41. Coover, Robert - Vita Translate this page robert coover. *1932 in Iowa/USA, lebt und arbeitet in Providence/RhodeIsland bei New York/USA. Stationen ua Dozent für kreatives http://www.lyrikwelt.de/autoren/coover.htm

Robert Coover *1932 in Iowa/USA, lebt und arbeitet in Providence/Rhode Island bei New York/USA Stationen u.a. Dozent für kreatives Schreiben an der Brown University, Rhode Island. Arbeitsgebiete: Gedicht, Erzählung, Roman Auszeichnungen/Ehrungen/Preise (Auswahl) Veröffentlichungen (Auswahl) Von den Anfängen der Brunisten , Roman (1966). Johns Frau , Roman. Geisterstadt , Roman (2002, Rowohlt - Übertragung Dirk van Gunsteren Buchbestellung I home I e-mail -1102 © LYRIKwelt

42. Geisterstadt Von Robert Coover Translate this page Jippie hei yeah. Jippie hei yohoh robert coover hat den Western aufsWesentliche reduziert und einen brillanten Roman daraus gemacht. http://www.lyrikwelt.de/rezensionen/geisterstadt-r.htm

Geisterstadt. Roman von Robert Coover (2001, Rowohlt - Übertragung Dirk van Gunsteren Besprechung von Elmar Krekeler a us Die Welt Jippie hei yeah. Jippie hei yohoh Robert Coover hat den Western aufs Wesentliche reduziert und einen brillanten Roman daraus gemacht Nehmen wir uns eine Filmleinwand. Groß und weiß und leer. Und da malen wir jetzt drauf herum. Eine nachtschwarze Geschichte. Einen Traum. Einen Western. Der geht so: Ein Cowboy reitet durch Geierland. Sandfarben die Erde, bleich der Horizont. Hinter ihm ist nichts, vor ihm ist auch nichts. Ledrig ist er, "sonnenverbrannt und so alt wie die Berge. Und doch ist er bloß ein Junge. Wird auch nie was anderes sein." Er umkreist eine Stadt, die Stadt umkreist ihn. Bis eines Tages Straßen unter seine Füße gleiten und Häuser sich um ihn herum stellen. Im Saloon der Geisterstadt ist noch Leben. Unser altes, ledriges Kind mit dem großen Hut wird von den üblichen Saloonbewohnern zum Sheriff bestimmt, soll den Bankdirektor hängen, die Barfrau heiraten, verliebt sich in die Lehrerin. Wunderliche Dinge geschehen währenddessen. Die Stadt verändert sich ständig, verschiebt sich, die Bank rutscht an die Stelle, wo gerade noch der Saloon stand. Ein gespenstischer Riese von Pferd galoppiert herum. Es ist permanent High Noon. Und doch extrem dunkel. Eine seltsame Geschichte. Juppie-tai-jippie-tai-jippie-yeah (Robert Coover) Die Geschichte vom alten ledrigen Kind im Geierland ist eine Robert-Coover-Geschichte. Eine ziemlich typische. Dem bald 70-Jährigen hängt vollkommen zu Recht der Ruf an, einer der größten Konventionskiller der amerikanischen Literatur zu sein. Wo Coover war, war meistens vorne in der Literatur. Zusammen mit

43. Valencia West LRC - Coover, Robert coover, robert (1932 ). Pathfinder. July 1996. The following reference bookscan be used to get both biographical and critical information about authors. http://valencia.cc.fl.us/lrcwest/coover.html

Coover, Robert (1932- ) Pathfinder July 1996 The following reference books can be used to get both biographical and critical information about authors. These sources should be used as a starting pointDO NOT base all of your research on material obtained from reference books. Use these sources to become better acquainted with your author; this will allow you to utilize more effectively the sources listed under COMPREHENSIVE LITERARY RESEARCH. These sources are located at the West Campus LRC; they may also be located at other local libraries. BIOGRAPHICAL SOURCES Consult the following reference sources to get an overview of your author's life. Contemporary Authors REF Z 1224 .C6 The various versions of this classic biographical source are all accessed via the Contemporary Authors Cumulative Index (REF Z 1224 .C58) Dictionary of Literary Biography REF PS 221 .D5 This multivolume biographical source is best accessed via the Contemporary Authors Cumulative Index (REF Z 1224. C58) CRITICAL SOURCES Consult the following reference sources to obtain critical analyses of your author and his/her work. The first sources listed will provide a more general critical analyses of your author, while the second set of sources will provide critical analyses of a more specific nature.

