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A key figure in the Toronto New Wave of the 1980s, Peter Mettler is one of the most intriguing and audacious filmmakers in English Canada, known not only for his work as a director but also as a cinematographer and editor. His films are distinguished by an innovative approach to the medium, regardless of genre, bridging the gap between experimental, narrative, personal essay, and documentary. All of his work is visually stunning, particularly the two films he is best known for: Picture of Light and Gambling, Gods and LSD. Mettler is also an accomplished photographer and a pioneer in multimedia work. His live visual mixing performances are groundbreaking and legendary, and he has long been considered a leader in this field.

In Peter Mettler, Jerry White focuses on Mettler’s career as a director, emphasizing the global nature of his films. White also discusses Mettler’s groundbreaking explorations in the field of visual mixing and his work as a still photographer and cinematographer. The book is richly illustrated with examples of Mettler’s work. ... Read more

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Each year in May, over 200,000 people from across the globe descend on the small Riviera resort of Cannes to take part in all of the glitz and glamour that is the Cannes Film Festival. The mere mention of the city instantly conjures up images of red carpets, paparazzi camera flashes, and celebrity parties. However, for those in the movie business the festival is an essential calendar date for another reason: it's also the largest film market and industry get-together on the planet. "Cannes A Festival Virgin's Guide" is the leading handbook for filmmakers and film industry professionals looking to attend the Cannes Film Festival for the first time. Demystifying the event and providing practical advice for attending, Cannes A Festival Virgin's Guide is about helping you make the most of your visit to the world's most famous film festival. Features include: THE CITY getting there, getting around, places to stay, places to eat, and more; THE FESTIVAL its history, structure, how to attend and all about the screenings; THE BIZ an overview of the business side of the festival, for filmmakers looking to attend Cannes for networking or with a project in tow; THE LOWDOWN a series of interviews with Cannes veterans, offering their advice and tips; SIX APPENDICES containing a wealth of additional information. ... Read more

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Much needed guide
I was a "festival virgin" at last year's event and this book was a life-saver. Cannes is expensive, but if you know where to go and what to avoid, it can be a much more enjoyable experience. The insight into a rather confusing festival structure was also incredibly useful. Lonely Planet for filmmakers! ... Read more

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Monthly celebrity and cultural magazine describing the Dallas Texas and southwestern U.S. ... Read more

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Les achats comprennent une adhésion à l'essai gratuite au club de livres de l'éditeur, dans lequel vous pouvez choisir parmi plus d'un million d'ouvrages, sans frais. Le livre consiste d'articles Wikipedia sur : Fête de La Musique, Liste de Festivals de Musique, Marsatac, Festival International Du Film et de La Musique de Küstendorf, Festival Du Chant de Marin de Paimpol, Festival Exit, Summer Sonic Festival, Guča, Festival de Poupet, le Père-Noël Est-Il Un Rocker ?, Eisteddfod, Voyage En Tziganie, Les Aires Libres, Siesta!, Festival Des Harmonies et Orchestres Symphoniques Du Québec, Primeurs de Massy, Festival Presidente de La Musica Latina, Festival Latino Americando, Tattoo, Amphi Festival, Breizh Touch, Festival Des Inrockuptibles, Fêtes de Genève, Castle Rock Festival, Domaine Forget, Festival Col Des 1000, Europa Cantat, G! Festival, Tubas D'or, Kazantip, Aymon Folk Festival, Grant Park Music Festival, Festival International de Musique de Belgrade, Réclame Ta Rue, Festival de Viña Del Mar, Blackfield Festival, Festival D'été de Belgrade, Womad, Gare Aux Tympans, Gypsy Swing Festival, le Son de L'air, Festival Nuits D'orient, Festival 38e Rugissants, Festival International de Carthage, Cabaret Frappé, Euroceltes, Florilèges, Coachella Festival, Les Nuits Musicales Du Suquet, Spraoi Festival, Musiques Métisses, Festival Masa, Rock in Japan Festival, Luxembourg International Military Tattoo, Kultura Esperanto-Festivalo, Rock Eisteddfod Challenge, Les Effervessonnes. Non illustré. Mises à jour gratuites en ligne. Extrait :Rock in Rio 2006 (Lisbonne)Liste des festivals de musique, classement géographique et par genre. Dimmu Borgir sur la scène principale du Earthshaker Fest en Bavière Kiel : G-MoveKöln : SummerjamLac de Constance : Southside FestivalLeipzig : Wave Gothic TreffenMannheim : Time WarpNürburgring : Rock am RingPydna, près de Kastellaun : Nature OneSankt Goarshausen: Zillo FestivalScheessel : Hurricane Festival...http://booksllc.net/?l=fr ... Read more

