1. IGNACIO CERVANTES: PIANO DANCER By Glenn Jenks The important thing for the pianist to remember is not to interfere with by OrlandoMartinez in his article l'Orbita y creacion de ignacio cervantes shows its http://www.stevenestrella.com/composers/cervantesessay.html

IGNACIO CERVANTES: PIANO DANCER by Glenn Jenks The music of Cuban composer Ignacio Cervantes (1847-1905) is almost entirely unknown in this country today. Despite the fact that he was published in both London and New York, his work has slipped beneath the radar of the academic community and scarcely ever gets programmed on the concert stage. The issue here is not an aesthetic one. Even a cursory examination of Cervantes' piano music reveals a composer comfortable in his craft, with a strong sense of musical propriety and an enviable melodic gift. Cuban musicologists hit their highest notes singing his praises, his genius eclipsed only by Ernesto Lecuona in the 20th century. Cervantes studied with the famous Cuban pianist Nicolas Espadero when he was a young boy. Espadero considered him his prize pupil, and when Louis Moreau Gottschalk visited Cuba the proud teacher introduced the two. Gottschalk took him on as a student, and later arranged for the young Cervantes to study with Antoine Francois Marmontel and Charles Alkan at the Paris Conservatoire. In Paris, Cervantes enjoyed much success, and in 1866 won first prize in a piano competition adjudicated by Daniel Auber and Charles Gounod, among others, for his performance of Heinrich Herz' Fifth Piano Concerto.

2. Cervantes, Ignacio Cuban student of Gottschalk and Alkan wrote the opera "Maledetto " a scherzo capriccioso for orchestra, and the piano suite "Danzas Cubanas." Link to recordings. cervantes, ignacio. cervantes, ignacio. Period Romantic the United States and Mexico as a concert pianist. Please see the excellent article on cervantes contributed by Glenn http://www.stevenestrella.com/composers/composerfiles/cervantes1905.html

Cervantes, Ignacio Cervantes, Ignacio Period: Romantic Born: Saturday, July 31, 1847 in Havana, Cuba Died: Saturday, April 29, 1905 in Havana, Cuba Nation of Origin: Cuba CLICK HERE for CDs of this composer. CLICK HERE for Books about this composer. CLICK HERE for Sheet Music by this composer. Major Works: Maledetto (an opera from 1895) Scherzo capriccioso (an orchestral piece from 1886) Danzas Cubanas (a suite for pianoforte) Other Information: Ignacio Cervantes is an important figure in Cuban music history. Cervantes was among the first to use native Cuban rhythms and idioms in concert music. Cervantes studied piano with the American virtuoso and composer, Louis Gottschalk. He also studied at the Paris Conservatoire where he studied with Marmontel and Alkan. He then returned to Havana to teach and perform. He toured the United States and Mexico as a concert pianist. Please see the excellent article on Cervantes contributed by Glenn Jenks complete with audio and analytical examples. Essay contributed by: Glenn Jenks General Bibliography: Blume, Friedrich, with M. D. Norton (Translator) and Herter Norton (Translator)

3. Marcel Worms - Pianist ignacio cervantes 6 Danzas cubanas De Cubaanse componist en pianist ignacio cervantes- een van de grondleggers van de http://www.euronet.nl/~mrworms/toelichting6.html

BLUESPROJECT MARCEL WORMS: NEW BLUES FOR PIANO

4. Music, Portrait Of A Nation. the Cuban flavor and grace that this creole lady represents. cervantes, ignacio. pianist/COMPOSER. Havana 1847 1905. http://www.cubanet.org/lee/indexc_d.html

Music - Profiles and Sounds CARBONELL, LUIS. Spoken Word Performer and Pianist. Santiago, 1923. Begins reciting poetry on a radio station in Santiago, where he also performs as an accompanying pianist. He has several recordings of afro-cuban poetry and vignettes. Among his most popular pieces are Y Tu Abuela A'onde Eta...Los Quince de Florita...En el Ultimo Cuarto Hay Son. CARLES, MAGGIE. SINGER. Havana, 1947. Sings primarily rock ballads. She has appeared in television, radio and concerts. Sought exile in Miami in the early 1990s where she currently resides and continues performing. CABRISAS-FARACH. DUO, SINGERS. Comprised of Irene Farach - Caibarien, and Jesus Cabrisas - Matanzas. Began performing in the 1950s in Havana and quickly began performing on television and radio as well as prodiucing recordings. Their repertoire was built around the traditional Cuban troubadour style. Their harmonizing and accompanying guitars readily identifies them. CABEL, RENE. SINGER. Havana, 1914. His real name is Rene Cabezas. He debuted in the 30s performing mainly boleros, accompanied by the Hermanos Castro band. He also performed in concerts presented by Ernesto Lecuona. He left cuba for Colombia in 1964. CAMPESINO GROUP.

