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         Baga Indigenous Peoples Africa:     more detail

1. Musées Afrique
indigenous Knowledge in South africa . Musée National.Arts de la Guinée baga Aquarelles de Joy Adamson peoples of Kenya .
http://www.unil.ch/gybn/Arts_Peuples/Ex_Africa/ex_Af_musaf.html
MUSEES Afrique Afrique du Sud Angola Botswana Burkina Faso ... Zimbabwe
ou plusieurs oeuvres majeures.
Afrique du Sud
Cape Town
South African National Gallery Government Avenue ma-di 10-17 Arts de la perle / Expositions temporaires Cape Town - Gardens South African Museum 25 Queen Victoria Street lu-di 10-17 terres cuites de Lydenburg San (peintures rupestres), Zimb abwe Tsonga , Khoikhoi, Sotho, Nguni, Shona, Lovedu... Exposition " Ulwazi Lwemvelo - Indigenous Knowledge in South Africa Cape Town - Rosebank University of Cape Town Irma Stern Museum Cecil Road ma-sa 10-17 Arts de Zanzibar et du Congo: Lega, Luba Durban Art Gallery City Hall lu-sa 8.30-16; di 11-16 Durban Local History Museum Aliwal Street East London East London Museum lu-ve 9.30-17; sa 9.30-12 Grahamstown Albany Museum. Natural Sciences and History Museums Somerset Street lu-ve 9-13 / 14-17; sa-di 14-17 Johannesburg MuseuMAfricA Newtown Cultural Precinct
Bree Street
ma-di 9-17 Histoire culturelle de l'Afrique australe. Peintures rupestres (Museum of South African Rock Art)

2. Africa Architect Exposition "Ulwazi Lwemvelo - Indigenous Knowledge In South Afr
The baga peoples. The baga people, 45 000 in total, live along the coast of Guinea Bissau, in They symbolize indigenous animals such as cows, sharks and sword fish and
http://www.africa-architect.com/architect/galerie.htm
"architecte en tunisie"
Pour combiner plusieurs mots, séparez-les par un espace :
architecte en tunisie "entreprise batiment civile "
Find an architect

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aa aa
Galerie
Galery

Afrique Afrique du Sud Angola Bénin Botswana ... Zimbabwe Les ethnies indiquées en rouge sont celles dont les musées possèdent une
ou plusieurs oeuvres majeures. Afrique du Sud
Cape Town
South African National Gallery Government Avenue ma-di 10-17 Arts de la perle / Expositions temporaires Cape Town - Gardens South African Museum 25 Queen Victoria Street lu-di 10-17 Ethnographie et archéologie de l'Afrique australe: terres cuites de Lydenburg San (peintures rupestres), Zimbabwe Tsonga , Khoikhoi, Sotho, Nguni, Shona, Lovedu... Exposition "

3. VADA - Volkeren En Stammen Peoples Tribes B
BAAKA (Afrika - africa). BABANKI (Kameroen - Cameroon) BAFUMBIRA (Oeganda - Uganda). baga (Guinee). bagaNDA (Oeganda - Uganda, Amerika - North America). indigenous peoples in BOLIVIA
http://www.vada.nl/volkenbb.htm

4. Guinea -- Culture Overview
Guinea Culture Overview The Republic of Guinea is located on the coast of West africa, and its people have shared in the long, complex history of that region. areas of the baga and Sousou peoples, who have been a indigenous beehive style in 1730, the mosque represents the adaptability of Muslim institutions to the culture of West africa.
http://expedition.bensenville.lib.il.us/Africa/Guinea/culture.htm
Guinea - Culture Overview The Republic of Guinea is located on the coast of West Africa, and its people have shared in the long, complex history of that region. By the 13th century, many local inhabitants had come under the influence of the Mali Empire, and as the Fula peoples migrated in from the north, they formed their own kingdom in the mountainous area of the country known as the Fouta Djallon. In spite of the stiff resistance put up by Guineans, France made the area an autonomous colony in the 1890s. Embittered by the Guinean desire for independence in 1958, the French withdrew all investment and any goods they could move. The hero of independence, Ahmed Sekou Toure, led the new nation into a political and economic isolation that preserved many cultural traditions, but at the expense of greater development. Since his death in 1984, people are more free to oppose the government but Guineans of different ethnic backgrounds have had difficulty sharing the national patrimony.
Guinea has several distinct regions. Some 20% of the population live in the coastal areas of the Baga and Sousou peoples, who have been a dominant force in the government during the 1990s. In the Fouta Djallon another 40% of the people are the Fula who have always been underrepresented in national affairs. In Upper Guinea, the region of Sekou Toure, some 21% of the people are Malinke, descendents of the Mali Empire. The remaining peoples live in Forested Guinea in several such small groups as the Kissi, Kono, Guerze, and Toma. There is also a small Lebanese population in the cities and several thousand refugees from the conflicts of neighboring countries. French is the official language, taught in the schools since the 1980s, but over 100 local languages are spoken. The vast majority of Guineans are Muslims. There are a handful of Christians in and around the capital, and most of the people in the forested southeast follow animist religions.