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Babel is a 2006 film directed by Alejandro González Iñárritu and written by Guillermo Arriaga, starring an ensemble cast. The multi-narrative drama completes González Iñárritu's Death Trilogy, which also consists of Amores perros and 21 Grams. Babel portrays multiple stories taking place in Morocco, Japan, Mexico and the United States. It was an international co-production among production companies based in France, Mexico and the US. The film was first screened at the 2006 Cannes Film Festival, and was later shown to audiences at the Toronto International Film Festival[3] and the Zagreb Film Festival. ... Read more

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Babel is a 2006 film directed by Alejandro González Iñárritu and written by Guillermo Arriaga, starring an ensemble cast. The multi-narrative drama completes González Iñárritu's Death Trilogy, which also consists of Amores perros and 21 Grams. Babel portrays multiple stories taking place in Morocco, Japan, Mexico and the United States. It was an international co-production among production companies based in France, Mexico and the US. The film was first screened at the 2006 Cannes Film Festival, and was later shown to audiences at the Toronto International Film Festival[3] and the Zagreb Film Festival...

GO TO WIKIPEDIA SOURCE ... Read more

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High Quality Content by WIKIPEDIA articles! The Venice Film Festival (Italian Mostra Internazionale d'Arte Cinematografica di Venezia) is the oldest film festival in the world. Founded by Count Giuseppe Volpi di Misurata in 1932 as the "Esposizione Internazionale d'Arte Cinematografica", the festival has since taken place every year in late August or early September on the island of the Lido, Venice, Italy. Screenings take place in the historic Palazzo del Cinema on the Lungomare Marconi. It is one of the world's most prestigious film festivals and is part of the Venice Biennale, a major biennial exhibition and festival for contemporary art. ... Read more

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Chapters: Cinemas in Malaysia, Film Festivals in Malaysia, Film Production Companies of Malaysia, Malaysian Actors, Malaysian Cinematographers, Malaysian Film Directors, Malaysian Film Producers, Malaysian Films, Michelle Yeoh, Ziana Zain, Erra Fazira, List of Malaysian Films, Budak Kelantan, Patrick Teoh, Misha Omar, Yasmin Ahmad, Geng: the Adventure Begins, Kru, Sarah Lian, Ibu Mertuaku, Aznil Nawawi, Ida Nerina, Maya Karin, Nicholas Teo, List of Cinemas in Malaysia, Talentime, Mawi, Adam, Cicak Man, Aziz Sattar, Sharifah Amani, Labu Dan Labi, Puteri Gunung Ledang, Afdlin Shauki, Cicakman 2 - Planet Hitam, Tiga Abdul, Puteri Gunong Ledang, Vivien Yeo, Ali Baba Bujang Lapok, Ahmad Albab, Tiara Jacquelina, Bidasari, Muallaf, M. Nasir, Remp-It, Angelica Lee, Gubra, James Wan, Musang Berjanggut, Angel Wong Chui Ling, Jangan Pandang Belakang, Susuk, Sazzy Falak, Kami, Ash Nair, Evolusi Kl Drift, Tsai Ming-Liang, Carmen Soo, Kee Thuan Chye, Leftenan Adnan, Puteri Impian, Kuala Lumpur International Film Festival, Flower in the Pocket, Rosyam Nor, Sarimah Ibrahim, Apa Khabar Orang Kampung, Aishah Sinclair, Sumolah, Abdul Razak Mohaideen, I Don't Want to Sleep Alone, Sepet, Mukhsin, the Red Kebaya, Laksamana Do Re Mi, Possessed, Daphne Iking, Awie, Punggok Rindukan Bulan, Amy Mastura, P. Ramlee, Seniman Bujang Lapok, Tan Chui Mui, Pendekar Bujang Lapok, Maria Mariana, Kasma Booty, Liew Seng Tat, Masam Masam Manis, Jolene Chin, Kru Studios, Dukun, Maria Mariana Ii, Ng Tian Hann, Mamat Khalid, Deadline, Paloh, Fasha Sandha, Awal Ashaari, Nur Fazura, Love Conquers All, Amber Chia, Papadom, Amir Muhammad, Colin Kirton, the Big Durian, Chermin, Pontianak Menjerit, Saiful Apek, James Lee, Coliseum Theatre, Madu Tiga, Natasha Hudson, Iqram Dinzly, 1957: Hati Malaya, Nasib si Labu Labi, Malaysian Gods, Sembilu, Chemman Chaalai, Raja Bersiong, Sharifah Sofia, Salmah Ismail, the Last Communist, Fauziah Latiff, Angie Cheung, Raja Farah, Bilu...More: http://booksllc.net/?id=4993654 ... Read more

