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81. The Kennedy Center Honors
The classic violinist, who ranks among such beloved elder statesmen of music as earlycrop of Auer pupils, a group that included mischa elman, Efrem Zimbalist
http://www.kennedy-center.org/programs/specialevents/honors/history/honoree/mils

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Nathan Milstein
(violinist, born December 31, 1904, Odessa, Russia; December 21, 1992) As a young child in his native Odessa, Russia, he was forced by his mother to take violin lessons "to keep him out of mischief," a route being taken by a neighbor with her equally "wild" little son. By the time he was 11, his playing had been heard by legendary violinist Leopold Auer who invited him to become one of his pupils at the St. Petersburg Conservatory of Music. The classic violinist, who ranks among such beloved elder statesmen of music as Rudolf Serkin and the late Arthur Rubinstein and Pablo Casels, was the last active member of the great early crop of Auer pupils, a group that included Mischa Elman, Efrem Zimbalist, Jascha Heifetz, and Toscha Seidel, among others. In 1922 when he was doing joint concerts with Vladmir Horowitz in Kiev, a concert manager described his impression of him: "I saw him first in a rather disheveled way. He wore an overcoat obviously borrowed from someone with a sort of lady-like collar, and his hands were wrapped in some rags." He seemed oddly out of place compared to the elegant Horowitz. Yet their difference did not affect their friendship or their join musicianship.

82. Bio2
Within a few months , Europe was conquered .British press dubbed elman the greatestviolinist in the world . In 1905 mischa elman performed in Buckingham
http://www.geocities.com/golden_key_2000/bio2.html
to Mischa         Elman
  As  a  teacher , Auer  possessed  a  rare  ability  to  inspire  his  students . Many  of  them  claimed  that  under  the Professor's  mesmerizing  gaze they  played  much  better  than  outside  the  classroom . However , it  is  necessary  to  realize  that  Elman's  unique  tone  and  style  were  well-developed  at  the  time  of  their  first  encounter , and  Auer's  own  perception  of  violin  playing  was  greatly  influenced  by  the  young  Mischa .
  Already  in  1903  Elman  played  several  concerts  in  the  homes  of  wealthy  patrons  of  arts  and  and  one  of  them , The  Grand  Duke  of Meklenburg - Sterlitz presented  Mischa  with  his  first  Italian  violin - an  Amati .  Finally  , in  1904  Auer  and  Saul  decided  that  the  time  came  for  Mischa's  Berlin  debut . This  decision  was  undoubtedly  fascilitated  by  the  appearance  of Franz  von  Vecsey  , the  Hungarian-born  wunderkind  , a student  of  Hubay  and  Joachim's  protege . Elman's  Berlin  concert  on  14  October  1904  created  a  sensation . Joseph  Joachim , for  whom  he  played  privately  on  the  day  before  his  debut, could  only  say : "I  am  speechless". Within  a  few  months , Europe  was  conquered .British   press  dubbed  Elman  " the  greatest  violinist  in  the world ". In  1905  Mischa  Elman  performed  in  Buckingham  Palace  for  King  Edward  VII  and  King  Alfonso  of  Spain , sharing  the  program  with  Nellie  Melba  and Enrico  Caruso . Finally , on  December  10th ,1908, Mischa  Elman  made  his  historic  Carnegie  Hall  debut , playing  the  Tchaikovsky  Concerto  with  the  Russian  Symphony  Society  of  New  York , conducted  by  Modest  Altschuler .   One  might  be  able  to  appreciate  the  magical  effect  of  Elman's  playing  on  the  American  public  by  reading  the  poem

83. Jose Sanchez-Penzo: The Way Famous String Instruments Went - Players
elman, mischa. Remarks . Remarks This instrument belonged to the Danishviolinist Frida Schytte, who used the professional name Frida Scotta.
http://www.jose-sanchez-penzo.net/stIn_S-U.html
Named Instruments: (S-U)
(Instrument section of The Way Famous String Instruments Went
Saasoon Strad., A. V Owners/players/dealers in chronological order:
Vuillaume, J. B.
Heermann - Frankfurt
Graginger
Saasoon, Sir Philip
Stoutzker, Ian (1970)
Wexler, Max
Wells, John (1978)
Remarks: ex Samazeuihl Strad., A. V Owners/players/dealers in chronological order:
Remarks: Samazeuilh Strad., A. V Owners/players/dealers in chronological order:
Elman, Mischa
Remarks: ex Sammons Strad., A. V This instrument's names in literature: Goodkind: Sammons Owners/players/dealers in chronological order: Reade, Charles Broad, Mr. - Bristol Boyd, Mr. J. L. - Edinburgh Bower, R. A. Sammons, Albert Doctor - India Hayes, Peter - San Francisco Passa, Frank - San Francisco Remarks: p 44 San Lorenzo Strad., A. V Owners/players/dealers in chronological order: Grand Duke San Lorenzo - Spain Hamma Talbot, Dr. George - Aachen Garrett, David Remarks: David Garrett plays on this instrument, which has been loaned to him. Sanctae Theresiae Guarneri V Owners/players/dealers in chronological order: Szeryng, Henryk

