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81. Anne-Sophie Mutter Interview
Star German violinist annesophie mutter speaks to Lionel Choi while in Singaporeon December 1st, 1997. This is your second visit to Singapore.
http://hanbat.chungnam.ac.kr/~s_bach/interview.html
Interview With A Violin Goddess Star German violinist Anne-Sophie Mutter speaks to Lionel Choi while in Singapore on December 1st, 1997. This is your second visit to Singapore. So what are your impressions of this country?
This country combines modern technology, science of our time, very vital economics, with the roots of tradition. That would of course make Singapore, like Hong Kong, one of the very fascinating cities for Europeans, seeing the leap of the long tradition into the future. One of the reasons why I come back is that music plays such an important role in Singapore and it will more and more in the future, so it's a very interesting new part of my schedule actually to add, other than the usual places I have been working at for the last 20 years.
And the Singaporean audience, how is it different from one in Europe or in America?
Do you feel that the local audience is not as sophisticated?
No. Absolutely not.
Being the child prodigy and the international superstar that you were since you were 13, would you say that you had a normal, satisfying childhood?
For me, it was normal because I didn't want to have any other choice then than to play the violin. I was very happy doing that. Actually, probably my childhood is more lucky than other common children because I wanted to play violin at the age of 6, and I actually got the possibility of doing it, and one of the most important things in a parent's life is certainly to find out the abilities of the child, their special gifts and, if possible, really nourish that.

82. Public Radio East - Your Choice Radio Networks
violinist annesophie mutter has a warmer feel for Vivaldi now than she did 15 yearsago when as a teen sensation she recorded The Four Seasons with
http://www.publicradioeast.org/reviews/19991215.html
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83. Artsandentertainment: In The News
The show is part of Springsteen and the E Street Band's The Rising Tour and willbegin at 8 pm. violinist annesophie mutter marries conductor Andre Previn.
http://sptimes.com/2002/08/06/Artsandentertainment/In_the_news.shtml
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In the news
By Times staff writer
published August 6, 2002
Springsteen tickets to go on sale Saturday
Tickets for Bruce Springsteen's performance at the Ice Palace in Tampa on Nov. 24 will go on sale Saturday at 10 a.m. Tickets are $75 (service charges may apply) and can be purchased at the box office, all Ticketmaster outlets, online or by phone at (205) 715-6000 or (800) 277-1700. The show is part of Springsteen and the E Street Band's "The Rising Tour" and will begin at 8 p.m.
Violinist Anne-Sophie Mutter marries conductor Andre Previn
Anne-Sophie Mutter and Sir Andre Previn were married on Thursday in a small private ceremony in Manhattan. Mutter, 39, has been widowed for seven years and has two children, ages 8 and 10. Her late husband, Detlef Wunderlich, a lawyer, died of cancer. Previn, 73, has been married and divorced several times. Past wives have included jazz singer Betty Bennett, jazz poet Dory Langdon, actor Mia Farrow and Heather Hales. Previn has written two works for Mutter: Tango, Song, and Dance, for piano, violin, and cello, which they have performed together on tour, and a violin concerto, which she premiered in March with the Boston Symphony. She recently performed its European premiere with Previn conducting the London Symphony Orchestra.

84. LudwigVanWeb.com - Link Description
Links annesophie mutter, Links Guide. anne-sophie mutter. Official Homepageof the German violinist. http//www.anne-sophie-mutter.com. Related links.
http://www.ludwigvanweb.com/navigation/1,1270,3-3-448,00.html
window.defaultStatus='LudwigVanWeb.com'; Back to Ludwig Homepage Independent record label catalogues available on the LudwigVanWeb site Ludwig's bestselling CDs and top downloads Log in and out, Register, Subscribe, Check your emails, downloads and purchases Discover a label, an artist, a composer, a rare repertoire... Discounts on CDs and free downloads for registered users Links to Ludwig's choice of the best classical music Sites on the Web New to Ludwig? Plug ins, Shopping Cart Help, Contact us Load up your own shopping cart, and Check Out using our secure payment service Links Anne-Sophie Mutter Links Guide Anne-Sophie Mutter Official Homepage of the German violinist.
http://www.Anne-Sophie-Mutter.com

