Geometry.Net - Basic_W: Welsh Mythology

Pre-Defined Search For Welsh @ Pagan Portal
1992. Animals in Celtic and welsh mythology are tied in with fertilityand vitality, because they are living, moving, and growing. .
http://www.paganportal.com/paganportal/pre-definedsearch.asp?query2=Welsh
Mythography | The Celtic God Nuada In Myth And Art
Nuada was known as Nudd of the Silver Hand in welsh mythology. Search Mythography.For best results, use lower case queries in Altavista's syntax
http://www.loggia.com/myth/nuada.html

Extractions: Nuada was an important figure in Celtic mythology. From his role as first leader of the Tuatha De Danaan (the term for the gods and goddesses who descended from the goddess Danu) to his involvement in legendary battles, Nuada played an essential part in Irish myth. Read on to learn more about this significant god. According to mythology, at one point Nuada was the king of the Tuatha De Danaan. However, during the First Battle of Magh Tuiredh (which was fought by the Tuatha De and their rivals, the Fir Bholg), Nuada's arm - or hand - was severed from his body. This unfortunate wound immediately disqualified the god from the rank of king, and so he was forced to abdicate (there were obviously very strict requirements that leaders be free of physical blemish). It was the clever god Dian Cecht who in part solved this problem, by making a silver arm to replace the one that Nuada had lost. And it was at this time that the former king received the title "Nuada Argetlamh", or "Nuada of the Silver Hand". Although Nuada eventually regained his kingship (in large part because of his new metal arm or hand), he first had do battle with the unpopular king who had taken his place, Bres. This conflict - between Nuada and Bres - led to the Second Battle of Magh Tuiredh. In the course of the preparations for war, Nuada made the acquaintance of
Sources For Mythology
1991. Celtic Myths and Legends by Rolleston, TW Dover coversCeltic, Irish, and a little welsh mythology. Egyptian Mythology
http://home.earthlink.net/~misaak/mythsrcs.html

Extractions: Last modified 3 Jan. 1998 The word has several meanings. In the most general sense, it refers to any invented story. In the sense most often used on alt.mythology, it refers to a traditional story, usually very old, which has or once had significant spiritual, moral, or social significance. Professionals distinguish between mythology, legend, and folktale. Very briefly, myths are considered true by the people who tell them; they are usually set near the beginning of time and often concern the origins of things. Legends are also regarded as true, but are set later in history when the world was much as it is today. Folklore is considered false by the people telling it, and its setting in time and space is usually irrelevant. Myths are considered sacred, legends are more often secular, and folktales aren't taken seriously, at least not literally. Although this classification is useful, there is plenty of overlap, and stories range over too much territory to fit nicely in any simple classification. The references below concentrate on myths in the narrow sense, but they include a large dose of legend and folktale as well.
Celtic Mythology Encyclopaedia
Cerridwen In welsh mythology, Cerridwen is the goddess of dark prophetic powers. CordeliaIn Welsh celtic mythology, Cordelia was the daughter of Llyr.
http://home.naxs.com/hiro/religion/myth/celticencyclopaedia.html
Welsh Legend
by Evangeline Walton, Betty Ballentine (Introduction) The author of the classicMabinogian, the great compendium of medieval welsh mythology, is unknown to us
http://www.bestbooks.biz/history/welsh_legend.htm
The Identity: Rhys Taliesin
) ). Taliesin is the name of a bard, mage, and generally clever personin welsh mythology. welsh mythology, from my brief acquaintance
http://www.ics.uci.edu/~jmadden/middle.html

