Editorial Review Book Description Arriving in Lowell, Massachusetts, in the 1830s after the death of her shipmaster father, the eleven-year-old Lucy Larcom went to work in a textile mill to help her family make ends meet. Originally published in 1889, her autobiography offers glimpses of the early years of the American factory system as well as of the social influences on her development. It remains an important and illuminating document of the Industrial Revolution and nineteenth-century cultural history. ... Read more Customer Reviews (1)
A Pressed Flower Whose Scent Has Long Gone
People in the following three categories will find this book interesting and useful :1) feminists interested in 19th century women's lives and attitudes; 2) researchers into New England morals and values as expressedin exhortatory literature of the 19th century and 3) those who are studyinglower middle class American education and intellectual interests as foundin New England mill towns and the Mid-West in the mid-1800s.The authorbegan life in the town of Beverly, Mass., which happens to be just acrossthe water from my home town.Thus, I found a certain interest in herreminiscences about the town and countryside in the 1820s and `30s. Lowell, Mass., where the author worked for some years in the period1835-1845, was at the time the site of a new industrial experiment, withYankee farm girls brought in to provide a work force that was bettereducated and more disciplined than most.At the end of that period, theowners decided they could do better with less-educated immigrants who wouldnot strike for their rights.America has changed so dramatically in the111 years since this book was written that I doubt if most people wouldfind A NEW ENGLAND GIRLHOOD too engrossing.It is chock full of moralizinghomilies about life, beauty, religion, and high-minded industry.Thesmallest unpleasant thing is totally avoided, there is not the tiniestcomplaint or hint of rebellion.Earnest Christian fundamentalist sentimentsuffuses the pages along with didactic glances at everything.More thanonce I was reminded of Chinese Communist textbooks, so terribly sincerewere her chapters.There is still a modicum of interest in all this if youread the book in the light of "Wow!What a change a century can make in aculture !"Can you imagine a modern woman writing chapters on hymnbooks oruplifting poetry in her autobiography ?Yet, given the times, this was notstrange, however so it appears today.In short, I cannot say that thisbook will enthrall too many people---its concerns and style are just tooremote from the early 21st century.
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