5. NA.antiquity.html
to the indigenous tribal structures takes peoples with a pastoral economy. Domestication of the horse gave Mediterranean groups in North africa by king baga, but the largest
http://www.csupomona.edu/~mibrahim/hst.329/NA.antiquity.html
North Africa in Antiquity This theme explores the history and people of North Africa from the earliest times to the arrival of the Muslim Arabs. ReadingBrett: pp. 10-80 Laroui: pp. 15-79 The following is largely based on Brett and Fentress The Berber origins and the early formations of cities and kingdoms demonstrate a problem common in newly formed states, the need for a clear principle of succession. Major problems arise because of the lack of a method of succession and it proves to be their downfall. The attempts to Romanize North Africa though very influential on the culture, eventually fail and after being governed by Carthaginian, Roman, Vandal and then Byzantine governments, a reversion to the indigenous tribal structures takes place. The Origins of the Berbers lies in the Capsian stone industries of the eastern Maghreb or modern southern Tunisia. The Wet period after 7000 BCE allowed for this area to be inhabited by a population composed of various racial elements. The increase in productivity of the land allowed for population growth and a subsequent western expansion. Berber languages are all strikingly similar, suggesting a uniform movement of peoples in a relatively short period of time. Around 3000 BCE contacts with the Mediterranean islands begin and by 1000 BCE North Africa is not very different from the rest of the Western Mediterranean. Most communities were farmers with a strong pastoral element in their economy and fairly elaborate cemeteries. By this time Berber languages were established throughout North Africa but there's no evidence of how this took place. The population at this time is a range of Mediterranean types.

6. MICA | MICA @ A Glance | Quick Facts
in Mande Kinship and Politics in West africa. include French, Portuguese, Krio,Temne, baga, German, and on the Rights of indigenous peoples in Creating
http://www.mica.edu/glance/quickfacts_facultyL_Z.cfm
Faculty L-Z
View Faculty A-K

Kevin Labadie
Painting, Drawing, Foundation
BFA MICA, 1976; MFA, Hoffberger School of Art, 1981
Group shows include "ArtSites '98," a collaborative exhibition; School 33 Gallery and the Corcoran Gallery, 1998; V.A. Nishiogi Gallery, Tokyo, 1995, a two person show; "Powerhouse," installation at Exempla, Munich, Germany. Audio installation, Art in General, NY, 1992; Animated installation, "Vulcan’s Reign," Artists’ Space, NY, 1983. Solo exhibitions include C. Grimaldis Gallery, 1982. Work included in mural installation, Roosevelt Recreation Center, Baltimore, 1988. Grants include Maryland State Arts Council Grants, 1984, 1987; Painted Bride Art Center, New Work Commissions Grant, 1986.
Frederick Lamp
Art History
BS Kent State University, 1967; MA Ohio University, 1971; PhD Yale University, 1982
Ron Lang
Ceramics, General Sculptural Studies