Related links Mailing List Glenn Gould - A Mailing List Devoted to discussions about Glenn
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Pascal Gallois Web site dedicated to bassoon German system
- A great Web site for the world of bassoon by the French well-known instrumentalist Pascal Gallois, with interviews, and appropriate resources.
Perlman, Itzhak
- Sony Classical page.
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85. Players_en
a soloist and as a chamber musician, annesophie mutter regularly performs in Europe,the USA, Canada and Japan. For the year 2000, the violinist is planning
http://www.terravista.pt/meco/5530/players_en.html
Violinists Here you can find some greatest violinists' biographies Gidon Kremer Gidon Kremer was born in Riga (Latvia) in 1947, the only child of parents of German origin. After receiving his first musical instruction at home - both father and grandfather were professional violinists - he studied at the Riga School of Music and then at the Moscow Conservatory under David Oistrakh. Kremer enjoyed notable success at competitions in Brussels (1967), Montreal and Genoa (1969), and Moscow (1970).
The international chamber music festival in Lockenhaus (Austria), founded by Gidon Kremer in 1981, has been a forum for young artists to present challenging and innovative chamber music concerts - programmes which are also taken on tour. In 1992 the festival in Lockenhaus was named "KREMERata MUSICA". In 1996 Gidon Kremer founded the KREMERata BALTICA chamber orchestra to foster outstanding young musicians from the three Baltic states. He undertakes regular concert tours with this orchestra. Gidon Kremer is also Director of the Musiksommer Gstaad (Switzerland).
Gidon Kremer's repertoire ranges from the Baroque to works by Henze and Stockhausen. Composers of the former Soviet Union such as Schnittke, Pärt, Gubaidulina and Denisov have been introduced to Western audiences largely through Kremer's efforts. Martha Argerich, Valery Afanassiev, Oleg Maisenberg and Vadim Sakharov are his favorite musical partners. Gidon Kremer plays a Guarneri del Gesù - ex David - dating from 1730.

86. Rough Guides Music
annesophie mutter’s new recording of the Beethoven concerto will either mutteris a frighteningly accomplished violinist, undoubtedly, but on
http://www.roughguides.com/music/musicreview.html?genre=Classical&ID=2288

87. MichiganDaily.com
Reknowned violinist annesophie mutter captivated Hill Auditorium on Saturday.Originally on page 10A in the 2-14-2000 issue of the Daily.
http://www.pub.umich.edu/daily/2000/feb/02-14-2000/arts/04.html
Mutter delivers violin classics to Hill
Jee Chang Daily Arts Writer Anne-Sophie Mutter captured the audience's attention with her aggressive style of playing Saturday night at Hill Auditorium. Muttter did not waste any time starting her performance as she walked across the stage accompanied by brief applause. She wore an eye-catching silver dress that only accentuated her thrilling performance. Mutter started off the first piece, Webern's "Four Pieces for Violin and Piano, Op. 7," with light, harmonic sounds that evaporated into the air. With the combination of various techniques such as plucking and attacking of the strings, Mutter proved to the audience her capability of producing dynamic sounds from her violin. She had a clear cutting sound that was piercing and rich in vibrato. The "Sonata for Violin and Piano" by Respighi consisted of three movements: Moderato, andante espressivo and Passacaglia. The Moderato began with graceful weaving melodies Mutter so eloquently performed. With vigor, Mutter breezed from one movement to the next, giving each note a sense of important value. The Passacaglia evoked dramatic melodies and thundering chords that were intensely controlled with the help of Mutter's piano accompanist Lambert Orkis. Photo Courtesy of UMS Reknowned violinist Anne-Sophie Mutter captivated Hill Auditorium on Saturday.

