41. JONES, L. MSS. Books published by the Totem Press, for which the mss. are included in the collectionare a jones, leroi. Preface to a twenty volume suicide note. http://www.indiana.edu/~liblilly/lilly/mss/html/jonesl.html

JONES, L. MSS. The Jones, L. mss., 1950-1961 (principally 1958-1961), consist of the editorial office records of two little magazines, Yugen, 1958-1961, of which LeRoi Jones, 1934- , poet, and Hettie Cohen were editors, and "The floating bear," 1961, of which Jones and Diane Di Prima, poet, were editors. Also included are manuscripts and proofs of certain books published by the Totem Press. The collection has been arranged in three sections: [1] Correspondence, 1955-1961. This consists in the main of letters to LeRoi Jones and Diane Di Prima from contributors and others interest in expressing the opinions of the "beat generation." The letters are basically concerned with matters regarding contributions, criticism of contemporaries, and descriptions of activities participated in by various individuals. [3] Editorial make-ups and proofs of Yugen, arranged in the order of the numbers of the magazine. Included are: No. 1, 1958. Editorial make-up. Lacks cover, advertising, pp. 22-24, and illustrations. No. 3, 1958. Editorial make-up. Lacks cover, advertising, and illustrations. Page 24 varies greatly from printed content.

42. AMIRI BARAKA (LEROI JONES), 1934- Amiri Baraka (leroi jones), 1934. Jan. 1st, 1959-Fidel Castro, edited by leroijones. New York Totem Press, 1959. Spring Soforth, as leroi jones. http://www.cla.sc.edu/ENGL/LitCheck/Baraka.htm

Amiri Baraka (LeRoi Jones), 1934- Jan. 1st, 1959-Fidel Castro, edited by LeRoi Jones. New York: Totem Press, 1959. as LeRoi Jones. New Haven, CT: Penny Poems, 1960. Broadside. Penny Poems, no. 111. Cuba Libre, as LeRoi Jones. New York: Fair Play for Cuba Committee, 1961. The Disguise, as LeRoi Jones. New Haven, CT: Penny Poems, 1961. Broadside. Penny Poems, no. 155. Preface to a Twenty Volume Suicide Note . . . , as LeRoi Jones. New York: Totem Press/Corinth Books. 1961. Four Young Lady Poets, edited by Jones. New York: Corinth Books, 1962. Blues People: Negro Music in White America, The Moderns: An Anthology of New Writing in America, The Dutchman, and The Slave: Two Plays, The Dead Lecturer: Poems, as LeRoi Jones. New York: Grove Press, 1964. The System of Dante's Hell, Dear Friend, The Black Arts Repertory Theater/School . . . New York: LeRoi Jones, 1965. 1 sheet, duplicated typed letter. Home: Social Essays, Black Art, as LeRoi Jones. Newark, NJ: Jihad, 1966. Slave Ship: A Play in One Act, as LeRoi Jones. Newark, NJ: Jihad, 1967.

43. About Author Amiri Baraka (LeRoi Jones) Find biography, bibliography, interviews and articles on author Amiri Baraka,also known as leroi jones. About Amiri Baraka (aka leroi jones). http://contemporarylit.about.com/library/blbaraka_amiri.htm

zfp=-1 About Homework Help Literature: Contemporary Search in this topic on About on the Web in Products Web Hosting Literature: Contemporary with Apply Now Your Guide to one of hundreds of sites Home Articles Forums ... Help zmhp('style="color:#fff"') Subjects BUYER'S GUIDE Before You Buy Top Picks American Novels of the 1990s ... All articles on this topic Stay up-to-date! Subscribe to our newsletter. Advertising Free Credit Report Free Psychics Advertisement About Amiri Baraka (a.k.a. LeRoi Jones) Type of work: plays, poetry Born: Nationality: United States, African-American author Best known for: founding the Black Arts Movement. Ishmael Reed once said, "I think what Black Arts did was inspire a whole lot of Black people to write. Moreover, there would be no multiculturalism movement without Black Arts. Latinos, Asian Americans, and others all say they began writing as a result of the example of the 1960s. Blacks gave the example that you don't have to assimilate. You could do your own thing, get into your own background, your own history, your own tradition and your own culture. I think the challenge is for cultural sovereignty and Black Arts struck a blow for that." Important works: Dutchman and the Slave: Two Plays. 1964. (

