Ruhleben - Sir Ernest MacMillan (1893-1973) He intended to study piano with harold bauer, as well as piano privately with ThérèseChaigneau, bauer's assistant At the first, pianist Harry Field, a fellow http://www.nlc-bnc.ca/4/6/m7-212-e.html
Extractions: Photographer unknown. Download the above picture Here beginneth a new chapter in the history of a captive Colonial I fully expect to be a truly interesting personage You may imagine how the ingenuity of several thousand men succeeds when they have practically all their time to themselves! One soon falls into one's place, and I feel quite at home(!) I In July, MacMillan was invited to accompany the Burgesses to the Wagner Festival in Bayreuth. Then came the outbreak of World War I. MacMillan's American friends advised him to go to Nuremberg to seek advice from the American Consul. On August 4, England declared war on Germany. MacMillan, as a British subject, was considered an enemy alien and required to register with the Nuremberg police. After doing so, he returned to Bayreuth for the Festival. Shortly after his twenty-first birthday, arrangements were made for the Burgesses to leave Europe. MacMillan accompanied them to Nuremberg for their departure. He was instructed to remain in the city until the international situation had been clarified and to report daily to the police. The American Consul took MacMillan under his wing and recommended that he take a room at the Pension Trefzer. This became his home for the next four months. In January 1915 he was arrested, tried and imprisoned for having violated Article 4, No. 2 of the
Jewish GLBT Yahrzeits Imitations . MAR 12, harold bauer died on March 12th, 1951. haroldwas a pianist. MAR 13, Ronald Wiseman died on March 13th, 1990. http://www.usc.edu/isd/archives/oneigla/tb/Yahrzeits/Yahrzeits.03.html
Extractions: March Yahrzeits MAR 01 Howard Ashman died from AIDS-related causes on March 1st, 1991. Howard wrote the lyrics for the Disney animated films The Little Mermaid Beauty and the Beast , and Aladdin . He was also the author, lyricist, and director of the stage musical Little Shop of Horrors MAR 03 Danny Kaye died on March 3rd, 1987. Danny, a famous movie actor, was born Daniel Kominski on January 18th 1913. MAR 07 Alice B. Toklas died on March 7th, 1967. Alice, a journalist, publisher, author, was the life-partner of Gertrude Stein. MAR 08 Hubert Fichte died on March 8th, 1986. Hubert was the author of "Detlev's Imitations". MAR 12 Harold Bauer died on March 12th, 1951. Harold was a pianist. MAR 13 Ronald Wiseman died on March 13th, 1990. Harold was an actor, playwright, and the Assistant Director of Legal Services, GMHC. MAR 14 Jerry Friedman died on March 14th, 1994. Jerry was a founder of Washington's Bet Mishpachah. Allard Lowenstein was murdered on March 14th, 1980. Allard was an American political and social activist. MAR 15 Ben (William) Goldstein died from AIDS-related causes on March 15th, 1995. Ben, who worked for the San Francisco Opera and the San Francisco Symphony, was also a member of the Lesbian/Gay Freedom Band.
BluesTone Ampico Rolls artists on BluesTone Ampico rolls include Clarence Adler, harold bauer, FerrucioBusoni Maurice Hinton's Guide to the pianist's Repertoire describes the piece http://www.bluesrolls.com/Ampico.html
Extractions: BluesTone AMPICO Roll Catalog Classical artists on BluesTone Ampico rolls include Clarence Adler, Harold Bauer, Ferrucio Busoni, Teresa Carreno, Leopold Godowsky, Phillip Gordon, Arthur Loesser, Arthur Mirovitch, Elly Ney, Marguerite Volavy, and Eleanor Winogradoff. Popular artists on BluesTone Ampico rolls include John Arpin, Eubie Blake, Adam Carroll, Edgar Fairchild, and J. Rosamond Johnson. Playing Ampico rolls on regular 88-note player pianos: Ampico rolls are layed out so that they will play fine on any standard 88-note player. If you wish, you can use a piece of Scotch tape to cover channels 3-6 on the bass end and channels 91-97 on the treble end so that no extraneous notes are played on your piano. For details please take a look at a brief BluesTone Tracker Bar Comparison . Note that the automatic sustain channel will still operate normally in this case. New BluesTone AMPICO roll reissues
BluesTone Duo-Art Rolls Hungarian Dance 8 (Brahms) played by harold bauer $12 (originally is plenty of dazzlingmaterial here and bauer plays it like to know how a pianist pulls this http://www.bluesrolls.com/Duo_Art.html
Extractions: BluesTone DUO-ART Roll Catalog Classical artists on BluesTone Duo-Art rolls include Shura Cherkassky, Alfred Cortot, Josef Hofmann, Vladimir Horowitz, Paquito Madriguera, John Powell, Serge Prokofieff, Arthur Rubinstein, and Camille Saint-Saens. Popular artists on BluesTone Duo-Art rolls include Eubie Blake, Rube Bloom, Alan Moran, and Dana Suesse. Playing Duo-Art rolls on regular 88-note player pianos: Duo-Art rolls are layed out so that they will play fine on any standard 88-note player. If you wish, you can use a piece of Scotch tape to cover channels 3-8 on the bass end and channels 89-96 on the treble end so that no extraneous notes are played on your piano. For details please take a look at a brief BluesTone Tracker Bar Comparison . Note that the automatic sustain channel will still operate normally in this case.