88. Violinist - Wikipedia
violinist. From Wikipedia, the free encyclopedia. anne sophie mutter; NilsErikSparf; Itzak Perlman; Simon Standage; Josef Suk; Maxim Vengerov; Pinchas Zukerman.
http://www.wikipedia.org/wiki/Violinist
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Violinist
From Wikipedia, the free encyclopedia. A violinist is an instrumentalist who plays the violin . The terms fiddler or fiddle player are also used. In classical music the "fiddle" terms are usually somewhat informal or jokey: they are more standard expressions in folk music. In between there are nuances of meaning and usage which are difficult to formalize. Important violinists include: and the following 20th Century players: and some popular present day violinists include:

89. Sunspot.net - Music & Nightlife
annesophie mutter, violinist; New York Philharmonic; Kurt Masur. (DeutscheGrammophon 289 471 349) Another recording of Beethoven's Violin Concerto?
http://www.sunspot.net/entertainment/music/bal-live-cds121802,0,5518953.story?co

90. LONDON PHILHARMONIC ORCHESTRA . SUPPORT THE LPO
above Andre Previn, conductor; annesophie mutter, violinist; Serge Dorny, ChiefExecutive Artistic Director; Maestro Kurt Masur, Principal Conductor; LAdy
http://www.lpo.co.uk/support_the_lpo/recent _events.html
above:
The London Philharmonic Orchestra was in festive mood on 28 April, welcoming back its re-invigorated Principal Conductor Kurt Masur after a period of convalescence following surgery in autumn 2001, and cracking open the champagne for an early birthday celebration.
above: Joanna Lumley, SBC Governor and Nicholas Busch, principal Horn player, LPO; Pehr Gyllenhammar, Chairman of CGNU and LPO Trustee Christina Gyllenhammar
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91. Presto Classical - EMI & Virgin Promotion
The Four Seasons Autumn. annesophie mutter (violin). anne-sophie mutter (violin),Bruno Giuranna (viola). Academy of St Martin in the Fields, Neville Marriner.
http://www.prestoclassical.co.uk/cgi/shop/emivirgin.php?keyword=Mozart&keytitle=

92. The Great Prokofievans: Violinists
Several of today's brightest violinist have recorded most of Prokofiev's majorviolin works with spectacular results. Others, like annesophie Mütter have
http://www.prokofiev.org/prokofievans/violinists.html
rokofiev was not as prolific in the violin repetoire as he was in piano. As a result, there is unfortunately not a significant body of violin and chamber work to which violinists could 'dedicate' their efforts. However, this is not to say there haven't been venerable great violinists who championed Prokofiev's work. The most important violinist in Prokofiev's life was David Oistrakh , who collaborated with Prokofiev in some of his violin works and recorded all of Prokofiev's violin repetoire multiple times. Several of today's brightest violinist have recorded most of Prokofiev's major violin works with spectacular results. Others, like have recorded very little of Prokofiev's violin repetoire, yet frequently play his works in public recitals and show a profound understanding of his music.
Greats from the Past:
David Oistrakh

Jascha Heifetz

Contemporary Greats:
Gil Shaham

Schlomo Mintz

Maxim Vengerov

93. His Legacy For Home Video-New Year's Eve Concert 1984 By Anne-Sophie Mutter At J
annesophie mutter has become a world-class recording artist andviolinist. Here she is in one of her earlier performances, and
http://www.jsbach.org/his.html
His Legacy for Home Video-New Year's Eve Concert 1984 Main Performer
or Conductor: Anne-Sophie Mutter Accompaniment/Orchestra: Berlin Philharmonic Orchestra, Herbert Von Karajan Soloists: Anne-Sophie Mutter,violin
Judith Blegen, soprano
Helga Muller Molinari, alto
Francisco Araiza, tenor
Robert Holl, bass Instrumentation: Choir
Harpsichord
Orchestra
Violin
Voice Individual Works: Concerto No 2 for Violin, Strings and Continuo, BWV 1042
Magnificat in D Major, BWV 243 Format: Video Record Label: Sony Catalog Number: Year Released/Recorded: Total Playing Time: Comments: Mike Flemmer said: Highly recommended! This video is 57 minutes of pure Bach joy from beginning to end. Karajan conducts and plays from the second harpsichord that is facing the orchestra and chorus. (Yes, there are two harpsichords in the center of the orchestra!) Karajan has not recorded very much Bach, but you wouldn't know it from this performance. This artistically magnificent live concert is a total success. It's a rare, top-notch live Bach concert from Karajan and company that is worth the purchase. All the musicians are superb. Karajan uses no baton and is very refrained. Liner notes are true: "with calm attentiveness...he allows the musicians to lead the way, visibly admiring their performances". It's a superb, non-HIP modern performance that has real moments of power, spirit and grace. Anne-Sophie Mutter has become a world-class recording artist and violinist. Here she is in one of her earlier performances, and she plays just as beautifully and intelligently then, as she does now. Her performance of Concerto No. 2 is everything I could ask. A bright, energetic, beautiful performance. Wonderful deep tones from the violin.