5. Album De Fotos 3 Ana cervantes, pianist due to the generosity of their president, the fine pianist Andreas Werts. Washington, DC; Minister ignacio Durán, director of the Instituto; cervantes; Marcela Rodríguez; Deborah http://www.cervantespiano.com/Ana_s_Scrapbook/Album_de_Fotos_3/album_de_fotos_3.

6. Cuba Chévere Chispa' is a descendant of the great pianist and composer ignacio cervantes Kawanagh who had a decisive influence on the http://www.musica-cubana.net/en_Chispa_y_Los_Complices.htm

Deutsch Español ARTISTS BOOKING ... TITLES EUROPIAN TOUR '03 `IMPRESSIONS` MODEM / ISDN real player windows media DSL / CABLE real player windows media A talented musician, as well as arranging and composing music, Ignacio R. Cervantes (El Chispa) is director of the band LOS COMPLICES. I.R.C. 'El Chispa' is a descendant of the great pianist and composer Ignacio Cervantes Kawanagh who had a decisive influence on the history of Cuban music. I.R.C. 'El Chispa' graduated from the Centro National de la Musica in Cuba with a degree qualifying him to teach music theory and performance He taught bass at the National School of Arts (E.N.A.) and is currently on their examinations board. At the end of 1998, after many years of working as a composer, arranger/bass player and musical director - including with Rojitas y su Orquestra - he decided to form his own band.

7. Invitation To The Danza, Music Of Ignacio Cervantes, Ernesto Nazareth And Other ignacio cervantes, Ernesto Nazareth, Frank French, Hal Isbitz and Glenn Jenks. isplayed brilliantly by ragtime and classical composer / pianist Glenn Jenks. http://www.viridianaproductions.com/invitation.htm

previous next INVITATION TO THE DANZA A collection of pieces by Ignacio Cervantes Ernesto Nazareth, Frank French, Hal Isbitz and Glenn Jenks This collection of danzas, waltzes, Terra Verde and other syncopated specialties is played brilliantly by ragtime and classical composer / pianist Glenn Jenks . A delightful blend of Latin-American and romantic piano sensibilities, of old and new music, Invitation to the Danza represents the eleventh release of new World Piano Music from Viridiana. SELECTIONS Nine Danzas by Cervantes 1. No Me Toques (Don't Touch Me) 2. "Pst!" (The Whisper)

8. PROGRAM NOTES CD 1. IGNACIO CER V ANTES KA W ANAGH (Cuba, 1847-1905) PROGRAM NOT tangogeschiedenis, zoals Osvaldo Pugliese en Horacio Salgan waren, behalve orkestleider . ook pianist. (19021972) - Tango (1927). 9. ignacio cervantes Kawanagh (1847-1905) - 6 Danzas http://www.sunflute.com/Triangulo/cds_files/cd%20program%20notes.pdf

9. Marcel Worms - Pianist zoals Osvaldo Pugliese en Horacio Salgan waren, behalve orkestleider, ook pianist. StefanWolpe (19021972) - Tango (1927) 9. ignacio cervantes Kawanagh (1847 http://www.euronet.nl/~mrworms/discografie.html

D I S C O G R A F I E Alle hierna genoemde cd's zijn in de winkel te verkrijgen. De cd's: 'Jean Wiéner - Works for piano' en 'Pictures at a Van Gogh Exhibition' zijn ook direct te bestellen door middel van een e-mail Tangos for Piano from Latin America and Europe (BVHAAST 0702) Download hier 'A fuego lento' van Horacio Salgan (MP3, 504 KB) Het repertoire op deze CD plaatst tango's uit Zuid-Amerika (het continent waar de dans ontstond) naast en tegenover tango's, die Europese componisten aan het begin van de twintigste eeuw begonnen te schrijven zodra de tangomuziek Europa bereikt had. De piano is vrijwel vanaf het begin een belangrijk instrument in het tango-ensemble geweest en vele grootheden uit de tangogeschiedenis, zoals Osvaldo Pugliese en Horacio Salgan waren, behalve orkestleider, ook pianist. 1. Igor Stravinsky (1882-1971) - Tango (1940) 2. Horacio Salgan (1916) - A fuego lento (1953) 4. Isaac Albeniz (1860-1909) -Tango - transcriptie Leopold Godowsky (1890) 2:48 6. Kurt Weill (1900-1950) - 'Tango-Ballade' uit Dreigroschen opera

