Kiss Me Kate, A CurtainUp Review A CurtainUp Review Kiss Me Kate carolee carmello Burke Moses (PhotoJoan Marcus). Kiss Me Kate Ends Its Run On a High Note With http://www.curtainup.com/kissmekate.html
Extractions: Burke Moses is as tall, dark and handsome a Fred-Petruchio as you could wish for. He manages the comic aspects of his role while projecting strong romantic appeal. Anyone who saw Patricia Morrison and Alfred Drake in the original production, will find Carmello as well as Moses reminding them more of those performers than their immediate predecessors. In the more than two years since I first reviewed this revival, all but a few members of the original cast have changed. Stanley Wayne Mathis continues to bring down the house with the swinging, sizzling "Too Darned Hot" number that opens the second act. With Michael Mulheren still on board as one of the show-stopping gangsters, I couldn't help missing Lee Wilkoff, the shorter scrappier half of the duo. However, Michael McCormick fits the pin-striped suit most ably and amusingly. Janine LaManna, who was one of the main reasons to see the ill-fated
A CurtainUp Review, The Scarlet Pimpernel but the improved interaction and romantic tension between three leads Sir Percyaka The Pimpernel (Ron Bohmer), Marguerite (carolee carmello) and Chauvelin http://www.curtainup.com/scarletpimpernel2.html
Extractions: The Scarlet Pimpernel , seems to come and disappear and reappear, just like its hero. The tale of romantic intrigue set to the easy listening musical beat of Frank Wildhorn has, like Sir Percy, eluded failure by reinventing itself several times. When it first opened at the Minskoff in 1997, audiences ignored critical pans and kept the curtain up for almost a year. When Pimpernel Version .01 closed it was only long enough for a major overhaul that affected script, staging, and casting. In November of 1998, Pimpernel Version 2.0, now under the auspices of Radio City Entertainment, met with a much more favorable reception. Rightly so since Robert Longbottom and librettist-lyricist Nan Knighton invigorated it with energy and character clarification and even provided some real dancing instead of the original production's clunky moving tableaus. Now a trimmer Pimpernel Version 3.0
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Review: King & I At Paper Mill - 2002 carolee carmello is a wondrous Anna, capturing the emotional conflicts and singingwith the kind of spoton power that will gladden the heart of any showtune http://www.musicals101.com/king02.htm
Extractions: Reviewed by John Kenrick The King (Kevin Gray) introduces Anna (Carolee Carmello) to his children. Click on this thumbnail to see the full image. Every now and then, amid all the lousy, so-so and occasionally great musicals, we get to reencounter a genuine masterwork. You know, that small handful of shows so flawlessly conceived that all you have to do is sing the songs and follow the script, and audiences are guaranteed a good time. The King and I is one of those masterworks. We've all seen the movie umpteen times, and pretty much every high school and community theater group in the US has proven that cardboard scenery and homemade crepe costuming cannot dull the magic. The lush score, and an East-meets-West book that is still funny and surprisingly moving can seemingly work anywhere at anytime. But its especially rewarding when we get the chance to see this in a first class stage production, like the new Paper Mill revival. Dazzling to both the eye and ear, this is what Rodgers and Hammerstein had in mind when they wrote the show. Few pleasures match the sensation of hearing Rodgers' incomparable melodies wash over one's senses. But this
Sink Me Or Link Me! The Unofficial Douglas Sills Website The Unofficial Rex Smith Website The Unofficialcarolee carmello Website carolee carmello Online George Dvorsky Discover http://herwake.tripod.com/links.htm
A Class Act Press Release - September 21, 2000 STARRING NANCY KATHRYN ANDERSON, carolee carmello, JONATHAN FREEMAN, RANDY GRAFF,DAVID HIBBARD, JULIA MURNEY, LONNY PRICE AND RAY WILLS PERFORMANCES BEGIN http://www.mtc-nyc.org/news/release-a-class-act-9-21.htm
Extractions: DIRECTED BY LONNY PRICE STARRING NANCY KATHRYN ANDERSON, CAROLEE CARMELLO, JONATHAN FREEMAN, RANDY GRAFF, DAVID HIBBARD, JULIA MURNEY, LONNY PRICE AND RAY WILLS PERFORMANCES BEGIN OCTOBER 3; OPENING NIGHT IS OCTOBER 31 Manhattan Theatre Club (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer), in association with Musical Theatre Works, presents A CLASS ACT, a new musical, with music and lyrics by Edward Kleban, and book by Linda Kline and Lonny Price. Choreographed by Scott Wise, A CLASS ACT is directed by Lonny Price. Performances begin Tuesday, October 3; opening Tuesday, October 31 at MTC's Stage II at City Center, 131 West 55th Street. The 8-member cast of A CLASS ACT is: Nancy Anderson, Carolee Carmello, Jonathan Freeman, Randy Graff, David Hibbard, Julia Murney, Lonny Price and Ray Wills. Edward Kleban wrote songs for the Musical Theatre. His passionate devotion to this impossibly demanding art form ultimately led him to write the lyrics for A Chorus Line. However, the phenomenal success of this masterpiece proved to be a mixed blessing. How do you follow A Chorus Line? Ultimately, A CLASS ACT is the story of a man who discovers that fulfillment in life isn't measured by success; it's defined by what you do for love.
