Product Description

Charming, engaging, and surprisingly forthright, Michael Caine gives us his insider's view of Hollywood and the story of his brilliant second act

When he was in his late fifties, Michael Caine believed his glamorous, rags-to-riches Hollywood career had come to an end. The scripts being sent his way were worse and worse. When one script really disappointed, he called the producer to complain about the part. The producer said, "No, no, we don't want you for the lover, we want you for the father." Salvation came in the unlikely form of his old friend Jack Nicholson, who convinced him to give acting one more shot. What followed was not only an incredible personal transformation but also one of the most radical comebacks in film history. Learning to accept his new role both on camera and in his own life, Caine went on to win his second Oscar, be knighted by the queen, and deliver some of his best performances to date. Now he shares the spectacular story of his life, from his humble upbringing in London's poverty-stricken Elephant and Castle, his military service, touching marriage and family life, and lively adventures with friends, to legendary meetings with fellow stars, forays as a restaurateur, and hilarious off-screen encounters from his glittering five-decade career. Caine brings his gift for storytelling and his insider's view to a tale that is funny, warm, and deeply honest.

Customer Reviews (1)

I also would like to thank Mr. Nicholson !
I truly enjoyed reading his book. It made me want to invite him for tea and chat with him about gardening, the weather, the joy of Christmas and the ability to overcome difficulties. I enjoyed reading about his career as well as about his mother and brothers and yes, his mother really would do anything for her boys. His autobiography is a treasure, you will laugh, and cry and feel the love that he has towards his family, friends and career. He is in my humble opinion a truly remarkable man. Ah, I really enjoyed the tip the Duke gave him LOL...and Jack, thank you for dragging Sir Michael's butt back into business!!!! ... Read more

Product Description
A master actor who's appeared in an enormous number of films, starring with everyone from Nicholson to Kermit the Frog, Michael Caine is uniquely qualified to provide his view of making movies. This new revised and expanded edition features great photos throughout, with chapters on: Preparation, In Front of the Camera - Before You Shoot, The Take, Characters, Directors, On Being a Star, and much more."Remarkable material ... A treasure ... I'm not going to be looking at performances quite the same way ... FASCINATING!"- Gene Siskel ... Read more

Customer Reviews (39)

Wish I had read this book when I first arrived in Los Angeles.
This is a terrific book that is more about the business of acting than revealing any kind of technique for the actor's performance -- but it's a great book that I have highly recommended to anyone interested in an acting career. It's obvious to me that one of the reasons that Michael Caine works so much is that he has an unparalleled work ethic. It's apparent that he is a true soldier for the production company that hires him. What producer wouldn't want to hire Michael Caine after reading his book?
I wish I had read this book when I first arrived in Los Angeles to become an actor. It would have saved me a lot of problems, a lot of migraine headaches, and a lot of grief generated through trial and error (mostly error).

Jesse Vint

author of "A Film Actor's Handbook"

GREAT ACTING ON CAMERA CLASS
It is a wonderful acting class.Especially good for people with training in theatre and are starting to act on the camera.
I think this is a must have for an actor.
Michael Caine is not only a great actor; also he is a wonderful teacher.

Good book for aspiring actors
A very entertaining, short, helpful, addictive read. I bought this on a whim, and I'm pretty sure it's one of the few (if not the only) successful blind book purchase(s) I've made (Da Vinci Code, anyone? blegh). I read it straight through from start to finish, and will probably reference back to it in the future. Whether you are an actor or just interested, this book is great, from a great. I gotta say, Michael Caine is pretty extraordinary and consistent. Then again, I suppose he could have written a pamphlet on hard drive installation and it would be every bit as truthful, direct, and easy to read. Michael Caine knows the film business, he knows what he is talking about. I learned so much from reading his book. This is the type of book that I could continue to read and discover great treasures each time.

As an Acting Coach this IS the #1 tool
Michael Caine gives the truth about acting and the tools to practice your technique that work 100% of the time. HIGHLY RECOMMENDED to remove anything false about the "how to's" in performing. I have an entire collection of books and have written two. This by far is simply the best...with no stoppers on being a success.

great read
This is a great read and has lots of info for both the working and hopeful actor.If you're serious about the craft, read this book.

Mr. Caine's anectdotes and advice is both useable and enjoyable.I had put his advice into practice days before filming an episode.While on set, his words rang true countless times, and made the days shoot far more productive to say the least.

