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Pater Walter:     more books (62)

IMAGINARY PORTRAITS. by Walter [Horatio. 1839 - 1894]. Pater, 1887 Walter Pater (1839-1894): Le forme della modernita = the forms of modernity : atti del convegno, Venezia, Ca' Foscari, 1 e 2 dicembre, 1994 The renaissance; studies in art and poetry. by Walter Pater. by Pater. Walter. 1839-1894., 1913-01-01 Plato and Platonism; a series of lectures. by Walter Pater by Pater. Walter. 1839-1894., 1922-01-01 Appreciations with an essay on style. by Walter Pater. by Pater. Walter. 1839-1894., 1910-01-01 The story of Cupid and Psyche / done into English from the Latin of Lucius Apuleius by Walter Pater ; illustrated with drawings by Raphael - [Uniform Title: Psyche et Cupido. English] by Walter (1839-1894); Raphael (1483-1520) Apuleius - Related names Pater, 1901 The renaissance; studies in art and poetry. by Walter Pater. by Pater. Walter. 1839-1894., 1910-01-01 Marcus Aurelius and his times; the transition from paganism to Christianity, comprising Marcus Aurelius Meditations; Lucian: Hermotimus, Icaromenippus; Justin Martyr: Dialogue with Trypho, First apology; Walter Pater: Marius the Epicurean (selections) Wit by Emperor of Rome, 121-180; Lucian, of Samosata; Justin, Martyr, Saint; Pater, Walter, 1839-1894; Marius the Epicurean Marcus Aurelius, 1943 Imaginary portraits. by Walter Pater. by Pater. Walter. 1839-1894., 1910-01-01 Marius the Epicurean. his sensations and ideas. by Pater. Walter. 1839-1894., 1896-01-01 Marius the Epicurian : His Sensations and Ideas by Walter (1839-1894) Pater, 1891 Selections. Edited with introd. and notes by Edward Everett Hale by Walter, 1839-1894 Pater, 2009-10-26 Gaston de Latour by Walter (1839-1894) Pater, 1910-01-01 Essays from 'The guardian. ' by Pater. Walter. 1839-1894., 1910-01-01

lists with details

21. Literary Links: Beyond The MLA Biography
    Orwell, George, 19031950. Paine, Thomas, 1737-1809. Pater, Walter, 1839-1894.Plath, Sylvia, 1932-1963. Poe, Edgar Allan, 1809-1849. Pool, Maria Louise, 1841-1898.  
    http://fb14.uni-mainz.de/author/biobib.htm
    
    Extractions: The primary focus of this page is to list web sites that maintain as much biographical and bibliographical information as possible about a particular author, especially those that list secondary literature. An ideal site is one that is independant from the author maintains a biographical sketch of the author maintains a list of the author's works and excerpts or full text where possible maintains a list of secondary literature maintains a list of hyperlinks to other websites that could be of interest to the reader Should you know of a site that fulfills these criteria, please let me know Abbey, Edward Acker, Kathy Adams, Douglas ... Chopin, Kate Churchill, Caryl Churchill, Winston Christie, Agatha Clough, Arthur Hugh Coleridge, Samuel Taylor ... Collins, Wilkie Cooper, James Fenimore Crane, Stephen

22. Walter Pater
    Walter Pater (18391894). Aesthetic Poetry by Walter Pater, Source CentralWritten in 1868, this text was published in Appreciations  
    http://library.marist.edu/diglib/english/englishliterature/victorianera-authors/
    
