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81. Notices
3217. pianist to perform alexander tselyakov, an internationally acclaimedconcert pianist, will perform Sept. 24 at 7 pm at WestminsterSt.
http://www.uoguelph.ca/atguelph/95-09-20/notices.html
Notices
On a musical note
The Department of Music's "Thursdays at Noon" concert series kicks off Sept. 28 with baritone Lennart Ogren and pianist Lennart Rabes. Concerts run Thursdays at 12:10 p.m. in Room 107 of the MacKinnon Building. Admission is free. Y offers workshops
The Guelph YMCA-YWCA is running a series of workshops starting in October. "Communicating Assertively" will run Wednesdays for eight weeks, "Discover Yourself" (a workshop on self-esteem) will run Tuesdays for eight weeks, and "Creating a Personal Journal" will run Thursdays for six weeks. Each course costs $60 and runs from 7 to 9:30 p.m. Register by Sept. 27 at 824-5150. Book-study groups
The Campus Ministry and Teaching Support Services are sponsoring a study and discussion group on Stephen Covey's book First Things First , focusing on balancing and prioritizing in life. It will run Thursdays at 8 a.m. in the Marriage and Family Therapy Centre, beginning Sept. 28. To register, call Helen Martin at Ext 2973 or Rev. Lucy Reid at Ext. 2390. The ministry is also running a study group on R.R. Ruether's book Gaia and God Wednesdays at 12:10 p.m. in Room 335 of the University Centre, beginning Sept. 27. Herpes support group
A support group for people living with herpes has just been launched in Guelph. Meetings are held biweekly at the Guelph Community Health Centre. For information, call the Wellness Centre at Ext. 3327.

82. See Saint John - Calendar Of Events
Jazz Take two singers and one jazz pianist each with Feb 23 alexander tselyakovalexander tselyakov combines virtuosity with breathtaking musicality in the
http://www.seesaintjohn.com/calendarofevents.htm
Calendar of Events
Spring 2003
March
April May June For more event listings, please visit www.tourismsaintjohn.com MARCH 2003 Mar 22: Saturday Stories 'N Stuff For Children At The Library
Spring stories and a craft. Programs are for school age children. Preschoolers, bring an adult! 10:30 -11:30 am. Children's Department, Saint John Free Public Library,
1 Market Square. (506) 643-7239. Mar 22: Poetry Mini-Tour
These two tribute bands will take you back in time! 8 pm. Imperial Theatre.* Mar 25: Atlantic Debut Concert Series
This is the last concert of a five-concert series. Featuring Kaori Yamagami, Cello, and Ian Parker, Piano. 8 pm. Theatre Susan B. Ganong, 40 College Hill Road, Rothesay. (506) 848-0863. Mar 26: Saint John String Quartet In Concert!
Last of a four-concert series presented by Symphony New Brunswick.

83. WebList! Russia - Artists
alexander Gusev up! 6.5. * alexander Sadoyan s Art Gallery up! 10. * alexanderTselyakov pianist up! * alexander ZLOTNIK Ukrainian composer up! 10.
http://weblist.ru/english/Arts_and_Humanities/Artists/

84. WebList! Russia - Arts And Humanities With Subcategories
alexander Mironov design up! * alexander Sadoyan s Art Gallery up! * alexanderTselyakov pianist up! * alexander ZLOTNIK Ukrainian composer up!
http://weblist.ru/english/Arts_and_humanities/index_all.html