44. Africana.com: Gateway To The Black World.Screen Name Service The Autobiography of leroi jones List of Related Links Related ArticlesRelated Categories. Biography Related Articles; Baraka, Amiri http://www.africana.com/Key/The_Autobiography_of_Leroi_Jones.htm

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45. African-American Poetry Criticism Amiri Baraka/leroi jones The Questfor a Populist Modernism. . 818 jones, leroiBrown, Lloyd Wellesley. jones, leroi. Conversations with Amiri Baraka. http://www.imcpl.lib.in.us/ams_afro5.htm

Criticism of Individual Poets: African-American Poetry Home eReference Subject Pathfinders African-American Poetry ... Search our Site 811 Brooks Gwendolyn Brooks. A Life Distilled: Gwendolyn Brooks, Her Poetry and Fiction. Edited by Maria K. Mootry and Gary Smith. Melhem, D. H. Gwendolyn Brooks: Poetry and the Heroic Voice. 811 Brown Gabbin, Joanne V. Sterling A. Brown: Building theBlack Aesthetic Tradition. 811 Cullen Shucard, Alan. Countee Cullen. 811 Dunbar Brawley, Benjamin Griffith. Paul Laurence Dunbar,Poet of His People. Revell, Peter. Paul Laurence Dunbar. 818 Dunbar Martin, Jay. A Singer in the Dawn: Reinterpretationsof Paul Laurence Dunbar. 811 Giovanni Conversations with Nikki Giovanni. Edited by VirginiaC. Fowler. Fowler, Virginia C. Nikki Giovanni. 811 Hayden Williams, Pontheolla T. Robert Hayden: A CriticalAnalysis of His Poetry. 811 Horton Walser, Richard Gaither. The Black Poet: Being theRemarkable Story . . . of George Moses Horton, A North Carolina Slave. 811 Hughes Barksdale, Richard. Langston Hughes: The Poet andHis Critics. (also Reference) Emanuel, James A.

46. The New York Review Of Books: LEROI JONES Letter. leroi jones. By Committee on Poetry. Lyres tell the Truth! We herald to literarypersons get on the ball for leroi jones, or else get off the poetic pot. http://www.nybooks.com/articles/11720

@import "/css/default-b.css"; Home Your account Current issue Archives ... NYR Books The New York Review of Books April 25, 1968 Letter LEROI JONES By Committee on Poetry To the Editors Mr. Jones' whitekind is that self-same demon we call tyranny, injustice, dictatorship. As poet he champions the black imagination; as revolutionary poet his revolution is fought with words. He scribes that the police carried the guns. Lyres tell the Truth! We herald to literary persons: get on the ball for LeRoi Jones, or else get off the poetic pot. LeRoi is not only a black man, a Newark man, a revolutionary, he is a conspicuous American artist imprisoned for his poetry during a crisis of authoritarianism in these States. (John Ashbery, Gregory Corso, Robert Creeley, Diane di Prima, Robert Duncan, Lawrence Ferlinghetti, Allen Ginsberg, Kenneth Koch, Denise Levertov, Michael McClure, Charles Olson, Joel Oppenheimer, Peter Orlovsky, Gil Sorrentino, Philip Whalen, and John Wieners) Home Your account Current issue Archives ... NYR Books with any questions about this site. The cover date of the next issue of The New York Review of Books will be May 1, 2003.

47. The New York Review Of Books: LeRoi Jones Bibliography of books and articles by leroi jones, from The New YorkReview of Books. The New York Review of Books Home leroi jones. May http://www.nybooks.com/authors/6418

@import "/css/default-b.css"; Home Your account Current issue Archives ... NYR Books LeRoi Jones May 9, 1968 VIOLENCE IN OAKLAND July 9, 1964 CHANNEL X Home Your account Current issue ... NYR Books with any questions about this site. The cover date of the next issue of The New York Review of Books will be May 1, 2003.