7. Bibliography Of The Mentawai Islands
africa. Rotterdam Ad. Donker. 1952. Pumumuan Sibara ka Buku Pakerekat baga SiburuSamba ka Pakerekat baga Sibau. indigenous peoples of the World Mentawai.
http://www.mentawai.org/bibliog.htm
HOME PAGE: THE ANTHROPOLOGY OF THE MENTAWAI ISLANDS
BIBLIOGRAPHIC RESOURCES FOR THE MENTAWAI ISLANDS List of Documentary Sources
This is a basic list of articles and books, both published works and unpublished manuscripts having the Mentawai islands as their focus, or engaging with them in some capacity. It should be noted that many of these sources can be classified as "popular" literature insofar as they are not written from any identifiable disciplinary outlook in the humanities or social sciences. Much of their content, therefore, is based upon impressions gained by their respective authors in the course of visits of short duration often resulting in superficial "snapshots" of aspects of the societies and cultures at various locations across the islands. This needs to be kept in mind when consulting any of these sources. An exception to this is perhaps the accounts of the early missionaries and colonial officials whose accounts stem from interactions with various local populations that are both qualitative and often extend over long periods of time; these accounts, therefore, contain much useful and interesting information. There also exists a good range of sources dealing with primates. However, these are not included here at this stage (December 2002). The items appearing in this list cover most of the published sources up until the early 1990s, nevertheless it is certain that some unpublished documents have been overlooked. I should also note that many such items have come into existence during the 1990s and are not listed here. Hence this list should be regarded as provisional and merely a place to start a detailed literary exploration of the islands.

8. Tribal Arts And Antiquities From Prehistory To Primitive Cultures.
art of africa, covering the western Sudan, baga and Nalu analysis, the main topicis the indigenous institution of with the last of the exotic peoples of africa
http://www.tribal-arts.com/books.htm
BOOKS AND CATALOGS ORDERING INFORMATION The following books and publications are from my private library, many with my library embossed seal or owner's plate. The following material has been collected over a 35 year period. All sales on books are final. African San Francisco. M.H. de Young Memorial Museum. : The Shape of Belief SOLD Roberts, Mary Nooter and Allen F. Roberts: A Sense of Wonder: African Art from the Faletti Family Collection. ; 1997. Africa, Art, Phoenix Art Museum, 144 pages, chips and tears to wrappers, interior good condition. Many color and b/w photos of African art. Extensive bibliography. US$35.00 Cole, Herbert: Museum of Primitive Art, NY, NY: Gods of Fortune, the Cult of the Hand in Nigeria ; Museum exhibition from 6 March to 8 September 1974. Detailing the styles of the southeastern Nigerian people, including the Ibo (with several examples of Ikenga figures), Igala, Bini and others. 15 pages, 8.5" x 5.5", 23 illustrations and descriptive text. US$3.50 The William Benton Museum of Art, University of Connecticut : The Sign of the Leopard ; Beaded Art of Cameroon

9. UNODC - Bulletin On Narcotics - 1952 Issue 3 - 002
Colombia which, like the Kogi or C?baga, a small for example in Colombia or in africa,with those fought for the recognition of the indigenous peoplesstill in
http://www.undcp.org/odccp/bulletin/bulletin_1952-01-01_3_page003.html
Home Site map Links Contact us Field Offices select the site Afghanistan Barbados Bolivia Brazil Colombia Egypt India Iran Kenya Lao PDR Mexico Myanmar New York Nigeria Pakistan Peru Russia Senegal South Africa Thailand Uzbekistan Viet Nam Search print document email document login News and Publications ... UN-Wide Calendar
Further considerations on the coca habit in Colombia
Sections
CHAPTER I
CHAPTER II

CHAPTER III

CHAPTER IV
...
Conclusions
Details
Author: Jorge Bejarano, M.D.
Pages: 3 to 18
Creation Date:
Further considerations on the coca habit in Colombia
Professor Jorge Bejarano, M.D. Former Minister of Health, former Vice-President of the Pan-American Sanitary Bureau, Professor at the National University, Member of the National Academy of Medicine and of the New York Academy of Medicine, President of the National Red Cross Society of Colombia
The Bulletin takes pleasure in publishing the authoritative article of Professor Bejarano on the problem of the coca leaf chewing in Colombia, on which he is also preparing a book This study- which unfortunately could not be included in the special Number on Coca (Vol IV, No 2) - goes back to the origins of the habit and examines all the aspects of thc problem - although more particularly in Colombia - which years of experience and active research have made familiar to Professor Bejarano, both as a Minister and as a Professor
"As everywhere in the Indies, the natives were in the habit of having herbs or roots in their mouths, including the highly-prized herb known as coca, which is grown in many parts of this country"

