies it with its most distinct traits.
Wanadoo Translate this page The 32 pianist in performance of The Goldberg Variations by JS Bach WednesdayMay 9th 2001. US Première. ignacio cervantes, 1847-1905, Three Cuban Danses. http://perso.wanadoo.fr/pradel/gomez.htm
Music, Portrait Of A Nation. band of Havana, where made great contributions to the Cuban musicIn 1929 foundedthe Orquesta ignacio cervantes . Composer, pianist and orquestra director. http://www.cubanet.org/lee/indexr_s.html
Extractions: RODRIGUEZ, ARSENIO. Composer and "tres"-guitar player. Matanzas, 8-30-1911-L.A. California, 12-31-1971. Started playing son since his adolescence. In 1940 reached popularity with his group "El Ciego Maravilloso", (the wonderfull blind) since he lost his sight at 13. His real name was Ignacio Loyola Rodriguez. In the late 50's moved to New York and founded the "Cubanisimo" group, and wrote songs like "Triste Lucha, Matanzas, Tumba palo cocuye, Zenaida," etc.
Recording Review: Cuban Piano Masters Cuban composers Manuel Saumell, ignacio cervantes, Antonio María Romeu and ErnestoLecuona. Enter Frank Emilio Flynn, the blind master pianist who apprenticed http://www.rootsworld.com/reviews/cubanpiano.html
Extractions: Blue Note 99241 (www.bluenote.com) The interaction between Cuban and North American music has a long history, one that began in New Orleans. In the mid-nineteenth century, Crescent City pianist and composer Louis Moreau Gottschalk traveled throughout the Caribbean, freely incorporating into his compositions the melodies and rhythms of the region's diverse musical traditions ( Louis Moreau Gottschalk , Smithsonian Folkways SF40803). By the 1870s, the habanera bass line, an essential stylistic feature of the Cuban contradanza , was gaining popularity as the first major Latin influence on North American music. First linked via the transatlantic slave trade, as major Caribbean ports separated by a mere 650 miles, Havana and New Orleans swapped musicians, touring acts, instruments and sheet music in a process of cultural exchange extended by twentieth-century recording technology, radio broadcasting and the record business. U.S. firms began recording in Havana in 1906, and many sides found their way north long before the first New Orleans recording sessions in 1923. Of course, ragtime and early jazz were steeped in a Caribbean gumbo as well. Jelly Roll Morton built in