44. Featured Author: Robert Coover Similar pages Frigatezine Welcome to the Frigate Shop Essays/Criticism Paperback. coover, robert. A Night at the Movies Or, You Must Remember This.Dalkey Archive Press, 1997. coover, robert. Briar Rose. Grove Press, 1998. http://www.nytimes.com/books/98/09/27/specials/coover.html

Featured Author: Robert Coover With News and Reviews From the Archives of The New York Times In This Feature Reviews of Robert Coover's Earlier Books Articles About and By Robert Coover Related Links Sven Birkerts Reviews 'Ghost Town' (September 27, 1998) First Chapter: 'Ghost Town' Stathis Orphanos/ Holt and Company Robert Coover REVIEWS OF ROBERT COOVER'S EARLIER BOOKS: The Origin of the Brunists "Robert Coover writes his first novel as if he doesn't expect to make it to a second. Everything goes into it, including plots for several grim short stories and more social novels . . . If he can somehow control his Hollywood giganticism and focus his vision of life, he may become heir to Dreiser or Lewis." The Universal Baseball Association, Inc.: J. Henry Waugh, Prop. ". . . a fine baseball novel, the best I can remember in an admittedly thin field, and based obviously on a study of the texts. . . . not to read it because you don't like baseball is like not reading Balzac because you don't like boarding houses . . ." ,' reviewed by William H. Gass

45. Frigatezine- View: The Pleasures Of The Difficult Paperback, 186 pgs., $11.00. coover, robert. Briar Rose. Grove Press, 1998. Paperback,96 pgs., $11.00. coover, robert. Ghost Town. Grove Press, 2000. http://www.frigatezine.com/essay/view/evi01bau.html

Click here to download PDF version to print. Click here to download PDF Reader. The Pleasures of the Difficult Jonathan Baumbach In the distorting light of immediate impression, one's own period tends to seem more extreme than any other, our deficiencies more egregious. This literary moment's persuasive illusion is that fewer works that challenge the reader's skills are being read. The reasons may be beside the point, though they are everywhere apparent. Impatience seems high on the list. We want immediate payoffs for our commitments of time and concentration. Fiction, suggests the evidence, tends to be used more and more as a licit form of drug abuse. The difficult in fiction has a variety of faces. There are opaque surfaces, obscure diction, work that is challenging conceptually. There are also fictions that appear simple that are deceptively elusive. Difficult fiction is not, as has been assumed, less emotionally compelling than readily accessible work. The fiction I'm talking about tends to resist easy manipulation, does not wear its emotional life on its sleeve. It's arguable, of course, but I'm not alone in thinking that the most original fiction in America of the last three decades comes by and large from the difficult writers on the postmodernists panel at Brown ten years ago.

46. Zeal.com - United States - New - Lifestyle - Books - By Country - North America resource for United States New - Lifestyle - Books - By Country - North America- United States - 20th Century - Authors C - Authors Co - coover, robert. http://www.zeal.com/category/preview.jhtml?cid=531894

47. ELO State Of The Arts Symposium: Robert Coover Biography of robert coover, for the Electronic Literature Organization'sState of the Arts Symposium, at UCLA, April 46, 2002. robert coover. http://www.eliterature.org/state/bio-CooverRobert.shtml

Robert Coover Robert Coover is widely regarded as one of America's most influential living writers, author of some fifteen groundbreaking books of fiction, including and most recently Ghost Town . Coover has for the past decade been teaching experimental courses in hypertext and multimedia narrative at Brown University. His 1992 essay on hypertext in the New York Times Book Review , "The End of Books," galvanized electronic literature fans around the world. This speaker delivers a keynote on April 5th [an error occurred while processing this directive] Electronic Literature Organization

