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This digital document is an article from Notes, published by Music Library Association, Inc. on March 1, 2010. The length of the article is 1201 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: Music for Airports.(Video recording review)
Author: Peter H. Lisius
Publication: Notes (Magazine/Journal)
Date: March 1, 2010
Publisher: Music Library Association, Inc.
Volume: 66Issue: 3Page: 632(3)

Article Type: Video recording review

Distributed by Gale, a part of Cengage Learning ... Read more

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This digital document is a journal article from Computers and Composition, published by Elsevier in 2006. The article is delivered in HTML format and is available in your Amazon.com Media Library immediately after purchase. You can view it with any web browser.

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This essay argues that musicians have been at the forefront of the multimedia revolution. Rather than limit multimedia's creative locus to individuals working with a small range of tools/instruments, we address the increasing dispersion of productive processes across communities, technologies, and spaces. New media culture has reached a point where one can compose on a laptop, sample, loop, and create mashups and heretofore-unknown musics. These developments indicate that contemporary re/mix/digital music culture offers vocabularies, models, and practices for new media writing and culture generations beyond the tradition of text-based composition or the singular work of art. The article traces a genealogy from Wagner's notion of the ''total art work'' up to contemporary digital/remix to show how new media extend techniques that have long been developing. Just as the dispersion of production across communities and technologies transforms musical aesthetics, so also the aesthetic experience itself changes. New media culture is less resonant with interpretation than with engagement, and to explain this experiential difference the article develops the concepts of ''worlding'' and ''prosumer.'' Additionally, this article considers musical and multimedia attempts to incorporate new input streams, including those too often categorized (and excluded) as noise. Such input streams, in combination with other feedback-driven and distributed forms of production, can be theorized as part of an expansive, immersive, and experiential approach to new media we articulate as worlding. ... Read more

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Sandy Nelson and Conway Twitty (pictured) aling with Jimmy Cliff and Brian Eno have featured articles, other articles include The Chieftains; Clancy Brothers/ Tommy Makem; Musical Youth; plus regular columns and departments. ... Read more

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Sandy Nelson and Conway Twitty (pictured) aling with Jimmy Cliff and Brian Eno have featured articles, other articles include The Chieftains; Clancy Brothers/ Tommy Makem; Musical Youth; plus regular columns and departments. ... Read more

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Great U2 tour program, beautifully designed and printed. About 40 color illustrations / photographs of band members, Pop Art works, and other images. Several fold-out pages with illustrations and stand-up paper cut-out of band member. Die-cut silver metallic, reflective cover. Illustrated artists include: Brian Eno, Andy Warhol, Kieth Haring, Roy Lichtenstein and Howard Finster. Includes concert dates and tour information.Softcover. Unpaginated - 30 pages. Measures 9 1/2 by 12 inches. Interesting booklet / programme, nicely illustrated with great graphics. ... Read more

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Sotheby's auction house, London (22 August 1989). Sale Code: 2341. About 82 pages and 536 lot(s). Catalog is in English. Include items about: Alpert, Herb; Animals, The; Apple; Apple Records; Astley, Rick; Atlantic Records; Ballard, Florence; Beach Boys; Beach Boys, The; Beatles, The; Bolan, Marc; Bono, Sonny; Boomtown Rats, The; Bowie, David; Bragg, Billy; Bros; Brown, James; Capital Radio; Carnes, Kim; Carpenter, Karen; Cass, Mama; Chandler, Chas; Checker, Chubby; Christians, The; Clapton, Eric; Cliff, Jimmy; Clooney, Rosemary; Cochran, Eddie; Collins, Phil; Cream; Culture Club; Cure, The; d'Arby, Terence Trent; Depeche Mode; Dire Straits; Disney, Walt; Doobie Brothers; Doors, Led Zeppelin; Doors, The; Electric Light Orchestra; Elton John; Emerson, Lake & Palmer; Eno, Brian; Eurythmics; Fat Boys; Fillmore East and West; Fleetwood Mac, Van Halen; Foreigner; Frampton, Peter; Francis, Connie; Fury, Billy; Geldof, Sir Bob; Genesis; Gipsy Kings, The; Green, Al; Harrison, George; Hendrix, Jimi; Holly, Buddy; Howe, Steve; Jackson; Jackson, Jackie; Jackson, Janet; Jackson, Michael; Jacksons, The; Jagger, Mick; Jam, The; Led Zeppelin; Lennon, John; Little Richard; Live Aid; Lloyd Webber, Andrew; LTD; Madonna; Manzanera, Phil; Martha Reeves and the Vandellas; Matthewman, Stuart; McCartney, Paul; Michael, George; Monkees, The; Monroe, Marilyn; Montgomery, Wes; Moon, Keith; Motown; Mott The Hoople; Nelson, Willie; O'Connor, Sinead; Oldfield, Mike; OMD; Osmond, Donny; Oxtoby, David; Payne, Freda; Pet Shop Boys; Philadelphia International Records; Pink Floyd; Police, The; Powell, Don; Presley, Elvis; Prince; Procol Harum; Psychedelia; Quarry Men, The; Queen; Redding, Noel; Richard, Cliff; Robinson, Smokey; Rolling Stones, The; Rory Storm and the Hurricanes; Ross, Diana; Ross, Diana, & Ocean, Billy and more... Auction catalogs are valuable reference tool for pricing and identifying works of art and collectibles. ... Read more