Extractions: When Megan and I decided to change our last names from Foster and Madden to O'Madadhain , I decided that, if I were going to go through this legal process anyway, I was going to change my middle name from "Christian" as well. While, in combination with several other factors, this name allowed me to make a great joke about my essential nature, I have for years felt uncomfortable with bearing a name which means "of or pertaining to Christianity" when in fact I have not been a Christian in that sense since I was about 10. (There are tenets of Christianity with which I agree, but I am an agnostic by policy.) So in the spring of 2001, I started seriously thinking about to what I would change my middle name. This took a while, in part because there were several properties that I wanted such a replacement to possess. I wanted it to mean, or be associated with, something of significance to me, such as a quality that I felt was central to who I was, or a person who had qualities that I admired and identified with. I wanted it to be at least loosely associated with my heritage (which is known to be at least Irish, English, Scots, and German). And I wanted to like the way that it looked and sounded. I looked at a lot of names; in particular, I read the entirety of
Welsh Literature. The Columbia Encyclopedia, Sixth Edition. 2001
attempts at language purification, interest in welsh mythology, and a turning awayfrom earlier Welsh puritanism have accompanied influences ranging from the
http://www.bartleby.com/65/we/Welshlit.html

Extractions: Select Search All Bartleby.com All Reference Columbia Encyclopedia World History Encyclopedia World Factbook Columbia Gazetteer American Heritage Coll. Dictionary Roget's Thesauri Roget's II: Thesaurus Roget's Int'l Thesaurus Quotations Bartlett's Quotations Columbia Quotations Simpson's Quotations English Usage Modern Usage American English Fowler's King's English Strunk's Style Mencken's Language Cambridge History The King James Bible Oxford Shakespeare Gray's Anatomy Farmer's Cookbook Post's Etiquette Bulfinch's Mythology Frazer's Golden Bough All Verse Anthologies Dickinson, E. Eliot, T.S. Frost, R. Hopkins, G.M. Keats, J. Lawrence, D.H. Masters, E.L. Sandburg, C. Sassoon, S. Whitman, W. Wordsworth, W. Yeats, W.B. All Nonfiction Harvard Classics American Essays Einstein's Relativity Grant, U.S. Roosevelt, T. Wells's History Presidential Inaugurals All Fiction Shelf of Fiction Ghost Stories Short Stories Shaw, G.B. Stein, G. Stevenson, R.L. Wells, H.G. Reference Columbia Encyclopedia PREVIOUS NEXT ... BIBLIOGRAPHIC RECORD The Columbia Encyclopedia, Sixth Edition. Welsh literature literary writings in the Welsh language.
Animal Symbolism In Celtic Mythology
Celtic and welsh mythology have many animal symbols. Here again, animalsfigured strongly with fertility in Celtic and welsh mythology.
http://www.learnabouteire.com/animals.htm

Extractions: Free Lake Scene Screen Saver Animal Symbolism in Celtic Mythology C eltic and Welsh mythology have many animal symbols. The animals are tied in with vitality and fertility. The reason they are is because they are living, moving and growing. They provided vitality to the tribes as well as continued life for the tribes through their meat for food, the skins for warm and shelter and the bones as weapons. They believe that the animals provided a connection to the spirits and the gods. The connection can be seen through their use in the hunt, search for secrets and wisdom. S pecific animals have specific associations depending on the characteristics of the animals. Some of these animals are birds, fish, serpents, deer, cattle and the swine which tend to be used as symbols. The most frequently described are the boars, fish serpents, birds and even herd animals. F ertility and continuation of the clan was a major concern of the Celtic and Welsh peoples. Here again, animals figured strongly with fertility in Celtic and Welsh mythology. A prosperous tribe was indicated by healthy, plentiful animals.
Mythology Sources
Inc., New York, 1992 (1989), ISBN 08069-8351-5 Delaney presentes a niceoverview of Irish and welsh mythology and of 'Tristan and Iseult'.
http://members.bellatlantic.net/~vze33gpz/mythsources.html

Extractions: Dalley, Stephanie (trans.) Myths from Mesopotamia Oxford University Press, New York, 1991. This inexpensive volume contains all of the major Assyro-Babylonian (Akkadian) myths, including the epic of Gilgamesh and the Enumma Elish along with brief introductions, footnotes, and a glossary. Gilgamesh :Translated from the Sin-Leqi-Unninni Version , Vintage Books, Random House, New York, 1984.
Fanad
interest to those visiting the site. Follow That Pig! The Path towelsh mythology. (Acrobat PDF File). This is an informal talk
http://www.dubricius.net/

