41. The Cumbria Directory Is A Traveler's Guide To Cumbria And The Lake District. Biography focusing on the author's life in Cumbria. http://www.thecumbriadirectory.com/index.php?page=peoplereview&people=John R

42. Ruskin, John, Finding Aid ruskin, john, 18191900. Cite as john ruskin Letter, Mount Holyoke College,Archives and Special Collections, South Hadley, Massachusetts. http://www.mtholyoke.edu/lits/library/arch/col/ms0006ar.htm

Mount Holyoke College Archives and Special Collections Manuscript Register Ruskin, John, Letter : Brantwood, to Joan Severn [18] Manuscript Number: MS 0006a 1 item. Agency History/Biographical note: John Ruskin, artist and philosopher, was born in 1819 to Margaret Cox and John James Ruskin in London, England. First educated by his mother and by various tutors, he later attended Oxford University. His study there was interrupted for two years by illness. After resuming his education, he received his B.A. in 1842 and his M.A. in 1843. He married Euphemia Chalmers Gray in 1848, but the marriage was annulled in 1855. He taught art at Oxford and wrote extensively throughout his life, most notably on art and social issues. In 1871 he tried to found a Utopia in England, and for the remainder of his life continued to urge social reform. Ruskin died on January 20, 1900, in Coniston. Scope and Content: Undated letter to "Darlingest Grannie", i.e., Joan Severn, in which he discusses his grief and seeing his children.

43. Category Author Quote Art Ruskin, John He Is The Greatest Artist You searched for ruskin, john Your results are Category, Author, Quote. Endurance,ruskin, john, Endurance is nobler than strength, and patience than beauty. http://www.quotablequotes.net/search.asp?type=Author&searchdb=Ruskin, John

44. Ruskin Museum, Coniston, Cumbria, About Ruskin Information about the life of john ruskin from the ruskin Museum in Coniston, Cumbria. http://www.ruskinmuseum.com/ruskin.htm

Ruskin Museum Coniston, Cumbria. Who Was Ruskin? John Ruskin (1819-1900) was one of the greatest Victorians; his range of interests and achievements were quite staggering. He was an artist, art critic, amateur geologist, a teacher, writer, social critic and philosopher. He thought that it was fundamental to make links between all subjects and disciplines - for example, science and religion; nature and art. Somehow he could always see the whole picture. Leo Tolstoy said that Ruskin was: "one of those rare men who think with their hearts." PARENT POWER. John James, a hard-working wine and sherry merchant with the firm of Ruskin, Telford and Domecq, diluted his son's religious teaching with literature - notably Byron and Walter Scott. His ambitions for his son meant that he was prepared to spend money on tutors for Art and the Classics, and to buy him a place at Oxford University . John James would have liked his son to be a poet; Margaret thought he could become Archbishop of Canterbury. They were both well aware that they had a budding genius for a son. The three of them went travelling through Britain and Europe, during which time Ruskin kept diaries and made sketchbooks. He described his first views of the Alps as a kind of revelation - he felt that God, the natural world and his future life were all set before him in those awesome surroundings.

45. Redirects For Victorian Web, Postcolonial Web, And Cyberspace, Hypertext, & Crit A comprehensive overview of the life and work of john ruskin. From the Victorian Web. http://landow.stg.brown.edu/victorian/ruskin/ruskinov.html

George Landows' sites are now hosted at the following places: Victorian Web: http://www.victorianweb.org/ Postcolonial Web: http://www.postcolonialweb.org/ http://www.cyberartsweb.org/cpace/

46. Books On Or About Ruskin, John ruskin, john. A Comet in the System by Joseph Priestley, john ruskinClark A ruskin Chronology (Author Chronologies) by john Lewis http://www.greggiefineart.com/books/bookentries.php/ruskin/1