The Johns Hopkins News-Letter worldfamous reputation and a prestigious list of faculty members, present and past violinist William Kroll and pianist harold bauer, for example many http://www.jhu.edu/~newslett/03-15-01/Features/5.html
Extractions: The Johns Hopkins News-Letter Peabody is home to many talented musicians who will someday grace concert halls with their musical talents. Located in the heart of Mt. Vernon, the Peabody Institute makes its home in the middle of Baltimore's historical and cultural center. Homewood students visit the area all the time, whether to watch a play at Center Stage, eat out at Scotto's Cafe (once known as Louie's) or Minato or to browse the Manet exhibit at Walters Art Gallery. But though they've passed by Peabody numerous times, only a few know what it's really like on the inside. The institute, a division of the Johns Hopkins University, has two constituent parts: the Conservatory and the Preparatory. The Conservatory trains those musicians who are aspiring to a professional career while the Preparatory provides performing arts instruction to all who are seeking a solid performing arts education. Most Homewood people, when talking about Peabody, are referring to the Conservatory. While the Conservatory possesses a very distinguished, world-famous reputation and a prestigious list of faculty members, present and past violinist William Kroll and pianist Harold Bauer, for example many of its students harbor bitter complaints, and sometimes even hatred, for the school. Even with the various historical and cultural sites previously outlined, Conservatory students are weary about the location. With some classes ending as late as 11 p.m., students who live off-campus are forced to walk home in an area that becomes somewhat dangerous and frightening at night. And the many cafes and restaurants that Homewood students are so fond of do not offer any consolation. After living in the area for only a couple months, going out to these places apparently gets old real fast.
Extractions: BUY NOW AmazonUK AmazonUS Only one of the four (piano) pieces featured here was originally written for the piano. Franck wrote for the instrument in a masterly way, often using complex, even dense, textures to create a supreme richness of sound. Alexander Paley has a good feel for this style, and his performance of the Prelude, Chorale and Fugue is a convincing one, necessarily aided by the quality of the recorded sound. This is not spectacular but it is wholly truthful, amid an atmospheric acoustic. The other three items are arrangements. Two of Franck's organ compositions, the Prelude, Fugue and Variation and the two-movement Pastorale, are heard in arrangements by Harold Bauer (1873-1951). They work well enough, and only those who know and love the originals really well are likely to be disappointed by these piano versions. Again Paley is a reliable pianist, though here in the remaining work, Alfred Cortot's transcription of the great Violin Sonata, I feel he somewhat understates the emotional case.
TRISTANO, Lennie : MusicWeb Encyclopaedia Of Popular Music 78) pianist, composer, teacher Tristano Sextet recorded for Capitol '49 with Konitz,Marsh, bauer, Arnold Fishkin on bass, drummers harold Granowsky at http://www.musicweb.uk.net/encyclopaedia/t/T81.HTM
Extractions: Return to History The Nashua Community Concert Association's first season was in 1931-32. The following list shows the variety of performers and performances we have presented over the years, including some of the finest artists of their times. You will notice that the number of concerts presented in each season has increased over the years. This is a measure of the success of the Nashua Community Concert Association.