Extractions: A list of publications is provided for those who may be interested. Articles and Published Papers please see list of publications Papers Presented to the Celtic Studies Association of North America Mesotomic Syllables in Old Welsh Poetry (Acrobat PDF File). Presented to the CSANA meeting at the University of Washington at Seattle in April 1993. For the nonlinguist, this is the most accessible treatment of mesotomy, which is proving to be an important identifying characteristic of Old Welsh poetry. Arthur's Name . Presented to the CSANA meeting at the University of Georgia at Athens in April 1994. Expanded and incorporated into part I of chapter 5 in
Directory - Arts: Literature: Myths And Folktales: Myths: British And Celtic
Celtic Mythology · cached · Overview article by Lars Noodén, discussing the tiebetween animals in Celtic and welsh mythology with fertility and vitality.
http://www.incywincy.com/default?p=3377
Lugodoc's Guide To Celtic Mythology
see also welsh mythology / The Mabinogian. Further Reading. The Tain by Thomas Kinsella (Oxford University Press, ISBN 019-281090-1)
http://www.lyberty.com/encyc/articles/irishmyth.html

Extractions: Through a monstrous perversion of the Bard's art, Lugodoc has reduced the entire canon of Celtic myth into bite-sized chunks, easily digested by today's 3-minute attention spanned video game-addicted goldfish-minded web-surfing generation. This is not a telling of Celtic myth, only a map. Chronological sense is maintained except where this would ruin the flow of the Celtic knot of interweaving stories. Try too hard to put these in proper order and you will go mad. Myth is not history. Some stories appear under their traditional titles, some I have had to make up. Some things in it are devilish lies, and some poetical figments; some seem possible and others not; some are for the enjoyment of idiots. There are two main cannons of myth, Irish and Welsh The oldest of these stories were composed in the pagan Celtic iron age of Ireland, possibly as early as 300 BC, and passed on in the druidic oral tradition until the coming of Christianity and the decay of the druidic priesthood in the 5th century AD. The stories were then passed on by wandering bards, added to and bits lost, until the first scraps were first written down in a highly confused order with odd legal and historical notes on cow-hides by early Irish Christian monks in the 7th century. The oral tradition continued to grow and mutate, monks kept writing them down, and manuscripts were copied and then lost. These myths are scattered about in several still extant ancient Irish manuscripts written by Christian monks between the 12th and 14th centuries AD, such as The Book of the Dun Cow (LU), The Book of Leinster (LL) and The Yellow Book of Lecan (YBL). Some were written as late as the 18th century. The original pagan myths therefore suffer from varying degrees of Christian contamination.
Genealogy Houses Of Dôn And Llyr
Genealogy Houses of Dôn and Llyr. The family tree below display two importantfamilies in the welsh mythology the Children of Llyr and the Children of Don.
http://www.timelessmyths.com/celtic/welshhouses.html
StarCircles Past Lives, Reincarnation, Karma, Yoga, Hypnosis, Wicca, And Witchcr
Walton, author of the classic book Song of Rhiannon (see sidebar), wrote of theCeltic belief in reincarnation and karma in her welsh mythology books Our
http://www.starcircles.com/magazinearticles.html

Extractions: Were you a witch, wizard, or magician in a past lifetime? Do you have a fascination with Stonehenge, ancient Egypt, Atlantis or other magickal places that can't be explained in your current lifetime? Have you reincarnated with other soul mates from the past? Do you feel intuitively drawn to Wicca, Witchcraft, and Magickal things today? The Book of Shadows was traditionally a personal exploration and discovery of magick recorded in a book by a magician, wizard, or witch. Unfortunately too many people today believe that they can buy a Book of Shadows the same way that they can buy a tube of toothpaste. Then they often wonder why the spells and magick will not work for them? There is a solution...
The Mabinogion
Background information and texts, as translated by Lady Charlotte Guest.Category Arts Literature World Literature WelshThe Arthurian Pages. The Mabinogion. The welsh mythology.
http://www.missgien.net/arthurian/mabinogion/