48. Amiri Baraka (LeRoi Jones) Interview With Don Swaim Audio Interview with Amiri Baraka. (also known as leroi jones). Author,playwright and poet, Amiri Bakara speaks with Don Swaim about http://wiredforbooks.org/amiribaraka/

Wired For Books home Don Swaim Interviews Audio Interview with Amiri Baraka (also known as LeRoi Jones) Author, playwright and poet, Amiri Bakara speaks with Don Swaim about his experiences with literature. As a young reader, Baraka's access to books was limited, but he finished school at Howard University and later went on to the Air Force. There he developed his love for books. Swaim also brings up the speech like quality of the text, explained by Baraka as trying to capture the sense of speech used in the community. Listen to the Amiri Baraka interview with Don Swaim, 1984 (12 min. 33 sec.) Download Free RealPlayer or Search the RealPlayer Archives for a player that will work with older computers (note: version 5.0 or higher is required) For many years most of the best writers of the English language found their way to Don Swaim's CBS Radio studio in New York. Wired for Books is proud to webcast these interviews in RealAudio. Wired for Books home

49. Browse By Artist BARAKA (LEROI JONES), AMIRI THE SUN RA MYTH- Browse by Artist BARAKA (leroi jones), AMIRI THE SUN RA MYTHSCIENCE ARKESTRAArtist BARAKA (leroi jones), AMIRI THE SUN RA MYTH-SCIENCE ARKESTRA. http://www.forcedexposure.com/artists/baraka.leroi.jones.amiri.and.the.sun.ra.my

50. UVa Library Exhibit: American Theatre jones, leroi Imamu Amiri Baraka. Dutchman and The Slave. New York Morrow Quill,1964. jones, leroi Imamu Amiri Baraka. Arm Yourself, or Harm Yourself! http://www.lib.virginia.edu/speccol/exhibits/theatre/voice.html

African-American Playwrights Women Playwrights A Voice of Their Own African-American Playwrights You also took my spirituals and gone. You put me in Macbeth and Carmen Jones And all kinds of Swing Mikados Stand up and talk about me, And sing about me, And put on plays about me! Me myself! Hughes addresses the appropriation of black culture and the parallel stereotyping of African Americans by a white theatrical tradition. The poem speaks to the fact that, for approximately the first 150 years of American theatre, nearly all African-American characters were created by white playwrights and often performed by white actors in blackface. African-American playwrights did not have a voice in the popular theatre of the eighteenth and nineteenth centuries nor did they have a legitimate venue for any works that they may have created. While several early African-American actors and playwrights found success in European theatres, those who remained in America were forced to conform to the expectations of white theatre audiences. Not until the latter half of the nineteenth century did African-American musical theatre movements begin to form. African-American minstrel troupes and writers started to create musicals that catered to African-American audiences that assembled in church halls, community centers, and small local theatres and auditoriums on the periphery of mainstream American theatre. With the Harlem Renaissance in New York City in the 1920s, the surge and prominence of African-American artistic talent paved the way for African-American playwrights to emerge on the Broadway and Off-Broadway scene in the middle of the twentieth century. The American stage finally saw fully realized African-American characters and powerful portrayals of African-American life.

51. Psychedelic 60s: The Beats: New York, Continued . She took leroi jones as her lover and business In 1969 she wrote Memoirs ofa Beatnik, relating her experiences during the Beat period. leroi jones. http://www.lib.virginia.edu/speccol/exhibits/sixties/beatsny2.html

Go Clellon Holmes ORIGINALLY CALLED "THE Bomb Gregory Corso GREGORY CORSO SPENT his early life in and out of foster homes. At the age of twelve he began living on the streets of New York, sleeping in the subway or in abandoned cars. He was sent to Clinton State Prison at the age of sixteen for robbing a Household Finance Office, and there he began educating himself in the prison library. Released at the age of twenty, Corso moved back to New York where he met Allen Ginsberg at the lesbian bar, The Pony Stable. Ginsberg was impressed with Corso's poetry and excited to meet another authentic street person. Always the promoter of his friends' literary efforts, Ginsberg introduced Corso to the Beat crowd and helped get his poems published by Lawrence Ferlinghetti at City Lights Books. "Let Us Inspect the Lyre" Corrected typescript NOTE THE LINE to Allen Ginsberg at the top of the page: "Allen, check this for rhyme scheme," and on the second page, "Dear Al­quite corny but I'll leave it." "Let Us Inspect the Lyre" Corrected typescript Huncke's Journal Herbert Huncke LIKE NEAL CASSADY and Gregory Corso, Herbert Huncke left home at an early age and learned to live on the street, engaging in petty crime and prostitution. He met Burroughs in a Times Square bar and quickly introduced him to New York's seamy drug culture. Huncke became a regular among the early Beat crowd and followed Burroughs to Texas, New Orleans, and Mexico. Huncke produced little in the way of literature; he was Beat inspiration in the flesh. Huncke's Journal is his personal account of adventures with his Beat friends.

