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         Dogon Indigenous Peoples Africa:     more detail
  1. Dogon: Africa's People of the Cliffs by Walter E.A. Vanbeek, 2001-05-01
  2. Dogon by Bedaux, 2004-01
  3. Sacred Symbols of the Dogon: The Key to Advanced Science in the Ancient Egyptian Hieroglyphs by Laird Scranton, 2007-10-12

61. African Studies - History And Cultures
and continuing development of Uganda's indigenous art forms Dxeriku, Hambukushu, Wayeyi,and Xanekwe peoples. Paradise Visualizing Islam in West africa and the
http://www.columbia.edu/cu/lweb/indiv/africa/cuvl/cult.html
History and Cultures of Africa
A B C D ... Sights and Sounds of a Continent (University of Wisconsin-Madison Libraries and African Studies Program, Madison, Wisconsin)
    Under construction: Downloadable images, sound files, and other materials on Africa. "This online collection ... contains digitized visual images and sounds of Africa contributed over the years to the African Studies Program of the University of Wisconsin-Madison."

  • Africa Forum (H-Africa, H-Net Humanities and Social Sciences OnLine, Michigan State University, East Lansing, Michigan.)
    • The full text article reprinted from History in Africa. 22 (1995): 369-408.
  • "History facing the present: an interview with Jan Vansina" (November 2001) and Reply by Jean-Luc Vellut
  • "Photography and colonial vision," by Paul S. Landau (May 19, 1999, Dept. of History, Yale University, New Haven, Connecticut)
      Excerpt from "The visual image in Africa: an introduction" in Images and empires: visuality in colonial and post-colonial Africa, ed. by Paul S. Landau and Deborah Kaspin.
  • H-Africa Africa Forum Home Page
  • H-Africa Network Home Page
  • Africa's 100 Best Books (Zimbabwe International Book Fair, Harare; via Columbia University)
  • 62. Atlantic Social Studies Curriculum Grade 6
    610, indigenous peoples of North America. 7-12, The Heritage Library of Africanpeoples. Asante, Boateng, 0-8239-1975-7, $30.65. dogon, Azuonye, 0-8239-1976-5,$30.65.
    http://www.saundersbook.ca/curriculum/atlantic_soc_6.html
    Serving School and Public Libraries For Over 35 years
    Back To Atlantic Curriculum
    Atlantic Social Studies Curriculum Grade 6 Curriculum Area R. L. Series Title / Book Title Author ISBN List Price Grade 6 Unit 1: Roots of Culture: Canada Artisans Around the World North America Tull Canadian History New France and the Fur Trade Baldwin Indigenous Peoples of North America The Iroquois Bjornlund Native Americans of the Northwest Coast Jones Native Americans of the Northeast Kallen People Who Made History Native Americans Hook Modern Nations of the World Canada Grabowski Grade 6 Unit 2: Expressions of Culture: West Africa The Library of African American Arts and Culture African American Quilting Greg C. Wilson

    63. CMAC Performing And Visual Arts
    Meet the dogon people, an isolated indigenous group who to benefit and support theindigenous communities of Committee to Support the Native peoples of Mexico
    http://www.cmacusa.org/Past Performing Arts.htm
    Cambridge Multicultural Arts Center
    Calendar of Events

    on Race Series
    Galleries Performing Arts ... Home Performing Arts - Arts Access Program Dead Cat Bounce
    Friday, May 17, 8:00 pm
    Tickets: $12/$10 CMAC members, students, seniors

    Winner of the 2001 Boston Phoenix Best Music Poll in the Best Local Jazz Act category. Matt Steckler, Bill Carbone, Felipe Salles, Garrett Sayers, Jason Hunter, Gary Wicks, Drew Sayers and Charlie Kohlhase make their first appearance at CMAC, with a concert that aims to please both avid jazz and world music listeners as well as music lovers who just enjoy good music, and who don't rely on traditional musical categories and labels when seeking a great night of music. A Trek Through Dogon Country in Mali
    Friday, May 31, 7:00 pm
    Tickets: $5 donation is encouraged

    A slide lecture by award-winning photographer Don Gurewitz is a much requested follow-up to his February exhibit at CMAC "West Africa: A Glimpse of Traditional Life in Mali." Join us for a hike along the desolate and wildly beautiful Bandiagara Escarpment of the Sahel region of Mali. Meet the Dogon people, an isolated indigenous group who still live by their ancient beliefs and customs, in tiny mud and thatch villages above and below a rugged towering 1,000 foot cliff. They eke out a living as farmers and maintain the social structure and work castes of their ancestors, whose abandoned cliff dwellings dot the cliff face.