85. Www.information.uwaterloo.ca/Gazette/1996/September18/Cecilia%20on%20Music
it's a hugely demanding movement, though tselyakov takes such new set by the RussianAlexander Rosenblatt a the kind of thing that this pianist eats right up
http://www.information.uwaterloo.ca/Gazette/1996/September18/Cecilia on Music
UW Gazette, September 18, 1996 Conducted by Jan Narveson September 10: The WLU noon-hour series opened with a concert devoted entirely to works of Shostakovich, featuring violinist Youri Zaidenberg, bass singer Sterling Beckwith, and pianist Sofia Moshevich. First off was about half of Shostakovich's sonata for violin, Op. 134 , allegretto and largo. The first or these is frantic and angular, and hard to make attractive; this violinist was not up to the job. By the end of this long movement, we were rather uncomfortable. The largo calls for beautiful tone, and here Zaidenberg was better; still, they did not plumb its depths. At the end of the program the two returned with about five of the 24 Preludes for piano, Op. 34, arranged for violin and piano. Some of these worked well in this form, but again we found Zaidenberg unconvincing - sound not attractive, and intonation not entirely accurate. We'd rather have heard the pianist alone in these fine pieces. However, the contributions of the singer with pianist were the main meat of this concert. Beckwith has a lovely big, deep bass, just right for the Russian literature. The selections ranged from very deeply felt to very quirky. One was to poetry of Robert Burns, sung in English, though the note credited a Russian translation. Did Shostakovich, like Beethoven, write this Scottish song to English metre without knowing what it meant? Whatever, the result was pretty interesting, as were the others. This is mostly not great Shostakovich, but it was intriguing, arresting, and singular, wholly typical of this composer and a welcome rounding-out of this listener's acquaintance with him. Beckwith was a pleasure to hear, and his pianist sympa thetic. September 14: The K-W Symphony Orchestra at its opener lacked its former concertmaster, associate concertmaster, principal violist, and associate principal cellist; despite that, though, it sounded generally fine, and in fact we seemed to discern a bit more strength as well as the customary sheen in the strings. The program was an odd one, and several hundred conspicuously empty seats suggested that the World Cup hockey game won out over it in too many cases. Milhaud's Le boeuf sur le toit (The Bull on the Roof) was the opener. Its Brazilian rhythms and clever use of polytonality make it a catchy and interesting piece. Somehow, though, despite excellent playing by our band, the piece didn't quite make it on this occasion - its samba rhythms, etc., require hair let down a bit farther than Chosei Komatsu is inclined to go. Next up was the Strauss Horn Concerto No. 2, with James Somerville in the soloist's position. Unenviable position, one might add, for the solo part in this concert is the very devil. Thus it was all the more impressive that Mr. Somerville encompassed its fiendish leaps, chromaticisms, and so on with such aplomb and smoothness. There are nice touches for cello and for oboe too, beautifully handled by John Helmers and James Mason. The amazing solo part excepted, though, this concerto is a puzzler and difficult to make really persuasive; we have to say that it was not so on this occasion, anyway. Its general lines sounded rather fussy - so very opposite to the gestalt of the Mozart concerti that Strauss is supposed to have had as his models. The remaining work was Dvorak's great "New World" Symphony, which has beauties aplenty: ravishing melodies, nice orchestration, spirit, refinement, expert organization - a real winner of a symphony. And in the big climaxes and the exciting bits, Komatsu was just fine. However, there's a lot more to do to sustain interest in this long piece, and we were not very impressed with his management here. There's something very special about Czech rhythms, which need to sound always a little relaxed and yet spirited; the art of rubato needs to be in an advanced state to get everything working to the point of magic that is possible here. And again, this performance didn't have that. One sensed a lack of real heart and conviction here. No amount of lovely playing can make up for that, alas. But the lovely playing was there, in abundance: Faith Levene's account of that glorious English Horn solo in the slow movement was something to treasure, the horns and brass throughout were simply inspired, strings played with beauty and discipline. Visiting concertmaster Martin Foster - familiar to Chamber Music Society audiences - had only a couple of real solo bits, but those were very beautiful indeed. He will have played in yesterday's CCE concert too, so we'll have more to report on that promising front. Altogether, then, a somewhat mixed rating on this one. Sunday: Alexander Tselyakov had established himself with KWCMS audiences last year, and so we were expecting good things. We weren't disappointed. The opening Bach Prelude and Fugue No. 8 (Bk. I, WTK) is slow and gentle; Tselyakov took it at a very, very slow and extremely steady pace, reminiscent of Glenn Gould; his touch control is so advanced that the prelude underwent a steady crescendo from about as quiet as one can readily imagine a playing up to a solid forte over the space of a couple of minutes; the whole was shaped beautifully, and this worked very well. The fugue was played in such a way as to leave one simply with an impression of what a wonderful composer Bach was, and how does one do better than that? Chopin's Barcarolle is one of his finest pieces, and depends on establishing the rocking rhythmic pattern so well that it becomes integral with the rest as it gets more ornate and involved. That came off well too, along with the finely adjusted volleys and the suggestion of serenade that makes this such a winning piece. Prokofiev's 5th Sonata is rather different from the rest; it isn't quite so insistently propulsive, and runs to a subtle kind of reflection. The second movement requires tour-de-force level rhythmic and dynamic control, and as in the Bach, this was managed beautifully. The finale isn't tub-thumping but becomes extremely busy and suddenly one realizes that it's a hugely demanding movement, though Tselyakov takes such things in stride to a degree that makes one forget how treacherous it all is. Very impressive! After intermission, a pair of sets of variations on the famous theme of Paganini, starting with Book II of the Brahms set, and then proceeding to an utterly remarkable new set by the Russian Alexander Rosenblatt - a new name to us all. The Brahms set is a batch of leftovers, really, including several that Brahms must have decided were essentially impossible to play. That's the kind of thing that this pianist eats right up, and even though this was the first time he'd played it in public it went like gangbusters. One notable variation is in 2nds throughout, and comes as quite a shock; others seem to require a mini mum of three hands, crossing each other in quite wild fashion. And so onÉ suffice to say that here indeed was a virtuoso display of a rare order. However, Mr. Rosenblatt apparently decided he wasn't about to be one-upped in that department, as his set alternates shotgun-level clusters of notes at dizzying velocities with ingenious settings in real American bluenote jazz styles. It's a subtle crossover piece, and Tselyakov takes to the jazz idiom remarkably well. In fact, we were completely taken with this work. This was its very first performance in North America, we understand, and we think it could take concert stages by storm, and hope it will get lots of exposure on them in the masterly hands of this pianist. The full house on hand earned two beautiful encores: Tchaikovsky's "October", from The Seasons, and Liszt's furious Transcendental Etude in f, performed with consummate ease and fine style. He doesn't do anything by halves! The rest of the world needs to find out about this artist, and hopefully will ere long; but meanwhile we can be very grateful for these opportunities to take in his astonishing abilities close-up. Forthcoming: Thursday, Friday, Saturday: The KWS "Pops" concert features Quartetto Gelato, which has deservedly rocketed to world prominence in recent years. How their special brand of brilliant musical high-jinks will go over with an orchestra in tow remains to be seen, but Peter de Sotto singing "Danny Boy" is something to which no heart in working order can fail to respond. 578 1570 for tickets. Sunday: Catherine Manoukian is another of the brilliant young violinists that the contemporary age seems to be so replete with; she played very well with the K-W Symphony last year, at 14, and now comes to the K-W Chamber Music Society's Music Room with serious stuff on the bill: Mozart's Sonata in G, K. 301, and the magnificent Franck Sonata in A, arguably the finest of all sonatas for that combination. There are also short pieces of the Encore variety": Meditation from Thais by Massenet, Brahms, Hungarian Dance No. 1; Tchaikovsky, Serenade Melancolique; Sarasate, Caprice Basque; Chopin, Nocturne #20 in c# (arr. Milstein); and Baghdassarian, Rhapsody. Tuesday, September 24, noon (12:00, Maureen Forrester Hall, WLU): Those who can spare the noon-hour period this year are in for a treat as the Penderecki Quartet begins its six-concert traversal of the Bartok Quartets with #1, plus analysis by Professor Charles Morrison. For those who can't, not to worry: KWCMS is presenting evening concerts of this same series, two quartets at a time, also with the same commentator, on three Thursdays: November 7, January 23, April 3. The Bartok Quartets are among the major achievements of 20th C. music, and previous performances of the occasional one by this quartet shows that they are equal to the task, and then some. Wednesday: First it was Baroque and Beyond, then Focus, and now it's Great Composers: The K-W Symphony's series in the Theatre of the Arts opens with Music of the Italian Baroque, including trumpet concerto by Torelli, with Dan Warren, trumpet, and the Marcello Oboe Concerto, and various other things from that musically delightful period. Tickets at the door. Potential series purchasers should note that concert 2 on November 20 will be at the Benton street Baptist Church in Kitchener instead of the Theatre; the winter and spring concerts will return to UW.