52. BIBLIOGRAPHY BIBLIOGRAPHY. Baraka, Amiri (jones, leroi) and Baraka, Amina. The Music. jones,leroi. Black Music. William Morrow Company, New York. 1971. jones, leroi. http://www.cs.wisc.edu/~wright/music/coltrane-ellison/bib.html

BIBLIOGRAPHY Baraka, Amiri (Jones, LeRoi) and Baraka, Amina. The Music Benston, Kimberly W. (editor). Speaking For You. The Vision of Ralph Ellison . Howard University Press, Washington, D.C. 1990. Devine, Joel and Wright, James. The Greatest of Evils Urban Poverty and the American Underclass . Aldine De Gruyter, New York. 1993 Ellison, Ralph. Invisible Man . Vintage International Edition, New York. 1990. (Origionally published by Random House, 1952) Ellison, Ralph. Shadow and Act . Vintage Books, New York, 1972. Farley, Reynolds and Allen, Walter R. The Color Line and the Quality of Life in America . Reynolds Farley and Walter R. Allen for the National Committee for research on the 1980 Census. Oxford University Press, New York. 1989. Folbre, Nancy and the Center for Popular Economics. A Field Guide to the U.S. Economy . Pantheon Books, New York. 1987. Grey, De Sayles R. John Coltrane and the "Avant-Garde" Movement in Jazz History . Univeristy of Pittsburgh. 1986. Jones, LeRoi. Black Music Jones, LeRoi.

53. NOTES These liner notes are also printed in jones, leroi (aka Amiri Baraka), Black Music.William Morrow Company, New York, 1972. Page 63. 16 jones, leroi. http://www.cs.wisc.edu/~wright/music/coltrane-ellison/paper_fn.html

NOTES In 1986, 14.8% of blacks couldn't find a job, as opposed to 6.8% of whites. See: Folbre, Nancy and the Center for Popular Economics, A Field Guide to the U.S. Economy . Pantheon Books, New York, 1987. Page 4.7. For more detailed statistics based on both race and age, see: Devine, Joel, and Wright, James, The Greatest of Evils . Aldine De Gruyter, New York, 1993. Pages 148-158. For another account, see: Farley, Reynolds, The Color Line and the Quality of Life in America . Reynolds Farley and Walter R. Allen for the National Committee for Research on the 1980 Census. Oxford University Press, New York. 1989. Pages 209 through 256. For example, in 1985, 20% of white families received more than $50,000 a year, while only 7% of black families made that much. Statistical Abstract of the U.S. 1985 . U.S. Bureau of the Census. Page 436, table 731. In Savage Inequalities , Jonathan Kozol writes, "Average expenditures per pupil in the city of New York in 1987 were some $5,500." In the highest spending suburbs of New York funding levels rose above $11,000, with the highest districts in the state around $15,000." The New York city school districts he refers to are predominately Black and Latino. This phenomenon is by no means restricted to New York city. For example, in 1989 in Chicago, the average spending per pupil was again $5,500, but in northern suburbs (which are largely white) the average was between $8,500 and $9,000. Kozol, Jonathan, Savage Inequalities

54. Amiri Baraka (LeRoi Jones): Amiri Baraka (leroi jones) Ancient Music. The main thing to be againstis Death! Everything Else is a Chump! In the Funk World. If http://www.geocities.com/Paris/Louvre/8882/AfricanAmericanPoets/baraka.html

Amiri Baraka (LeRoi Jones) Ancient Music The main thing to be against is Death! Everything Else is a Chump! In the Funk World If Elvis Presley/ is King Who is James Brown, God? leroy I wanted to know my mother when she sat looking sad across the campus in the late 20's into the future of the soul, there were black angels straining above her head, carrying life from our ancesters, and knowledge, and the strong nigger feeling. She sat (in that photo in the yearbook I showed Vashti) getting into new blues, from the old ones, the trips and passions showered on her by her own. Hypnotizing me, from so far ago, from that vantage of knowledge passed on to her passed on to me and all the other black people of our time. When I die, the consciousness I carry I will to black people. May they pick me apart and take the useful parts, the sweet meat of my feelings. And leave the bitter bullshit rotten white parts alone. Ka'Ba "A closed window looks down on a dirty courtyard, and Black people call across or scream across or walk across defying physics in the stream of their will.

