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1. The Tin Drum by Gunter Grass | |
Paperback: 600
Pages
(2010-04-08)
list price: US$15.95 -- used & new: US$9.82 (price subject to change: see help) Asin: 0547339100 Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
Editorial Review Product Description Customer Reviews (6)
Excellent
An pleasurable way to learn history
Writer: A product of his time and circumstances
Not all that magical
Brave New Translation |
2. Dog Years by Gunter Grass | |
Paperback: 576
Pages
(1989-10-16)
list price: US$38.95 -- used & new: US$18.49 (price subject to change: see help) Asin: 015626112X Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
Editorial Review Product Description Customer Reviews (4)
If I could give it ten stars, I would--evokes its era like no other book ever will.
Hate it and love it, love it and hate it I only realized Dog Years was part of a trilogy after I bought it, and I enjoyed The Tin Drum much more because I read it after seeing the movie (it relieved the mind from loads of exertion). Although I am immensely relieved to have finally finished Dog Years, I still can't wait to read the other book of the trilogy, Cat and Mouse. Love to hate Grass.
The amazing conclusion to the Danzig Trilogy Those of you who feelthe revelation of anything having to do with a book before you get to thatpart in the book is a spoiler should probably avoid this technique; Reddickrevelas the major "mystery" in Dog Years towards the end of hissection on Cat and Mouse. However, one cannot really consider Dog Years amystery, despite the various things that happen within it; while there aresome elements to it that keep the reader guessing, Dog Years is, more thananything, a savage satire on Germany during the WW2 years. And as such,finding out the main mystery-that's-not-a-mystery should not detract at allfrom one's appreciation of the book itself. Dog Years can also standon its own, without being read as a part of the Danzig Trilogy, but thereader's appreciation of many facets of this novel-- most notably EdouardAmsel's character and the satire itself-- are more easily appreciated whenyou have The Tin Drum and Cat and Mouse under your belt as comparisons.Amsel, the main protagonist of Dog Years, stands as a direct comparison toboth Oskar and Mahlke, and his character is more easily understood whenthose two have already been assimilated by the reader. The plot ofDog Years is a simple enough one; it charts, through the use of threenarrators, the frindship of Edouard Amsel and Walter Matern from gradeschool through their early thirties. Amsel, the intellectual one, is pickedon constantly by his classmates (including Matern) until one day, for noapparent reason, Matern befriends Amsel and chases away the others. It's atypical buddy-relationship in that Amsel is the brains and Matern is thebrawn, but we don't get the bonding we've come to expect from seeing toomany Hollywood buddy films. The relationship between Matern and Amsel isfar more complex than that, and Reddick has done a passable job ofinterpreting it, one which I won't attempt to recreate here (it would beludicrous to attempt something that complex in such a forum as a review).In an odd lapse, though-- especially given how much emphasis Reddick hasput on Grass' enmity and stire of the Roman Catholic Church in the previoustwo books-- Reddick seems to have overlooked one of the most obviousinterpretations of Amsel's character (and also that of the more minorprotagonist Jenny Brunies), as a christ figure. In the novel's centralscene, both Amsel and Brunies (who are both made out, in the first half ofthe novel, to be almost comically fat) undergo a transformation thattransforms Brunies into a ballet sensation and Amsel into another characterentirely, the omnipotent Goldmouth; while there is no physical crucifixionhere, the path taken by Amsel's character through the rest of the novelcertainly implies the path of christ after the resurrection, until hisassumption into, in this case, Berlin. For the next hundred or so pages,Goldmouth is never actually seen, only referred to in the good deeds hedoes for others, and he achieves an almost legendary status among the rankand file for his goodness, his power (in postwar germany, his power is inhis connections; who he knows), and the fact that no one really sees himmuch, but everyone is aware of his presence and his acts. However, Reddick,in his attempt to (successfully) parallel Amsel's character with that ofGrass himself, never examines this aspect of Amsel. This lack alsoleads to Reddick drawing the conclusion that Dog Years is the weakest ofthe three books, while still proclaiming that as a whole they rank as thefinest piece of modern German literature extant today. I feel Reddick isgiving Dog Years short shrift here; while the book does, in fact, have itsfaults, they are faults shared by the other two novels as well, and I cameaway from Dog Years thinking that, to the contrary, it was the strongestand most absorbing of the three. While it was more difficult than the othertwo, it was also more rewarding and more absorbing; it's not often I'll putin three months on one novel, but at no time did I feel that it everstopped moving me along, and at no time did I ever feel that it was time toput the book down for good. Keeping this seeming oversight ofReddick's in mind, I still have to recommend his book as a perfectaccompaniment to Grass' most famous three novels, and all four of themdeserve the attention of every serious student of literature.