86. Brandon.com Community
BRANDON, MB Having performed to great acclaim throughout the world, Russianbornpianist alexander tselyakov returns to the School of Music's pro series on
http://www.brandon.com/community/102302_virtuoso.html

87. Festival Of The Sound 2002 News
in the Morning on July 25, discussing and performing all five Cello Sonatas withpianist Glen Montgomery. He joins Erika Raum and alexander tselyakov for the
http://www.festivalofthesound.on.ca/soundingsa1.htm

88. Special Guest Stars- The Garry Show- CKMS 100.3 FM
from the world of classical music alexander tselyakov Russian virtuosopianist. Ronald Romm David Ohanian - members of The Canadian Brass .
http://www.garryshow.com/specialguest.html
last updated March 24, 2003 from the world of Kitchener/Waterloo: John Tutt proprietor of The Princess Cinema, Waterloo. Jim Bowman organizer of the K/W Terry Fox Run. Dale Gellatly co-owner of Twelfth Night Music, Waterloo. Marti Raymond teacher, Margaret Avenue Public School and Food Bank of Waterloo Region volunteer. Mark Polger- webmaster, Degrassi.org, and huge Degrassi fan. Involved in dispute with Epitome Productions over domain name ownership. Linval Livermore- aka Super Vee, the host of CKMS' "Sounds Intensified". Recepient of the Peter Tosh Memorial Award at the 2001 Canadian Reggae Music Awards.
from the world of classical music: Alexander Tselyakov Russian virtuoso pianist. members of "The Canadian Brass". John Goulart- classical guitarist. Howard Dyck K/W Philharmonic Choir director and host of CBC's "Saturday Afternoon at the Opera". Erna van Daele- conductor, KW Symphony Youth Orchestra. Boyd McDonald- classical pianist and composer. Lara St. John- Canadian violinist. Erika Raum- Canadian violinist.