Lyra String Quartet He has also performed extensively as a jazz pianist and has appeared with such degreeas well as the school's highest graduate honor, the harold bauer Award. http://www.lyra-atlanta.org/guest.html
Extractions: Guest Artist Biographies Adam Crane Adam Crane , Adjunct Faculty member at Agnes Scott College , has performed extensively in chamber music and orchestral settings throughout the United States, including principal positions with the Jackson, Roanoke, and Charleston Symphony orchestras, the Pittsburgh Opera and Aspen Festival orchestras, and the Roanoke, Weinstock and Niles string quartets. He has a Bachelor of Music degree in viola performance and composition, a Master of Music degree in viola performance, and a Professional Studies Certificate, all from Mannes College of Music in New York City; Adam has studied with Paul Doktor, Sol Greitzer, John Graham, Yitzak Schotten and Heidi Castlemann, to name a few. He has held faculty positions at many universities, including Kingsborough College, NY, Morehead State and Union universities. Crane is sought after as a chamber musician and clinician and has been a finalist in the internationally acclaimed William Primrose Viola Competition ; he replaces the former LYRA String Quartet violist, Tania Clements.
Academy Stamp -- Autograph Musicians A-K Date Signed. Photo. Price. bauer. harold. Slip Signed. British. pianist, Brahms,Shumann and Frank interpreter. Photo. $85.00. Last Name. First Name. Document. Nationality. http://www.academystamp.com/autographs/musicians/musiciansak.htm
Oberlin Piano Competition & Festival Orchestra Young Artist Contest, 1961; Hour of Music Competition, New York City,1963; harold bauer Memorial Award as outstanding pianist, Manhattan School of http://www.oberlin.edu/con/summer/piano/faculty.html
Extractions: Guest Faculty Pianist Hans Boepple has been presented as guest soloist with many distinguished American orchestras including the Los Angeles Philharmonic, Denver Symphony, Minnesota Orchestra, Oakland Symphony, Long Beach Symphony, and the Metropolitan Opera House Orchestra. Awarded First Prize in the J. S. Bach International Competition (Washington, D.C.), Hans Boepple is the recipient of awards that include the Coleman Chamber Music Award (Los Angeles) (six times), the Kosciuszko Chopin Competition, and the MTNA National Collegiate Competition. Active in solo recital as well as with symphony Orchestras for over thirty years, Hans Boepple has been listed on the Steinway International Artist Roster since 1982. His performances have been broadcast by National Public Radio and Voice Of America and he has recorded the complete Bagatelles by Beethoven for Orion Master Recordings. A former member of the piano faculty at Indiana University, Hans Boepple has been Professor of Music at Santa Clara University since 1978 and Chair of the Music Department since 1995. In demand as an adjudicator, lecturer and master class clinician, he continues to balance his performance activities with those of a dedicated and successful teacher. His students have won more than a hundred state, national and international awards.
PROF'S:The Late Greats I And, in his own case, the musician and the pianist were completely fused thoughthe pianist remained always the servant of the musician harold bauer (1873-1951 http://w3.gwis.com/~fschoett/great.htm
Extractions: SOLO PIANISTS "Artur, you will never be a pianist. You are a musician." These prophetic words were uttered by the legendary early 20th century teacher, Theodor Leschetizky, to his young student, Artur Schnabel. "In later years, Schnabel took special delight in repeating Leschetizky's prophecy as a paradox, because he himself could never make any distinction between pianist and musician, even for his pupils. And, in his own case, the musician and the pianist were completely fused - though the pianist remained always the servant of the musician."*
Listings: December 31, 2001 - January 6, 2002 (Writers Almanac) But his hopes of being a concert pianist were dashed at age 13 by his piano teacher,the pianist harold bauer, who told him he'd never be successful at it http://www.writersalmanac.org/docs/01_12_31.htm
Juliet Shaw continued her piano studies in New York with harold bauer, Arelio Giorni, and EdwinHughes. She continued to perform as soloist and duopianist throughout her http://www.silverminesom.org/JSbio.htm
Extractions: JULIET SHAW Juliet Shaw, eminent pianist and thereminist, founded the Silvermine School of Music in 1939. She performed and taught in Connecticut for over a half century contributing to the enrichment of the musical community. She was an inspiration to all who knew her and, upon her death in 1994, her daughters received numerous touching testimonials from her pupils and friends telling how she impacted their lives. Born in St. Louis, Juliet Shaw was raised in West Hartford, CT and was a graduate of the Hartford Conservatory of Music. She continued her piano studies in New York with Harold Bauer, Arelio Giorni, and Edwin Hughes. She continued to perform as soloist and duo-pianist throughout her career. One of the very few thereminists in the world, the artist was active as a performer and lecturer on this rare instrument. The theremin, named after its inventor Leon Theremin, is an electronic instrument which Juliet often described as plucking tones out of the air.