Ruskin, John A Comet in the System by Joseph Priestley, John Ruskin Clark A Ruskin Chronology (Author Chronologies) by John Lewis Bradley Aging and Posttraumatic Stress Disorder by Paul E. Ruskin(Editor), John A. Talbott(Editor) Bibliography, Catalogue of Ruskin's Drawings, Addena Et Corrigen by John Ruskin Bibliotheca Pastorum, The Economist of Xenophon, Rock Honeycomb by John Ruskin Christmas Story : John Ruskin's Venetian Letters of 1876-1877 by John Ruskin, Van Akin Burd(Editor) Designing Utopia : John Ruskin's Urban Vision for Britain and Am by Michael H. Lang Designing Utopia : John Ruskin's Urban Vision for Britain and Am by Michael H. Lang Deucalion and Other Studies in Rocks and Stones (The Complete Wo by John Ruskin Early Prose Writings 1834-1843 Part 1 (The Complete Works of Joh by John Ruskin Elements Of Drawing, The

47. John Ruskin Papers The manuscript collection comprises over 2,000 items relating to john ruskin (18191900), his work and his contemporaries. http://rylibweb.man.ac.uk/data2/spcoll/ruskin/

The John Rylands University Library Special Collection Guide JOHN RUSKIN PAPERS Date range: 1813-1919. Witness and the Weekly Review ), the booksellers F.S. Ellis and David White, Ralph Nicholson Wornum (Keeper of the National Gallery), his cousin George Richardson, Mrs Fanny Talbot (Ruskin’s close friend and patron of the Guild), his god-daughter (Emma) Constance Oldham, and Miss Blanche Atkinson of Liverpool. In addition to letters there are manuscript fragments, photographs, business papers, and papers of Ruskin relating to Sir Walter Scott (1771-1832). See also the Fairfax Murray Papers , the Holman Hunt Papers , the Spielmann Collection and the John Ruskin Book Collection Finding aids: recorded in published handlist of English Manuscripts (English MSS 1161-1166, 1193, 1245-1267, 1304). Alternative form: published microfilm: John Ruskin, the Pre-Raphaelite Brotherhood, and Arts and Crafts Movement: the Ruskin, Holman Hunt, Fairfax Murray, Spielmann and Related Collections from the John Rylands University Library, Manchester (Woodbridge: Research Publications, 1990).

48. Devon Local Studies Service. Ruskin, John. Modern Painters, 3rd A Art and architecture. ruskin, john. Modern painters, 3rd ed, 1846.ruskin, john. Modern painters. 3rd ed. - (London, 1846). http://www.devon.gov.uk/library/locstudy/1846rus.html

Devon Library and Information Services Local Studies Service A: Art and architecture. Ruskin, John. Modern painters, 3rd ed, 1846 Ruskin, John. Modern painters. - 3rd ed. - (London, 1846). Devon and Exeter Institution: L.5.1-5 This series of five treatises was published over a period of seventeen years and provides a profound analysis of the nature of art and its relationship to beauty and imagination. Ruskin was anxious that art should spread more widely into all aspects of human activity and, writing in a materialistic age which was driven by the industrial revolution, he was much ahead of his time. Return to the top of the page here. Return to the Local Studies Homepage or the Devon Homepage here. Send comments, enquiries about this Local Studies facility to imaxted@devon.gov.uk This page last updated 10 Apr 2000 Devon County Council

49. Art/Museums - Ruskin, Turner And The Pre-Raphaelites Illustrated essay on the major exhibition, held during 2000, at the Tate Gallery in London, on john ruskin, JMW Turner and the PreRaphaelites. http://www.thecityreview.com/ruskin.html

