Newport Music Festival String Quartet No. 9; Ochre Court at 5 pm, Dvorak's Piano Quintet; theBreakers at 9 pm, Polish/Hungarian pianist piotr anderszewski. http://www.bostonphoenix.com/supplements/summer/01/listings/CLASSICAL_RI_NEWPORT
Extractions: Newport Music Festival, 850 Aquidneck Ave, Middletown, RI, (401) 849-0700. The festival encompasses 61 concerts in and around Newport mansions, with more than 70 artists participating, July 6 through 22. The capacity of all concert venues is limited, so early reservations are recommended. Tickets $30 to $45. Call or visit the Web site for complete program and schedule information. http://www.newportmusic.org staff@newportmusic.org July 6, the Elms at 11 a.m., festival prelude, with works by Chabrier, Respighi, Dupre, and Eller; Ochre Court at 4 p.m., "Dvorakiad," works by and inspired by Dvorak; the Breakers at 9 p.m., opening-night gala with French pianist Lydia Jardon. July 7, the Elms at 11 a.m., "Checked and Polished," works by Czech and Polish composers; Ochre Court at 2 p.m., Dvorak's String Quartet No. 4; Ochre Court at 7 p.m., "Brahms at Twilight," with pianist Agustin Anievas; the Breakers at 9 p.m., pianist John Bayless; Marble House at 11:45 p.m., Granados's Musical Portraits on Goya's Paintings , with a champagne reception.
The Music Show - 23/06/2001: Saturday 23rd June, 2001 JEFFES The Penguin Cafe Orchestra CD SIGNS OF LIFE Editions CDEG 50 (Virgin) D1.30 GUESTS piotr anderszewski pianist, Diabelli Variations ANDY SUMMERS on http://www.abc.net.au/rn/music/mshow/s317528.htm
Guardian Unlimited | The Guardian | Prize Fight piotr anderszewski disqualified himself, walking off without finishing hissemifinal recital. The American-Portuguese pianist Artur Pizarro won. http://www.guardian.co.uk/friday_review/story/0,3605,362096,00.html
Extractions: Go to: Guardian Unlimited home UK news World news Archive search Arts Books Business EducationGuardian.co.uk Film Football Jobs MediaGuardian.co.uk Money The Observer Online Politics Shopping SocietyGuardian.co.uk Sport Talk Travel Audio Email services Special reports The Guardian The weblog The informer The northerner The wrap Advertising guide Crossword Dating Headline service Syndication services Events / offers Help / contacts Information Newsroom Style guide Travel offers TV listings Weather Web guides Guardian Weekly Money Observer Home UK Business Online ... Quiz The Leeds International Pianoforte Competition , which creaks into action on Wednesday, is a grand old warhorse of an event. Founded in 1961 by the formidable Fanny Waterman, whom one former winner describes as "a combination of human dynamo and bulldozer", it boasts past winners of the calibre of Murray Perahia and Radu Lupu. But competitions aren't what they used to be. There was a day when being a prize-winner was a passport to celebrity. But now competitions are so numerous that winning at least something is fairly commonplace. They are also subject to accusations of infighting, poor decisions and corruption.
Brahms: The Complete Violinsonatas The recording of Russian violinist Viktoria Mullova and Polish pianist piotr anderszewski,renders the warmth and the wonderfully deep sonorous lines to http://www.geocities.com/Vienna/5901/cdnovember98.html
Extractions: If the term "warm romanticism" or "warm lyricism" as the CD-booklet suggests, should be put to good use, a first description of these wonderful works would be the place in which to do so. Brahms was notorious in his inhuman demands on the musical production of his own. The Symphonies, coming so late in his production is one example of his standards of quality; the monumental shadow of Beethoven still lingering in the musical landscape. The violinsonatas is another example of the composer's selfimposed sensorship. As the opus numbers clearly show, they are all products of a mature artist. After several earlier and discarded attempts in the genre, these three works fortunately survived the composer's fear of failure. The sonatas was concieved and published in the period from 1878 (no.1), through 1886 (no.2) to 1888 (no.3). The recording of Russian violinist Viktoria Mullova and Polish pianist Piotr Anderszewski, renders the warmth and the wonderfully deep sonorous lines to perfection. Mullova is certainly no stranger to the music of the composer, with a highly acclaimed recording of his violinconcerto. And even in this condensed lyrical music, so different from the grandiose and majestic concerto she excells with her fantastic deep sonorous tone, and attention to the most minute of details. I absolutely love her phrasing which is delicate and raw at the same time.
