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         Gluck Louise:     more books (100)
  1. Firstborn by Louise Gluck, 1969-01-01
  2. The New Yorker, June 24, 1967 "The Racer's Widow" by Louise Gluck, 1967-01-01
  3. Descending Figure by Louise GLUCK, 1980
  4. The First Four Books of Poems. by Louise. GLUCK, 1995
  5. The New Yorker, Oct. 28, 1972 "All Hallows" by Louise Gluck, 1972-01-01
  6. Firstborn by Louise Gluck, 1968-01-01
  7. The New Yorker, Oct. 24, 1983 "Night Song" by Louise Gluck, 1983-01-01
  8. Triumph of Achilles 1ST Edition by Louise Gluck, 1985
  9. The New Yorker, Aug. 5, 1967 "Letter From Provence" by Louise Gluck, 1967-01-01
  10. Best American Poetry, 1993 by Louise (editor) Gluck, 1993-01-01
  11. The New Yorker, July 10, 1995 "Ithaca" by Louise Gluck, 1995
  12. The New Yorker, Dec. 16, 1991 "The Silver Lily" by Louise Gluck, 1991
  13. The New Yorker, Nov. 4, 1991 "Vespers" by Louise Gluck, 1991-01-01
  14. Louise Gluck's Italy of the mind: on a classical stage peopled by workers, wives, and lovers.(Poetry): An article from: American Scholar by Langdon Hammer, 2007-09-22

81. RNIB Magazine: High Browse - August 2002: Poetry
Smithsonian Folkways Records, 1991. gluck, louise louise gluck. TheAmerican Academy of Poets, 1992. Two readings appear on this tape.
http://www.rnib.org.uk/wesupply/publicat/highbrws/hb0802/poetry.htm
Search RNIB site for:
High Browse
August 2002
Poetry
The Poetry Library
The following titles are available on cassette from the Poetry Library, which operates a postal lending service exclusively to visually impaired people. This service is not available outside the UK. For further information telephone 020 7921 0943 or e-mail info@poetrylibrary.org.uk
Tape
BRODSKY, Joseph: Joseph Brodsky reads his poetry. Caedmon, 1988. FROST, Robert: Derry down derry: Lesley Frost reads Robert Frost. Smithsonian Folkways Records, 1991. GINSBERG, Allen: Allen Ginsberg and Marilyn Hacker. University of Missouri, [198-?]. GINSBERG, Allen: First blues: rags, ballads and harmonium songs. Watershed Tapes, 1991. GIOVANNI, Nikki: Nikki Giovanni and Michael S Harper. University of Missouri, [198?]. GIOVANNI, Nikki: Legacies. Watershed Tapes, 1991. GIOVANNI, Nikki: Cotton candy on a rainy day. Smithsonian Folkways Records, 1991. GLUCK, Louise: Louise Gluck. The American Academy of Poets, 1992. Two readings appear on this tape. The more recent reading includes a selection of poems from Wild Iris. In the earlier part she reads from Descending Figure and The Triumph of Achilles GOODLAND, Norman:

82. Louise Gluck
from Lamentations. 1. The Logos. They were both still, the woman mournful,the man branching into her body. But god was watching. They
http://students.alliant.edu/personal/jfarkas/pac/masks/wom_gluck.htm
from Lamentations 1. The Logos They were both still,
the woman mournful, the man
branching into her body But god was watching.
They felt his gold eye
projecting flowers on the landscape. Who knew what he wanted?
He was god, and a monster.
So they waited. And the world
filled with his radiance,
as though he wanted to be understood. Far away, in the void that he had shaped,
he turned to his angels. c. 1970

83. Louise Glück - The Academy Of American Poets
Find a Poet louise Glück. Add to a Notebook. louise Glück. louise Glückwas born in New York City in 1943 and grew up on Long Island.
http://www.poets.org/LIT/poet/lglucfst.htm
poetry awards poetry month poetry exhibits about the academy Search Larger Type Find a Poet Find a Poem Listening Booth ... Add to a Notebook The Seven Ages (Ecco Press, 2001); Vita Nova (1999), winner of Boston Book Review's Bingham Poetry Prize; Meadowlands The Wild Iris (1992), which received the Pulitzer Prize and the Poetry Society of America's William Carlos Williams Award; Ararat (1990), for which she received the Rebekah Johnson Bobbitt National Prize for Poetry; and The Triumph of Achilles (1985), which received the National Book Critics Circle Award, the Boston Globe Literary Press Award, and the Poetry Society of America's Melville Kane Award. She has also published a collection of essays, Proofs and Theories: Essays on Poetry This bio was last updated on May 9, 2002. photo ‚© Star Black Shop for at your local bookstore, through Booksense.com . (This link will open in a new browser window.) Learn more about why poets.org loves Booksense.com

  • "Cottonmouth Country" and " Marathon," presented by the Dia Center for the Arts.
  • A collection of critical, historical, and biographical information at the Modern American Poetry site.