89. Netscapades Inc. - Portfolio Of Client Websites
Society; The Mercey Brothers Country classics; tselyakov, AlexanderPianist; Tubinaghtewa, Buddy Hopi Katsina (Kachina) Dolls. Health
http://www.netscapades.com/portfolio.html
Portfolio Portfolio of Netscapades Inc. clients as of February, 2003. Sites marked with contain client-updatable functionality. Business Sites - Products / Retail Outlets / Stores Business Sites - Services

90. New Classics - For The Latest Classical Music In The UK And Free CDs.
On this outstanding live recording the awardwinning Russian-Canadian pianist AlexanderTselyakov gives impressive performances of works by Russian composers.
http://homepage.ntlworld.com/johnpitt777/html/piano.html
Win a free New Classics CD Bargain CDs at Amazon.co.uk MANUEL DE FALLA - MUSIC FOR PIANO ENSAYO ENY-CD-9735. VIRTUOSO SCHUBERT - ZEYNEP UCBASARAN EROICA JDT3108. The gifted young pianist Zeynep Ucbasaran began her musical studies at the age of four at the Istanbul Conservatory. On this rewarding CD recorded at the Music Academy of the West in Santa Barbara, California, she plays two works by Franz Schubert: his profound and noble Sonata in A major and the visionary Wanderer-Fantasy. Both pieces are awe-inspiring in their scope and demanding for the performer but Zeynep Ucbasaran plays superbly and intelligently throughout. CHOPIN PIANO WORKS, VOL. 1 - FELIPE BROWNE CLAUDIO CR5149-2. The superb young Chilean-born pianist Felipe Browne performs a thoughtfully chosen selection of works by Chopin. These include four Ballades, the Fantaisie Op.49 in F minor, Etude Op.10 No. 12 in C minor, Prelude Op.28 No.24 in D minor and Nocturne Op.48 No. 1 in C minor. The highly accomplished playing is intelligent and elegant throughout. ‘Browne dazzled the crowd with his keen sense of articulation, brilliant finger speed and tempering of power with eloquent sensitivity’ - The Washington Post ENSAYO ENY-CD-9731.

91. »çÀÌÆ®·Î ±¸¼ºÇÑ ¼¼°è¹®Çп¹¼úµµ¼­°ü
FI) Ronald StevensonPianist/Composer(UK) Alexei SultanovPianist(RU) Magda TagliaferroPianist(BR)(d.1986) alexander TselyakovPianist(CA) Rosalyn Tureck
http://school.pressian.com/dictionary/ART_music_07.htm

Dance
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Literature (Poetry, Fiction, Essay)
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Music piano link Mark Anderson:Pianist Apion Piano Web Site Martha Argerich:Pianist(AR) Martha Argerich's Music(AR) ... Juana Zayas:Pianist opera link 10 Lieder Singers The African-American Art Song Alliance Donnie Ray Albert:Baritone Elly Ameling:Soprano(NL) ... The Fritz Wunderlich Page(DE)

92. Risi, Giulio

http://web.tiscali.it/caiella/

93. Refer.Ru / Êóëüòóðà, Ëèòåðàòóðà, Èñêóññòâî :: Èçä
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"Studio Pilin"
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Alexander Tselyakov pianist
- Described by the Kitzinger Zeitung Germany as phenomenal , and by The Jerusalem Post Israel as superhuman and intoxicating , Russian-born pianist Alexander Tselyakov is widely regarded as one of the m
Claude Debussy dedicated page
- Ñàéò, ïîñâÿùåííûé òâîð÷åñòâó Êëîäà Äåáþññè. Òóò âû íàéäåòå âñå áèîãðàôèþ, ñïèñîê ïðîèçâåäåíèé, îãðîìíîå êîëè÷åñòâî MIDI-ôàéëîâ è ìíîãîå äðóãîå
David Bowie Influence 1
Hommage à Josef Elgurt - Portrait and gallery of Josef Elgurt, an 75 years old artist in Riga, Latvia Igor Korosec - This web page is constructed by Slovenian guy Igor Korosec, who graduated at GITIS Russian Academy Of Theatric Arts in Moscow 1996 and Slovenia didn t admit his education degree. After that he emigrat my art - Roza s personal web page where you will find her paintings,links to other sites and more N A Rimsky-Korsakov Page dedicated to Vladimir Vysotsky - Page dedicated to Vladimir Vysotsky roman` art Russian Art - Works and biographies of Russian artists Serguei Letov - Serguei Letov Talent City Talent City - Talent City Victor N. Lisakov Home Page

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