CMM - The First Hundred Years 1932, harold bauer. Lawrence Tibbett. harold Martina. While growing up at thatstillstanding landmark, Jane Antoinette White became a proficient pianist. http://www.fleqsys.com/projects/cmm/cmm_cent.html
Extractions: Home Note: It will take time and patience to get this whole work properly scanned, proof-read and corrected. The original is a beautiful piece of precision work. This is published to the web in an early form to allow those interested to help with the proof reading. Please respond to info@fleqsys.com Civic Morning Musicals - the First Hundred Years, by Earl George Acknowledgements The earliest years of the organization that eventually became Civic Morning Musicals proved to be the easiest to document. The ladies of The Morning Musicals presented their recitals for each other without printed programs, but every few years, through 1908, they published complete printed compilations of those programs, as well as resumes of all their other activities. Those program booklets, along with an early scrapbook and a wealth of other information found at the Onondaga Historical Association was invaluable, as was the knowledgeable and sympathetic assistance of the Historical Association's Edward Lyon and Judy Haven. Information about later activities was less easy to verify. A mass of printed, typed, or handwritten documents found in the CMM office at the Civic Center was useful, but often both incomplete and contradictory. To date, no complete collection of printed concert programs or of the minutes of the organization's meetings has been found.
College Calendar harold bauer, DuPage Opera Theatre's artistic director, will conduct. begin at 7 amat the harold and Eva Jazz pianist to teach class Frank Caruso will teach http://www.suburbanchicagonews.com/sunpub/bbrook/news/bscollege17.htm
Los Angeles Magazine/Guide 78. The Chilean jazz singer and the pianist add abundant Plenty of bauer and Rosevillepieces are for sale, while 5-9. harold Gould stars in Jon Marans's play http://www.lamag.com/guide.htm
Extractions: AFTER DARK Elaine Stritch at Liberty Apr. 8-27. This grande dame of musical theater regales us with tales about the company she's kept (Brando the beau, Coward the confidant, and of course, the ladies who lunch) in a marvelous party of a one-woman show. Call for times. Tickets, $15-$68. Ahmanson Theater, 135 N. Grand Ave., 213-628-2772. Morton Subotnick's 70th-Birthday Concert Apr. 16 CalArts School of Music founder Morton Subotnick (who's been making music with hybridized instruments since 1958) plugs in to perform Gestures, his latest piece for solo electronics. Nicholas Chase samples early Subotnick vinyl to augment the L.A. premiere of his new composition, DUMUZI. At 8. Call for prices. Roy O. Disney Hall, CalArts, Valencia, 661-253-7800. The Rock Bottom Remainders Apr. 25 and 26 The most literary rock band (Dave Barry, Amy Tan, Matt Groening et al.) kicks off the Los Angeles Times Festival of Books with the benefit chat a repartee on Apr. 25. (Proceeds benefit LA Scores literary programs.) The next day they get eight miles high at a free concert with Roger McQuinn. besides the music: VIP reception: 6:30-8. Tickets, $200. Conversation: At 8. Tickets, $20. Royce Hall, UCLA, Westwood. concert: 4-6. Admission, free. Bruin Plaza (next to Ackerman Union), UCLA, Westwood. Visit www.fireinthebelly.com.