48. Parodistic Intertextuality And Intermediality In Postmodern American Fiction: Ro Translate this page Parodistic Intertextuality and Intermediality in Postmodern AmericanFiction robert coover and Kathy Acker Voller Matthias. Parodistic http://www.mybuechertipp.de/Voller-Matthias-Parodistic-Intertextualit-3828801234

Parodistic Intertextuality and Intermediality in Postmodern American Fiction: Robert Coover and Kathy Acker Voller Matthias Titel: Parodistic Intertextuality and Intermediality in Postmodern American Fiction: Robert Coover and Kathy Acker Autor: Voller Matthias Rubrik: Postmodernismus Parodie Intertextualität Intermedialität Literatur und Film Kategorie: Kastner Heidi Pyrolytische Er... Kruse Manfred Studie über spe... Isaak Ghirmay Wechselwirkungs... Kulbartz-Klatt Yvonne Je Expe... ... Home

49. Robert Coover LA PRIMERIA DE LA VIDA DE L'ARTISTA índice no. 30 maig juny 2002. Especial Benet Rossell. LA PRIMERIA DE LAVIDA DE L'ARTISTA robert coover Traducció de Quim Monzó a Benet Rossell. http://www.barcelonareview.com/30/c_rc.htm

índice no. 30: maig - juny 2002 Especial Benet Rossell LA PRIMERIA DE LA VIDA DE L'ARTISTA Robert Coover Traducció de Quim Monzó a Benet Rossell Va néixer l'any eixordador i calamitós de l'avortat cometa a mig camí entre la lletra àlef i la clau de do de seductora duplicitat (altrament el poble no tindria nom) sota el signe astral de la Tinta Vessada (en temps més moderns conegut com el Forat Sense Cor), cèlebre per la seva influencia esvalotadora en vides altrament virtuoses i austeres. Sa mare, que, segons l'humor, era o bé un paral·lelogram exquisidament bell amb plomalls i ales d'insecte als angles o bé un tèrbol riu mitològic, enfosquit de garrotes, era, malgrat les aparences canviants, l'ancora de la família. Era ella la que buidava els cranis i escombrava els llits torturats, la que preparava l'estofat quotidià de catàstrofe i gresca, la que tocava les hores, la que projectava les ombres, protegint-les de la mort per il·luminació, la que els rentava totes les angoixes humils i prèviament encongides, la que se les estenia sobre els membres extensos per curar-les al sol violent, com pernils de muntanya. Quan, molt més tard, li van demanar que descrivís els primers records, l'artista va contestar: «Salats». Va ser també sa mare la primera a adonar-se que les paraules eren pedres i, doncs, no tan sols indigestes sinó també de poc valor al mercat, que només servien (com la resta de nosaltres) per tapar forats. Aquesta és l'observació que va fer en públic; l'observació privada, feta tan sols a la família, era que tot és una pedra, fins l'aire, l'amor i els somnis. Això va proporcionar una gran estabilitat a la vida del fill, i una gran desesperació, ja que li va fer difícil, entre altres coses, respirar (sempre aquell xerric-xerrac càustic, com una platja pedregosa rascleta per onades de tempesta), però li va alliberar l'art de la il·lusió de permutabilitat.

50. The New York Review Of Books: ARRESTS IN POLAND Albee, John Ashbery, Stanislaw Baranczak, John Barth, Donald Barthelme, Saul Bellow,Joseph Brodsky, Jerome Charyn, robert coover, robert Creeley, Marcus http://www.nybooks.com/articles/5033