This book sits among my favorites, along side Moss' "Intent to live".





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Product Description
The original autobiography of one of the most versatile, enduring and beloved British actors of our time.

Michael Caine is the best-loved film actor Britain has ever produced. Here, for the first time, he reveals the truth about his childhood, his family and his hard-fought journey from London to Hollywood, bringing to life the lean years and the triumphs with astonishing candour. And with typical charm and humour he talks about the movies, about his relationships -- on and off the screen -- with other actors and directors, and about the memorable screen presence which is his hallmark. ... Read more

Customer Reviews (18)

Authentic, interesting, and informative
I have never read a show biz autobiography unless you count Tennessee Williams, Arthur Miller, and more "artiste" type figures of the performing arts. But this book is terrific for its genre.The tone is extremely personal, personable, and authentic. I only HOPE that Michael Caine truly wrote it, and not a ghostwriter.

Caine spent his years up until about 30 as the ultimate anti-hero: born to a struggling family (his mother was a 'charwoman,' he also had a number of physical problems as a child - it seems he was the only person in his humble neighborhood (think lower class London during WW II, who went and graduated from high school. His early acting efforts were disasterous, and he lived at a time when he couldn't simply take out a student loan, enroll in an on-line college and major in finance as a back up.He treats acting as a craft, a career, and even an art.He presents himself as very task-oriented, whether it's filming in the tropics or living in Hollywood.His story is told in a bit of a melancholy tone. Perhaps it's because he hasn't been trained in assuming that phony rah-rah enthusiasm many Americans have, or it could be that he learned very early in life that even if you tackle one problem the best you can, there will always be another challenge up ahead. If he had been thrust into the world of the "rat pack," for example, they would have probably thought he was from another planet.That could be true.And it's a better one.

The audio is what it's all about
I recently had rented Billion Dollar Brain, renewing my interest in the Harry Palmer series and then while watching Funeral In Berlin I noticed, near the tv, atop a stack of magazines, books and dvd's, the 2 cassette edition of the Michael Caine read "What's It All About", so I pulled it out.
I had bought this cassette edition some years before at a second hand shop and having never really listened to it I brought it with me in the car.
I placed the first cassette into the car player(yes I still have a cassette/cd/radio player in my car in the year 2010) but after about 5 minutes the tape became defective (probably why it had landed at a second hand shop)and would not continue, neither on that side nor the other.
This is why, I now remembered, I had given up trying to listen to it, and had placed it among that stack near the tv.
But this time, I now removed cassette #2 from its sleeve and pushed that into the player.
Cassette 2 begins during the filming of the movie Zulu, Michael's first important movie role. Actually this was fine with me because I was eager to hear about his subsequent roles in Ipcress File, Funeral and Brain.
But as happens with a great speaker who lures the listener in when the subject wouldn't normally interest them, by the time Michael had completed speaking of the Zulu project, I wanted to see the movie, previously having zero interest in doing so.
Michael speaks with such ease and perfectly timed humor that this cassette was pure joy to listen to.
Often while listening, I actually felt bad for the people who instead, had chosen to read the book that these audio cassettes are culled from because they would not have the pleasure of listening to Michael tell his story in his own voice with his own inflections, emphasing certains words and points that the reader might not get.
As it turns out however, and as Michael himself makes clear, this audio edition is an overview of the book itself which goes into greater detail so, for instance, when it did come time to hear of his tales of Harry Palmer, all the audio edition provides is just Michael's experience for the Ipcress File movie but nothing regarding the 2nd and 3rd installment in the Len Deighton saga.
Hmmmm, makes me want to seek out the BOOK book now, now that I think of it!
Listening to this audio cassette in the car on the way to work in the morning completely brightened up what normally is a very dull drive with ugly thoughts of the impending day that lay ahead at the shop (ha).
That first morning, having driven to work listening to Michael's tales of film and movie people and his personal struggles and triumphs, I walked into work on a cloud with a smile for everyone and a wonderful attitude-something that does not come often (again, ha)
Two days later, I have now finished listening to cassette #2 which brings the listener to the year 1992 and the conclusion of Michael's book.
I had to write this to declare how completely I enjoyed listening to Michael speak and all the stories that he had to tell which he told so exceedingly well.
I should go out and buy a new clean version of this two cassette edition so that I can listen to the first tape uninterrupted and also seek out the book itself to fill in the gaps that the cassettes bypass.
I have to just reiterate as evidenced by my 5 star grading above, that this audio edition was pure pleasure to listen to and that is all a tribute to the wonderful wonderful speaking personality Michael Caine is and the story of his life.