Parade--Award Nominations Robert Brown) Best Performance by a Leading Actor in a Musical (Brent Carver) BestPerformance by a Leading Actress in a Musical (carolee carmello) Best Scenic http://members.tripod.com/OldRedHills/paradenoms.html
Extractions: Get Five DVDs for $.49 each. Join now. Tell me when this page is updated Parade 's Award Nominations and Wins (The categories in which they won are underlined) The TONYS Best New Musical Best Book of a Musical (Alfred Uhry) Best Original Score (Jason Robert Brown) Best Performance by a Leading Actor in a Musical (Brent Carver) Best Performance by a Leading Actress in a Musical (Carolee Carmello) Best Scenic Design (Riccardo Hernandez) Best Choreography (Patricia Birch) Best Direction of a Musical (Harold Prince) Best Orchestrations (Don Sebesky) DRAMA DESKS Outstanding Musical Outstanding Actor (Brent Carver) Oustanding Actress (Carolee Carmello)tie Outstanding Featured Actor in a Musical (Rufus Bonds, Jr.) Oustanding Director of a Musical (Harold Prince) Outstanding Choreography (Patricia Birch) Oustanding Music (Jason Robert Brown) Outstanding Lyrics (Jason Robert Brown) Outstanding Book of a Musical (Alfredy Uhry) Outstanding Orchestrations (Don Sebesky) Outstanding Set Design of a Musical (Riccardo Hernandez) Outstanding Lighting Design (Howell Binkley) Outstanding Sound Design (Jonathan Deams) Friends of New York Theatre Awards (FANY) Outstanding Musical Outstanding Score of a Musical (Jason Robert Brown) Outstanding Director of a Musical (Harold Prince) Outstanding Leading Actor in a Musical (Brent Carver) Outstanding Leading Actress in a Musical (Carolee Carmello) Best Supporting Actor in a Musical (Rufus Bonds, Jr.
Parade--Links The Don Stephenson Web Page. Jessica Molaskey The Official Site. The UnOfficialcarolee carmello Website. carolee carmello Online. Brent Carver. Other. http://members.tripod.com/OldRedHills/paradelinks.html
Maple LaMarsh - The Floozy carolee carmello IS Maple LaMarsh The Floozy http://michaelcrawford.com/wenn/maple.htm
Extractions: Maple has an interesting and somewhat chequered past. She has toured with, among other groups, the Velvet Vanities (she was "prematurely blonde") where she performed as a fan dancer. She also performed under the name 'Holly Wood' in California. There, as is apparent from her constant comments, she had some form of relationship with Errol Flynn (she has also dated J. Paul Getty). Before coming to WENN, she worked at the Crimson Follies (Klondike 9614 - Scott seems to know the number well) where she once played the caboose in a production of "The Little Engine That Could". Other roles included a part in "Caesar and Cleopatra" at the Follies in Buffalo. Another interesting possibility lurking beneath the surface is her relationship with Scott, the nature of which is unclear at this time. As of episode 46, we have learned that they did, in fact, know each other before she arrived at WENN. She is well liked by all, and it is suspected that Mr. Foley has a bit of a thing for her.