His masterpiece |
3. The Box: Tales from the Darkroom by Gunter Grass | |
Hardcover: 208
Pages
(2010-11-10)
list price: US$23.00 -- used & new: US$14.67 (price subject to change: see help) Asin: 0547245033 Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
Editorial Review Product Description In an audacious literary experiment, Günter Grass writes in the voices of his eight children as they record memories of their childhoods, of growing up, of their father, who was always at work on a new book, always at the margins of their lives. Memories contradictory, critical, loving, accusatory—they piece together an intimate picture of this most public of men. To say nothing of Marie, Grass’s assistant, a family friend of many years, perhaps even a lover, whose snapshots taken with an old-fashioned Agfa box camera provide the author with ideas for his work. But her images offer much more. They reveal a truth beyond the ordinary detail of life, depict the future, tell what might have been, grant the wishes in visual form of those photographed. The children speculate on the nature of this magic: was the enchanted camera a source of inspiration for their father? Did it represent the power of art itself? Was it the eye of God? Recalling J. M. Coetzee’s Summertime and Umberto Eco’s The Mysterious Flame of Queen Loana, The Box is an inspired and daring work of fiction. In its candor, wit, and earthiness, it is Grass at his best. Customer Reviews (3)
Life with Father
interesting but not compelling
Ausgezeichnet |
4. Peeling the Onion by Gunter Grass | |
Paperback: 448
Pages
(2008-06-02)
list price: US$15.00 -- used & new: US$0.37 (price subject to change: see help) Asin: 0156035340 Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
Editorial Review Product Description Customer Reviews (25)
I Love Onions, Give Me More!
Disappointing Memoir, Though Excellent and Moving in Describing Grass' Childhood and War Service
A powerful, haunting memoir, if at times distant.
disappointing memoir
Courageous |
5. The Tin Drum by Gunter Grass | |
Paperback: 576
Pages
(2005-05-05)
list price: US$12.40 -- used & new: US$18.74 (price subject to change: see help) Asin: 0099483505 Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
Editorial Review Product Description The Tin Drum uses savage comedy and a stiff dose of magical realismto capture not only the madness of war, but also the black cancer at theheart of humanity that allows such degradations to occur.Grass wields hishumor like a knife--yes, he'll make you laugh, but he'll make you bleed, aswell.There have been many novels written about World War II, but only ahandful can truly be called great; The Tin Drum, without a doubt, isone. --Alix Wilber Customer Reviews (97)
One of the Greatest Novels of the 20th Century
Renewing a pleasant read from 30 years ago
One of the Great Characters of Literature [39]
Implicating & Imaginative. Groundbreaking Style.
Shark among sardines |
6. Crabwalk by Gunter Grass | |
Paperback: 252
Pages
(2004-04-05)
list price: US$13.00 -- used & new: US$2.00 (price subject to change: see help) Asin: 0156029707 Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
Editorial Review Product Description Customer Reviews (30)
An intelligent and philosophical examination of history
An Attempt to Write an Unbiased Review
A sad, compelling novel
teaching hatred
And so on and so forth |
7. The Meeting at Telgte by Gunter Grass | |
Paperback: 156
Pages
(1990-10-29)
list price: US$11.00 -- used & new: US$3.35 (price subject to change: see help) Asin: 0156585758 Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
Editorial Review Product Description Customer Reviews (2)
Are You German Enough?