@import "/css/default-b.css"; Home Your account Current issue Archives ... NYR Books The New York Review of Books August 14, 1986 Letter ARRESTS IN POLAND By Allen Ginsberg Anne Waldman Arthur Miller Bradford Morrow ... William Styron To the Editors Walter Abish, Edward Albee, John Ashbery, Stanislaw Baranczak, John Barth, Donald Barthelme, Saul Bellow, Joseph Brodsky, Jerome Charyn, Robert Coover, Robert Creeley, Marcus Cunliffe, Stephen Dixon, E.L. Doctorow, Raymond Federman, Leslie Fiedler, William Gaddis, William Gass, Allen Ginsberg, Janusz Glowacki, Sinda Gregory, Ihab Hassan, Richard Howard, Irving Howe, John Irving, Harold Jaffe, Frederick R. Karl, Ken Kesey, Jerome Klinkowitz, Larry McCaffery, Joseph McElroy, Norman Mailer, Clarence Major, Harry Mathews, Peter Matthiessen, Leonard Michaels, Arthur Miller, Bradford Morrow, Joyce Carol Oates, Maggie Paley, Walker Percy, Robert Pinsky, Philip Roth, Isaac Bashevis Singer, Susan Sontag, Michael Stephens, Rose Styron, William Styron, Ronald Sukenick, Calvin Tomkins, Frederic Tuten, Kurt Vonnegut, Anne Waldman, Paul West Home Your account Current issue Archives ... NYR Books with any questions about this site. The cover date of the next issue of

51. The New York Review Of Books: Robert Coover Bibliography of books and articles by robert coover, from The New YorkReview of Books. The New York Review of Books robert coover. http://www.nybooks.com/authors/2885

@import "/css/default-b.css"; Home Your account Current issue Archives ... NYR Books Robert Coover August 14, 1986 ARRESTS IN POLAND Home Your account Current issue ... NYR Books with any questions about this site. The cover date of the next issue of The New York Review of Books will be May 1, 2003.

52. Understanding Robert Coover Understanding robert coover In Understanding robert coover, Brian Evenson takeson the work of robert coover, a major figure of postmodern metafiction. http://www.sc.edu/uscpress/2002/3482.html

Understanding Robert Coover Brian K. Evenson An insightful look at one of America's most important postmodern metafictional writers 5 x 7, approx. 192 pages cloth, ISBN 1-57003-482-6, $34.95s Understanding Contemporary American Literature, Matthew J. Bruccoli, founding editor About the Book About the Author Order the Book ABOUT THE BOOK In Understanding Robert Coover, In this comprehensive study, Evenson discusses Coover's novels from his award-winning first book, The Origin of the Brunists, to his controversial The Public Burning Pricksongs and Descants, Pinocchio in Venice, and Briar Rose, as well as the revisionary western Ghost Town . Evenson also looks at Coover's latest novel, The Adventures of Lucky Pierre: Raw Footage Evenson explicates Coover's rewriting of myths and explores his willingness to break the frame of his fiction so as to include both fantastic and realistic elements. Evenson also show that, for Coover, storymaking is essential to what makes us human, and for that reason his ideas remain at the heart of what makes literature dynamic and intriguing. Understanding Robert Coover addresses these issues and explicates Coover's often difficult and formally innovative fiction.

53. L'Hypertext Hotel Di Robert Coover Translate this page Giorgio Melloni L'Hypertext Hotel di robert coover. Nel panorama deglistudi letterari, fra le università statunitensi è riconosciuta http://www2.comune.bologna.it/bologna/boll900/melloni.htm

Giorgio Melloni L 'Hypertext Hotel di Robert Coover Hypertext: The Convergence of Contemporary Critical Theory and Technology Decameron The Origin of the Brunists Spanking the Maid Gerald's Party Whatever happened to Gloomy Gus of the Chicago Bears? A Night at the Movies Pinocchio in Venice Hypertext Hotel rifrazione spettro - attraverso i molteplici (e potenzialmente infiniti) legami del prisma ipertestuale. Hotel Hotel linguaggio staff Hypertext Hotel Hotel in nuce Hotel comitato di Brown anche l'inserimento di pezzi inediti all'interno dell' Hotel . L'approdo dell' Hypertext Hotel Hotel movimento principale, accennando solamente - per ragioni di spazio - ad alcune delle molteplici storie e dei molteplici particolari disseminati nei vari testi e nei legami che li associano. La prima schermata dell'ipertesto porta all'attenzione del lettore incipit dipendenti overview The Blue Hotel Hotel , scrittore che concepisce la scrittura naturaliter in termini ipertestuali. La seconda a sua volta contiene Hotel dei ipo-spazio testuale Hotel Poetica scatola nƒ quattro-cinque, maggio 1996

54. Monkeyfist.com: Language And Power: Robert Coover's essays · argument · politics · technology · culture. Language and Power RobertCoover's The Public Burning. by Jeremy BUSHNELL. Thursday, 07 September 2000. http://monkeyfist.com/articles/649