84. Louise Glück - The Academy Of American Poets
louise Glück The Academy of American Poets presents biographies, photographs, selected poems, and links as part of its online poetry exhibits. Some pages also include RealAudio clips of the poet reading his or her work. louise Glück. louise Glück was born in New York City for the Arts. louise Glück teaches at Williams College and Dia Center for the Arts. louise Glück. A collection of
http://www.poets.org/lit/poet/lglucfst.htm
poetry awards poetry month poetry exhibits about the academy Search Larger Type Find a Poet Find a Poem Listening Booth ... Add to a Notebook The Seven Ages (Ecco Press, 2001); Vita Nova (1999), winner of Boston Book Review's Bingham Poetry Prize; Meadowlands The Wild Iris (1992), which received the Pulitzer Prize and the Poetry Society of America's William Carlos Williams Award; Ararat (1990), for which she received the Rebekah Johnson Bobbitt National Prize for Poetry; and The Triumph of Achilles (1985), which received the National Book Critics Circle Award, the Boston Globe Literary Press Award, and the Poetry Society of America's Melville Kane Award. She has also published a collection of essays, Proofs and Theories: Essays on Poetry This bio was last updated on May 9, 2002. photo ‚© Star Black Shop for at your local bookstore, through Booksense.com . (This link will open in a new browser window.) Learn more about why poets.org loves Booksense.com

  • "Cottonmouth Country" and " Marathon," presented by the Dia Center for the Arts.
  • A collection of critical, historical, and biographical information at the Modern American Poetry site.

85. Threepenny: Gluck, Landscape
A poem about time, landscape, action, and the mind by prizewinning poetLouise gluck, from the Fall 2000 issue of The Threepenny Review.
http://www.threepennyreview.com/samples/gluck_f02.html
Fall 2002
Landscape
Time passed, turning everything to ice.
Under the ice, the future stirred.
If you fell into it, you died.
It was a time
of waiting, of suspended action.
I lived in the present, which was
that part of the future you could see.
The past floated above my head,
like the sun and moon, visible but never reachable.
It was a time
governed by contradictions, as in I felt nothing and I was afraid. Winter emptied the trees, filled them again with snow. Because I was afraid, I didn't move; my breath was white, a description of silence. Time passed, and some of it became this. And some of it simply evaporated; you could see it float above the white trees forming particles of ice. All your life, you wait for the propitious time. Then the propitious time reveals itself as action taken. I watched the past move, a line of clouds moving from left to right or right to left, depending on the wind. Some days

86. Threepenny: Gluck, Summer Night
A poem about matters of the heart by prizewinning poet LouiseGluck, from the Summer 2000 issue of The Threepenny Review.
http://www.threepennyreview.com/samples/gluck_su00.html
Summer 2000
Summer Night
Orderly, and out of long habit, my heart continues to beat.
I hear it, nights when I wake, over the mild sound of the air conditioner.
variety of hearts, owing to there having been several.
And as it beats, it continues to drum up ridiculous emotion.
So many passionate letters never sent!
So many urgent journeys conceived of on summer nights,
surprise visits to men who were nearly complete strangers.
The tickets never bought, the letters never stamped.
And pride spared. And the life, in a sense, never completely lived.
And the art always in some danger of growing repetitious.
Why not? Why not? Why should my poems not imitate my life? Whose lesson is not the apotheosis but the pattern, whose meaning is not in the gesture but in the inertia, the reverie. surely these are the great, the inexhaustible subjects to which my predecessors apprenticed themselves. I hear them echo in my own heart, disguised as convention. Balm of the summer night, balm of the ordinary

87. HarperCollins.com: Poetry

http://www.harpercollins.com/hc/features/poetry/poets.asp
Title Author ISBN Imprint Series Your browser does not support script Search For Favorite Poet Please pick a poet Ashbery, John Balakian, Peter Bly, Robert Brooks, Gwendolyn Byron, Lord Cummings, E.E. (audio) Dickinson, Emily Dillard, Annie Donne, John (audio) Doty, Mark Eliot, T.S. (audio) Erdrich, Louise Forche, Carolyn Frost, Robert (audio) Galassi, Jonathan Ginsberg, Allen Gluck, Louise

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