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         Clampitt Amy:     more books (64)
  1. A garrulous creature.(Love, Amy: The Selected Letters of Amy Clampitt)(Book review): An article from: New Criterion by Anthony Cuda, 2006-01-01
  2. Biography - Clampitt, Amy (1920-1994): An article from: Contemporary Authors by Gale Reference Team, 2003-01-01
  3. The Collected Poems of Amy Clampitt by Amy Clampitt, 1993
  4. The Collected Poems of Amy Clampitt.: An article from: Poetry by John (English pop musician) Taylor, 1998-07-01
  5. The New Yorker, Aug. 6, 1984 "The Spruce Has No Taproots Four Poems From Maine" by Amy Clampitt, 1984-01-01
  6. The New Yorker, Feb. 4, 1985 "Hippocrene" by Amy Clampitt, 1985-01-01
  7. The New Yorker, May 25, 1981 "Beethoven, Opus III" by Amy Clampitt, 1981-01-01
  8. SILENCE OPENS by Amy Clampitt, 1996-01-01
  9. The Kingfisher. Uncorrected Proof. by Amy Clampitt, 1982
  10. The New Yorker, Jan. 26, 1987 "Man Feeding Pigeons" by Amy Clampitt, 1987-01-01
  11. Multitudes, multitudes by Amy Clampitt, 1973
  12. The New Yorker, July 22, 1991 "North Fork" by Amy Clampitt, 1991-01-01
  13. The New Yorker, July 13, 1987 "Meadowlark Country" by Amy Clampitt, 1987-01-01
  14. THE KINGFISHER by Amy Clampitt, 1984

21. Poetry Daily / Amazon Bookstore
The Collected Poems of amy clampitt, amy clampitt Moore, those two uniquenesses, had married each other, they might have borne amy clampitt " says poet Mona Van Duyn.
http://www.cstone.net/~poems/amclaa10.htm
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22. Clampitt, Amy
clampitt, amy. clampitt, amy, 1920–94, American poet, b. New Providence,Iowa. A librarian and editor, she wrote little until the 1960s.
http://www.infoplease.com/ce6/people/A0812380.html

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You've got info! Help Site Map Visit related sites from: Family Education Network Encyclopedia Clampitt, Amy Clampitt, Amy, , American poet, b. New Providence, Iowa. A librarian and editor, she wrote little until the 1960s. Her first major magazine publication was in 1974. Her first commercially published volume of poems, The Kingfisher (1983), appeared when she was 63. Later volumes are What the Light Was Like Archaic Figure Westward (1990), and A Silence Opens (1994). Clampitt's collected poems appeared in 1997. Her densely ornate and richly allusive verse is often elegiac in tone, and much of her best work concerns the natural world. She also published an essay collection, Predecessors, et Cetera Clamart clan Search Infoplease Info search tips Search Biographies Bio search tips About Us Contact Us Link to Infoplease ... Privacy

23. DIRECTORY.TERADEX.COM - Entertainment/Literature/Authors/C/Clampitt, Amy
amy clampitt "The Academy of American Poets presents a biography, photograph, and selected poems." Also an audio
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24. Plagiarist.com Poetry » Archive » Amy Clampitt
Search Text size A A A A Poets (View All) A B C D E F G H I J K L M N O PQ R S T U V W X Y Z Select a poem by amy clampitt Poems by amy clampitt
http://plagiarist.com/poetry/?aid=352

25. Plagiarist.com Poetry » Archive » Amy Clampitt » "Vacant Lot With Pokeweed"
Write CommentsComments Help with site features.Help Browse Authors.Browse AuthorsBrowse Titles.Browse Titles More poems by amy clampitt.amy clampitt (14 poems
http://plagiarist.com/poetry/?wid=6705

26. Amy Clampitt: Biography
amy clampitt was born and brought up in New Providence, Iowa, graduated fromGrinnell College, and from that time on lived mainly in New York City.
http://www.diacenter.org/prg/poetry/87_88/clampittbio.html
Amy Clampitt was born and brought up in New Providence, Iowa, graduated from Grinnell College, and from that time on lived mainly in New York City. Her first full-length collection, The Kingfisher , published in 1983, was followed in 1985 by What the Light Was Like , in 1987 by Archaic Figure , and in 1990 by Westward A Silence Opens , her last book, appeared in 1994. The recipient in 1982 of a Guggenheim Fellowship, and in 1984 of an Academy of American Poets Fellowship, she was made a MacArthur Prize Fellow in 1992. She was a member of the American Academy of Arts and Letters and was a Writer in Residence at the College of William and Mary, Visiting Writer at Amherst College, and Grace Hazard Conkling Visiting Writer at Smith College. She died in September 1994. Times Square Water Music
Lindenbloom