    64. Sub-Saharan Africa
    a land of diverse ethnic composition, including the indigenous Pygmy peoples andthe Bantu speaking peoples moving in from West Central africa about a 1,000
    http://edtech.suhsd.k12.ca.us/inprogress/bvm/chenson/africa.htm

    65. Overland Club : Africa
    The dogon used to live in caves on the where the vegetation supports many smallerindigenous animal species However most peoples memory of Yankari are the days
    http://www.overlandclub.com/africa/ukc_itin.htm
    UK TO CAPE TOWN
    Duration:
    26-28 weeks
    Price: UK to Cape Town (28 weeks)
    10 Nov - 25 May 2004 Or UK to Nairobi (22 weeks) 10 Nov - 13 April 2004 AFRICA ALL THE WAY
    26 or 28 Weeks

    Morocco, Mauritania, Mali, Burkina Faso, Ghana, Togo, Benin, Nigeria, Chad, Sudan, Ethiopia, Kenya, Uganda, Tanzania, Zanzibar, Malawi, Mozambique, Zimbabwe, Botswana, Namibia, South Africa. Weeks 1
    Europe

    Assembly point in the England will be the port terminal in Portsmouth. It is from here that we will take the evening crossing to Cherbourg France, disembarking the next day in the morning. We have no fixed itinerary through France and Spain to Morocco the idea is to cover this distance in a week. We will however make a point of stopping at the Rock of Gibraltar for a day to purchase those last minute duty free items before crossing the Gibraltar Straits from Algeciras to Ceuta the Spanish enclave on mainland Africa. During these first few days we have the time to get to know each other.
    Weeks 2 - 3
    Morocco
    Weeks 4 - 5 Mauritania

    66. California Newsreel | Taafe Fanga (Skirt Power)
    Ideas and Social Values of African peoples, edited by semihistorical human descendants,the indigenous, cave-dwelling Tellem; the dogon who invaded
    http://www.newsreel.org/films/taafefan.htm
    Taafe Fanga (Skirt Power)
    Director Adama Drabo has devised a gender-bending farce set among the 18th Century Dogon to make some serious points about the status of women in Africa today. This proleptic tale about a comic revolution in which women's and men's roles are reversed was, in part, inspired by the actual role women played in Mali's 1991 revolution. Drabo surprisingly found the germ for his domestic comedy from a program on Dogon mythology he heard over Malian radio. He then wrote a script which provides a stunning illustration of Marcel Griaule's observation that, "In the Dogon system of myth, social life must reflect the working of the universe, and conversely, the world order depends on the proper ordering of society." (Griaule, Marcel and Germaine Dieterlen 1954 "The Dogon", in African Worlds: Studies in the Cosmological Ideas and Social Values of African Peoples, edited by Daryll Forde, P. 83.) Therefore Taafe Fanga 's story of sexual politics in a Dogon village necessarily involves the interpenetration of cosmogeny, history and the still unfolding present. The Dogon believe that all difference in the universe began with the splitting of the primal fonio seed into an ever-expanding spiral of space-time which can only be held together by a careful balancing or "twinning" of opposing energies. In