Interesting though not perfect
SORRY -VERY LONG!
One of the reviewers here criticises Caine (not his real name!) for name-dropping. This seems unreasonable - firstly, there's in fact a lot of material about his early life; secondly, what, in addition, would he write about, but film stars, producers, Cannes, Harold Pinter, Robert Graves, Ben Gurion being an East End Royal Fusiliers sergeant?

The engaging quality of this book is the way Caine describes his learning experiences - acting tricks, such as the way to act drunk, and the command not to break the 'fourth wall', and wearing heavy specs so in future films he could change his image; adaptation of his eyes to bright lights - it takes a minute; script problems, issues with friends, starry-eyed awe of famous people, Hollywood studios.One other acting trick was not to enter a room which was supposed to be new to the character, to give the authentic appearance of groping for light switches and watching for trip hazards. His writing style seems to reproduce something of the same feeling.He reveals the slow dawning on him of his family's poverty not being anything like as bad as some others, of comparative misfortunes, of homosexuals being polite and civilised to him,

His early life and the Micklethwaite's Cockney existence includes accounts of bomb damage, orphans, and sudden deaths in London, and of his school's evacuation - he was moved with his brother to a huge house, then split up and redirected to somewhere deemed more befitting their lowly status, and Caine was locked under the stairs in Harry Potter style.They were rescued by their mum and somehow moved to Norfolk.Caine was encouraged at the little school there - and was the only pupil ever to get a scholarship.

Back in south London, Caine writes of spivs (backslang for VIPs) and teddy boys: he says both were dangerous, and that petrol bombs were thrown as a protection racket incentive.This sounds like a child's exaggeration to me.For one thing, some were friends of his father.He says his mother was tough as nails, but this can't quite have been true, as she seems not to have been able to prevent him gambling all their little spare money away, or renting radios at great cost.

In his teens he did National Service: Korea, with accounts of Seoul destroyed by American bombs, with human 'night soil' on fields, Chinese across the hill, minefields and twigs.Caine mentions Dien Bien Phu, and Chinese 'communism', which I've always thought dissimilar to Russian.Caine isn't very precise on politics - he says he was tempted in London by woemn trying to sign him up to the CP, offering him wealth and free love - which he found wasn't entirely an accurate prospectus.Joan Littlewood didn't like him - she didn't want stars.She chatted to Baron Philippe de Rothschild, suggesting an ideological link which Caine didn't follow up.

In the late 1950s new types of informal London clubs developed, prefiguring the 1960s; it couldn't have been that bad.Hitchcock, Chaplin (earlier) and Coward (Clapham - more upmarket) were also south Londoners.

Caine went into rep after being told about 'The Stage' and being told where he could buy it.He was hired by a homosexual in Horsham - years later this man died impoverished, but pleased because he was acknowledged to have discovered Michael Caine.The stage name was taken from the film 'The Caine Mutiny' - as with 'Pink Floyd', made up because a name was needed then and there.There are anecdotes, including of course sexual stuff.And actors' lodgings.Apparently the sign was: 'no blacks, irish, dogs, or actors'.Quite a few committed suicide; I cna't help wondering if they did this in a theatrical manner.

Fascinating to see how limited is the part played (pun intended) by actors. Most films start with a script - but the locations, ambience, general feeling, final form of the plot and practically everything else are jointly assembled to such an extent it's quite surprising the process works at all. And maybe it doesn't - this book was written as Hollywood was starting to decline, if I've understood the figures; and Caine lashes out at a chap called Lennard who had a rota of permanently employed studio film actors, none now famous, when he might have employed O'Toole, Connery, Frank Finlay, Terry Stamp, and of course Caine. Quite a few directors are (of course) discussed, and their quirks. Producers less so, and contractual details and such things as dubbing and foreign rights and videos and repeat fees and the general life-cycle of films hardly appear at all.He has a lot of amusing detail about the quirks of directors, which felt overdone to me - it's after all largely a technical job, and screaming and shouting seem inconsistent with worrying over the details of continuity and lighting and emotion.