BEETHOVEN Diabelli Variations. Anderszweski (Virgin) - INKPOT Now add piotr anderszewski, a 30something firebrand who of this work's architecture,allows anderszewski the freedom to is a piece that the pianist has played http://inkpot.com/classical/beethdia_and.html
Extractions: Piano Concertos nos. 1-4 . John Lill with CBSO/Weller (Chandos). Piano Concerto No.1 . Argerich with the Royal Concergebouw/Wallberg (EMI) . Uchida with the Bavarian RSO/Sanderling (Philips). Violin Concerto . Huberman and Vienna SO/Szell. Violin Concerto . Milstein with Pittsburg SO/Steinberg (EMI) Violin Concerto . Menuhin with Philharmonia/Furtwängler (EMI Références) Ludwig van BEETHOVEN Diabelli Variations , op.120 PIOTR ANDERSZEWSKI piano [63:10] full-price by Jonathan Yungkans "There is something to be said for a churlish temperament," Marcel Marnat writes in the notes for this disc. Beethoven's greatest compositions were often born into the world much like pearls from an oyster-with a little sand and considerable irritation. One particular irritant was publisher Antonio Diabelli, whose "botched piece of cobbling," as Beethoven called the waltz in "Danube peasant" style that Diabelli sent in 1819, aroused Beethoven's ire to extremes. But the pearl brought forth from this intense annoyance four years later was one of extraordinary price-a piece that, perhaps more than Bach's Goldberg Variations, could be called an Everest of piano writing as well as a towering summation of its composer's keyboard style.
Anderszewski Mit Den Diabelli-Variationen Translate this page piotr anderszewski gilt seit einigen Jahren in Insider Diabelli-Variationen werdenvon anderszewski in einer Der pianist überrascht hier mit sehr langsamen http://www.pizzicato.lu/reviews/2001/september/anderszewski.htm
Floridian: Audio And Classical Files In the case of the 31year-old Polish pianist piotr anderszewski, fortune coincidedwith talent and preparation when, only a few weeks ago, he was awarded http://www.stpetersburgtimes.com/2002/06/09/Floridian/Audio_and_Classical_F.shtm
Extractions: Entertainment AP The Wire Business ... Find your local news section Weekly sections Brandon Times City Times Homes Outdoors ... Xpress Other features tampabay.com Area guide Calendar Find it! ... Yellow Pages Special Sections Arena FB(Storm) Buccaneers College football Devil Rays ... All Departments By JEFFREY S. SOLOCHEK, CHASE SQUIRES and JOHN BELL YOUNG published June 9, 2002 PATTI AUSTIN, FOR ELLA (PLAYBOY JAZZ): Casual music listeners know Patti Austin for her easy-listening pop tunes with James Ingram. But the decades-long career of jazz diva Dinah Washington's goddaughter is solidly grounded in jazz and swing, and here Austin turns her attention to the music of scat queen Ella Fitzgerald. The results are tremendous. Backed by a 40-piece big band, with arrangements by Grammy-winner Patrick Williams, Austin pays tribute by putting her own spin on some of Fitzgerald's timeless classics. (She says in the liner notes it took a full day to whittle the choices to a manageable dozen.) Our Love Is Here To Stay gets a soulful, slow burn, Austin holding onto each syllable just long enough to hook a listener into this beautiful George Gershwin tune. She swings out on Hard Hearted Hannah (The Vamp of Savannah), and serves up a lovely, mournful gospel version of Cole Porter's Miss Otis Regrets.