The Public Burning home contact about archive ... swag Language and Power: Robert Coover's The Public Burning by Jeremy BUSHNELL Thursday, 07 September 2000 Email this article Printer version Permanent URL Support this author's work Depending on which page you open it to, Robert Coover's sprawling 1977 novel The Public Burning may appear to be any one of a great many things: an expose of a miscarriage of injustice; a fictional memoir of Richard M. Nixon; an analysis of occult elements in public space and government rites; a historical novel about the Eisenhower era; a comic-book battle between a fantastic superhero and supervillain; or a far-reaching critique of a nation so caught up in its own fears and hysterical rhetoric that it can no longer honor its own ideals. It is testament to Coover's immense skills as a writer that his novel succeeds at being all of these things, and ends up, in fact, transcending the sum of its formidable parts. The Public Burning takes as its topic the execution of ``atomic spies'' Julius and Ethel Rosenberg clemency movement , including such figures as Albert Einstein and Jean-Paul Sartre, a movement which in many ways prefigures the Mumia Abu-Jamal movement of today.

55. Monkeyfist.com: Language And Power: Robert Coover's Language and Power robert coover's The Public Burning. This is Language and Powerrobert coover's The Public Burning http//monkeyfist.com/articles/649 . http://monkeyfist.com/articles/649/plain

The Public Burning Monkeyfist.com Language and Power: Robert Coover's The Public Burning by Jeremy BUSHNELL Thursday, 07 September 2000 Depending on which page you open it to, Robert Coover's sprawling 1977 novel The Public Burning may appear to be any one of a great many things: an expose of a miscarriage of injustice; a fictional memoir of Richard M. Nixon; an analysis of occult elements in public space and government rites; a historical novel about the Eisenhower era; a comic-book battle between a fantastic superhero and supervillain; or a far-reaching critique of a nation so caught up in its own fears and hysterical rhetoric that it can no longer honor its own ideals. It is testament to Coover's immense skills as a writer that his novel succeeds at being all of these things, and ends up, in fact, transcending the sum of its formidable parts. The Public Burning takes as its topic the execution of ``atomic spies'' Julius and Ethel Rosenberg clemency movement , including such figures as Albert Einstein and Jean-Paul Sartre, a movement which in many ways prefigures the Mumia Abu-Jamal movement of today.

56. CooverOV robert coover. Education Publications. Honors and Awards. Teaching. Readingsand Lectures. Nonteaching Activities. Memberships in Organizations. http://65.107.211.206/cpace/ht/HTatBrown/CooverOV.html

Robert Coover Education Publications Honors and Awards Teaching ... The Brown Storyspace Cluster

57. TecaLibri: Robert Coover: Opere narrativa statunitense TecaLibri. robert coover opere. 1932 Nasceil 4 febbraio, a Charles City, Iowa, USA. 1966 The origin of the http://tecalibri.altervista.org/C/COOVER-R_OPE.htm

narrativa statunitense TecaLibri Robert Coover: opere Nasce il 4 febbraio, a Charles City, Iowa, USA. 1966 The origin of the Brunists L'origine dei Brunisti 1968 The Universal Baseball Association, Inc., J. Henry Waugh, Prop. Il gioco di Henry 1969 Pricksongs and descants Contrappunti e controcanti 1969 La babysitter in: idem, Contrappunti e controcanti 1970 Briar Rose 1970 Pinocchio in Venice 1970 The Dead Queen 1977 The public burning Il rogo 1980 A political fable Una favola politica 1981 Spanking the maid Sculacciando la cameriera 1987 Whatever happened to Glommy Gus of the Chicago Bears? Un campione in tutte le arti 1987 A night at the movies Una serata a cinema

58. Robert Coover robert coover . 1. Digitale Literatur. von roberto gebraucht vorbestellen.17. Comic Sense. Reading robert coover, Stanley Elkin, Philip Roth. http://romanautoren-2.literatur-verkauf.de/Robert-Coover.html