I have a theory that some performers have a slight oddity which makes them stand out: Stallone has some sort of facial muscle inertia, Mitchum looked slightly red Indian, and so on.Caine has light blue eyes with what he calls a disease of the eyelids, making his eyes look a bit menacing.He says he practised staring, as he'd read somewhere that actors don't blink - probably good advice with films.

Caine's early films, and the 1960s of which there's a very colour supplementy description, made the greatest impression on him. In retrospect they're a bit small-scale compared with those of Sean Connery, for example. 'The Ipcress File' is a rather small-scale spy thing, as is 'Get Carter' (with the the multistorey car park, still talked off in Newcastle until its demolition). 'Alfie' had an abortion sub-plot - Caine's early films all had the element of violence which I think was helped by technological improvements - cameras were smaller and film faster, so places like rail stations and hotel foyers and views through car windows were easier to film. Caine however turned down Hitchcock's unpleasant Frenzy - he had a lifelong dislike of paid sex and related issues, which he dates to being shown a tit in exchange for a chocolate bar.

Judging by this book Caine had little interest in the technical details, confining his comments to the angles of shots and smog. There's stuff on such topics as dried camel dung in Sahara windstorms, Filipino poverty with sad young women used as prostitutes, Almeira and spaghetti westerns, Hollywood (the actual place) and its seediness, the new 'independence' of Nigeria and Uganda.

He seems to have had little idea of which films would be successful, and doesn't seem to have cared, since in the short term he was paid about the same amount. However he's a bit scathing about 'The Magus' and its author, and about his killer bees film (which incidentally must be one of the earliest uses of blue screens) - the one that wrecked his name in the USA. In the days before digital editing, film cutting was literally that; it must have taken forever.

The later parts of the book deal with Labour and high taxation - many people of 'talent' emigrated. And his Windsor house and departure to Los Angeles. And with his identifying his wife, a Kashmiri who appeared in a coffee TV advert and whom he tracked down - his write-up makes this sound quite an adventure, which, surely, can't have been the case, as he must have known how to locate actresses. Incidentally she is (or was) a Muslim and this may be related to Camoron's adoption of Caine for political purposes. And his connection with Langan's Brasserie. There's an account of 'Also Sprach Zarathustra' as the theme for 2001, the music borrowed by Stanley Kubrick from Elstree library, perhaps with 'The Blue Danube'. It occurs to me that some of the footage for the moon landings must have been Kubrick's work. Caine mentions nuclear weapons, the Vietnam War and other public events.

I have to be honest and say I didn't finish the book, as I regard many films as propagandist and/or silly and catchpenny, aimed at the proles. However it does appear to be authentic autobiographical work; there are a few minor errors suggesting no ghosting and light editing.

Entrancing!
This book is superb - well-written, engaging and funny.I didn't want to put it down.

The little anecdotes that Michael Caine shares are amusing, interesting and sometimes poignant; he is as good a writer as he is an actor.Fabulous!You'll love it!

You'll Die Laughing
An extremely interesting and hilariously funny account of Caine's life.
He should write another book. In fact, it's so good that I think I'll read it
again. ... Read more

Product Description

Product Description
Born Maurice Micklewhite in London’s impoverished East End, Michael Caine went on to become one of the world’s most versatile, enduring, and best–loved actors. This new biography looks at the intriguing life and career of the Oscar–winning star. ... Read more

Product Description
Born in London’s impoverished East End, Michael Caine went on to become one of the world’s most versatile, best–loved actors. This biography, written with the cooperation of Caine himself, reveals the life and career of this Oscar–winning star. ... Read more

Customer Reviews (2)

Michael Caine's Favorite Subject, Alas --
Oh.... (yawn).... a biography of Michael Caine, hmm?Instead of remembering him for his films or even for this questionable biography -- and due strictly to Caine's own very telling choices -- we now remember Michael Caine for far & away the most revealing work of his entire career. To wit: besides its superb 2-hour documentaries on the most important actors & artists in film history, Turner Classic Movies (TCM) also inserts 5-minute mini-salutes to some of these same Greats in between TCM's various movie broadcasts each week.And several years ago, for some odd reason TCM chose Michael Caine to narrate its latest 5 minute mini-salute to Cary Grant:Grant, the greatest film actor of the 20th Century, as even the most stringent critics now agree. Yet for 5 painfully long minutes Michael Caine salutes ONLY Michael Caine, not Cary Grant -- & indeed, even repeatedly emphasizes his adamant opinion that Cary Grant is entirely forgettable when compared to the likes of Caine!The astonishing egomania of this pathetic act is so appalling that in 2007 TCM finally axed it entirely and, in creating a new mini-salute to Grant, found another star far more famous than Caine who was also -- refreshingly -- a true gentleman rather than one in name only; & thus who readily demonstrated he knew how to remember someone other than himself.Alas, reading William Hall's biography of "Sir" Michael Caine does nothing other than confirm the very same self-obsession of this empty man.Hence just like too many of Caine's movies, this tale's a complete waste of time.