Extractions: Therefore I have decided to cut them in to readable pieces. On the end of each piece, please follow the 'next'-link or the 'To part x'-link on the bottom of the page. The tales of the Mabinogion are not the product of any single hand; evolving over the centuries, passed from storyteller to storyteller, until some master bard put them together around the twelfth century. Its contents draw upon the myths and history of Celtic Britain: four branches of a storyline set largely within the confines of Wales and the otherworld. The tales create a dreamlike atmosphere and preserve much of the primitive, fascinating world of Celtic myth. They exemplify the heroic and idealistic world of Celtic literature. The Mabinogion does not seem to have been very well known until its translation into English in 1849 when Lady Charlotte Guest's version appeared. The tales comprise an ensemble of parts, the first four "Pwyll", "Branwen", "Manawydan", and "Math" comprising the Four Branches of the Mabinogi. It was Lady Charlotte who supplied the title Mabinogion. Previously, the tales were simply identified as part of this or that manuscript. Each of the Four Branches ends with the term 'So ends this Branch of the Mabinogi.' The Welsh word 'mab' means 'son'. Lady Charlotte concluded that 'mabinogi' was a noun meaning 'a story for children' and that the word 'mabinogion' was its plural. Another interpretation is that the word mabinog refers to "a student in the bardic class" and mabinogi (plural: mabinogion) therefore being "a tale belonging to the mabinog's repertoire".
BS: Join
welsh mythology While our abuse of mythology to create the Lords of the Darkis fairly obvious, some brushingup on the Mabinogion might be helpful for
http://spirits.seiryuu.org/join.html

Extractions: ymuno (v.): to join, come together You want to apply? Fabulous! This makes everyone very, very happy. We love applications, we love new people, we love reading new characters. It's a fabulously shiny thing all around. However, there are some things that you should keep in mind. Your character may be dark and mysterious, but you CAN'T BE DARK AND MYSTERIOUS AT THE REVIEWERS. You have to divulge your whole past and all your superpowered capabilities to us; however, you can hide whatever you darn well please from the other players after acceptance. Speling and punctuashon are vitaly importent when applieing. Rules of Grammar is important, to. We can not stress this enough. Be warned that your GM has an English degree, and she's not afraid to use it; if you suffer from chronic apostrophe misuse, you will be rejected. Read everything . This means all of the information listed here, this means the posted character profiles, everything Send all applications to bspirits@yahoogroups.com . Please put 'Spirits Application: (name)' or similar in your subject line; if you don't do this, it's very, very likely that it will be lost in the nebulosity of cyberspace and you'll be pointed and laughed at for not following directions. Send all questions to soi@seiryuu.org
Kath Filmer-Davies: Fantasy Fiction And Welsh Myth
Chapter 8 Welsh Myth in Historical Novels. Chapter 9 The Film Heroand welsh mythology. Chapter 10 Myth, Theology and Belonging.
http://cathf.addr.com/cath3.htm

Extractions: Around the world fantasy writers are drawing more and more from ancient Welsh mythic tales and folklore. What is the secret of their timeless appeal? Kath-Filmer Davies examines the contemporary retellings of the old Welsh stories and explores the way they treat the deepest and most urgent of all human needs - the need to belong. She discusses fantasy novels by popular authors such as Lloyd Alexander, Madeleine L'Engle, Alan Garner and Stephen Lawhead. Historical romances have fantasy elements too - such as those by Sharon Penman, Edith Pargeter and Barbara Erskine. Arthurian literature and films are also reviewed in a discussion of the Celtic notion of the hero and its importance, on a personal level, for the individual reader. The cover-design reproduces the Great Wheel Cross of Conbelin at Margham by Romilly Allen. c. 1910, from Symbolism of the Celtic Cross by Derek Brice ( by kind permission of Llanerch Publishers, Felinfach, Lampeter ). Click here for a larger version of the cover. Introduction Welsh Myth in Fiction: A Place of the Mind and the Spirit Chapter 1: Welsh Myth and the Sense of Belonging Chapter 2: Eternal Triangles and the Cycles of Myth Chapter 3: Reconstructing the Present from the Stories of the Past Chapter 4: Children From Dysfunctional Families: Instruments of Mythic Healing Chapter 5: The Place of the Pig-keeper:To Know Oneself Chapter 6: Arthurian Novels and the Spirit of Welsh Place Chapter 7: Belonging and the Right of Possession: Children's Novels
Aboutcath
five years, she had been invited to return annually to teach a unit in AustralianLiterature and to carry out research into welsh mythology and contemporary
http://cathf.addr.com/aboutcath.htm