    67. Art/Auctions: Arts Of Africa, Oceania And The Americas At Sotheby's, May 19, 200
    2 is a thin New Guinea, Bungain peoples mask of a less complex but still impressiveDogon figure of large circular leather ear flaps with indigenous restoration
    http://www.thecityreview.com/s01stamp.html
    Arts of Africa, Oceania and the Americas Sotheby's Saturday, May 19, 2001, 10:15AM Sale 7659 By Carter B. Horsley This season Sotheby's has combined its Tribal Art, American Indian Art and Pre-Columbian Art auctions into one catalogue. The 87 lots of Oceanic Art start the auction at 10:15AM, Saturday, May 19, 2001, followed by 159 lots of the arts of Africa. The afternoon session, which starts at 2PM, will begin with 27 lots of American Indian Art, the smallest number in many seasons, followed by 148 lots of Pre-Columbian Art. While the sale recorded some good prices, only 75.66 percent of the 419 offered lots sold fora total of $6,767,745 including the buyer's premiums. Oceanic Art The Oceanic section of this auction has many fine works included a superb canoe prow, a fine canoe splash board, a wonderful dance paddle, an excellent gope board, a nice "pig killer," a fine ancestor plaque, and some good masks. Lot 38, canoe prow, 83 inches long, Geelvink Bay, Irian Jaya The canoe prow, shown, above, Lot 38, comes from the Geelvink Bay in Irian Jaya and measures 83 inches in length and has a conservative estimate of $60,000 to $90,000. It sold for $55, 375 including the buyer's premium as do all results mentioned in this article.

    68. Traditional Storytelling-Contents
    The dogon Creation Story Chukwumu Azuonye. Women’s Stories Among indigenous Peoplesof the Russian Far East Kira Van Deusen. Middle East and North africa.
    http://www.fitzroydearborn.com/Contents/StoryCnts.htm
    Fitzroy Dearborn Publishers Home Latest News Publications Awards ... Contact us

    Traditional Storytelling Today
    An International Sourcebook
    Contributing Editors
    John H. McDowell Linda Dégh Barre Toelken
    LIST OF ENTRIES AND CONTRIBUTORS Subsaharan Africa

    Stephen Belcher
    Central African Epics
    Stephen Belcher To Make Our World a Gentler, More Compassionate World
    Raouf Mama The Fulani Epics
    Christiane Seydou The Ga Folktale: Context, Themes, and Techniques
    Abu Shardow Abarry The Igbo Folk Epic
    Chukwuma Azuonye Igbo Stories and Storytelling
    Chukwuma Azuonye The Meaning of the "Meaningless" Refrain in Igbo Folk Songs and Storytelling Events Chukwuma Azuonye The Dogon Creation Story Chukwumu Azuonye The Storytelling Event Among the Igede of Nigeria Ode Ogede Megan Biesele Storytelling: A Thread of Life Within the Kamba Community Vincent Muli Wa Kituku Narrative Performance in a Changing World: The Case of the "Storytellers" in Kenya Ezekiel B. Alembi The Meditation of Time, the Wisdom of the Teller, the Void of the World Sory Camara Asia The Chantefable Tradition of Suzhou Mark Bender Antiphonal Epics of the Miao (Hmong) of Guizhou, China

    69. Africans Art
    by native and nonnative peoples moved into the indigenous terminology used duringthe event related the The first ancestral blacksmith in dogon mythology (Mali
    http://www.webzinemaker.net/africans-art/index.php3?action=page&id_art=363

    70. Learning From Architecture
    Reading Labelle Prussin, An Introduction to indigenous African Architecture tothe architecture of the dogon, Ashanti, Hausa, and Yoruba peoples.
    http://www.pitt.edu/~tokerism/0040/syl/learning.html
    LEARNING FROM ARCHITECTURE, II: WHAT ONLY HISTORY CAN DETERMINE
    Recommended Reading: Labelle Prussin, "An Introduction to Indigenous African Architecture," Journal of the Society of Architectural Historians 33 (1974):183-194, and 205; and Suzanne Preston Blier, "Houses are Human: Architectural Self-Images of Africa's Tamberma," JSAH 42 (1983): 371382. (Both on reserve).
    Other sources: Frank Willett, "African Architecture"in African Art, chap. 4, pp. 115-137; Julius Gl¸ck, "African Architecture," in Douglas Fras, ed., The many Faces of Primitive Art: A Critical Anthology, Englewood Cliffs NJ, 1966.
    Lecture abstract : This week's lecture and section meeting are devoted to issues of method and practice in architectural history. We look at "ordinary" architecture in Africa, both to learn about one of the world's oldest and richest architectural traditionsalmost the only one that still survives from the dawn of human historyand to apply the same methodology that will are using to understand the Frick Fine Arts Building.
    African architecture works on a traditional village scale, rather than following global architectural styles: the representative works chosen for today may lead us to some root concepts of African style. It is difficult to look at architecture in Africa and to hope to cover the entire continent: my personal experience has been with traditional architecture in East Africa, among the Geriyama, but the literature is massively slanted to West Africa, especially to the architecture of the Dogon, Ashanti, Hausa, and Yoruba peoples. This literature is indeed informative, but only regionally. Trying to use it to discuss all of Africa would be like using Taos Pueblo in New Mexico as representative of all American housing.