10. Participants List - INC-2
rfu.org Ms. Carole Mills Canadian Arctic indigenous peoples Against POPs 3 baga Toiruu44 Ulaanbaatar 11 Mongolia Tel vesna.ternifi@gov.si SOUTH africa Mr. EB
http://www.chem.unep.ch/pops/POPs_Inc/INC_2/infs/parpops.htm
UNITED
NATIONS EP United Nations
Environment
Programme
Distr.
GENERAL
UNEP/POPS/INC.2/INF/14/Rev.1 29 January 1999 ORIGINAL: ENGLISH INTERGOVERNMENTAL NEGOTIATING COMMITTEE FOR AN
INTERNATIONAL LEGALLY BINDING INSTRUMENT FOR
IMPLEMENTING INTERNATIONAL ACTION ON
CERTAIN PERSITENT ORGANIC POLLUTANTS Second session
Nairobi, 25-29 January 1999 LIST OF PARTICIPANTS LISTE DES PARTICIPANTS LISTA DE PARTICIPANTES
GOVERNMENTS ALGERIA H.E. Mr. Sid-Ali Ketrandji Permanent Representative Permanent Mission of Algeria to the United Nations Environment Programme P.O. Box 53902 Nairobi Kenya Tel.:(+254 2) 213 864/6 Fax: (+254 2) 217 477 M. Youcef Zennir Directeur de la Prévention de Pollutions et Nuisances Secretariat d'Etat chargé de l'Environnement Algiers Algeria Tel: (+213 2) 693 889 Mr. Mohand Nouraï Minister-Counsellor Permanent Mission of Algeria to the United Nations Environment Programme P.O. Box 53902 Nairobi Kenya Tel.:(+254 2) 213 864/6 Fax: (+254 2) 217 477 ANGOLA M. Soki Kue-di-kuenda Directeur National de l'Environnement Rua Frederic Engels Nº92 C.P. 10566

11. Board Of Regents And Secretary
pound D’mba mask from the baga peoples of Guinea sounds of musicians from Cameroonand South africa. to understand and explicate the indigenous peoples of the
http://newsdesk.si.edu/background-information/annual-reports/1999annualreport.do

12. Chronology On The History Of Slavery 1619 To 1789
this page contains a timeline of slavery in America from 1619 until "the end", reportedly Category Society History By Time Period Eighteenth Century Slavery...... fever compared with Europeans and the indigenous peoples made them In the 1700s thecoasts of West africa had three the UPPER GAMBIA included the baga and Susu
http://www.innercity.org/holt/slavechron.html
This is an independent research and education project, which accepts no institutional sponsorship. The project depends upon your donation, every penny is devoted to continued research. Please help. Thank you in advance,
Eddie Becker Holt House Table Of Contents History Of Slavery, 1790 to 1829 History Of Slavery, 1830 To The End Chronology on the History of Slavery and Racism
Compiled from Archive, library and Internet source documentation, this timeline on Slavery and in part the History of Racism, has been used to guide the direction of independent research into the history of enslaved Americans of African descent at historic sites located at the National Zoo, in Washington, DC. Hopefully, this compilation of American history will help others who undertake similar tasks. This project has been conducted totally independently from research conducted by the Office of Architectural History and Preservation at the Smithsonian and the National Zoo. Visit the Holt House Web Site for periodic updates. Be sure to go to the bottom of the page and hit "Contents" to enter. This research was compiled by Eddie Becker who will be happy to give advice on similar undertakings.

13. Africans Art
and sculptural inventiveness of the cultures indigenous to these peoples of Côted’Ivoire, the baga from Guinea of objects from the Bidjogo peoples who live
http://www.webzinemaker.net/africans-art/index.php3?action=page&id_art=534