"Robert Coover" Pinocchio in Venedig. Rowohlt Tb. (1996) Broschiert Versandfertig in 3 Tagen. Preis: EUR 8,50 Johns Frau. Rowohlt, Reinbek (1999) Gebundene Ausgabe Anbieter versendet in 1-2 Werktagen. Spiel mit der Magd. Roman. Rowohlt Tb. (Juli 1991) Broschiert Anbieter versendet in 1-2 Werktagen. Pinocchio in Venedig. Rowohlt, Reinbek (1994) Gebundene Ausgabe Anbieter versendet in 1-2 Werktagen. Geisterstadt. Rowohlt, Reinbek (2002) Gebundene Ausgabe Versandfertig in 3 Tagen. Preis: EUR 17,90 Digitale Literatur. Edition Text und Kritik (2001) Broschiert Versandfertig in 3 Tagen. Preis: EUR 16,00 Von den Anfängen der Brunisten. Rowohlt Tb. (1996) Broschiert Anbieter versendet in 1-2 Werktagen. Casablanca, Spätvorstellung Rowohlt, Reinbek (1990) Gebundene Ausgabe Anbieter versendet in 1-2 Werktagen. Parodistic Intertextuality and Intermediality in Postmodern American Fiction: Robert Coover and Kathy Acker Tectum Verlag (1997) Microfiche Versandfertig in 3 Tagen. Preis: EUR 27,00 Geralds Party. Roman. Rowohlt Tb. (Januar 1992) Broschiert Versandfertig in 2 bis 3 Tagen.

59. New York State Writers Institute - Coover NEW YORK STATE WRITERS INSTITUTE. robert coover. September 12, 1996 (Thursday),8 pm Recital Hall, Performing Arts Center University at Albany's Uptown Campus. http://www.albany.edu/writers-inst/coover.html

NEW YORK STATE WRITERS INSTITUTE Robert Coover September 12, 1996 (Thursday), 8 p.m. Recital Hall, Performing Arts Center University at Albany's Uptown Campus Afternoon Seminar, 4:00 p.m., in LC 25 Robert Coover has been hailed by The New York Times as "a one-man Big Bang of exploding creative force." His latest novel, John's Wife , was released in April 1996 on the thirtieth anniversary of his first novel The Origin of the Brunists (1966) which won the William Faulkner Award for the best first novel. Coover's other works include the novels The Public Burning (1977), a "factional" account of the conviction and execution in 1953 of alleged spies Julius and Ethel Rosenberg; Gerald's Party (1986), and Pinocchio in Venice (1991); and the short story collections Picksongs and Descants In Bed One Night and Other Brief Encounters (1983), and A Night at the Movies (1987) which won the Rea Award for the Short Story. Coover, respected and praised for his versatility and inventiveness, produces works which blur the distinction between fantasy and reality. Time magazine's Paul Gray said that Coover has won a "reputation as an avant-gardist who can do with reality what a magician does with a pack of cards: shuffle the familiar into unexpected patterns."

60. The End Of Books Final. Byline By robert coover. IN the real world nowadays, that isto say, in the world of video transmissions, cellular phones, fax. http://wings.buffalo.edu/cas/english/faculty/conte/syllabi/370/EndofBooks.htm

The End of Books Date: June 21, 1992, Sunday, Late Edition - Final Byline: By Robert Coover IN the real world nowadays, that is to say, in the world of video transmissions, cellular phones, fax machines, computer networks, and in particular out in the humming digitalized precincts of avant-garde computer hackers, cyberpunks and hyperspace freaks, you will often hear it said that the print medium is a doomed and outdated technology, a mere curiosity of bygone days destined soon to be consigned forever to those dusty unattended museums we now call libraries. Indeed, the very proliferation of books and other print-based media, so prevalent in this forest-harvesting, paper-wasting age, is held to be a sign of its feverish moribundity, the last futile gasp of a once vital form before it finally passes away forever, dead as God. Which would mean of course that the novel, too, as we know it, has come to its end. Not that those announcing its demise are grieving. For all its passing charm, the traditional novel, which took center stage at the same time that industrial mercantile democracies arose and which Hegel called "the

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z

Page 3     41-60 of 93    Back | 1  | 2  | 3  | 4  | 5  | Next 20