RUSKIN, TURNER AND THE PRE-RAPHAELITES Tate Britain March 9 to May 28, 2000 Portrait of the Critic as a Young Artist "John Ruskin" by Sir John Everett Millais, oil on canvas, 78.7 by 68 centimeters, private collection By Michele Leight Connoisseurs and artists are different, usually. The former take delight in the work of others and the latter take delight in their own work, generally. Most people would prefer to be known as an artist rather than merely as a connoisseur, but without connoisseurs most artists would be lost. John Ruskin, the world’s foremost art critic in the mid- and late-19th Century, was a connoisseur and an artist. Although best known for his controversial libel trial with Whistler and for his promotion of the work of Turner and the Pre-Raphaelites, Ruskin was a very influential writer on architecture whose advocacy of preservation and public exposure to the arts and "adult education" were highly important. In the current age of multi-culturalism and "political correctness," Ruskin’s "elitist" views might still seem controversial to some, but his fervor and oeuvre, both literary and artistic, is in no way diminished. While his contributions to English heritage are magnificent and very impressive, his life’s interests, goals, and achievements are of exceeding interest to everyone in love with art, architecture, and the notion of beauty. Moreover, his is a fascinating story of how even the most brilliant observers can have blind spots and how even powerful and influential men can have strange love lifes.

50. Ruskin, John -- Russell, Hamlin: In Cornell University's Making Of America ruskin, john Russell, Hamlin ruskin, john, The Sky. The Living Age, vol.35, issue 439 (October 16, 1852). ruskin, john, Unto This Last. http://cdl.library.cornell.edu/moa/browse.author/r.146.html

A B C D ... Non-alphabetic Ruskin, John Russell, Hamlin: Previous Next Ruskin, John The Sky The Living Age , vol. 35, issue 439 (October 16, 1852). Ruskin, John Unto This Last Harper's New Monthly Magazine , vol. 21, issue 126 (November 1860). Ruskin, John Unto This Last Harper's New Monthly Magazine , vol. 22, issue 127 (December 1860). Ruskin, John Unto This Last Harper's New Monthly Magazine , vol. 21, issue 124 (September 1860). Ruskin, John Unto This Last Harper's New Monthly Magazine , vol. 21, issue 125 (October 1860). Ruskin. The Political Economy of Art The New Englander , vol. 16, issue 62 (May 1858). Ruskin. The Two Paths The New Englander , vol. 17, issue 67 (August 1859). Ruskin on Painting The Atlantic Monthly , vol. 44, issue 265 (November 1879). Ruskin on Pre-Raphaelitism The North American Review , vol. 74, issue 104 (January 1852). Ruskin's Ariadne Florentina The Atlantic Monthly , vol. 42, issue 253 (November 1878). Ruskin's Last Volume The North American Review , vol. 84, issue 175 (April 1857). Ruskin's Modern Painters The Atlantic Monthly , vol. 6, issue 34 (August 1860).

51. Index Articles about john ruskin from various sources collected together for students at the Universitat de Val¨ncia. http://mural.uv.es/jenlit/

JOHN RUSKIN biography Chronology Bibliography Lake District other authors: Wordsworth Keats Beatrix Potter First Paper ... Ruskin and Art Academic Year 2000/2001 jenlit@alumni.uv.es 14171 Hipertextos y Literatura Inglesa John Ruskin

52. PROJECT GUTENBERG - Catalog By Author - Index - Ruskin, John, INDEX What is PG Etext Listings. Etexts by Author ruskin, john, 18191900 R Index Main Index Sesame and Lilies; The King of the Golden River. http://www.informika.ru/text/books/gutenb/gutind/TEMP/i-_ruskin_john_.html

53. PROJECT GUTENBERG - Catalog By Author - Ruskin, John, 1819-1900 Etexts by Author ruskin, john, 18191900 R Index Main Index Sesame and Lilies LANGUAGE English SUBJECT Social problems http://www.informika.ru/text/books/gutenb/gutind/TEMP/ruskin_john_.html

54. John Ruskin 1819-1900 john ruskin, all. You may use 'and' or 'or'. (ex A and B , A or B). john ruskin18191900 English writer, art critic, and reformer The life of ruskin. http://www.english114.com/eds/edseli/text/text/Ruskin.htm

55. John Ruskin @ Catharton Authors john ruskin. ? Bored? Meet people at Café Catharton Websites Victorian Webjohn ruskin. john ruskin airtime.co.uk. john ruskin demon.co.uk. http://www.catharton.com/authors/742.htm