I nformative Material
I thought this book was especially good for letting us know the real Michael Caine -his East London background, his dogged determination to succeed and his progression towards becoming an icon in the movie industry. The revelation about his unknown long lost brother was a surprise. Overall well worth reading. ... Read more

Product Description
From Alfie and Zulu to "Batman Begins", Michael Caine's brilliant career has spanned five decades and over a hundred films. This son of a London fish-market porter made his name as an iconic rogue in classics such as "The Italian Job" and "Get Carter" but has also won Oscars working with the likes of Woody Allen. Christopher Bray's biography offers the smartest yet assessment of Caine. ... Read more

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A complete guide to the wide–ranging career of one of the most esteemed actors of his day, featuring 75 still photos. ... Read more

Customer Reviews (1)

A Very Special Book Review
Not many people know that Michael Caine was born in 1933, the son of a Billingsgate fish porter.Then again, not many people would care either, so it is hard to see how this book became the "number one bestseller" that its cover claims it to be. The introduction of this book gives you something of an insight into Michael Caine, the man.Who was he?What moved him?Why did he become whatever it was that he became?It seems that as a young child, li'l Mikey became aware of the power of a well timed fact.Apparently, they make you feel better for not having received a proper education.They are also useful for a bit of one upmanship when you come up against a "know-all".Unfortunately, and it really does pain me to have to point this out to a man of Michael's obvious calibre, it seems that Michael is the know-all. After all, this book is a collection of facts that Michael Caine has put together because he knows them, but not many other people know them. It also seems that, along with his knack for absorbing useless and highly dubious bits of information, Sir Michael Caine has a rare talent for self promotion. Another extremely unfortunate point that has to be made is that many of Caine's `facts' are, even to the layman, clearly spurious.Incorrect, that is, or if not incorrect certainly insanely difficult to verify.Like the fact that `Some soft drinks are made sweeter by adding coal'.Or that `An American aircraft in Vietnam shot itself down with one of it's own missiles'. Not many people know that.That's because it is NOT TRUE.Or IMPOSSIBLE TO PROVE. Michael's only valid point, and I think this is the point on which the success of the book hinges, is that facts, especially highly irrelevant and inexplicably timed facts, can be very funny.They can be even funnier if read aloud in a pseudo-Cockney accent.Believe me, I've tried it.If you want to give it a go, simply peruse the pages of this book and read each useless fact aloud.Pretty funny, huh?And believe me, it gets funnier and funnier the more you do it. Actually, despite its faults, and largely because of them, this book rates pretty highly on my list of things to do in a social setting.And you really can't discount the fact that there is a huge picture of Michael Caine on the front.Now that's a selling point. ... Read more

Product Description
Michael Caine takes the lid off the film industry with a collection of tales of Hollywood, Pinewood, Shepperton, Ealing and other less glamourous locations. From the days of the silent movie to the successes and disasters of today's blockbusters, Michael Caine presents anecdotes and facts. ... Read more

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A biography in which those who know Michael Caine best, including Woody Allen, Roger Moore, Julie Walters, Sean Connery and Caine himself, talk about the man and his movies. ... Read more

Customer Reviews (1)

best book ever written.
this is without a doubt the finest book ever written.it's packed with worthless trivia and obscure facts that you will never use and will fill up parts of your brain that should be used for something else.feel the power of this great book. ... Read more

Product Description
It is eight years since the publication of Michael Caine’s bestselling autobiography What's It All About. In that time Caine’s prestige, celebrity and professional standing has grown and grown. He has built one of the most successful restaurant chains in London and returned triumphantly to the movie screen with his roll at Ray Say in Little Voice winning a Golden Globe, and an Evening Standard Award. ‘The old hunger is there again. I want to act.’ he says. From this high point in his career Michael Freedland re-assess Caine’s life, and re-evaluates his talent and impact on the movie industry over forty years. ... Read more