10. Excite France - Répertoire - Pianists 14) Brendel, Alfred ( 3) Busoni, Ferruccio Benvenuto@ ( 11) cervantes, ignacio@ (2) Chopin Young Albanian pianist living in London, the site includes biography http://www.excite.fr/directory/Arts/Music/Instruments/Keyboard/Piano/Pianists

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11. Excite Italia - Cartoline Busoni, Ferruccio Benvenuto@ ( 11). cervantes, ignacio@ ( 2). Chopin, Frederic@ ( 1 16) Spanish pianist's personal home page. http// www. http://www.bluemountains.it/directory/Arts/Music/Instruments/Keyboard/Piano/Pian

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12. Vindex, De Vindplaats Van Het Nederlandse Web Brendel, Alfred Busoni, Ferruccio Benvenuto@ cervantes, ignacio@ Chopin, Frederic OmschrijvingFrench pianist page with biography, discography, repertoire and http://www.vindex.nl/dir/Arts/Music/Instruments/Keyboard/Piano/Pianists

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13. Recordings Ana cervantes, pianist Later, at the request of another pianist, Olga Gorelli transformed the song into a solo piano piece. Cry Anymore) of the Cuban composer ignacio cervantes. This last dance and the http://www.music.columbia.edu/~roosevlt/cervante/Recordings/recordings.html

Amor de la Danza Affetto Recordings #801 LABEL: John Baker, Affetto Recordings, Lawrenceville, NJ; VOICE: 609.896.4804; FAX: 609.219.0086 Recorded by John C. Baker (live performances by Peter Smith) Edited and mastered by John C. Baker Produced by Ana Cervantes Art-Direction and Design by Pablo Alejandro Medina, MedinaDesign, NY, NY Fonts: Gross created by Jerry Chapleski, Trade Gothic created by Jackson Burke Liner Notes by Brad Garton (Associate Professor, Director of the Electronic Music Center at Columbia University, NY, NY) Translations by Ana Cervantes, Irizelma Robles Álvarez, Roberto Rhett and Adriana Morales " Cervantes is not about purism. She is about passion, and that's what this recording delivers." - Paul Somers, Classical New Jersey Cervantes reveals that she can hold her own against any interpreter of Bach on the piano , [combining] clarity of line with roundness of phrasing her sense of timing lends excitement to the music. The Cuban Dances incorporate the subtle but vivid elasticity that gives authentic Spanish music its tension.

14. The 19th Century - Page 25 Americas. She resumed her career as a pianist in 1889. Hubert De Blanck1856 1932. One death. ignacio cervantes 1847 - 1905. His http://home.prcn.org/~pauld/opera/19cent25.htm

THE 19th. CENTURY - PAGE 25 HOME PAGE 1 PAGE 2 PAGE 3 ... PAGE 25 Louis Moreau Gottschalk was an American composer and pianist. He is known to have composed two operas, though all that survives is a fragment of the second, Charles X . For this work Gottschalk used part of the libretto to I Capuleti e i Montecchi , originally set by Bellini. A frequent visitor to Cuba, Gottschalk conducted at least part of the opera there in 1860. Louis Moreau Gottschalk Walt Whitman Proud Music of the Storm In 1847 the Brooklyn Daily Eagle The lustrous orb, Venus contralto, the blooming mother, Proud Music of the Storm In Canada in the 19th.century most opera was performed by travelling companies, either from the United States or from Europe. Very little original opera was written, with most performances being European works. One noteworthy performance was of Boieldieu's La Dame Blanche The Widow , written for New Orleans, saw a revival in 1976, in Hamilton, Ontario, Even Canada's own Emma Albani, the first Canadian star in the world of opera, was rarely heard in Canada. She brought her company to Montreal's Academy of Music in 1890 and again in 1892. Emma Albani as Violetta in La Traviata Angela Peralta 1845 - 1883 In Mexico much of 19th.century opera was also performed by touring companies. One of these companies was led by the Mexican soprano Angela Peralta. After a debut in Mexico Peralta went to Italy in 1861, for further study. She sang at La Scala and Turin and toured Europe, where she was known as the "Mexican nightingale".