Urn-Burial and the Butterfly Migration

Back
...
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27. Amy Clampitt: Times Square Water Music
Think of it, think of water running, running, running till it falls! © 1987Amy clampitt. Back © 19952003 Dia Art Foundation www.diacenter.org.
http://www.diacenter.org/prg/poetry/87_88/clampitt1.html
TIMES SQUARE WATER MUSIC
Back
www.diacenter.org

28. Is Amy Clampitt Accessible? - Suite101.com
Is amy clampitt Accessible? Author Nicole A. Zerillo Published on July 24, 2001.Related Subject(s) clampitt, amy , Poetry, Modern 20th century.
http://www.suite101.com/article.cfm/14225/75397
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29. Is Amy Clampitt Accessible? - Suite101.com
messages from 1 to 1 of ,Discussions relating to Modern Poetry Is amy clampittAccessible? - dewey decimal 821.9809.104. 1 pamela_saint, amy clampitt
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Member Central Join Our Community! Login Member Update What's New ... TravelSuite Suite University About Suite University Visit the University Course Listing New Courses ... Featured Courses New Topics Teaching Creative Writing to Children Maine People Organic Vegetable Gardening African-American Home Schooling ... More... Suite Events My Favorite Place War and Peace Spring Into Health! Earth Day 2003 More about Suite101 About Suite101.com - Select a related topic - 20th Century American Poe Alternative Thinking Alternative Writing American Poetry Beat Boulevard British and American Lite Canadian Literature Caring for the Soul Children's Literature Christian Humor Christian Teens/Preteen b Classic Girls' Series Contemporary Female Humor Contemporary Women Writer Crime Stories Domestic Humor Entertainment Industry Hu Everyday humor Fantasy Worlds Feminist Writings Harlem Renaissance Humor Indo-Anglian Fiction J.R.R. Tolkien and Middle

30. Amy Clampitt
POETS Main Page, INDEX of Poets, INDEX of Titles First Lines, Poetry LINKS. AmyClampitt Beach Glass, Fog. Stacking the Straw. The Sun Underfoot Among the Sundews.
http://www.newtrix.com/poems/ac-poems.htm

31. Amy Clampitt
POETS Main Page, INDEX of Poets, INDEX of Titles First Lines, PoetryLINKS. Billy Collins Consolation, Elk River Falls. Forgetfulness,
http://www.newtrix.com/poems/bc-poems.htm

32. Borzoi Reader | Authors | Amy Clampitt
The following excerpt from Providence, an essay amy clampitt wrote at age 70,suggests the immense power that nature held for her and her early realization
http://www.randomhouse.com/knopf/authors/clampitt/
The Collected Poems of Amy Clampitt
A Silence Opens

Amy Clampitt was born and brought up in New Providence, Iowa, graduated from Grinnell College, and from that time on lived mainly in New York City. Her first full-length collection, The Kingfisher, published in 1983, was followed in 1985 by What the Light Was Like, in 1987 by Archaic Figure, and in 1990 by Westward. A Silence Opens, her last book, appeared in 1994.
The recipient in 1982 of a Guggenheim Fellowship, and in 1984 of an Academy of American Poets Fellowship, she was made a MacArthur Prize Fellow in 1992. She was a member of the American Academy of Arts and Letters and was a Writer in Residence at the College of William and Mary, Visiting Writer at Amherst College, and Grace Hazard Conkling Visiting Writer at Smith College.
She died in September 1994.