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The authorized story of Michael Caine's rise to stardom. ... Read more

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In the centurey or so after Behn and other female playwrights of the Restoration, women took thier place among men as dramatists; this was a still period, however, when women often met with hostile reception and ingrained male prejudice. The plays in this anthology show the range of work that women were writing for the stage, from immensely sucessful comeedies about love and marraige to social satire, melodrama and tragedy. ... Read more

Customer Reviews (1)

From Rags to Riches, An Enchanting Tale
A great autobiography has several key elements: a compelling story, an honest effort to dish out as much of the unvarnished truth as possible, skillful writing ability, and plenty of pictures to help tell the tale.This book has all four in spades.In fact, this was a second read for me because I enjoyed it so much the first time around several years ago.

Maurice (pronounced Morris) Mickelwhite has had as unlikely and fortunate life as any that you can imagine.He was born into a poor Cockney family in London, to an ever-supportive mum who worked as a cook and charlady and a critical dad who wanted junior to follow him into the back-breaking work of being a fish-market porter.But from a young age, his heart was set on being an actor--an unlikely career given Maurice's early history of heavy eyelids, prominent ears, rickets, slight build, pale features, and an undistinguished voice . . . hardly "leading man" stuff.

But I am getting ahead of his story.Before Maurice could make his mark in life, he was one of the children evacuated from London to the countryside during WW II, giving him five years of clean air and fresh, organic food.Because a teacher believed in him and encouraged him to read and do well in school, he passed a scholarship exam and became one of only a few goyim in a Jewish boys' school.He traded a chocolate bar for a peek at the breasts of the ticket seller at the local cinema, and although he was rewarded with a plump specimen he didn't get to see its twin, so he swore off "commercial sex" for the rest of his life (saving him later from getting the clap).He dropped out of school at age sixteen and a half.At eighteen, Maurice was called up for National Service and became a Royal Fusilier, eventually serving in the Korean War.After that, he had to survive a bout of malaria and his father's death from cancer, exiling himself briefly to Paris when he felt he had hit rock bottom.Finally, he had to find a stage name, becoming Michael Scott until he found out that another actor had that moniker, and then casting about for a different surname, grabbing one from a marquee advertising The Caine Mutiny.Now he was ready to launch.

First, let's start with his women.Michael, from a young age, has been fascinated by the ladies.He was lucky enough to date some of the biggest stars of his day, despite the fact that his appearance (scarcely enhanced by his oversized glasses) might most charitably be dubbed an acquired taste.But this book is not of the kiss-and-tell genre: "Any lady who has known me in the Biblical sense can relax and read on--your secret is safe with me."Yet he talks openly of his two families, the first brief and sad, and the second almost a fairy tale.In his early 20s, he met actress Patricia Haines, "an absolute beauty."They married just a few weeks after their first kiss, and Michael woke up "with a terrible hangover lying next to my unconsummated bride."Things quickly went from bad to worse, despite the birth of their daughter Dominique, and so their ill-rated romance is over in just five pages.By contrast, Michael falls in love with the gorgeous Shakira Baksh, a former Miss Guyana, whom he spots on a Maxwell House TV ad at a time in his life when he is drinking up to three bottles of vodka a day.Long story short, he pursues and wins her, and they marry in 1973 and are still happily together today--after she got him to cut way back on the alcohol.Their daughter Natasha is about as stunning as her mother, and Michael finally had the pleasure of raising a child in a happy home (Dominique having stayed with her mother).

Second, but hardly an afterthought, is Michael's career.To date, including the years after this book's publication in 1992, Michael has been nominated six times for an Oscar.Interestingly, he has lost out all four times in his bid for best actor (Alfie, Sleuth, Educating Rita, and The Quiet American) but won both times he was put forward in the best supporting actor category (Hannah and Her Sisters and The Cider House Rules).Apart from Jack Nicholson, he is the only actor to have been nominated in every decade after the 50s.He describes working with the giants of his field, both stars and producers, and his anecdotes include all the extreme tales you might expect from someone who lives among the famous, can afford anything he wants, travels to exotic locales, and gets heaps of honors and accolades piled upon him--all while remaining on some level rather an ordinary bloke.He was knighted in 2000 by Queen Elizabeth II under his birth name (never having legally changed it), so hats off to you, Sir Maurice!

... Read more