    Extractions: Walter Pater (1839-1894) Aesthetic Poetry by Walter Pater , Source Central: Written in 1868, this text was published in Appreciations in 1898, the version available here.-MJM "Art vs. Aestheticism: The Case of Walter Pater," by Roger Kimball , Upstream: Originally published in Vol. 13, New Criterion (1995), text examines Denis Donohue's monograph entitled Walter Pater: A Lover of Strange Souls , in some depth and with a great deal of insight.-MJM A Web Guide to Walter Pater , Literary History: Includes annotated links to articles, texts, bibliographies, and Web Sites.-MJM Index of Works by Walter Pater , E-texts for Victorianists: A fine collection of authoritative texts, many in PDF format, scanned from the originals. Recommended. Online Works by Walter Pater , University of Pennsylvania: Includes nine Pater texts collected from around the Web, among them: Appreciations, with an Essay on Style, Greek Studies: A Series of Essays , and Marius the Epicurean . Highly recommended.-MJM "P ico Della Mirandola," by Walter Pater , Santa Fe Institute: According to the web site, "This is chapter two of Pater's The Renaissance ; the text is taken from the Modern Library edition (New York, n.d. but

23. Poet Index For Representative Poetry On-line
    Walter Pater(18391894); Coventry Patmore (1823-1896); Thomas Love Peacock  
    http://www.library.utoronto.ca/utel/rp/authors/pater.html

24. Literature British Arts
    Parnell, Thomas (16791718) Poet and clergyman. Born Ireland; Pater, Walter(1839-1894) Essayist and Critic; Patmore, Coventry (1823-1896) Poet.  
    http://www.britisharts.co.uk/pr.htm
    
    Extractions: Visual Arts Performing Arts Literature Art To Buy ... Events COMPETITIONS UK Art Competitions International Art Competitions Arts Related Competitions Literary Competitions ... Art Works for Sale on This Site SERVICES Submit Our Services Web Design/Hosting Links ... Society of Authors protect the rights and further the interests of authors Literary Prizes and Awards (Click) A list of English Authors of the 19th and20th Century + notable earlier authors. Names in blue have links to their web sites. A-C utho D-F a utho G-I autho J-L autho M-O autho P-R autho S-U au tho V-Z If you have web site about an author and want to link to this site - paste our logo (located here) on your site and email us Page, Patricia Kathleen (1916-) English born Canadian Poet.

25. Britannia | Britain
    Translate this page Pater, Walter Horatio (1839-1894). Englischer Schriftsteller und Kritiker. Paterstudierte in Oxford, wo er später eine Lehrtätigkeit ausübte (1864-1880).  
    http://www.robert-morten.de/baseportal/Redaktionssytem/britannia_mini_detail&Id=
    
    Extractions: Pater, Walter Horatio (1839-1894) Englischer Schriftsteller und Kritiker. Pater studierte in Oxford , wo er später eine Lehrtätigkeit ausübte (1864-1880). Im Zentrum seines literarischen Schaffens standen die Prinzipien einer neuen, zeitgemäßen Ästhetik. In diesen Forderungen stimmte er mit John Ruskin und den Präraffaeliten überein, und er entwickelte sich zum wichtigsten Vertreter des L'art pour l'art . Sein Werk "Studies in the History of the Renaissance" (1873), in dem er sich u. a. mit Botticelli da Vinci und Winckelmann befaßte, avancierte zur Bibel des Ästhetizismus der achtziger Jahre des 19. Jahrhunderts und beeinflußte auch hinsichtlich der dort zutage tretenden hedonistischen Lebensauffassung Autoren wie Swinburne und Oscar Wilde . Bekannt wurde Pater vor allem durch seinen biographischen Roman "Marius the Epicurean" (1885) und "Appreciations: with an Essay on Style" (1889), einer Folge kritischer Essays über William Wordsworth Samuel Taylor Coleridge Charles Lamb und andere Schriftsteller. 1894 erschien Paters Autobiographie "The Child in the House" ... zurück. ... zurück zur Datenbank. ... weiter zu "Kunst im Netz". Dienstag, 13.August.2002, 16:25

26. ResAnet Record
    1956066 Monograph COPIES NL Stacks DF78 P3 1967 NL Stacks - DF78 P3 1967 - Copy2 NAME(S) *Pater, Walter, 1839-1894 TITLE(S) Greek studies a series of  
    http://www.amicus.nlc-bnc.ca/wbin/resanet/itemdisp/l=0/d=1/r=1/e=0/h=10/i=195606
    