US sales in association with: UK sales in association with: Canadian sales in association with: Second hand sales in association with: all of Catharton just Authors Catharton Authors R : Ruskin, John John Ruskin Bored? Meet people at Café Catharton Websites: Victorian Web: John Ruskin John Ruskin [airtime.co.uk] John Ruskin [demon.co.uk] Message Boards: Suggest or Request a board Mailing Lists: Suggest or Request a list Chat Rooms: Suggest or Request a room Can't find what you want here? Try searching Google for John Ruskin List of Works: XXX Correct this list of works ... if you need help, peruse this site's Frequently Asked Questions

56. John Ruskin @ Catharton Artists Catharton Artists R ruskin, john. john ruskin. ? Bored? Websites johnruskin brown.edu. ruskin's home at Brantwood. john ruskin demon.co.uk. http://www.catharton.com/artists/308.htm

all of Catharton just Artists Catharton Artists R : Ruskin, John John Ruskin Bored? Meet people at Café Catharton Websites: John Ruskin [brown.edu] Ruskin's home at Brantwood John Ruskin [demon.co.uk] John Ruskin [aligrafix.co.uk] Message Boards: Suggest or Request a board Mailing Lists: Suggest or Request a list Chat Rooms: Suggest or Request a room Can't find what you want here? Try searching Google for John Ruskin ... if you need help, peruse this site's Frequently Asked Questions

57. Boys Clothes In England During The Early 19th Century: John Ruskin john ruskin (England, 18191900). john ruskin was a towering intellect and leadingvoice in England during the second half of the 19th Century. ruskin, john. http://histclo.hispeed.com/bio/r/bio-rusk.html

Figure 1.A 3 1/2 year old John Ruskin was painted in 1822 by James Northcote, National Portrait Gallery. The hills in the background "as blue as my shoes" were included at the reqiest of young John, who reportedly felt the "idea of distant hills was commected in my mind with the approach to the extreme felicities of life". It is unclear to HBC why he is holding a blue ribbon. But his mother claerly liked blue sashes and bows, Note the long sash flowing from a bow at his back, bows on his shoulders, and bows on his blue shoes. John Ruskin (England, 1819-1900) John Ruskin was a towering intellect and leading voice in England during the second half of the 19th Century. He was an author, art critic, and reformerone of England's most respected Victorian thinkers. Some have called him the most influentional cultural figure of his day. He had a strict if protected childhood. While HBC at this time has little information on how he was dressed as a child, we do know that he wore dresses as a small boy. Available information, however, provides some fascination insights into child rearing practices in the Victorian era. Parents and Family Background John was the only child of Margaret and John James Ruskin. His father, a prosperous, self-made man who was a founding partner of Pedro Domecq sherries, collected art and encouraged his son's literary activities, while his mother, a devout evangelical Protestant, early dedicated her son to the service of God and devoutly wished him to become an Anglican bishop. In his parents' life the struggle with sin and the struggle with poverty were both won by effort and denial.

58. John Ruskin (1919-1900) A brief biography of john ruskin, with particular attention to the later period of his life in Cumbria, Category Arts Literature Authors R ruskin, john......A brief biography of john ruskin, with particular attention to the later periodof his life in Cumbria, and his home at Brantwood. john ruskin'. http://www.visitcumbria.com/ruskin.htm

'John Ruskin' John Ruskin was born in London on 8 February 1819. He was one of the greatest figures of the Victorian age, poet, artist, critic, social revolutionary and conservationist. Ruskin made his first visit to Keswick in 1824, when he was 5 years old, and the memorial erected at Friars Crag after his death by the efforts of Canon Rawnsley, reminds us that 'the first thing I remember as an event in life was being taken by my nurse to the brow of Friar's Crag on Derwentwater'. That first view of Friar's Crag made a deep impression on the five year old boy, and years later he described the incident as 'the creation of the world for me'. After a brief stay in Keswick in 1826, the family came for a three week holiday in the Lakes in 1830. After a trip from Windermere to Hawkshead and Coniston, he wrote is experiences in Iteriad , a poem of 2310 lines which were highly competent for a boy of 11. Edward Burne-Jones and William Morris met whilst at Oxford taking Holy Orders. Here they gained inspiration from the writings of John Ruskin, and decided they wanted to become artists. Ruskin saw the work of Rossetti and the Pre-Raphaelite Brotherhood as 'the dawn of a new era of art', and Burne-Jones went to London to seek out Rossetti. Ruskin became a great friend of Rossetti, Burne-Jones and Millais (who later married Ruskin's wife Effie), and was an eminent artist himself. Ruskin was appointed Slade Professor of Fine Art at Oxford University in 1869, and it was here that he met