G. Grass goes 17th century |
8. My Century by Gunter Grass | |
Paperback: 288
Pages
(2000-11-01)
list price: US$14.95 -- used & new: US$0.01 (price subject to change: see help) Asin: 0156011417 Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
Editorial Review Product Description Yet as year succumbs to year and one narrative voice piles on top of thenext, My Century becomes more than the sum of its parts. And Grassalways manages to surprise. The chapters "1914" through "1918," forexample, rather than being narrated by the usual suspects--young soldiersin the trenches, worried mothers at home, embittered war widows orshell-shocked veterans--are relayed by a '60s-era young woman who brings twogreat German chroniclers of the war together. As the now-elderly ErichMaria Remarque (All Quiet on the Western Front) and Ernst Jünger(On the Marble Cliffs) meet and spar over the course of severalmeals, their reminiscences of the Great War present two radically differentviews. Jünger, for example, says: "I can state without compunction: As theyears went by, the flame of the prolonged battle produced an increasinglypure and valiant warrior caste..." Remarque's response is to laugh inJünger's face: Customer Reviews (27)
Perennial
OK, but loses steam after 1950
The German Experience
Flat out brilliant
Simple and stunning |
9. The Rat by Gunter Grass | |
Paperback: 371
Pages
(1989-05-05)
list price: US$17.00 -- used & new: US$2.00 (price subject to change: see help) Asin: 015675830X Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
Editorial Review Product Description Customer Reviews (7)
a disjointed effort
One man of his time
A Great book
One of his best
A Remarkable Book This book is certainly not for everyone, and I would not advise reading it until after you have read "The Tin Drum" and "The Flounder" both by Grass, but for me this book was a remarkable reading experience. ... Read more |
10. The Plebians Rehearse The Uprising: A German Tragedy by Gunter; Manheim, Ralph [Translator] Grass | |
Hardcover:
Pages
(1966)
Asin: B000OTF4B2 Canada | United Kingdom | Germany | France | Japan | |
Editorial Review Product Description |
11. The Flounder (Helen & Kurt Wolff Book) by Gunter Grass | |
Paperback: 560
Pages
(1989-05-05)
list price: US$27.00 -- used & new: US$7.00 (price subject to change: see help) Asin: 0156319357 Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
Editorial Review Product Description Customer Reviews (7)
Self-Consciously Creative
Not worth the effort
a wonderful work
Not Exactly Sashimi Quality
Grass' weakest effort, by far I just couldn't get through it. I can't really put my finger on why, but there it is. The Flounder contains all the things I revere about Grass-- a strong sense of history, scurrlious sense of humor, strong characters put into wonderfully unrealistic situations. But this novel, Grass' weightiest (literally), never seems to come together in all the little ways that made similarly large tomes like The Tin Drum and Dog Years such wonderful reads. The Flounder is a massive creation myth, seen through the eyes of a continually-reincarnated man, his continually-reincarnated longtime companion (who is always a cook of some sort), and the Flounder himself, who serves as a kind of fairy-godfather figure. In modern times, a group of feminists discover that the Flounder has been the architect of the overthrow of matriarchal society and put him on trial; the narrator and the Flounder use the trial as a method to go back over history and show the development of patriarchy in Poland, and how it relates to the potato. Yes, I'm serious. The novel feels as if Grass had lost his sense of dynamic while writing it. The earlier long novels each keep the reader's interest with a series of climactic events, each leading up to the larger climax upon which the novel turns; The Flounder, on the other hand, continues on at the same rlatively leisurely pace in its survey of history. And that, ultimately, is its downfall; there's just too much of it without anything really going on, on a larger scale. Definitely a bad starting place for Grass; turn to the Danzig trilogy instead. (zero) ... Read more |
12. Die Blechtrommel (German Edition) by Gunter Grass | |
Paperback: 784
Pages
(1993-10)
list price: US$36.95 -- used & new: US$13.50 (price subject to change: see help) Asin: 3423118210 Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
Customer Reviews (2)
Günter Grass: Die Blechtrommel
great for those with very strong German A warning before I go on: Grass won fame because of his complex writing style and content, which even native German speakers find challenging.Unless you have very strong German reading skills, I would recommend looking for a translation.Also, if you are easily offended, especially concerning religion (Catholicism) or sex, this book is not for you. For those with strong German looking for a great post-WWII German literary work, this is a must-read. Oskar Matzerath, an artist of sorts, writes his memoirs while living in an insane asylum, creating a novel that defies all labels and categories, but has been called "obscene," "burlesque," "surreal," "pornographic," and "magical realist."Through the eyes of the protagonist and his home city of Danzig, Grass lets us observe the culture and history of the "Dritte Reich."The novel is divided into three "books," which correspond to divisions