    Extractions: AMICUS No. 1956066 Monograph COPIES: NL Stacks - DF78 P3 1967 NL Stacks - DF78 P3 1967 - Copy 2 NAME(S): * Pater, Walter, 1839-1894 TITLE(S): Greek studies : a series of essays / by Walter Pater EDITION: Library ed. reprinted. PUBLISHER: Oxford : Blackwell ; New York : Johnson Reprint Corp., 1967. DESCRIPTION: 298 p. ; 22 1/2 cm. SUBJECTS: Art, Greek Mythology, Greek Greek dramaHistory and criticism

27. Notice ResAnet
    livres DF78 P3 1967 - Copy 2 NOM(S) *Pater, Walter, 1839-1894 TITRE(S) Greekstudies a series of essays / by Walter Pater ÉDITION Library ed. reprinted  
    http://www.amicus.nlc-bnc.ca/wbin/resanet/itemdisp/l=1/d=1/r=1/e=0/h=10/i=195606
    
    Extractions: No AMICUS 1956066 Monographie EXEMPLAIRES: Mg. livres - DF78 P3 1967 Mg. livres - DF78 P3 1967 - Copy 2 NOM(S): * Pater, Walter, 1839-1894 TITRE(S): Greek studies : a series of essays / by Walter Pater ÉDITION: Library ed. reprinted. ÉDITEUR: Oxford : Blackwell ; New York : Johnson Reprint Corp., 1967. DESCRIPTION: 298 p. ; 22 1/2 cm. MATIÈRES: Art, Greek Mythology, Greek Greek dramaHistory and criticism Droit d'auteur

28. EL PAÍS
    Translate this page Walter Pater (1839-1894) revisó varias veces el libro, le añadió un nuevo capítulo(sobre Giorgione) y recuperó con algún retoque el final que en la  
    http://inicia.es/de/m_cabot/pater_garciagual.htm
    
    Extractions: EL PAÍS, 20 de noviembre de 1999 Ensayo Historia Luz y Pasión en Walter Pater El Renacimiento, visto por uno de los grandes de la crítica estética. ENSAYO. EL RENACIMIENTO. ESTUDIOS SOBRE ARTE Y POESÍA. WALTER PATER. TRADUCCIÓN DE MARTA SALÍS ALBA. BARCELONA, 1999. 237 PÁGINAS. 2.600 PESETAS CARLOS GARCÍA GUAL La primera edición de estos Estudios en la Historia del Renacimiento es de 1873, pero aquí se traduce el texto definitivo de 1893. Walter Pater (1839-1894) revisó varias veces el libro, le añadió un nuevo capítulo (sobre Giorgione) y recuperó con algún retoque el final que en la segunda edición suprimiera, tras un áspero sermón del obispo de Oxford, escandalizado por las líneas en que el escritor "invitaba a compensar la brevedad de la vida con la intensidad de alguna exquisita pasión o alguna extraña sensación". La conclusión acaba así: "La pasión poética, el anhelo de belleza y el amor del arte por el arte poseen en grado sumo esta sabiduría (para la vida). Pues el arte llega a nosotros con el fin único de aportar a nuestra breve existencia una cualidad sublime, simplemente por amor a ese momento fugaz". Como escritor de refinado y poético estilo, como maestro de la crítica estética, discípulo de Ruskin y maestro de Oscar Wílde, Walter Pater tuvo una enorme influencia en muchos escritores de su época. Conviene recordar, por otra parte, que escribe sobre el Renacimiento por los mismos años en que John Addington

29. Colección PENSAMIENTO/CLÁSICOS
    Translate this page Walter Horatio Pater (1839-1894) fue un intelectual inglés que participó directamenteen los cambios culturales que se produjeron en la segunda mitad del  
    http://inicia.es/de/m_cabot/pater.htm
    