Other Performances carolee carmello Marguerite. His Work And Nothing More - with carolee carmelloas Lisa, Anthony Warlow as Jekyll and John Raitt as Sir Danvers. http://chauvelin.artshost.com/othersounds.html
Extractions: We all know that our favorite Pimpernel performers have been in other shows...and here's where you can hear some of their performances! More to come as I dig through all my CDs and find more! All "unofficial" clips donated from various sources. An asterisk (*) in front of any clip means it's my favorite clip from that particular show. Obviously, I will not do this for the performers I only have one clip for! And it's only my lil' opinion... Bryan Batt Carolee Carmello Gilles Chiasson Dave Clemmons ... Doug Storm Forbidden Broadway Strikes Back! - various roles "Andrew Lloyd Superstar" - Patti-Class segment "You Just Can't Sing" - Ethel Merman and Sunset Boulevard segment Forbidden Broadway Cleans Up Its Act! - various roles "Footloose - Too Cute" - as Jeremy "Circle Of Mice" - as Rafreaky in Lion King Segment "Andrew Lloyd Superstar" - as Andrew Lloyd Webber "Swan Lake" - as Cameron Mackintosh "Gagtime" as Little Boy with Lori Hammel as Mother in Ragtime Segment "Super-Frantic-Hyperactive-Self-Indulgent-Mandy" - as Mandy Patinkin "Epilogue" - as Rudy Giuliani and himself Complete Work - Lisa Carew "Take Me As I Am" "His Work And Nothing More" - with Philip Hoffman as Utterson, Anthony Warlow as Jekyll and John Raitt as Sir Danvers
Ron Bohmer Is The Scarlet Pimpernel Just (carolee carmello). Equally captivating are his duets with carolee carmello(Marguerite) in You Are My Home and When I Look at You (reprise). http://www.ronbohmer.com/sp.html
Extractions: Ron portrayed Sir Percival Blakeney in "The Scarlet Pimpernel" on Broadway at the Neil Simon Theatre (fall, 1999) and on the US National Tour (Dec-Apr., 2001). Read Ron's "Pimpernel" Diary Visit Ron's Complete "Scarlet Pimpernel" Photo Gallery ...because he does SHIMMER so... CONTENTS: Read Kristine's Comments on Ron's performance in The Scarlet Pimpernel Read Ron's "Pimpernel" diary , describing his experiences leading up to the Broadway opening Read fan's reactions to Ron's portrayal of Percy View Ron's entire Scarlet Pimpernel Photo Gallery featuring additional photos from the new 1999 Broadway cast program, exclusive rehearsal photos, ad pieces and opening weekend photos from Broadway! Ron Bohmer in The Scarlet Pimpernel Reactions from Kristine, Webmaster
ETONLINE.COM Jaffee knows his former protegee and potent enemy Lily (carolee carmello) is bookedon the same train and schemes to make her star in his new play so he can http://www.etonline.com/reuters/N27377599.htm
Extractions: 'Twentieth Century' Farce Still Timely 2003-01-27 09:15:09 GMT (Reuters) By Joel Hirschhorn HOLLYWOOD (Variety) - The zany, staccato rhythm of 1930s screwball comedy "On the Twentieth Century" is successfully captured in Reprise's revival of Harold Prince's 1978 Broadway production. Composer Cy Coleman and lyricists Betty Comden and Adolph Green based their Tony-winning musical on a 1934 film farce starring Carole Lombard and John Barrymore, and their approach is extravagantly operatic. Coleman's music stylistically integrating Gilbert and Sullivan, Rossini and Offenbach is not in the usual Reprise mold of catchy, hummable hits and has a hyper-sophisticated "inside" feeling that may explain its minimal touring history. But a cast of fine singer-comedians and David Lee's directorial flair for musical pacing add punch to every sardonic lyric and laugh line. For this show to soar, it needs a hilariously hammy, larger-than-life central portrayal, and as Oscar Jaffee, Bob Gunton comes through strongly, every inch an egotistical producer with a monstrously inflated ego. Plot places him on board the 20th Century Limited with his frustrated but faithful sidekicks, publicist Owen (Dan Butler) and business manager Oliver (Robert Picardo). Jaffee knows his former protegee and potent enemy Lily (Carolee Carmello) is booked on the same train and schemes to make her star in his new play so he can reverse his run of bad luck. Carmello recently appeared on Broadway in "Kiss Me Kate," and her Lily is a marvelous match for Gunton's self-dramatization. An excellent singer, she nails the narcissism of a cinema first lady while providing balancing charm and humor. Describing her stormy relationship with Jaffee as "the fang and the claw the mongoose and the cobra," she fends him off while coping with Bruce (Damon Kirsche), a posing, preening lover who views her as a meal ticket. Kirsche strikes amusingly artificial attitudes and puts his own stamp on a role that first established Kevin Kline as a star. Leaping into the lunacy is Letitia (Mimi Hines), presumably an heiress who promises to back Jaffee's show but in reality a religious fanatic and deluded mental case without a dime.