    71. Who Are We?
    connection with many of the indigenous and tribal The Sirians Other tribal peopleswho's existence predates recorded history, like the dogon of africa
    http://members.tripod.com/channeling/et_s__star_knowledge__and_contact___m.htm
    Who Are We? We are a part of The Great Awakening of Humanity, Your Earth and This Universe.
    We are not here to save you. You can do that quite well Yourselves.
    We are here to assist you in believing in Yourselves, enough to Come Home. Not to flee your world, but to see A New World Now Being Born
    Out of the Power and Beauty of Your Love. We are here to remind you of Who You Truly Are.
    You Are Love. The Pleiadians
    WHO ARE THE PLEIADIANS?
    Introduction:
    My Adventures With The "P's"
    Even after 8 years
    as a channel for them, and in Service to the Light with them, I am still learning more all the time, about who and what the Pleiadians exactly are. They came into my life, after 5 years of studying with other channeled teachers. (See My Journey Their presence in my life was totally unexpected, and has been dramatically empowering, deeply challenging, profoundly healing, and lots of fun!
    My Guides They have been My Guides, who come to me as an Energy, and Feeling, of Love and Support. Whenever I focus on them, they are there. I've never seen them, or met them, in the Physical or even in Dreams, that I can recall, except through their blending with my own consciousness during channelings.
    Greatest Gift Their "Energy"

    72. African
    text on ancient Nubia, the Kushites, and the pervasive african and indigenousIndian influences on 20, peoples and Cultures of africa. 24, The dogon Village.
    http://www.ad.com/Society/Ethnicity/African/
    search
    Top
    Categories:
    Africa Focus: Sights and Sounds of a Continent Images and sound files from dozens of African countries.
    Category: Society > Ethnicity > African
    http://africafocus.library.wisc.edu/
    Africa Online
    information source for Africa
    Category: Society > Ethnicity > African
    http://www.africaonline.com/ African Community International Center An international membership organization focusing on Africa, her people, resources and relationship with the rest of the world. Category: Society > Ethnicity > African http://www.africancommunity.net/ African Diaspora Links A listing of internet sites of the African Diaspora. Category: Society > Ethnicity > African http://www.diasporalinks.com/ African Lovemix Personals Ads Category: Society > Ethnicity > African http://www.lovemix.com/africanpersonals.htm African Village General articles and links for business owners. Category: Society > Ethnicity > African http://www.africanvillage.com/ african-tips.com Lists of african-related events submitted by site users. Category: Society > Ethnicity > African http://www.african-tips.com/

    73. Africa
    local Malian inhabitants in the dogon, a Bamana the warrior tradition of indigenousAfrica, the Jihad beliefs, and accomplishments of the peoples who inhabited
    http://northonline.sccd.ctc.edu/pwebpaz/Media/SubjAfrica.htm
    Media Center
    Video and Film Catalog
    By Subject Africa
    See also:
    African Americans
    African Art
    [VHS 1305] 1995 Public Media Home Vision
    1/2" video Color 1 cass., 47 min.
    Introduces noted experts who explain the importance of reappraising African art within its own cultural context. Then local Malian inhabitants in the Dogon, a Bamana village, and the walled city of Djenne comment on the function of art and the role of the artist in their society. African Diary: Reflections of John H. Clarke
    [VHS 677] 1991 Wa'set Educational Productions
    1/2" video Color 1 cass., 109 min.
    John H. Clarke discusses his perceptions of African history. He offers positive information about African civilizations and traditions. The Africans, a Triple Heritage, #1: The Nature of a Continent [VHS 325] 1986 WETA-TV; Annenberg/CPB Project 1/2" video Color 1 cass., 58 min. Ali A. Mazrui examines Africa as the birthplace of humankind and discusses the impact of geography on African history. Discusses the role of the Nile as the birthplace of civilization and the introduction of Islam to Africa. The Africans, a Triple Heritage, #2: A Legacy of Lifestyles