The Seattle Times: Classical Music & Dance an Ailey classic Concert Preview pianist anderszewski aims for perfection Iknow that perfection is not possible, says pianist piotr anderszewski. http://seattletimes.nwsource.com/html/classicalmusicdance/
440hertz - The London Piano Recital Database 440hertz, Recitals are currently sorted by pianist, then by date,Sort by date. Fri 19 th Jul 02, piotr anderszewski concerto Mozart. http://www.440hertz.com/archive/index_name.htm
Münchner Zentrum: Pianissimo Translate this page Zentrum · Der pianist, piotr anderszewski, veranstaltet einen Klavierabendam Dienstag, 1. April, um 20 Uhr, im Prinzregententheater. http://mz.wochenanzeiger.de/article/31797.html
Newport Music Festival Schedule Thursday 12 piotr anderszewski, pianist. The Breakers, Ochre Point Ave., 9pm, $38. Monday 16. MarbleHouse, Bellevue Ave., 7pm, $30. Features pianist piotr anderszewski. http://www.newportthisweek.com/News/2001/0712/Calendar/034.html
Extractions: Belcourt Castle, 659 Bellevue Ave., 11am, $40. Spanish masterpieces Dvorakiad Marble House, Bellevue Ave., 5:30pm, $33. Onion Domes The Breakers, Ochre Point Ave., 9pm, $38. Russian music. Friday 13 Byzantine Boundries The Elms, Bellevue Ave., 11am, $33. European mosaics. Dvorakiad Ochre Court, 100 Ochre Point Ave., 2pm, $33. Dvorakiad Marble House, Bellevue Ave., 5:30pm, $33. Phantasy of the Opera The Breakers, Ochre Point Ave., 9pm, $38. Music of Vivaldi, Mozart and others. Maxwell Hayes signs a limited edition print of the Festival poster. Saturday 14 Beau Matin The Elms, Bellevue Ave., 11am, $33. Traditional Bastille Day celebration.
Spring 2003 Arts Newsletter pianist piotr anderszewski's recording of Beethoven's Diabelli Variationsburst on the scene to critical acclaim in late spring of 2001. http://www.middlebury.edu/cfa/newsletter/
Extractions: 36th Annual Student Art Exhibition The 36th Annual Student Art Exhibition takes place May 10-25, 2003. This year's exhibit showcases the senior thesis projects of Middlebury College art majors. This year's exhibit showcases the senior thesis projects of three Middlebury College art majors. Ryan Koupal '03, Amory Wooden '03, and Andrew Lynch '03 present work completed during their year of advanced studio work, exhibiting sculpture, paintings, and photographs highlighting each of their particular interests. Koupal, who has studied in China, shows paintings influenced by his cross-cultural experiences. Wooden, who returned this year from a year in San Francisco, shows paintings that merge the abstract and the representational. Finally, Andrew Lynch will display three-dimensional work unique to his inventive and conceptual sensibility. All are invited to the opening-night celebration on May 10 at 7:00 P.M. This event is free and open to the public. Frog Hollow Exhibition The artwork of six senior art majors is featured at the Frog Hollow Vermont State Craft Center's Middlebury gallery from April 25-May 26. Students exhibiting include Trevor Snapp '03, Ryan Koupal '03, Germaine Gatewood '03, Sally Olson' 03, North Chandler '03, and Joseph Schine '03. The works on view are offered for sale, but must remain in the exhibit until May 26. For more information, call Barbara Cunningham at Frog Hollow at 802-388-3177.