15. Buy A Treasury Of Cuban Piano Classics In Our Simplest-shop.com including a very rare version of another great Cuban pianist of yesteryear In herhands, the apparently simple music of ignacio cervantes is treated with such http://simplest-shop.com/classical/product/85/B000050HYQ/0/1/A%20Treasury%20of%2

...online shopping made easy books cameras computers dvd ... Classical Music A Treasury of Cuban Piano Classics Add to shopping cart Search in all baby books camera classical computer dvd electronics games garden kitchen magazines music software tools toys video FREE shipping Amazon.com offers you FREE* shipping on orders over $25 A Treasury of Cuban Piano Classics Enlarge image 60% Recommended by our customers. Catalog: Music Manufacturer: Release date: 28 November, 2000 Media: Audio CD Artists: Ignacio Cervantes see more Classical Music by Ignacio Cervantes Alejandro Caturla see more Classical Music by Alejandro Caturla Gisela Hernandez see more Classical Music by Gisela Hernandez Ernesto Lecuona see more Classical Music by Ernesto Lecuona Juana Zayas see more Classical Music by Juana Zayas Top stores Description Price amazon.com Availability: Special Order our shop Used offers, as low as... see all used offers our shop ThirdParty new offers, as low as... see all ThirdParty new offers Album tracks: Three Knocks Why? Eh? Don't Touch Me Gone, Never To Return The Wake Weep No More The Charmer Intimate Homage The Message Farewell To Cuba Pst!

16. Buy Two Spheres In Our Simplest-shop.com ignacio cervantes, see more Classical Music by ignacio cervantes. Wonderful Saumelland cervantesHorrific Lecuona This CD presents a Cuban pianist playing Cuban http://simplest-shop.com/classical/product/85/B000005BOQ/0/1/Two%20Spheres.html

...online shopping made easy books cameras computers dvd ... Classical Music Two Spheres Add to shopping cart Search in all baby books camera classical computer dvd electronics games garden kitchen magazines music software tools toys video FREE shipping Amazon.com offers you FREE* shipping on orders over $25 Two Spheres Enlarge image 60% Recommended by our customers. Catalog: Music Manufacturer: Piu Mosso Release date: 29 August, 1996 Media: Audio CD Artists: Manuel Saumell Robredo see more Classical Music by Manuel Saumell Robredo Ignacio Cervantes see more Classical Music by Ignacio Cervantes Ernesto Lecuona see more Classical Music by Ernesto Lecuona Top stores Description Price amazon.com Availability: THIS TITLE IS CURRENTLY NOT AVAILABLE. If you would like to purchase this title, we recommend that you occasionally check this page to see if it has become available. our shop Used offers, as low as... see all used offers Album tracks: Tedezco Pa±uelo de Pepa Ojos de Pepa Recuerdos Tristes Quejas Ni±a Bonita Somat©n Pero Por Qu©? Serenata Cubana Velorio No Bailes M¡s Invitacion Improvisada Tres Golpes Comparsa No Hables M¡s Y la Negra Ballaba Ahi Viene el Chino Danza Negra En Tres Por Quatro Malague±a Product Reviews: An awesome performer This album touched my heart. The artist has a true understanding of cuban music and style. I have never heard Cervantes's Serenata Cubana played so elegantly, beautiful tone and phrasing. His Lecuona is full of rhythm and big tone. In the style of the great masters.

17. GuitarPeople.com - Lessons some of the best composers in Latin America Manuel Saumell, ignacio cervantes, JuanMorel nature soon achieved him recognition as a pianist, organist, cellist http://www.guitarpeople.com/classical/contrdanza.asp