59. The Works Of John Ruskin THE WORKS OF john ruskin. A Basic Helpsheet. Electronic Text Center,Alderman II. STARTING UP THE WORKS OF john ruskin Place the CDROM http://etext.lib.virginia.edu/helpsheets/ruskin.html

THE WORKS OF JOHN RUSKIN A Basic Helpsheet Electronic Text Center, Alderman Library, University of Virginia etextcenter@virginia.edu Note: This CD-ROM is installed on all of the Etext Center's Pentium PCs. There is an instruction manual that accompanies this CD-ROM; if you need further assistance after reviewing this helpsheet, please ask an Etext staffer for the manual. I. BRIEF OVERVIEW OF STRUCTURE AND CONTENT: The Works of John Ruskin is a CD-ROM representing all thirty-nine volumes of the celebrated "Library Edition" of the Works of John Ruskin (1903-1912) edited by E. T. Cook and Alexander Wedderburn. The disk includes the complete text of the edition (over nine million words in length) and more than two thousand digitized images. The database is completely searchable and incorporates a number of advanced search operators (including searches by concept, adjacency, boolean terms, and wildcard operators). Those familiar with other search engines used at the university should find the Ruskin CD-ROM's graphical user interface fairly intuitive. Documentation detailing the more advanced features of the search engine is also available. II. STARTING UP

60. Ruskin, John ruskin, john. Linda Austin. Notes and Bibliography. john ruskin, The Worksof john ruskin (ed. ET Cook and Alexander Wedderburn, 39 vols., 190312). http://www.press.jhu.edu/books/hopkins_guide_to_literary_theory/john_ruskin.html

Ruskin, John John Ruskin (1819-1900), a lifelong experimenter with genre, is best known as an art critic whose theories of beauty and the imagination were formed by his evangelical training, his attention to detail, and the early poetry of William Wordsworth . Ruskin's literary criticism, dispersed throughout Modern Painters (1843-60) and concentrated in his studies of myth, The Queen of the Air (1869), and of Romantic poetry and the novel, Fiction Fair and Foul (1880-81), reflects his sustained concern for art as a visible sign of an abstract quality, particularly the moral temper of the artist. His dramatic verbal translations of J. M. W. Turner's canvases in volume 1 of Modern Painters (1843), his highly wrought visual associations, and his allegorical readings of painting, sculpture, and landscape in later works such as Modern Painters 5 (1860) and The Bible of Amiens (1880-85) influenced George Eliot, Thomas Hardy, and Marcel Proust, among other writers. Ruskin's aesthetic judgments were based on the link between beauty and morality made during daily Bible readings with his mother, who required him to recite passages from memory and enforced what he called in his autobiography accuracy of sensation and precision of feeling. In the habit of observing everything around him (including patterns in the carpet and bricks in the wall) and of searching the Bible for types and antitypes, Ruskin believed that physical qualities manifest divine attributes. In Modern Painters 2 (1846), he labels this relation "typical" after biblical typology, although the connection he makes between light, for example, and purity is actually allegorical, since it juxtaposes an abstraction with a phenomenon. Ruskin's "vital beauty," defined as "the appearance of felicitous fulfilment of function in living things" (4-146), is more akin to evangelical typology; an object displaying vital beauty reenacts "a moral purpose and achievement" (4-147) that arouses the sympathy of the virtuous beholder. By claiming that beauty was in effect purposive and inherent in objects, Ruskin was able to dissociate aesthetics from utility and invest art with a divine pattern or order. His position allied him with the eighteenth-century sensationists, notably

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