Listener Magazine Volume 2, Number 4 (Autumn 1996) Virtuosa Valentina !: Works by Rossini-Ginzburg, Liszt, Schubert-Liszt, Strauss-Godowsky, Valentina Lisitsa, piano, Audiofon CD 72055 Valentina : Works by Mozart, Beethoven, Chopin, Weber, Schubert-Liszt, Rachmaninoff, Prokofiev, Valentlna Lisista, piano, Audiofon CD 72056 I'm going to say right off the bat that this woman is the successor to Martha Argerich. In fact, I find her playing more musical, exciting, and compelling than the great Argerich. And I don't mean the "young" Argerich. I mean the one playing today. Okay. I said it and feel better for it. Anyway, I played these recordings for four or five people who know music and asked them to guess who it was. Two of them said it sounded like Evgeny Kissin (one said Kissin after he's loosened up a bit). One guessed it was Argerich in her youth, and one mistook it for Howard Shelley. Another suggested Michael Pletnev. Not bad. All of them said that they couldn't remember a piano so vivid and musical. Art Dudley, my revered editor, noticed its immediate freshness and "innocence." He asked, ironically, "Doesn't she know she's not supposed to play like that? She's a threat to the piano world!" The real technical stunners are Weber's "Rondo Brilliant" on Valentina and the Rossini-Ginzburg "Paraphrase on Figaro's Aria from The Barber of Seville" on Virtuosa Valentina! You'll find the same kind of clarifying brilliance in the most lucid performance of the Prokofiev Seventh I've heard in years, also on Virtuoso Valentina! I cannot remember a more exciting or original version (yes, I said original!) of one of the oldest pianistic warhorses, "Hungarian Rhapsody No. 2" by Liszt, a piece my piano teacher used to quietly state just may be the most exciting ten minutes in Western music. Her Schubert-Liszt songs (six on two records) are definitive and can compare with Vladimir Viardo's performances, a pianist I normally think of as owning this music. | |
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