33. Borzoi Reader | Authors | Amy Clampitt
Excerpted from The Collected Poems by amy clampitt. Copyright© 1997by amy clampitt. Excerpted by permission of Alfred A. Knopf, Inc.
http://www.randomhouse.com/knopf/authors/clampitt/poem.html
The Collected Poems of Amy Clampitt
A Silence Opens

"A Hermit Thrush"
from THE COLLECTED POEMS

Nothing's certain. Crossing, on this longest day,
the low-tide-uncovered isthmus, scrambling up
the scree-slope of what at high tide
will be again an island,
to where, a decade since well-being staked
the slender, unpremeditated claim that brings us back, year after year, lugging the makings of another picnic the cucumber sandwiches, the sea-air-sanctified fig newtonsthere's no knowing what the slamming seas, the gales of yet another winter may have done. Still there, the gust-beleaguered single spruce tree, the ant-thronged, root-snelled moss, grass and clover tuffet underneath it, edges frazzled raw but, like our own prolonged attachment, holding.

34. Poetry Porch 3, Poetics: Memoir By Katherine Jackson
The Poetry Porch 3 Poetics. In the Subtropics with amy clampitt a memoirby Katherine Jackson. 4. A Silence Opens by amy clampitt, Knopf, 1994.
http://world.std.com/~jpwilson/kjmemoir.html
The Poetry Porch 3: Poetics
In the Subtropics with Amy Clampitt
a memoir by Katherine Jackson The Atlantic Center for the Arts is located in one of those ambiguous Floridian zones somewhere between dry land and marsh. (The postal address is New Smyrna Beach, FL, but the beach is a mirage two miles away). Slatted walkways connect the pavillion-like wood buildings, and travel up and down among saw palmettoes, magnolias, live oaks and longleaf pines. Walking from one building to another produces a sensation of levitation, as if you were floating slightly above the ground, which of course, you often are. There were ten of us, poets "in mid-career," come for a three-week immersion called a "residency." We had been drawn there for many reasons, among them, certainly, an intimation that going south in the winter was as good for poets as for other plumed creatures. But above all, it was poetry that drew uspoetry, and Amy Clampitt, plumed creature par excellence, who was to be our "Master Artist." She assumed this role with a fitting lightness of touch. As a result, I and the others in our group with whom I have spoken in preparing these reminiscences, find that now, over a year later, we are still learning from her. Late on the afternoon of my arrival, I strolled alongside a small, shimmering bay whose surface was beginning to take on the roseate-spoonbill-pink of a Florida sunset. Occasionally, there was a silver splash, as somethingwas it a mullet?leapt, a good foot out of the water; and then a crash, as a pelican went after it. Throughout my walk, the fish leapt, or another did, and the pelican crashed, pink turned to flamingo, and I began to understand what it meant to be in "Florida, the state with the prettiest name." For poets such as Bishop and Stevens, after all, Florida was both a geographical state and an aesthetic condition.

35. Titanic Operas: Amy Clampitt
THE STONE FACE OF EMILY DICKINSON by amy clampitt. Page 1. I'm goingto begin with some poems of Emily Dickinson. It was not death
http://www.iath.virginia.edu/dickinson/titanic/clampitt.html
THE STONE FACE OF EMILY DICKINSON
by Amy Clampitt
Page 1 I'm going to begin with some poems of Emily Dickinson. It was not death, for I stood up
And all the Dead, lie down -
It was not Night, for all the Bells
Put out their Tongues, for Noon.
It was not Frost, for on my Flesh
I felt Siroccos - crawl -
Nor Fire - for just my Marble feet
Could keep a Chancel, cool -
And yet, it tasted, like them all, The Figures I have seen Set orderly for Burial, Reminded me, of mine - As if my life were shaven, And fitted to a frame, And could not breathe without a key, And 'twas like Midnight, some - When everything that ticked - has stopped - And Space stares all around - Or Grisly frosts - first Autumn morns, Repeal the Beating Ground - But, most, like Chaos - Stopless - cool - Without a Chance, or Spar - Or even a Report of Land - To justify - Despair. (JP 510) next page about the author audio version table of contents ... search the archives Last updated on April 4, 2001