Classical CD Reviews - I, MAY02 - AUDIOPHILE AUDITION pianist Jenny Lin plays the beguiling melody with delicacy, charm, and respect. 21in C Major, K. 467. piotr anderszewski piano and conductor, Sinfonia Varsovia. http://www.audaud.com/audaud/MAY02/CLASSICAL/clcds1MAY02.html
Extractions: click on any cover to go directly to its review FIELD: Piano Concertos 5 And 6. Benjamin Frith, piano. Northern Sinfonia conducted by David Haslam. Naxos 8.554221 It must have been hard to live as a composer in the late Eighteenth and early Nineteenth century; after all your peers were Beethoven and Schubert! Such was the plight of the Irish-born composer John Field (1782-1837). On the other hand, Field had a successful career as a pianist. Not of the virtuoso Liszttian ilk, but rather one whose strength was color and sensitivity of touch. These characteristics emerge in Field's Fifth and Sixth Piano Concertos, The Fifth (1817) has the subtitle 'fire by lightning,' but the source of the title is unknown. It opens with a resounding Beethoven-like chord, but the music that follows more closely resembles the piano concertos of Chopin. The piano's role emphasizes delicate nuances, sonorous and intricate melodies, convincingly played by Benjamin Frith. The orchestral passages appropriately contrast the piano's role with drama and tension. The work brims with felicitous melodies and dramatic flourishes that engage the mind and heart. The Sixth Piano Concerto (1819) opens with a stately orchestral introduction that extends into an engaging 20 minute dialogue between piano and orchestra. A lovely, delicate larghetto is followed by an energetic but finely spun rondo. These concertos combine the drama and tension of Beethoven with the lyric delicacy of Chopin. Both are immensely enjoyable: they express the exuberant spirit of a composer who knew and loved the piano. Benjamin Frith plays with the freshness of discovery and wit that serve the composer perfectly. The Northern Sinfonia accompanies enthusiastically and the sound is clear and close, slightly wanting in reverberation. Those wanting to explore Field further are advised to try his Nocturnes, lovely, engaging pieces that admirably predate those of Chopin.
Daily News From Poland piotr anderszewski, a 33year-old pianist who has been living for severalyears in Paris, in early 2001 signed a contract with Virgin Classics. http://www.polandembassy.org/News/Biuletyny-culture/culture_biuletyn_6.htm
Anderszewski Beethoven Diabelli 31Jan3 Tempo di minuetto Moderato In this recording, from 2000, the exciting young PolishHungarianpianist piotr anderszewski presents an incisive examination of http://www.artsworld.com/tv/programme-highlights/030125-week-4/anderszewski-beet
Extractions: In this recording, from 2000, the exciting young Polish-Hungarian pianist Piotr Anderszewski presents an incisive examination of one of the great works in the piano repertoire, and plays the full work with wit and energy, from the startlingly brutal march in the first variation to the triumphant finale.
Extractions: Home Instrumental Piotr Anderszewski Artist: Piotr Anderszewski Album: Beethoven: Diabelli Variations Cat. #: Discs: Label: Virgin Classics Usually ships: 2 - 4 weeks Normally: NZD OpusCDs Price: NZD Qty: In his first recording for Virgin Classics the extraordinarily gifted Polish-Hungarian pianist Piotr Anderszewski performs the work with which he has been most closely associated since the beginning of his career: Beethovens fiendishly difficult Diabelli Variations. Anderszewskis very personal identification with this piano masterpiece has been documented by film-maker Bruno Monsaingeon, whose recent television film includes footage of the making of this recording.
On-Cue Profile - Alfredo Perl At only thirty years of age, PolishHungarian pianist piotr Anderszewskiis already ranked amongst the great musical artists of his time. http://www.oncueonline.com.au/oncue/profile/celebs/piotr_anderszewski/piotr_ande
Extractions: He plays with imagination and sensitivity, he exudes personal charisma and he looks on the concert platform the way most movie stars would like to appear on screen. At only thirty years of age, Polish-Hungarian pianist Piotr Anderszewski is already ranked amongst the great musical artists of his time. Geoffrey Norris, the UK Daily Telegraph's critic, enthused after he heard Anderszewski at Wigmore Hall: "[He] is an artist of such phenomenal gifts that he ought, by rights, to have audiences clamouring for seats, even if he chose to play at three o'clock in the morning in the Outer Hebrides." With critics consistently commenting on his mercurial intelligence, fierce individuality and boundless imagination, Piotr Anderszewski will make his Australian debut with the Australian Chamber Orchestra in 2001 - this will undoubtedly be an absorbing experience. A recent recording of Bach on Harmonia Mundi has been praised to the heights ('he makes musical complexity seem poetic and poetry sound heaven sent') , and a new TV documentary based around his performance of Beethoven's Diabelli Variations
Home Home Tickets Tickets Theaters Theaters Support SFP Support San Francisco Performances presents the San Francisco debut of this young Polishpianist. here to watch an excerpt from a film about piotr anderszewski and the http://www.performances.org/performances/performances.asp?performanceID=235