55. The Beat Generation At The Blue Neon Alley A gateway to the beat generation on the World Wide Web.Category Arts Literature Periods and Movements Beat...... Black Art A Poem, Amiri Baraka Encyclopedia Britannica, leroi jones The BeatPage, leroi jones Poetry Previews. leroi jones Biography, Jack Kerouac 19261969. http://www.geocities.com/terry_young/beatgeneration.html

Home Jack Kerouac Allen ... Jack Kerouac's San Francisco A Directory of the Beat Generation on the World Wide Web The Beat Generation "Who are all these strange ghosts rooted to the silly little adventure of earth with me?" — Jack Kerouac Beat Writers Go To Beat Directory Charles Bukowski 1920-1994 Charles Bukowski "These Words I Write" Charles Bukowski Charles Bukowski BUKOWSKI GESELLSCHAFT From Germany Charles Bukowski Memorial Center for Classical Latin Studies Charles Bukowski Poetry Previews Charles Bukowski Anti Heros Black Sparrow Charles Bukowski At the "Beat Page". Charles Bukowski At "Literary Kicks". Charles Bukowski Ecyclopedia Britannica Charles Bukowski An LA Times Article Charles Bukowski An Introduction Charles Bukowski The Biography Project Charles Bukowski Buk's Place William S. Burroughs 1914-1997 William S. Burroughs at the Blue Neon Alley Lucien Carr Lucien Carr At Jack Magazine Lucien Carr At The Cosmic Baseball Association Who Was Lucien Carr? The Beat Page Lucien Carr Beatland Author Lucien Carr At Literary Kicks Neal Cassady 1926-1968 Neal Cassady at the Blue Neon Alley Gregory Corso 1930-2001 Gregory Corso at the Blue Neon Alley Diane di Prima 1934 Diane di Prima at the Blue Neon Alley Lawrence Ferlinghetti 1919 Lawrence Ferlinghetti at the Blue Neon Alley Allen Ginsberg 1926-1997 Allen Ginsberg at the Blue Neon Alley John Clellon Holmes 1926-1994 John Clellon Holmes At "Literary Kicks" John Clellon Holmes : Heavenly Lane John Clellon Holmes : Beatland Author : From Letter by Allen Ginsberg

56. The Autobiography Of Leroi Jones The Autobiography of leroi jones. Paperback Edition, by Imamu AmiriBaraka, Complete Edition, 476 pages, Published by Lawrence Hill http://home.swbell.net/worchel/auoflejo.htm

The Autobiography of Leroi Jones Order the Paperback Edition Return to the Bohemian Bookstore Return to Home Page

57. Imamu Amiri Baraka (LeRoi Jones) (1934 - ) Imamu Amiri Baraka (leroi jones) (1934 ) A Poem for Speculative Hipsters. Hehad got, finally,. to the forest. of motives. There were no. owls, or hunters. http://www.spoem.com/english_p6/baraka3.htm

Artist : David Collins Title : Navigator II Date : 2000 Medium : Oil on linen Imamu Amiri Baraka (LeRoi Jones) (1934 - ) A Poem for Speculative Hipsters He had got, finally, to the forest of motives. There were no owls, or hunters. No Connie Chatterleys resting beautifully on their backs, having casually brought socialism to England. Only ideas, and their opposites. Like, he was really nowhere.

58. Imamu Amiri Baraka (LeRoi Jones) (1934 - ) Imamu Amiri Baraka (leroi jones) (1934 ). 1934 New Jersey? Newark? ? ? leroi jones? ? . http://www.spoem.com/english_p6/baraka.htm