    Extractions: Walter Pater El Renacimiento. Estudios de arte y poesía Alba Editorial, Colección Pensamiento/Clásicos, 7 Traducción de Marta Salís Walter Horatio Pater (1839-1894) fue un intelectual inglés que participó directamente en los cambios culturales que se produjeron en la segunda mitad del siglo XIX y que, incluso, fue referente de algunos de ellos. Formado en Oxford, donde se imbuyó de lecturas clásicas bajo la batuta de Ruskin, viajó por Francia y Alemania pero mucho más asiduamente por Italia. En sus permanencias en Inglaterra alternó entre la escritura, esparcida por periódicos y revistas, y los cursos que intermitentemente profesó en Oxford. Pater vivió de pleno en el momento de una época, la conocida como "Época Victoriana", en que se produjeron continuas y crecientes reacciones contra las rígidas y muy conservadoras normas sociales y culturales. En la cultura de la época confluyeron e influyeron: el estancamiento social después de un siglo de profundos cambios, el agotamiento de las principales corrientes artísticas y culturales que se habían convertido en clásicas en el siglo anterior, el malestar político y social del último cuarto de siglo, la creciente consciencia de vivir el fin de una civilización y el inicio de un período decadente, en definitiva, la necesidad intelectual de buscar nuevos modelos con ayuda de los cuales superar la época presente. En este contexto tomó fuerza el esteticismo, surgido hacia 1825 en Gran Bretaña con el movimiento iniciado por los pintores Millais, Hunt y Rossetti, que pretendían llevar el arte británico hasta la extrema pureza formal y hacia la imitación más servil de la naturaleza que caracterizó a los pintores llamado "prerrafaelitas". Esta excesiva valoración de los principios estéticos al margen de cualquier noción de utilitarismo, fue adoptada por el poeta Swinbume, el pintor Burne-Jones y el propio Pater, bajo la influencia de Ruskin y de William Morris, quien extendió la moda hasta el mobiliario y la indumentaria. El movimiento esteticista alcanzó su apogeo hacia 1886 y su influjo llegó hasta América. En Francia y España suscitó cierto interés entre 1890 y 1900.

30. Part 4: Wilde At Oxford/Oxford Gone Wilde
    an important promotion. Walter Pater, (18391894) Studies in the Historyof the Renaissance. London Macmillan, 1873. In De Profundis  
    http://www.nyu.edu/library/bobst/research/fales/exhibits/wilde/3oxford.htm
    
    Extractions: "The two great turning points in my life," Oscar Wilde wrote in De Profundis, "were when my father sent me to Oxford, and when society sent me to prison." At Oxford, Wilde, in Richard Ellmann's words, "created himself." Perhaps the most important influences on Wilde at Oxford were Walter Pater, John Addington Symonds, and John Ruskin. The Literae Humaniores or "Greats" program that Wilde studied at Oxford centered on the history, philosophy, and literature of ancient Greece, particularly the work of Plato but he did not limit himself to its requirements. Wilde was exposed at Oxford to most of the major intellectual controversies of the day. During Wilde's years at Oxford, the university was a site of considerable controversy. Within months of Wilde's matriculation in 1874, Walter Pater and the "Conclusion" to his Studies in the History of the Renaissance were being denounced from the pulpit as immoral, and a few years later attacks on Pater and Symonds, and on Aestheticism and Oxford Hellenism, including W. H. Mallock's The New Republic

31. Introduction à Walter Pater
    Translate this page tel est le présent ouvrage de critique philosophique laissé par Walter Pater (1839-1894)quelques temps avant son décès, il y a maintenant plus d'un siècle  
    http://web.tiscali.it/no-redirect-tiscali/aesthetic_pages/pate1.html
    
    Extractions: Pratique et profond... tel est le présent ouvrage de critique philosophique laissé par Walter Pater (1839-1894) quelques temps avant son décès, il y a maintenant plus d'un siècle. A tort aujourd'hui bien méconnu, en dehors des anglicistes et des historiens de l'art, celui qui fut peut-être malgré lui le grand-prêtre des Esthètes britanniques après 1875 demeurait néanmoins un universitaire spécialiste des lettres classiques et des questions grecques. Inhabituel professeur du Brasenose College d'Oxford la Faculté du heurtoir de bronze qui lui donne son nom il démontre dans ce recueil de dix conférences magistrales que ses jugements esthétiques ne se dissociaient pas d'une maîtrise de la pensée que l'on croit plus générale. Plongeant aux racines antiques avec une décision toute nietzschéenne, il en revient pourtant conforté dans sa distance : pour lui l'esthétique forme bien le primum mobile de l'histoire de l'esprit.