14. Spirits
and sculptural inventiveness of the cultures indigenous to these with a series ofartworks from the Dan peoples of Côte d’Ivoire, the baga from Guinea
http://www.nmafa.si.edu/exhibits/spirits/intro.htm
MM_preloadImages('images/introH.gif'); MM_preloadImages('images/wcaH.gif'); MM_preloadImages('images/konH.gif'); MM_preloadImages('images/matH.gif'); MM_preloadImages('images/zomH.gif'); MM_preloadImages('images/choH.gif'); MM_preloadImages('images/ngaH.gif'); MM_preloadImages('images/bidH.gif'); MM_preloadImages('images/retH.gif'); Also at the Smithsonian:
Worshiping the Ancestors
at the Sackler Gallery looks at the spirits of China. In the Presence of Spirits This exhibition examines an impressive group of over 140 objects that reflect the influences of the supernatural world in both public and private life throughout sub-Saharan Africa. The exhibition is organized according to both geography and the numerous cultural groups represented in the National Museum of Ethnology's collection. In the Presence of Spirits features objects that derive mainly, although not exclusively, from those areas where the Portuguese were present, such as Angola, Mozambique and Guinea-Bissau. A group of important artworks from western, central and southern Africa complements this selection. These artifacts demonstrate the rich variety and sculptural inventiveness of the cultures indigenous to these regions and provide insight into many of their spiritual practices. Highlights of the exhibition include figures, decorated stools and chairs, pipes, masks, staffs and dolls used by kings, queens, chiefs, priests, priestesses and diviners to summon spiritual forces. Major themes include an examination of prestige objects and power figures, initiation and funerary rituals, and symbols of spiritual and secular authority.

15. An On-Site Study Of
Fula (3) 2,553,000; Kissi 287,000; baga 32,000 Landoma 14,000; Nalu 13,000 Nonindigenous0.04 forest peoples of the southeast and a few small coastal peoples.
http://africamissions.org/africa/conakry.htm
An On-Site Study of
GUINEA and CONAKRY its Capital
Back to Africa Missions Research and Strategy Page Africa Missions Main Page
August 1995
Research Team: Eric Guild James Scudder Richard Chowning Purpose : study to the city of Conakry in order to evaluate its potential and need for church growth.
Objectives:
1. Get a general understanding of the social make up of the city. 2. Interview all mission agencies and denominations to understand what they have done and how they view the Christian movement in Conakry and Guinea as a whole. 3. Test for receptivity. 4. Collect contact information. 5. Understand the present and historical church growth situation. 6. Ascertain logistical and living condition variables. 7. Make recommendation. 8. Get an overview of Guinea.
An overview of Guinea
Introduction
Guinea is one of the most unreached countries in Sub-Saharan Africa. The high percentage of Muslims and the persecution by a former regime made it a difficult field for church growth from 1960s through the 1980s. "Guinea understandably still has some of the worst church/mission statistics in West Africa" (Vanderaa, 1991). Guinea has not been a priority country for most missions, but a reevaluation is in order. There was a time in when the current President, Conte, wanted Guinea to be Muslim country. He is now very cooperative with Christians. His second wife is a Christian.
Population
Weather
As much as one hundred and twenty inches of rain can fall in Conakry in one season. It rained every day we were in the country. It was humid. The Monsoon season does not wash away top soil or other valuable substances from the land. Conakry is built on a field of iron ore.

16. Art Africain Info
visual arts of West africa into three broad areas the on trade both with peoples of the savanna and, from baga. The baga, 15th or 16th-century migrants from the
http://artafricain.ifrance.com/artafricain/art-africain-info.htm

Start
Statues masques africains Objects ... sculptures info [ Art Africain Info ] News Formulaire Tuyaux d'achats
Fon iron image of Gun, the god of iron and war, Dahomey. Museum Pottery head found at Sokoto, Nigeria. Height 45cm Bambara dance wood headdress in the form of an antelope
African arts
West Africa Scholars divide the visual arts of West Africa into three broad areas: the western Sudan, the Guinea Coast, and Nigeria. This is done partly to enable the outsider to comprehend the diversity of styles and traditions within the region, while recognizing that there are themes common to all of the areas.
Western Sudan
This is the name conventionally given to the savanna region of West Africa. It is an area dominated by Islamic states situated at the southern ends of the trans-Saharan trade routes. The sculpture here is characterized by schematic styles of representation. Some commentators have interpreted these styles as an accommodation to the Islamic domination of the area, but this is probably not an adequate explanation since Islam in West Africa has either merely tolerated or actually destroyed such traditions while exerting other influences. Among the better-known sculptural traditions of the western Sudan are those of the following peoples.