of German history: pre-WWII, WWII, and post-WWII.Oskar, the observer, is a "hellhoeriger" infant whose intellectual development is complete at birth and only needs time to show.When he turns three, he recieves a tin drum, which he uses to attack, criticise, teach, and express himself.On his third birthday, he also decides to stop his physical growth, and continues to live as a paradox: to the outward world, he remains a somewhat "slow" three-year-old, but in fact he is able, from his "childish" perspective, to see through the shallow, petty lives of the adults around him. The book is written from an intentionally amoral perspective, leaving the reader to struggle with the implications of the events portrayed in remarkable prose.Through Oskar, Grass critiques, speaks of tragedy and violence with equally brutal honesty.He lets no-one off the hook.Die Blechtrommel suggests more than shows the link between the apathy, greed, immorality, and silence of ordinary "Kleinbuerger" and the rise of Nazi Germany.Even the narrator is shown with all his moral and physical defects, which are many and large.That he fails to win our sympathy or trust is not due to the author's lack of ability; Grass alienates us from Oskar intentionally, denies us an emotional identification with his narrator, startles and provokes us, and challenges us to think more deeply and critically than mere pathos would allow. To sum it up: if you want something that will challenge your German language skills, your assumptions about the world, and your literary perception, read this book. ... Read more |
13. Too Far Afield by Gunter Grass | |
Paperback: 672
Pages
(2001-10-05)
list price: US$17.00 -- used & new: US$0.01 (price subject to change: see help) Asin: 0156014165 Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
Editorial Review Product Description Customer Reviews (8)
Re-examining and re-imagining the history of a 170-year-old
Perpetuation of the Immortal "Too Far Afield" begins with a chronology of modern German history, which Grass implicatively traces back to 1685 when French Huguenots escaping religious persecution in their native country sought refuge in Prussia; Fontane, as his French-looking name indicates, was descended from Huguenots.Born in 1919, exactly a century after Fontane, Fonty leads a life that surrealistically parallels that of the Immortal.Like Fontane, Fonty is a man of letters with a keen interest in the march of war, a renowned poet and one of East Berlin's leading cultural figures since the second World War ended in a geopolitically divided Germany. Grass's narrative takes place mostly in East Berlin in the early 1990s after the fall of the Berlin Wall.In much the same way that Fontane had chronicled the unification of Germany under Bismarck in the latter half of the nineteenth century, Fonty reflects on the reunification of Germany following the collapse of the Soviet umbrella under which East Germany had been nurtured and the clash of cultures that results when the stagnant communism of the East is awkwardly reconciled with the dynamic capitalism of the West. Fonty, in addition to his literary endeavors, has worked as a courier in the East German Ministries Building, where he runs files up and down the floors in a rickety elevator affectionately called the "paternoster" (Our Father) -- perhaps after a prayer uttered by the hapless passenger for his safety.The dissolution of his government after the Wall has fallen temporarily displaces Fonty, but fortunately the Ministries Building is taken over by a trust company called Handover, where he accepts a job as a consultant in their affairs to help reconstruct East Germany. The political situation provides a backdrop for Fonty's personal dramas.His daughter Martha, a teacher, having lost her faith in socialism, becomes a Catholic and marries a wealthy West German builder she had met at a resort by the Black Sea several years ago; in this episode we learn that West Germans, whose currency was much more solid than that of the East Germans, received preferential treatment.Fonty's closest friends are Hoftaller, alias Tallhover, a spy for the former East German government, and the cynical Professor Freundlich, pointedly referred to as a "leftover" Jew, an anti-Zionist who is sour over his daughters' decision to move to Israel but eventually accedes to the view that Europe can never again be a haven for the Jews.We also learn that Fonty has a granddaughter named Madeleine, the offspring of a daughter he had illegitimately with a French woman while serving ineffectually as a soldier in World War II, who comes to him in his old age. "Too Far Afield" bears little resemblance to Grass's 1959 masterpiece "The Tin Drum" (one of the best novels of the last century); of course, "The Tin Drum" did not anticipate a reunified Germany but instead assumed a permanently splintered one symbolized by its deformed protagonist Oskar Matzerath, whose piquant personality Fonty lacks."Too Far Afield," facing the reality of what many Germans including Grass might have thought impossible, is less whimsical, as though it were wandering around in a daze contemplating the unexpected destruction of the physical barrier that had emerged emblematic of the great German divide of the twentieth century. As for myself, I resolve to delve into "Effi Briest" as soon as possible.Dare I ignore the Immortal any longer?