84. Ruggiero Ricci
Oistrakh and whoever else, but he is still a great violinist, due to Even mischa Elmanagreed When asked to pinpoint the single fundamental element of violin
http://www.violinist.com/discussion/response.cfm?ID=1546

85. Nashua Community Concert Association--Historical Archives
Symphony Bruna Castagna contralto 1938-1939 Bidu Sayao - sopranoMischa elman - violinist Carola Goya - dancer 1939-1940 Simon
http://www.gran-net.com/ncc/archive.htm
Nashua Community Concert Association Archives
Return to History The Nashua Community Concert Association's first season was in 1931-32. The following list shows the variety of performers and performances we have presented over the years, including some of the finest artists of their times. You will notice that the number of concerts presented in each season has increased over the years. This is a measure of the success of the Nashua Community Concert Association.
Kathryn Meisle - contralto
Cherniavsky Brothers - trio
Ethel Fox and Allen Jones - soprano and tenor
Harold Bauer - pianist
Dino Borgioli - tenor
Barrere, Salzedo, Britt - flute, harp and cello
The New English Singers
Toscha Seidel - violinist
Wilbur Evans - baritone
Malcolm and Godden - duo-pianists Carola Goya - dancer Frederick Jagel - tenor Hall Johnson Negro Choir - Leonard DePaur, director Kneisel, Alden, Turner - trio Rosemarie Brancato - soprano Richard Crooks Ruggiero Ricci - violinist Fowler and Tamara - dancers Eugene List - pianist Gaspar Cassado - cellist Barrere Little Symphony Bruna Castagna - contralto Bidu Sayao - soprano Mischa Elman - violinist Carola Goya - dancer Simon Barer - pianist Jooss Ballet Coolidge String Quartet Lansing Hatfield - baritone Paul Robeson - baritone General Platoff Don Cossacks Albert Spaulding - violinist Helen Traubel The Nine O'Clock Opera Company, with John Tyers

86. Currents--January 27, 1997
At Jascha Heifetz's American debut both the noted romantic violinist mischa Elmanand the pianist Leopold Godowskysometimes known as the pianist's pianist
http://www.rochester.edu/pr/Currents/V25/V25N15/story7.html
Segal addresses the Board of Trustees
Sanford Segal, chair of the Faculty Senate Executive Committee, spoke to the University's Board of Trustees on May 23. The following is the text of Segal's remarks. This year, the University Faculty Senate has addressed, naturally enough, a variety of faculty concerns, ranging, among others, from computing services to patent policy to the inevitable one of faculty salaries. It has also addressed, equally naturally, issues of deep concern to students, such as the Residential College Commission, or to both students and faculty alike, such as those involving the library, admissions, and sports and recreation. All such discussion, of course, takes place in the context of a changing Rochester, call it re-engineering, Renaissance, initiatives, or strategic plan. I believe such changes were not only desperately needed, but we are repositioning ourselves in a positive way. There is a story, probably apocryphal, about a New York concert given by Sergei Rachmaninoff at the piano with Fritz Kreisler playing the violin. Kreisler, ever the romantic, had a tendency occasionally and briefly to lose his place in the music. This happened at this concert and he whispered to Rachmaninoff, "Where are we?" Rachmaninoff, missing not a beat, whispered, "Carnegie Hall." Perhaps Kreisler should have known that Rachmaninoff was born on April Fool's Day. In the Medical School there has been some agitationperhaps that is the best word. But no changes, especially needed ones, come without disturbance. Nevertheless, while things may be improving in this regard, and the Sen ate has been active in trying to facilitate that improvement, care needs to be taken to prevent unintended consequences.

87. Classical CD Review Andrea Bocelli's 'Sentimento'
Early in the last century, tenor Enrico Caruso made several bestselling 78s withviolinist mischa elman; Irish tenor John McCormack recorded even more duets
http://www.startribune.com/stories/1646/3637888.html

88. 1Up Info > Elman, Mischa (Music: History, Composers, And Performers, Biographies
elman, mischam sh´ l´m n Pronunciation Key, 1891–1967, RussianAmericanviolinist, b. Kiev. He studied in St. Petersburg with
http://www.1upinfo.com/encyclopedia/E/Elman-Mi.html
You are here 1Up Info Encyclopedia Music: History, Composers, And Performers, Biographies Elman, Mischa ... News Search 1Up Info
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Music: History, Composers, And Performers, Biographies Elman, Mischa Related Category: Music: History, Composers, And Performers, Biographies Elman, Mischa [m n] Pronunciation Key
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89. All Things Strings: Reviews
of the clones can make even the most unsentimental listener miss slurpy old MischaElman. selling point of Bell's new recording is that the violinist wrote his
http://www.stringsmagazine.com/issues/strings104/reviews.html
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Excerpted from Strings magazine, August/September 2002, No. 104 ON RECORD
Eight is Enough
Gidon Kremer records George Enescu's Octet
and String Quartet in A Minor by Greg Cahill
In its concise description of violinist Gidon Kremer, The Concise Grove Dictionary of Music quips that the 54-year-old Latvian violinist shows "a rare command of the concerto repertory and a sympathetic approach in chamber music." You have to love the Grove's command of understatement. Eight Seasons (which alternated each of Vivaldi's famous Four Seasons concertos with movements from Argentinean tango master Astor Piazzolla's Four Seasons of Buenos Aires suite) and continued with last year's Grammy-winning After Mozart , which brings together the music of Wolfgang Amadeus Mozart (and his father Leopold) and works by 20th-century composers inspired by Mozart. Mendelssohn: Violin Concerto in E minor; Beethoven: Violin Concerto in D major.