36. Titanic Operas: Amy Clampitt
THE STONE FACE OF EMILY DICKINSON by amy clampitt Page 2. This poemwas written, it is believed, in the flood year of 1862. I'm now
http://www.iath.virginia.edu/dickinson/titanic/clampitt2.html
THE STONE FACE OF EMILY DICKINSON
by Amy Clampitt Page 2 This poem was written, it is believed, in the flood year of 1862. I'm now going to turn to several other poems of Emily Dickinson, written somewhat later. They're, most of them, not to be found in the anthologies. Most of them, when I proceeded to read straight through her work, were new to me. These were some that struck me particularly: Oh Sumptuous moment
Slower go
That I may gloat on thee -
'Twill never be the same to starve
Now I abundance see -
Which was to famish, then or now -
The difference of Day
Ask him unto the Gallows led - With morning in the sky
(JP 1125)
The Snow that never drifts - The transient, fragrant snow That comes a single time a Year Is softly driving now - So thorough in the Tree At night beneath the star That it was February's Foot Experience would swear - Like Winter as a Face We stern and former knew Repaired of all but Loneliness By Nature's Alibi - Were every storm so spice The Value could not be - We buy with contrast - Pang is good As near as memory - (JP 1133) Alone and in a Circumstance Reluctant to be told A spider on my reticence Assiduously crawled And so much more at Home than I Immediately grew I felt myself a visitor And hurriedly withdrew Revisiting my late abode With articles of claim I found it quietly assumed As a Gymnasium Where Tax asleep and Title off The inmates of the Air Perpetual presumption took As each were special Heir - If any strike me on the street I can return the Blow -

37. Amy Clampitt- Style Over Substance!
TOP26DES24 This Old Poem 26 amy clampitt’s A Hermit Thrush Copyright© by Dan Schneider, 9/29/02. amy clampitt is the quintessential
http://www.cosmoetica.com/TOP26-DES24.htm
This Old Poem #26:
Amy Clampitt’s A Hermit Thrush
Amy Clampitt is the quintessential ‘style over substance’ poet. STOP! Before you think me heartless let me say that in the 1980s, when I 1 st Amy Clampitt was born on June 15, 1920, and brought up in New Providence, Iowa. She wrote poetry in high school, but then ceased and focused her energies on writing fiction instead. She graduated from Grinnell College, and from that time on lived mainly in New York City. To support herself, she worked as a secretary at the Oxford University Press, a reference librarian at the Audubon Society, and a freelance editor. Not until the mid-1960s, when she was in her forties, did she return to writing poetry. Her first poem was published by The New Yorker in 1978. In 1983, at the age of sixty-three, she published her first full-length collection, The Kingfisher
In the decade that followed, Clampitt published five books of poetry, including What the Light Was Like Archaic Figure (1987), and Westward (1990). Her last book, A Silence Opens , appeared in 1994. The recipient in 1982 of a Guggenheim Fellowship, and in 1984 of an Academy Fellowship, she was made a MacArthur Foundation Fellow in 1992. She was also a member of the American Academy of Arts and Letters and taught at the College of William and Mary, Amherst College, and Smith College. She died of cancer in September 1994.

38. Encyclopædia Britannica
American woman composer. clampitt, amy American poet whose work woncritical acclaim for its evocation of the natural world. Tan, amy
http://search.britannica.com/search?query=Amy Heckerling

39. Encyclopædia Britannica
the Imagist school. clampitt, amy American poet whose work won criticalacclaim for its evocation of the natural world. Tan, amy
http://search.britannica.com/search?query=Judging Amy

40. UIowa - Papers Of Amy Clampitt
Manuscript Register PAPERS OF amy clampitt. Collection Dates Undated; 1983 1993.25 in linear ft. amy clampitt was born in New Providence, Iowa, in 1924.
http://www.lib.uiowa.edu/spec-coll/MSC/IaAuthor/Clampitt/clampitt.html
Iowa Author Manuscript Register PAPERS OF AMY CLAMPITT Collection Dates: Undated; 1983 1993
.25 in linear ft. This document describes a collection of materials held by the
Special Collections Department

University of Iowa Libraries
Iowa City, Iowa 52242-1420
Phone: 319-335-5921
Fax: 319-335-5900
e-mail: lib-spec@uiowa.edu Posted to Internet: August 1999
Acquisition Note: This collection was given to the University of Iowa Libraries in 1995 by Margaret Sunday. Access and Restrictions: This collection is open for research.
Digital Surrogates : Except where indicated, this document describes but does not reproduce the actual text, images and objects which make up this collection. Materials are available only in the Special Collections Department. Please read The University of Iowa Libraries' statement on " " Use of Collections The University of Iowa Libraries supports access to the materials, published and unpublished, in its collections. Nonetheless, access to some items may be restricted by their fragile condition or by contractual agreement with donors, and it may not be possible at all times to provide appropriate machinery for reading, viewing or accessing non-paper-based materials. Please read our Use of Materials statement.

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