17. Untitled Document
Address Ulaanbaatar11 baga Toiruu-44 Government Hunter Gatherers of Central AfricaOXFAM Occasional Paper 1986 indigenous peoples Development
http://www.policy.hu/tsedev/mentors.html

18. Guinea: A Historical Profile
largely replaced that of Landoma, baga, Nalou, and language is dominant, althoughminor indigenous ethnic groups For peoples like the Coiagui, baga, and Nalou
http://www.sulima.com/pubs/guinea.htm
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Guinea: A Historical Profile
Contributed by: Mohamed Pathe Jalloh
INTRODUCTION
The origin of the name Guinea itself is obscure. Some suggest that Guinea might be derived from the ancient Niger River Basin trading center, Djenne. More likely it derives, through Portuguese usage, from the Berber Akal-n-Iguinawen (land of the blacks). Yet another possibility is that it comes from the word geenay, meaning “women” among the coastal Soussou, and that somehow this name came to be applied to a widespread area of the African Coast.
GEOGR APHY
Climatically all of Guinea shares two alternating seasons: a dry season (November to March) and a wet season (April to October). Rainfall varies from region to region with as much as 170 inches per year at Conakry on the coast to less than sixty inches a year in Upper Guinea. The rainfall in Middle Guinea ranges from 63 to 91 inches per year while some areas in the Forest Region have more than 100 inches of rain per year. Temperature ranges also vary according to the different regions. On the coast and in the Forest Region the temperature ranges around an average of 81 degrees Fahrenheit. The Fouta highland of Middle Guinea may experience January daytime temperatures of 86 to 95 degrees Fahrenheit while nighttime temperatures may dip below 50 degrees Fahrenheit. Mid-day highs of more than 100 degrees Fahrenheit are not uncommon in Upper Guinea during the dry season.

19. African Art. The Columbia Encyclopedia, Sixth Edition. 2001
article is limited to the works of the peoples of W of the people’s sedentary lifestyles)in indigenous art. The art of the baga of NW Guinea includes snake
http://www.bartleby.com/65/af/Africana.html
Select Search All Bartleby.com All Reference Columbia Encyclopedia World History Encyclopedia World Factbook Columbia Gazetteer American Heritage Coll. Dictionary Roget's Thesauri Roget's II: Thesaurus Roget's Int'l Thesaurus Quotations Bartlett's Quotations Columbia Quotations Simpson's Quotations English Usage Modern Usage American English Fowler's King's English Strunk's Style Mencken's Language Cambridge History The King James Bible Oxford Shakespeare Gray's Anatomy Farmer's Cookbook Post's Etiquette Bulfinch's Mythology Frazer's Golden Bough All Verse Anthologies Dickinson, E. Eliot, T.S. Frost, R. Hopkins, G.M. Keats, J. Lawrence, D.H. Masters, E.L. Sandburg, C. Sassoon, S. Whitman, W. Wordsworth, W. Yeats, W.B. All Nonfiction Harvard Classics American Essays Einstein's Relativity Grant, U.S. Roosevelt, T. Wells's History Presidential Inaugurals All Fiction Shelf of Fiction Ghost Stories Short Stories Shaw, G.B. Stein, G. Stevenson, R.L. Wells, H.G. Reference Columbia Encyclopedia PREVIOUS NEXT ... BIBLIOGRAPHIC RECORD The Columbia Encyclopedia, Sixth Edition. African art art created by the peoples south of the Sahara.

20. A Guide To The Jembe
after political independence was to present the indigenous drumming and from the forestand coastal regions belonging to peoples such as the baga, Toma, Mane
http://echarry.web.wesleyan.edu/jembearticle/article.html
A Guide to the Jembe
Eric Charry
An unedited expanded version of the article published in
Percussive Notes , vol. 34, no. 2, April 1996, pages 66-72.
Portions reprinted by permission of the Percussive Arts Society.
Send a comment
Last updated 14 October 2000.
For more on this and related musical traditions see Mande Music The jembe (spelled djembe in French writing) is on the verge of achieving world status as a percussion instrument, rivaled in popularity perhaps only by the conga and steel pan. It first made an impact outside West Africa in the 1950s due to the world tours of Les Ballets Africains led by the Guinean Fodeba Keita. In the few decades succeeding this initial exposure the jembe was known internationally only to a small coterie of musicians and devotees of African music and dance. In the U.S. interest in the jembe centered around Ladji Camara, a member of Les Ballets Africains in the 1950s, who since the 1960s has trained a generation of American players. Worldwide, a mere handful of LP recordings were released up to the mid-1980s, most containing just a few selections of jembe playing.

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