    74. Kritische Traditionen: Afrika Review Of U. Lölke's Book By H. Kimmerle
    the Luo, Kisii, Gikuyu and Meru peoples, and K sage of Bandiagara, the capital ofthe dogon area in that they are done in African indigenous languages, although
    http://home.concepts-ict.nl/~kimmerle/text6rez.htm
    INTERCULTURAL PHILOSOPHY AND ART(IFK) Review of U. Loelke's book by H. Kimmerle Kritische Traditionen: Afrika. Philosophie als Ort der Dekolonisation , by Ulrich Lölke. Frankfurt/M.: IKO – Verlag für Interkulturelle Kommunikation, 2001, 250 pp., ISBN 3-88939-552-X The book of Lölke has served as a PhD-thesis at the University of Düsseldorf in 1999. It is a remarkable fact that his dissertation on ‘African philosophy’ has been accepted at this university. For, it was Prof. Alwin Diemer who introduced this subject to the international philosophical discourse when he organized the 16 th World Congress of Philosophy at the University of Düsseldorf in 1978. At this congress he arranged for the first time a symposium on ‘Philosophy in the present situation of Africa’. Nine African philosophers participated in this symposium. Five years later he called together a much larger number of African philosophers to discuss the subject ‘Africa and the problem of its identity’. Since 1978 the World Congresses of Philosophy are an important forum for African philosophers.

    75. African Art. The Columbia Encyclopedia, Sixth Edition. 2001
    is limited to the works of the peoples of W of the people’s sedentary lifestyles)in indigenous art The figures of the dogon tribe of central Mali stress the
    http://www.bartleby.com/65/af/Africana.html
    Select Search All Bartleby.com All Reference Columbia Encyclopedia World History Encyclopedia World Factbook Columbia Gazetteer American Heritage Coll. Dictionary Roget's Thesauri Roget's II: Thesaurus Roget's Int'l Thesaurus Quotations Bartlett's Quotations Columbia Quotations Simpson's Quotations English Usage Modern Usage American English Fowler's King's English Strunk's Style Mencken's Language Cambridge History The King James Bible Oxford Shakespeare Gray's Anatomy Farmer's Cookbook Post's Etiquette Bulfinch's Mythology Frazer's Golden Bough All Verse Anthologies Dickinson, E. Eliot, T.S. Frost, R. Hopkins, G.M. Keats, J. Lawrence, D.H. Masters, E.L. Sandburg, C. Sassoon, S. Whitman, W. Wordsworth, W. Yeats, W.B. All Nonfiction Harvard Classics American Essays Einstein's Relativity Grant, U.S. Roosevelt, T. Wells's History Presidential Inaugurals All Fiction Shelf of Fiction Ghost Stories Short Stories Shaw, G.B. Stein, G. Stevenson, R.L. Wells, H.G. Reference Columbia Encyclopedia PREVIOUS NEXT ... BIBLIOGRAPHIC RECORD The Columbia Encyclopedia, Sixth Edition. African art art created by the peoples south of the Sahara.

    76. Review: Deconstructing "Matriarchal Myth"
    It has also been leveled at indigenous accounts of European conquest and Such traditionshave been recorded among Australian peoples, the dogon and Mende
    http://www.suppressedhistories.net/articles/eller3.html
    Deconstructing "Matriarchal Myth" The outlines of the book's critique will be familiar to any well-read person. Feminists have invented a "golden age," a utopian narrative fantasizing a time when women were free. Eller calls it "a universalizing story: once things were good, everywhere; now they are bad" an account based on dualistic thinking and "a reductive notion" of who women and men are. (Wait, which is the reductive idea: that women have always been subordinate and men dominant; or that other models have existed in human society, and that even patriarchal societies show a significant range in the degree of domination?) Eller scolds that theories for the cause of patriarchy "tend to find fault with men," who are described as awful and wicked. But elsewhere we are told that "narrators of the myth are generally reluctant to blame men..." It's enough to give you whiplash. The Myth seems to admonish that the issue of identity under oppression should not be engaged directly. To speak of groups with common history comes too close to "essentialism." On those terms, it's hard to see how to stop the dominant groups' ideologies from continuing to define reality. As Chris Brickell comments, "the term 'essentialism' has become something of an epithet," even a term of abuse. ["Radically Speaking! A Reply to Alison Jones,"