Juilliard | The Juilliard Journal Online NY. Josef Raieff, pianist and longtime teacher to musicians at both The Siloti, JosefLhévinne, Artur Schnabel, Eduard Steuerman, harold bauer, Rubin Goldmark http://www.juilliard.edu/update/journal/882journal_story_0302.asp
Extractions: Photo by Jersey PTG. N.Y. Josef Raieff, pianist and long-time teacher to musicians at both The Juilliard School and Mannes College of Music, died on December 11 at the age of 96. Josef Raieff began his career in 1923 by making several piano rolls for Steinway in New York, prior to his Chicago debut in 1924 at Studebaker Theater and a subsequent performance with the Chicago Symphony in Kimball Hall. His well-reviewed New York debut at Town Hall took place in 1938, and he had returned for six more recitals at Town Hall by 1952. Read a tribute to Josef Raieff by a former student, the pianist Louis Nagel. Raieff interrupted his teaching career to join the army during World War II, but continued to concertize extensively for army and civilian personnel. In 1945 he resumed his regular concert career and returned to Juilliard to teach, continuing through the 2000-01 academic year, after which he gained emeritus status. (He was particularly proud of the fact that he had taught during the tenures of all six presidents who have led the School.) Raeiff served as chairman of the piano faculty in 1970-71. Among his pupils are the pianists John Bayless and Kenneth Merrill. His wife, Mary Elisabeth Raieff (also a Juilliard-trained pianist), died in February 2000. Josef Raieff is survived by two daughters and one granddaughter.
Jazz Artist Links @ Jazz Review.com Official site of great American composer harold Arlen who wrote over guitarist DaveAskren features the music of legendary pianist Bill Evans Chris bauer Music. http://www.jazzreview.com/artists.cfm
Extractions: home advertise submit music submit jazz news ... contact Site Menu: Click Here For Menu Jazz CD Reviews Jazz Photography Jazz Interviews Jazz Discussion Room JazzReview Wine Club Monthly Jazz Quiz Monthly Giveaway Jazz News Concert Reviews/Viewpoints News/Press Release Submission Newsletter Subscribe Jazz Ecards Jazz Desktops The Listening Room Contact Us Book Reviews Home Site Search: Click Here For Search Options CD Review Database Search Interviews / Concerts / Bios / News Book Review Search Jazz Photography Search Guest CD Review Database Search Jazz Links Database Search Jazz Discussion Room Search Jazz Artist / Group Links A Little Space A little space presents tuneful, intelligently written songs with heart in the Jazz/Funk genres. It's jazzy, it's funky, it grooves, male vocals and instrumentals. Featuring Vocalist Terrell Moran. Building on the sounds of artists such as Steely Dan, Al Jarreau and Sting, though uniquely original. Take a base of jazzy chords, funky syncopated rhythms, focused melodies from both strong vocal and instrumental performances. Add the finesse of jazz, the grooves of funk and the energy of an electric band working together to come up with a mix of grace, power and beauty that is A little space. - (Style: Soul / Funk Jazz)
KEYBOARD - & PLUCK-INSTRUMENTS Translate this page harold bauer. His Book. DE VLUGGE pianist. Handleiding om Zonder Onderwijzer gemakkelijken spoedig Piano of Orgel te leeren spelen Rotterdam 8vo.obl, cloth. http://www.landre.nl/catalogues/c00046.htm
Extractions: The Netherlands A B C D ... Z ACKERE,J.van. EUR 15 BACH,C.Ph.E .-. HOFFMANN-ERBRECHT,L.(ed). EUR 55 BARESEL,A. Die Schule Robert Teichmuller. 1.Abteilung Die technischen Grundlagen des kunstlerischen Klavierspiels Lpz 1921. Photogrs.of Fritz Reinhard and publ.catal. EUR 14 BAUER,Harold .-. HAROLD BAUER. His Book. N.Y. (1948). 306pp, 8vo, cloth. Num.photogrs, register and index. EUR 23 BEIJNUM von ESSEN,Bertha von. EUR 20 BENINGER,E.(hrg). EUR 18 BIE,Oskar. HET KLAVIER en zijn MEESTERS. Leiden X,297pp, lrg.8vo, wrps (sl.worn). Ills throughout, register and index. (Same work in german (back dam)with lithogr.frontisp.). EUR 22 BOALCH,Donald H. MAKERS OF THE HARPSICHORD AND CLAVICHORD 1440 - 1840. Second Edition Oxford 1974. XXI,225pp, lrg.8vo, cloth (plasticised). 37 Photogrs. G/copy. EUR 68 BOS,Coenraad V .-. The well-tempered accompanist. As told by Coenraad V.Bos to Asley Pettis Pennsylvania (1949). IX,162pp, 8vo, cloth. Fronrtisp., other plates and mus.ex., list and index. G/c. EUR 22 BOUWMAN,L.C.