94. The Concert Companion With Christopher Seaman - WXXI Online
In the 1970s, the conductor Herbert von Karajan promoted a 14year-old violinistnamed anne-sophie mutter, and she has now become one of the major masters
http://www.wxxi.org/concert/concertcomp19.html
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The Concert Companion with Christopher Seaman
Program #19: Prodigies
(London Symphony Orchestra; Sir Colin Davis; RCA/BMG 68770)
Some of those students will reach a kind of plateau of course, but others will grow and deepen, becoming leaders in their field.
(Academy of St. Martin-in-the-Field; Neville Marriner; Phillips 416471)
(Anne-Sophie Mutter; Boston Symphony; Seiji Ozawa; D Grammophon 445487)
In the 1980s, perhaps the most startling young performer was pianist Evgeny Kissin, who performed and recorded the two Chopin concertos at the age of 13 to great acclaim, even though his hands were still too small to play certain chords without spreading them. Kissin, too, has gone on to make one stunning recording after another, though in his case staying within the standard repertoire.
Rachmaninov: Piano Concerto No. 2

95. Classical Beauties
The response of more mainstream critics is more complicated. Concertviolinist annesophie mutter favors an off-the-shoulder look.
http://arizonachambermusic.org/CB.htm
Friday, 5 February 1999
Classical beauties
Award-winning Eroica Trio not shy about being lovely to look at
Eroica members: Cellist Sara Sant'Ambrogio, pianist Erika Nickrenz and violinist Adela Peña, from left, are comfortable in their basic black mini-frocks. What: The Eroica Trio performs Edouard Lalo's D-Minor Trio, Raimundo Penaforte's Piano Trio (a world premiere commissioned by the Arizona Friends of Chamber Music) and Edward Steuermann's arrangement of Arnold Schoenberg's ``Verklärte Nacht.'' When: Wednesday at 8 p.m. Where: Tucson Convention Center Leo Rich Theatre, 260 S. Church Ave. Admission: $14 general, $4 for students. Information:
By Ken Keuffel Jr.
The Arizona Daily Star OK, I'll admit it. Researching this piece on the Eroica Trio, which performs here Wednesday, leaves me puzzled. Were it not for the violin and cello, I might have mistaken the accompanying photo for a sexy fashion advertisement - not publicity material for a critically acclaimed piano trio that's performed in many of the world's concert halls. But this is the '90s. All-female chamber groups aren't all that rare anymore, and this one's not about to downplay what one critic has called its ``glamorous good looks.''

96. Schwann Artist
There are a few lights in this bleak picture, and German violinistAnnesophie mutter is surely one of the brightest. Here is a
http://www.schwann.com/artist/ex2000.html
Excerpts
from
Schwann Artist
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An excerpt from the 20th Edition of Schwann Artist
Anne-Sophie Mutter
Meeting Beethoven Face-to-Face
by Tamara Bernstein Ultimately, it must be the sheer humanity - the generosity, wisdom and humility - of Mutter's mature playing that makes her one of the most beloved classical artists today. Connoisseurs of violin playing have a persistent and justified kvetch these days - modern performers, they complain, all sound like clones. An eminent violinist recently summed up the situation: "If you put on a recording of Kreisler or Heifetz, how long does it take you to know who's playing? Two notes!" "Today," he continued, "all I can say when I hear a new recording is, 'fantastic playing.' But I don't know who is talking." There are a few lights in this bleak picture, and German violinist Anne-Sophie Mutter is surely one of the brightest. Here is a voice you can recognize instantly: in the subtle changes of speed and amplitude in her vibrato (a more or less lost art among her peers); in her vast sound palette; in the emotional intensity of her playing, which can go from unbearable tenderness to lacerating violence within a few notes. There's also the unearthly beauty of Mutter's high notes - a beauty that cannot be wholly attributed to her Stradivarius - and the magisterial command of musical time that allows her to hold an audience literally breathless.

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