The Contradanza and Danza in Cuba and Puerto Rico by Elias Barreiro During the 19th century the contradanza and the danza developed in the Caribbean, particularly in Cuba and Puerto Rico. Developing with it were some of the best composers in Latin America: Manuel Saumell, Ignacio Cervantes, Juan Morel Campos. Many other composers from throughout the Caribbean, Latin America, and South America had success in composing in these same forms. The origin of the danza is believed to be from England and the word contradanza translates as country dance. However, there is speculation that the danza may have begun in Normandy and then adopted by the English. The contradanza consists of two sections of eight measures which are repeated, for a total of thirty-two measures. The first section is called the paseo or promenade where the people would stroll around the dance floor. The second part is faster and couples would start dancing. This second part is better defined than the first and shows the true character of the danza. The contradanza is written in 2/4 and 6/8 time and belongs to the so-called square dance, a style of dancing where couples collaborate to form diverse figures. The culture of Cuba is a wonderful mixture of Caribbean, Spanish, and African influences, which provides the foundations of Cuba's music. This created an extraordinary and varied culture heritage from which to draw inspiration, creating a unique and rich setting for music. The city of Havana supported Italian Opera, Spanish Zarzuela, theaters, movies, and military bands providing aspiring musicians many opportunities. Spanish contributions to the music of Cuba are melodic and harmonic while the rhythmic African influence supplies it with its most distinct traits.

18. Wanadoo Translate this page The 32 pianist in performance of The Goldberg Variations by JS Bach WednesdayMay 9th 2001. US Première. ignacio cervantes, 1847-1905, Three Cuban Danses. http://perso.wanadoo.fr/pradel/gomez.htm

Attention La page est inconnue du serveur des Pages Perso Wanadoo. Retour Assistance Publicité

19. Music, Portrait Of A Nation. band of Havana, where made great contributions to the Cuban musicIn 1929 foundedthe Orquesta ignacio cervantes . Composer, pianist and orquestra director. http://www.cubanet.org/lee/indexr_s.html

Music - Profiles and Sounds REINOSO, AURELIA SINGER. Havana, 10-5-1924 1-4-1985. Started singing on radio stations. For several years was a member of quartet 'Orlando de la Rosa'. As a soloist toured Latin America and the US. He performed on theater and on TV. REMOLA, MARIA. SOPRANO. Spain, 12-7-1930. Moved to Cuba in 1952. A major soloist in a number of Spanish operettas, such as the 'Do¤a Francisquita'. Has performed over Europe, Asia and Latin America. RIVERA, PAQUITO. Saxophonist, composer and director. 6-4-1948. One of the best jazz musician in the world. Played saxophone since childhood. In 1973 co-founded the group "Iraquere". Has recorded several records alongside great other performers. In 1980 defected to the US. RODRIGUEZ, ARSENIO. Composer and "tres"-guitar player. Matanzas, 8-30-1911-L.A. California, 12-31-1971. Started playing son since his adolescence. In 1940 reached popularity with his group "El Ciego Maravilloso", (the wonderfull blind) since he lost his sight at 13. His real name was Ignacio Loyola Rodriguez. In the late 50's moved to New York and founded the "Cubanisimo" group, and wrote songs like "Triste Lucha, Matanzas, Tumba palo cocuye, Zenaida," etc. RODRIGUEZ, OSVALDO.

20. Recording Review: Cuban Piano Masters Cuban composers Manuel Saumell, ignacio cervantes, Antonio María Romeu and ErnestoLecuona. Enter Frank Emilio Flynn, the blind master pianist who apprenticed http://www.rootsworld.com/reviews/cubanpiano.html

Three Generations of Cuban Piano Michael Stone looks in on some keyboard masters Frank Emilio Flynn y sus Amigos Milan Latino 35791-2 Frank Emilio Flynn Ancestral Reflections / Reflejos Ancestrales Blue Note 98918 Jesús "Chucho" Valdés Briyumba Palo Congo: Religion of the Congo Blue Note 98917 Gonzalo Rubalcaba Inner Voyage Blue Note 99241 (www.bluenote.com) The interaction between Cuban and North American music has a long history, one that began in New Orleans. In the mid-nineteenth century, Crescent City pianist and composer Louis Moreau Gottschalk traveled throughout the Caribbean, freely incorporating into his compositions the melodies and rhythms of the region's diverse musical traditions ( Louis Moreau Gottschalk , Smithsonian Folkways SF40803). By the 1870s, the habanera bass line, an essential stylistic feature of the Cuban contradanza , was gaining popularity as the first major Latin influence on North American music. First linked via the transatlantic slave trade, as major Caribbean ports separated by a mere 650 miles, Havana and New Orleans swapped musicians, touring acts, instruments and sheet music in a process of cultural exchange extended by twentieth-century recording technology, radio broadcasting and the record business. U.S. firms began recording in Havana in 1906, and many sides found their way north long before the first New Orleans recording sessions in 1923. Of course, ragtime and early jazz were steeped in a Caribbean gumbo as well. Jelly Roll Morton built in

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