The More Things Change, The More They Stay The Same Mr. Grass's point is simply that human nature and our histories play a powerful role in shaping our present and future lives.In Too Far Afield, he magnificently captures the enormous influences that culture, nation, religion and family practices play in reinforcing our human nature and histories.Of the three books, I felt like Too Far Afield was the only one that captured the human condition in its broadest sense, rather than just the German human condition. Although I majored in European history in college, I don't think I ever quite got the point about how 19th century influences came together to have such a large impact on people who lived in East Germany prior to the reunification.Too Far Afield put the mosaic of those influences together for me for the first time. The story is an unbelievably intricate one.After finishing the book, I couldn't see how the points could have been made as powerfully without all of the material.You will feel like the book dawdles in many places.Please realize that Mr. Grass is trying to set you up to draw the wrong conclusions as you react to the surface reality, so that his story can serve as a counterpunch to your gut reactions.In that subtle way, he strengthens his message that life is vastly different than what you believed when you started the book. The book has many interesting characters, but all exist to tell the story of Theo Wuttke.Wuttke is every person in the story.He has been drawn to the rich cultural tradition of Germany's great writer, Fontane (referred to as "The Immortal"), and is inspired to want to experience the freedom and variety of the West.Historical accidents impinge on those yearnings.The East German bureaucracy keeps him in line, acting very much as its predecessor, the Nazi bureaucracy, and its predecessor, the Prussian bureaucracy did.The governmental constraints work because Wuttke has sinned, and does not want those sins exposed . . . or his children harmed.So he turns out to be a captive of his past and his nonexistent former nation, even as the dawn of freedom arrives with the reunification.Wuttke ultimately finds redemption as the indirect result of his attempts to do good in the past. The story is told through extensive use of internal monologues and indirect references to the past.Be patient.Those indirect references are eventually brought together in an astonishingly cogent way. Although the tone of much of the book is quite grey and seemingly hopeless, Mr. Grass does a marvelous job of employing satire and irony to comment upon seemingly unpromising situations.I found myself laughing aloud in many places in the book.I'm sure that anyone who knows Germany better than I do will find the book even funnier.No one can miss or fail to appreciate the humor involved in the marriage of Wuttke's daughter to a prosperous West German business man . . . an obvious metaphor for the reunification itself.Although the book is ostensibly about the reunification, please be sure to see the reunification as a metaphor for our need to reconnect with our true selves and the rest of humanity. Please do be aware that this book is a challenging read.Be sure to read and refer to the brief chronology at the beginning of the book.It's a wonderful introduction into the historical elements that Mr. Grass chooses to weave together.I found it helpful to go through the book in 40-50 page chunks.Whenever I began to find my mind wandering away from the story, I would stop for the day.Also, Wuttke has two sides.One is a file courier operating in a large bureaucracy where he snatches moments of freedom on the ancient elevator (the "Paternoster").The other is as Fonty, the erudite cultural aficionado of Fontane.He is referred to in both ways in the story . . . but it's the same man acting in different ways with others.
Tough Sledding, but Rewarding
Grass's Reunification Novel This work, which first appeared in Germany in 1995, is Grass's treatment of Germany's reunification.Among the novel's central themes is this:that through successive periods of history some things never change.They may be harder to spot, they may have a different name, they may be lurking in a cellar where no one wishes to find them, but they are there all the same.Grass here uses the medium of the novel to assert that the celebrations of 1989-1990 ignored the dark side of the German national identity. He accomplishes this by invoking minutiae from throughout German history, all of which is related through the novel's two central characters:Wuttke, who believes himself to be the nineteenth-century writer Theodore Fontane; and Hoftaller, a former East German police agent who is Wuttke's "shadow".What emerges is a fascinating montage where elements from both past and present intermingle, which is what Grass wants us to believe anyway:that what is "past" isn't really in the past at all. A variety of symbols reinforce this message.Much of the novel takes place in a quintessentially symbolic building in central Berlin:a building which originally housed the Third Reich's Aviation Ministry, then East Germany's "House of Ministries," and now (although not mentioned in the novel) the Federal Ministry of Finance.Within this building one finds the "Paternoster," an old elevator system which Wuttke attempts to save from being replaced by modern high speed elevators, and which carries a symbolic import of its own:it represents the rise and fall of various people within the building, the memory or in the novel the "Archives" of Germany. At more than 650 pages this is a formidable undertaking but in the end well worth the effort.A reader not terrible familiar with German history or literature may find many of the references terribly confusing or elusive.But here is Grass at his finest--his wit, his insight, his courage to poke fun at everything the Germans have considered sacred:from the former chancellor and "hero" of reunification Helmut Kohl to contemporary author Christa Wolf. ... Read more |