32. WALTER PATER & FRIEDRICH NIETZSCHE: CONTACTS
    It is certainly useful for a modern mind to read Walter Pater in succession to Thecontemporaneous existence of both thinkers (18391894 and 1844-1900) is of  
    http://web.tiscali.it/no-redirect-tiscali/aesthetic_pages/pate2.html
    
    Extractions: Jean-Baptiste Picy Home INTRODUCTION It is certainly useful for a modern mind to read Walter Pater in succession to Friedrich Nietzsche, for both writers may undoubtedly cast some further light on each other. The quiet glow from Brasenose College and the incendiary Alpine sunset flushing precipitous philosophy have shades in common - To use more explicit language, their similar endeavours to question values and lay stress on aesthetics should be read as complementary. Having had very different disciples and a very different kind of aftermath, never factually meeting , both works have nevertheless found a common ground of singularity in belonging to special niches in both German and British cultures. Both written in an unusual style of " poetry-prose ", both would and will today trigger unusual reactions of adoration or reject Mere subjective metaphors, or perhaps a chance meeting of minds on library shelves? The contemporaneous existence of both thinkers (1839-1894 and 1844-1900) is of course not the only argument founding our comparative study, but it remains essential: a certain historical position for two scholarly intellectuals living in a modern but still not really modern society, a position affording hindsight towards the past of Western culture but also resting in the shadow of an overall decline, soon to be confirmed by the First World War. A life saturated with the consequences of Romanticism, too. Important contacts feature on this line of definition, frequent similarities which will now be magnified, each in detail, ahead of any conclusions: the criticism of Platonism and that of Christianity, the celebration of the Renaissance and that of Dionysus.

33. Handout On Walter Pater
    English 41 The Victorian Age. Handout on Walter Pater (18391894).Assignment for next time. Walter Pater, Norton Anthology 1526-7.  
    http://www.lawrence.edu/fac/SPURGINT/41/handouts/pater.html
    
    Extractions: Assignment for next time Some possible discussion topics 1. Pater and his predecessors: In his Preface to The Renaissance , Pater offers a kind of programmatic piece, an assertion of his critical credo. How does Pater's credo differ from that of earlier critics? The relationship between Pater and Arnold might be especially interesting here, since there is one point at which Pater suggests that he is simply extending Arnold's arguments, seconding Arnold's claim that the aim of good criticism is "to see the object as in itself it really is." What do you suppose Arnold would make of Pater's later statements? Would Arnold agree with the notion that critics need not trouble themselves with "metaphysical" questions about beauty or truth? Would he agree that the first step towards knowing an object is to know one's own impressions of that object? Or would he be wary of taking that step? 2. Pater and painting: Pater moves from theory to practicenot that anyone ever really abandons theory, mind youin his famous comments on the Mona Lisa. As you look over those comments, do you think that Pater is still being a good Arnoldian? Is he making a precise record of his observations and reactions as part of a larger attempt to see the Mona Lisa "as in itself it really is"? If not, what is he doing?

34. Browse Top Level > Texts > Project Gutenberg > Titles > I
    There is no description available for this text. Author Pater, Walter,18391894 Keywords Authors P Pater, Walter, 1839-1894; Titles I.  
    http://webdev.archive.org/texts/textslisting-browse.php?collection=gutenberg&cat

35. Antiquarian Books Catalogue
    Pater, Walter (18391894) SYMONS, A. A Study of Walter Pater.With a Portrait. 112pp. (London Charles J. Sawyer, 1932) FIRST  
    http://www.kitazawa.co.jp/ANTIQU/386/C02004E.htm

36. Antiquarian Books Catalogue
    (Oxford UP, 1967) Cloth with dust wrapper. OG28463 \35,000. Pater,Walter (1839-1894) 132 Pater, W. Gaston De Latour. An Unfinished Romance.  
    http://www.kitazawa.co.jp/ANTIQU/392/C02004E.htm