Extractions: D r Cath Filmer-Davies works wonders with words. She is a writer, a broadcaster, a poet, a publisher, and an exciting public speaker. Until October 2001, she was a senior lecturer in English at the University of Queensland. She is a popular public speaker and her seminars have always proved successful and effective. She is an award-winning author and journalist, and was recently one of six finalists in the London Daily Express 'Pen Idol 'Voice of a Nation Competition' out of 5,000 entrants. She was the only finalist from Wales, the only Australian and the only finalist over 45! She broadcasts regularly to two Australian Broadcasting Commission stations in Australia a weekly 'Walk Around Wales', visiting sacred sites and other interesting places for ABC Radio Geraldton, and she is the Welsh 'Foreign Correspondent' for 612-4QR Brisbane. She is a regular guest on BBC Radio Wales, on the Patrick Hannan 'Something Else' program (Sundays, 11am) and occasionally on the Roy Noble Program as well. She is a can-do person. She has realised many dreams and made many wonderful things happen.
British Crossroads
Animal Symbolism in Celtic Mythology offers an essay by Lars Noodénwhich discusses the role of animals in Celtic and welsh mythology.
http://www.mythiccrossroads.com/british.htm

Extractions: var site="s14mythiccrossroads" British Cornish English Beowulf ... Scottish British/Welsh Angelcynn is an Anglo-Saxon history site covering AD 400-900. Britannia by James Grout is a selective history from Caesar's invasion to the Norman invasion. Britannia Roman Sites by Peter Green covers the history of the Roman army in Britain. British Archaeology does a wonderful job of covering all things archaeological, especially in it's features area. British Mythology discusses the Mabinogion. Britonia is a resource for those studying Dark Age and Celtic history related to a British-Celtic kingdom set up in the early Middle Ages in north-western Spain. Celtic Mythology is a large collection of links. Changeling Legends from the British Isles by D. L. Ashliman offers extracts from folklore works about fairy changelings in the British Isles. Dark Age Cumbria by Mark King covers the history of North-Western Britain during the period 400 - 1000, emphasizing the legend of King Dunmail. Dragonfield contains collections of ancient poetry and s few mythic and royal genealogies.
Mythology
Irish Mythology Irish Literature, Mythology, Folklore Drama welsh mythologyThe Mabinogion consists of four tales each of which tells of members of the
http://www.hofstra.edu/Libraries/Axinn/axinn_elresorc_mythology.cfm

Extractions: Main Navigation Academics Admissions Alumni Athletics Campus Life Community Computer Center Development Events Faculty Hofstra News Job Opportunities Libraries President Student Services In broad terms mythology is composed of traditional stories about gods, kings, and heroes. Myths often tell about the creation of the world (and about its destruction as well), about the creation of men, and, also, they provide lessons on a moral code by which to live. They were attempts to provide rationale to natural events and to human emotion. Mythological stories generally were passed on orally from generation to succeeding generation. Each tale, embellished and "corrupted" through the re-tellings, was probably a reasoned explanation of the facts as seen by unsophisticated and uneducated eyes. Most scholars today divide the subject into three categories: pure myth (primitive science and primitive religion), heroic saga (primitive history), and folklore (fictional stories). From The Book of Gods, Goddesses and Heroes

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