Imamu Amiri Baraka (LeRoi Jones) (1934 - ) Imamu Amiri Baraka (LeRoi Jones) (1934 - ) ¹Ù¶óÄ«ÀÇ jazz¿¡ °üÇѸñ¼Ò¸®µè±â For Hettie The New World A Poem for Speculative Hipsters Three Modes of History and Culture ... Evil Nigger Waits for Lightnin' Imamu Amiri Baraka (LeRoi Jones) (1934 - ) 1934³â¿¡ New JerseyÀÇ NewarkÀ̶ó´Â ºó¹Î±¼¿¡¼­ ž LeRoi Jones´Â ¿ÜÁö·Î µ¹¾Æ ´Ù´Ï´Ù°¡ 32³â¸¸¿¡ Imamu Baraka¶ó´Â À̸§À¸·Î °³¸íÇÏ°í °íÇâÀ¸·Î µ¹¾Æ¿Í ÈæÀοÀ» ÇÏ ¿´´Ù. ±×´Â "ÈæÀÎ ¿¹¼ú°¡µéÀÌ ¹Ì±¹¿¡¼­ ÇÏ´Â ¿ªÇÒÀº ¹Ì±¹À» Æı«Çϴµ¥ ±×°¡ ±×°ÍÀ» ¾Ë°í ÀÖ´Â ´ë·Î µµ¿òÀ» ÁÖ´Â °Í"À̶ó°í ¸»Çϱâ±îÁö ÇÏ¿´´Ù. ±×´Â ÅëÇÕµÈ »çȸÀÇ °³³ä, Àû¾îµµ ´Ù Jones´Â Á¶¼÷ÇÏ¿© °íµîÇб³¸¦ 2³â ÀÏÂï Á¹¾÷ÇÏ°í Howard University¸¦ ´Ù³æÀ¸¸ç °ø±º¿¡ ¼­ Ç×°ø±â»ó ±â·Ï¿øÀ¸·Î 2³â¹Ý µ¿¾È ±Ù¹«Çß´Ù. ±× ÈÄ ±×´Â Columbia ´ëÇп¡¼­ µ¶ÀϹ®ÇÐ Àü °øÀ¸·Î ÇлçÇÐÀ§¸¦ ¹Þ¾Ò´Ù. ±×´Â Allen Ginsberg °°Àº Beat ½ÀÎµé ¹× Frank O'Hara °°Àº ´º¿åÇÐÆÄÀÇ ½Àεé°ú ±³·ùÇß´Ù. ±×´Â 1959³â¿¡ "³ª¿¡°Ô´Â ·Î¸£Ä«(Lorca), Àª¸®¾öÁî

59. LeRoi Jones = Amiri Baraka http://www.buch-ton.com/p39.html

Buchhandlung Raimund Dillmann Bücher Jazz English Titles Andere Musik ... Impressum LeRoi Jones = Amiri Baraka Schwarze Musik Amiri Baraka ist dafür bekannt, daß er die Dinge auch heute noch beim Namen nennt; als da seien, Imperialismus, Rassismus, Kapitalismus, Ausbeutung und andererseits dagegen: Aufstand, Rebellion, Widerstand und Verweigerung. In seinen musikkritischen Betrachtungen aus den sechzigern, der Blütezeit des schwarzamerikanischen Free Jazz, sucht er die Verbindung von Politik und Kultur. Dabei begeistert seine schon leidenschaftliche Einseitigkeit, mit der er die Vorzüge der "Schwarzen Kultur" preist und sie gegenüber einer dekadenten bürgerlich "Weißen" Kultur hervorhebt. Und das alles eben nicht auf der Ebene ideologisch verbrämten Gewäschs, sondern sehr wohl fundiert auf einer soliden Basis von Wissen um ästhetische und politische Zusammenhänge der Produktions- und Rezeptionsprozesse in der Kunst. Lange vergriffen und deshalb teuer in Antiquariaten bezahlt, als wohlfeile Taschenbuchausgabe des Maro - Verlages enthält auch "Apple Cores" 1 - 6, sowie "Das Burton Greene Drama" !

60. LeRoi Jones On Closed-mindedness - Vagablogging.net - Rolf Potts « Kurt Vonnegut on travel suggestions Main Rosita Forbes on the anticipationof travel » January 17, 2003. leroi jones on closedmindedness. http://www.vagablogging.net/archives/000229.shtml

Main Stories Interviews Books ... Contact Rolf's new book! Main January 17, 2003 LeRoi Jones on closed-mindedness "Luxury, then, is a way of / being ignorant, comfortably / An approach to the open market / of least information. Where theories / can thrive, under heavy tarpaulins / without being cracked by ideas." LeRoi Jones, "Political Poem" (1969) Posted by Rolf on January 17, 2003 06:13 AM Comments Post a comment Name: Email Address: URL: Comments: Remember info? Sponsored by: Categories Book Release and Tour Diary Feedback Readings from Around the 'Net Rolf's News and Updates ... Travel Quote of the Day Travel Links BootsnAll Travel Network Around the World Travel Guide Air Tickets Travel Message Boards ... Written Road Search Search this site: Recent Entries Evelyn Waugh on budget travel, misadventure, and travel writers Klaus Westerhausen on the jadedness of travelers' ghettos Rolf Potts on the importance of earning your own way Mary Karr on leaving home ... Rolf Potts on the contradictions of "budget travel" March 2003 Sun Mon Tue Wed Thu Fri Sat Archives March 2003 February 2003 January 2003 December 2002 ... Syndicate this site (XML)

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