37. Find A Poet: The All-poetry Encyclopedia. Submit A Site!: Poets : P
    b. 1949, Leeds) Vasko Popa (0) Vasko Popa (19221991) Waclaw Potocki (0) WaclawPotocki (1625-1696) Walter Pater (0) Walter Pater (1839-1894) Walter Porter (0  
    http://www.everypoet.com/links/pages/Poets/P/

38. Www.ralph-abraham.org/ficino/biobibs/brunotemp.txt
    New Haven Yale University Press, 1996. Pater, Walter, 18391894. GiordanoBruno / by Walter Pater. Portland, Me. TB Mosher, 1906.  
    http://www.ralph-abraham.org/ficino/biobibs/brunotemp.txt

39. Lucian Of Samosata (c.120-c.190) Library Of Congress Citations
    Meditations. English. Lucian, of Samosata. Justin, Martyr, Saint. Pater, Walter,18391894. Marius the Epicurean. Selections. Edman, Irwin, 1896-1954.  
    http://www.mala.bc.ca/~mcneil/cit/citlclucian.htm
    
    Extractions: The Little Search Engine that Could Down to Name Citations LC Online Catalog Amazon Search Book Citations [First 20 Records] Title: Marcus Aurelius and his times; the transition from paganism to Christianity, comprising Marcus Aurelius: Meditations; Lucian: Hermotimus, Icaromenippus; Justin Martyr: Dialogue with Trypho, First apology; Walter Pater: Marius the Epicurean (selections) With an introduction by Irwin Edman. Published: New York, Pub. for the Classics Club by W. J. Black [1945] Description: viii, 306 p. 20 cm. LC Call No.: B505 .M48 Dewey No.: 188.8 Subjects: Philosophy, Ancient. Other authors: Marcus Aurelius, Emperor of Rome, 121-180. Meditations. English. Lucian, of Samosata. Justin, Martyr, Saint. Pater, Walter, 1839-1894. Marius the Epicurean. Selections. Edman, Irwin, 1896-1954. Control No.: 45004940 //r956 Author: Lucian, of Samosata. Uniform Title: Selected works. English. 1965 Title: Selected works. Translated, with an introd. and notes, by Bryan P. Reardon. Published: Indianapolis, Bobbs-Merrill [1965] Description: xxxv, 276 p. 21 cm. Series: The Library of liberal arts, 161 LC Call No.: PA4231.A5 R4 Dewey No.: 888 Notes: Bibliography: p. xxxiii-xxxiv. Subjects: Lucian, of Samosata Translations into English. Satire, Greek Translations into English. Other authors: Reardon, Bryan P., ed. and tr. Control No.: 64016706 //r923

40. Project One, Part Two
    All art does but consist in the removal of surplusage. Walter Pater (1839-1894). Art is not a thing; it is a way. -Elbert Hubbard (1859 -1915).  
    http://www.geocities.com/SoHo/Lofts/9433/projects/art54/parttwo.htm
    
    Extractions: What is the art? This is the question! Below are a few ideas. Here's the technical definition as taken from The American College Dictionary (Random House; 1970): Art n. ) 1. The production or expression of what is beautiful, appealing, or of more than ordinary significance. 2. Journ any illustration in a newspaper or magazine. 3. a department of skilled performance: industrial art. pl .) a branch of learning or university study. 5. ( pl .) liberal arts 6. skilled workmanship, execution, or agency (often opposed to nature ). 7: craft; cunning: glib and oily art. Studied action; artificiality in behavior 9. (usually pl.) an artifice or artful device archaic. learning or science. My idea of Art is that it is an expression of what is inside each person who produces it. Sometimes it represents an idea or a feeling. Sometimes it represents something from the "collective consciousness". When it represents the latter we all have a tendency to recognize it, and feel it. Art is something we feel, no matter what form it takes, music, poetry, paintings... we feel it! "All passes, Art alone

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