90. Hilary Hahn
Who is your favorite violinist, and why That group includes Fritz Kreisler, MischaElman, Jascha Heifetz, Nathan Milstein, and Arthur Grumiaux and, of course
http://www.sonyclassical.com/music/60584/journals/qa_1noah.html

P.S. 183, New York, NY
4th-5th grade violin students
The Hobart School, Los Angeles, CA
5th grade orchestra
Index of Postcards

Hi Ms. Hahn! My name is Noah. You were in my school a few days ago, P.S. 183 and I am in the violin class. I had so many questions for you that I didn't get to ask. Here are some:
Do you have an idol?
Hilary:

The closest I have had to a role model was probably my teacher of seven years, Jascha Brodsky. He was born in Latvia in 1907, and in the 1920s he studied with the legendary Belgian violinist Eugene Ysaye, in Paris. Ysaye himself was born in the middle of the 1850s, which means that through Mr. Brodsky I have a pretty direct connection back to the middle of the 19th century.
Mr. Brodsky began to teach me when I was ten and he was 83. He was a wonderful person and teacher (warm and affectionate yet demanding, with very high standards), and a great violinist. I studied with him twice a week, and after my lessons he used to tell me stories about his contemporaries, all the violinists of his generation, as well as his experiences as the first violinist of the Curtis String Quartet, a position that he held for over fifty years. I have some of his recordings, both in that quartet and in recital, and I love his playing, his impeccable sense of taste, his tone, and his style. So I admire him as a human being, as a musician and as a teacher. He died a couple of years ago at the age of 89; I only hope I can live as productive and influential a life as he did.

91. DECEMBER 10 CLASSICALmanac 'today In Classical Music'
1908 FP of Scriabin's Poem of Ecstacy by Russian Sym Orch. violinist MischaElman makes his debut playing Tchaikovsky Violin Concerto, in NYC.
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92. The Musicians Collection

http://www.lib.utexas.edu/taro/uthrc/00096/00096-P.html
Non-Frames Version Frames Version Raw XML File (358k)
The Musicians Collection
Descriptive Summary Title: Musicians Collection Dates: 1727-1981 (bulk 1900-1940) Abstract: The Musicians Collection consists of materials that are primarily visual in nature and portray approximately 1700 musicians and musical groups. Quantity: Ca. 4,900 items in 4 standard size file drawers, 1 oversize file drawer (11.5 linear feet), 2 flat file drawers Identification: Repository: Harry Ransom Humanities Research Center, University of Texas at Austin
Scope and Contents
Composite portraits are located at the end of the alphabet, followed by Unidentified and Miscellaneous items. A very small number of items pertain to non-musical subjects (painters, actors, etc.). Several items are in Yiddish or Polish.
Restrictions
Access
Open for research
Index Terms
Correspondents Anka, Paul Burns, Annelu, 1889-1942 Dupont, Aime Kesslere, G. Maillard (George Maillard) Sarony, Napoleon, 1821-1896 Van Vechten, Carl, 1880-1964

93. The Musicians Collection

http://www.lib.utexas.edu/taro/uthrc/00096/hrc-00096.html
TARO
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TABLE OF CONTENTS
Descriptive Summary Scope and Contents Restrictions Index Terms ... Musicians CollectionCross References
The Musicians Collection
Descriptive Summary Title: Musicians Collection Dates: 1727-1981 (bulk 1900-1940) Abstract: The Musicians Collection consists of materials that are primarily visual in nature and portray approximately 1700 musicians and musical groups. Quantity: Ca. 4,900 items in 4 standard size file drawers, 1 oversize file drawer (11.5 linear feet), 2 flat file drawers Identification: Repository: Harry Ransom Humanities Research Center, University of Texas at Austin
Scope and Contents
Composite portraits are located at the end of the alphabet, followed by Unidentified and Miscellaneous items. A very small number of items pertain to non-musical subjects (painters, actors, etc.). Several items are in Yiddish or Polish. Return to the Table of Contents
Restrictions
Access
Open for research Return to the Table of Contents
Index Terms
Correspondents Anka, Paul

94. Musicians Collection, Folder List A-E

http://www.hrc.utexas.edu/research/fa/musicians.folder.a-e.html
Musicians Collection
Folder List, A-E
Musicians Collection Finding Aid Title Page Provenance Scope and Contents Folder List
A-E
F-K L-R S-Z ...
Correspondents
(Last modified: 8 June 2000) Reference queries to: reference@hrc.utexas.edu Performing Arts Collection Finding Aids All HRC Finding Aids
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