Extractions: For Current London MUSICALS click here About The Play Victoria Palace Theatre: Previewed 16 October, Opened 30 October 2001, Closed 24 August 2002 Musical by Cole Porter with book by Sam and Bella Spewack. Directed by Michael Blakemore with musical supervision by Paul Gemignani and choreography by Kathleen Marshall. Revival of the classic Cole Porter musical - this is the London production of the multi-award winning Broadway revival. One of the crowning glories of American musical comedy, Kiss Me, Kate first dazzled Broadway in 1948 becoming the first show to ever win a 'Best Musical' Tony Award. The first Broadway revival for nearly fifty years, Michael Blakemore's inspired production not only enchanted the critics and delighted audiences, but swept the board to become one of Broadway's biggest prize winners - including five 2000 Tony Awards for 'Best Revival of a Musical', 'Best Orchestrations' (Don Sebesky), 'Best Costume Design' (Martin Pakledinaz), 'Best Director of a Musical' (Michael Blakemore) and 'Best Performance by a Leading Actor in a Musical' (Brian Stokes Mitchell). With 18 unforgettable Cole Porter songs including 'Another Op'nin, Another Show'; 'Too Darn Hot'; 'Why Can't You Behave'; 'Wunderbar'; 'So In Love'; 'Always True To You in my Fashion' and 'Brush Up Your Shakespeare'.
Listings Of The World Arts Celebrities C Linda (4) Carey, Drew (7) Cariani, John (3) Carlin, George (6) Carlson, Amy (3) Carlson,Veronica (2) Carlyle, Robert (6) carmello, carolee (2) Caron, Leslie (3 http://listingsworld.com/Arts/Celebrities/C/
Popular Music: Carolee Carmello Music. carolee carmello. Sort this page listing by Bestselling. http://www.freetimestore.com/search/music/ArtistSearch/Carolee Carmello/5/
1999 NY Theatrical Awards - Pt. I Actress, carolee carmello, Parade Bernadette Peters, Annie Get Your Gun Sian Phillips,Marlene, carolee carmello, Parade Lea DeLaria, On the Town Bernadette http://www.suite101.com/files/topics/240/files/Awards99-pt1.html
Extractions: photo by Paul Greco A new documentary about the life of the late singer-actress Laurie Beechman will debut March 31 at the Directors Guild in New York City. When Laurie Beechman lost her battle with cancer March 8, 1998, the theatre world lost one of its most dynamic performers and one of the all-time great belters. Anyone who ever heard Laurie pour out her heart in such theatre anthems as "Memory" or "I Dreamed a Dream" never forgot the experience of listening to that voice that seemed to go in the ear and move directly to one's heart. Beechman, in fact, possessed a voice that originated from deep in her soul, evoking both the joys and pains of life. She had one of the strongest belts around, but she could also create delicate, softer sounds that moved listeners just as profoundly. Thankfully, Beechman's legacy will be remembered in a new 50-minute documentary produced and directed by Gaylen Ross. Entitled "Listen to Her Heart: The Life and Music of Laurie Beechman," the film will premiere at a by-invitation-only screening March 31 at the Directors Guild in New York City. In addition to the commentary from some of the theatre's finest, the documentary boasts some of Beechman's show-stopping vocal moments. Producer Ross explained to me earlier in the week, "What we tried to do is find highlights from her Broadway career but also not eliminate the cabaret part of her life, which was so important. We, of course, have 'You'll Never Walk Alone,' which was the closing number she did for President Clinton's inaugural. That was one of her last performances in public it was an amazing moment. And, we found some wonderful archival broadcast material. We have her singing 'Tomorrow,' which she never did sing in