14. Cat and Mouse by Gunter Grass | |
Hardcover: 127
Pages
(1978-06)
list price: US$21.95 -- used & new: US$21.95 (price subject to change: see help) Asin: 0848801121 Average Customer Review: Canada | United Kingdom | Germany | France | Japan | |
Editorial Review Product Description Customer Reviews (18)
Tribute
School yard hero
World War II boyhood Shortly after the outbreak of war Joachim Mahlke turned fourteen.Mahlke was an only child.His father was dead.Mahlke had an English screw driver.He lived in Osterzeile.In front of his house there was ceramic frog.His room was in the attic. He and the boys raised a phonograph from a sunken Polish vessel, a mine sweeper.The boys built a raft to haul it ashore.The naval battle in the Gulf of Danzig had lasted a month. A big tall character, a Latvian, turned up in their class in 1941.His first name was Karel. Karel drew Mahlke full face. Mahlke became infatuated with serious music.He whistled tunes dedicated to the virgin.He bullied the boys. A lieutenant commander spoke at their school.Pilenz, the narrator, dubbed Mahlke the Great Mahlke.Mahlke was expelled and transferred to the Horst Wessel School.He received a special wartime diploma, as did many of the others, and was drafted into the Reich Special Labor Service.Sergeant Mahlke returned to the school to give a talk. An atmosphere of deprivation and adventure is portrayed given thewartime conditions.
What on Earth is this book talking about??!! So if you cant read German, I dont suggest that you toture yourself with reading any other version of it.
Why is it I always end up liking books I read in school? The story is complicated and non-linear. It is told from a first person narrative, the exact reliability of which is consatantly brought into question, either by the fog of the years or deliberate misconstruction due to feelings of guilt, the narrator never seems too sure about what happened, often offering several different versions of the same story at the same time, and even going so far as to admit his own fictitiousness. The story that serves as a Leitmotiv, as well as title of the book, is the cat that attacked Mahlke's adam's apple, and exactly how it got there. What I found most striking about the book on first glance was the descriptions of the places and characters that the novella is centered on. At the same time, you have a feeling that it's merely a part of a greater whole. It fits in with the other two books in the so-called Danzig Trilogy seamlessly, yet still sets itself apart. I have another confession to make: I attend a German high school, and so I read it in German. In my opinion, though what I've read of the excerpts seems like a decent translation, Günter Grass is an author who uses the German language to its full extent, emplying every manner of grammatical and syntactical tricks to underline the story. These, unfotunately, are completely lost in the translation. If you understand German decently, I would strongly encourage you to seek out an original language text. ... Read more |
15. Critical Essays on Gunter Grass (Critical Essays on World Literature) by Patrick O'Neill | |
Hardcover: 230
Pages
(1987-01)
list price: US$45.00 Isbn: 0816188300 Canada | United Kingdom | Germany | France | Japan | |
16. Gunter Grass's Danzig Quintet: Explorations in the Memory and History of the Nazi Era from Die Blechtrommel to Im Krebsgang (English and German Edition) by Katharina Hall | |
Paperback: 215
Pages
(2007-09-05)
list price: US$73.95 -- used & new: US$73.95 (price subject to change: see help) Asin: 3039109014 Canada | United Kingdom | Germany | France | Japan | |
17. Heinrich Boll und Gunter Grass in den USA: Tendenzen der Rezeption (European university studies. Series I, German language and literature) (German Edition) by Walter Ziltener | |
Unknown Binding: 108
Pages
(1982)
Isbn: 3261050357 Canada | United Kingdom | Germany | France | Japan | |
18. Cat and Mouse by Gunter Grass | |
Mass Market Paperback: 127
Pages
(1964)
Asin: B0011G0SAY Canada | United Kingdom | Germany | France | Japan | |
19. Im Krebsgang. Lektüreschlüssel für Schüler by Günter Grass | |
Paperback: 96
Pages
(2004-08-31)
Isbn: 3150153387 Canada | United Kingdom | Germany | France | Japan | |
20. Idiolektale Figurencharakteristik Als Ubersetzungsproblem: Am Beispiel Der Unkenrufe Von Gunter Grass (Danziger Beitrage Zur Germanistik) (German Edition) by Anna Pieczynska-sulik | |
Paperback: 169
Pages
(2005-10-31)
list price: US$43.95 -- used & new: US$43.95 (price subject to change: see help) Asin: 3631531915 Canada | United Kingdom | Germany | France | Japan | |
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