    77. Department Of African-American Studies Courses
    such as the Yoruba and the dogon of Mali Various religions among African peoples inthe Diaspora times to the present, including indigenous African civilizations
    http://www.gsu.edu/~wwwaad/courses.htm
    Department of African-American Studies
    Home
    Newsletter Programs Courses ... Site Map
    Course Descriptions
    Note: The total semester hours of credit for each course are shown in parentheses immediately following the course title. (Taken from the Undergraduate Catalog, 2000-2001 , page 203.) AAS 1140 Introduction to African and African-American History and Culture. (3)
    (Same as HIST 1140).
    View Course Syllabus

    African history and culture, the coming of Africans to the Americas and the development of African-American culture.
    AAS 2010. Introduction to African-American Studies.
    View Course Syllabus
    Intellectual and social origins of African-American Studies. Key concepts, themes, and theories of the discipline.
    AAS 3000. African-American Family
    (Same as Soci 3162.)
    View Course Syllabus
    Contemporary theories and research of the African-American family. AAS 3050. Introduction to African-American Psychology (Same as Psyc 3520.) Prerequisites: AAS 2010 or AAS/Hist 1140; Psyc 1010. Examination of theory and research pertaining to African-American psychology. Special emphasis on the Afrocentric perspective.

    78. Department Of African-American Studies @ Georgia State University
    political and belief systems of the indigenous and mixed cosmology and religionsamong various African peoples such as the Yoruba, and the dogon of Mali.
    http://www.gsu.edu/~aadbsf/index2.htm
    Department of African-American Studies
    Academic Excellence and Social Responsibility
    Georgia State University
    The African American Studies Major
    The Department of African-American Studies was founded in 1994. African-American Studies offers an interdisciplinary approach to the study of African people nationally and globally. It recognizes how issues and factors in addition to race affect the lives of African people worldwide. As an interdisciplinary field of concentration, it offers critiques of knowledge presented in traditional disciplines and professions, scholarly and artistic accounts of realities of the lives of African-American, and perspectives on social change. The Department of African-American Studies provides students with the intellectual origins, concepts, research, and models of disciplines, the knowledge and skills necessary for the study of group cultures, and a curriculum that contributes to the goals of multicultural education. Faculty and courses are drawn from the department itself and from other departments/schools/institutes in the university. Presently, the Department of African-American Studies offers the Bachelor of Arts degree and a minor in African-American Studies.

    79. Research
    The dogon Village Provides links to resources for the pervasive african and indigenousIndian influences on peoples and Cultures of africa - Provides insight
    http://www.anthro.net/cgi-anthro/directory.cgi?dir=/Society/Ethnicity/African/

    80. MUST READING IN AFRICAN
    foundations laid down by the Black peoples of africa but what it was an indigenousblack african with Ogotemmeli An Introduction to dogon Religious Ideas
    http://dimensionsnews.com/READINGS1.htm
    (Editor's note This is part one of a two part compilation of 200 books for serious readers and others in search of information from credible and credentialed historians, scholars and others addressing the black experience from various perspectives.) It is clear after some readings that the world rarely appreciated the magnitude of black peoples' contribution to history and literature. And in history and literature there is nothing more precious or sweeter than the treasures and secrets buried there. In black history one can find sweet joy mingling with the sadness of lost legacies, the horrors of a people who would become nameless, Negroes in America, in search of a past in an Africa that participated in enslaving its own. The idea of history is old, but in old things too are beautiful ideas, passionate and deep struggles reflected in our languages and cultures through which we tell our stories and the truths that knowledge portrays. Afrocentrists, Africanists, Eurocentrists, multiculturalists, integrationists, racists, purists, scholars and readers interested in the black experience will find here some books of intrinsic value, considered a must for your library and research to unearth suppressed truths of black history. Dr. Kwabena F. Ashanti, scholar, author, lecturer and psychologist at North Carolina State University assisted in compiling this advanced level reading list. "I always had an avid interest in history, and as I grew more socially aware, I became conscious of a deep void in the history of our people," Dr. Ashanti said. "For all practical purposes, it seemed barely to exist. I gradually began to understand that it had been so corrupted at the hands of those who have controlled the writing of history as to be hardly recognizable."

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