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Cinema of Kerala. Malayalam films: 1928 - 1959, Malayalam films of the 1960s, Malayalam films of the 1970s, Malayalam films of the 1980s, Kerala State Film Award, International Film Festival of Kerala, Association of Malayalam Movie Artists, List of Malayalam film actors ... Read more

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Cinema of Kerala. Malayalam films: 1928 - 1959, Malayalam films of the 1960s, Malayalam films of the 1970s, Malayalam films of the 1980s, Kerala State Film Award, International Film Festival of Kerala, Association of Malayalam Movie Artists, List of Malayalam film actors ...

lists the WIKIPEDIA ARTICLES THAT WERE RIPPED TO MAKE THIS BOOK. ... Read more

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Chapters: Noitulove, Evolution, Carousel, Mountain, Grrr. Source: Wikipedia. Pages: 49. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: noitulovE ("Evolution" backwards) is a British television and cinema advertisement launched by Diageo in 2005 to promote Guinness draught stout. The 60-second piece formed the cornerstone of a £15 million advertising campaign targeting men in their late twenties and early thirties. The commercial shows, in reverse, the adventures of three characters who evolve from mudskippers to present day humans before tasting Guinness in a London pub. The commercial was handled by the advertising agency Abbott Mead Vickers BBDO, with a budget of £1.3M. It was directed by Daniel Kleinman. Production was contracted to Kleinman Productions, with post-production by Framestore CFC. It premiered on British television on 3 October 2005. noitulovE is the fifth television/cinema piece in the Good things come to those who wait series, and its premiere marked the end of a four-year hiatus. The advert and its associated campaign were a critical and financial success. It received over 30 awards from professional organisations in the advertising and television industries, and was the most-awarded commercial worldwide in 2006. The impact of the campaign was such that during a period in which the UK beer market experienced a substantial decline in revenue, Guinness reported that its year-on-year earnings within the region had noticeably increased. At the same time, Guinness achieved its highest-ever volume and value shares and became the market leader within the region. This was attributed in no small part to the positive reception of noitulovE. The piece begins with three patrons taking their first sip of Guinness in a London pub. To the accompaniment of Sammy Davis, Jr.'s renditio...More: http://booksllc.net/?id=14351961 ... Read more

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It wasn't so long ago that the Sundance Film Festival was an inconsequential event somewhere in Utah, and Miramax was a tiny distributor of music documentaries and soft-core trash. Today, of course, Sundance is the most important film festival this side of Cannes, and Miramax has become an industry giant, part of the huge Disney empire. Likewise, the directors who emerged from the independent movement, such as Quentin Tarantino, Steven Soderbergh, and David O. Russell -- who once had to max out their credit cards to realize their visions on the screen -- are now among the best-known directors in Hollywood. Not to mention the actors who emerged with them, like Matt Damon, Ben Affleck, Ethan Hawke, and Uma Thurman.

Down and Dirty Pictures chronicles the rise of independent filmmakers and of the twin engines -- Sundance and Miramax -- that have powered them. As he did in his acclaimed Easy Riders, Raging Bulls, Peter Biskind profiles the people who took the independent movement from obscurity to the Oscars, most notably Sundance founder Robert Redford and Harvey Weinstein, who with his brother, Bob, made Miramax an indie powerhouse. Biskind follows Sundance as it grew from a regional film festival to the premier showcase of independent film, succeeding almost despite the mercurial Redford, whose visionary plans were nearly thwarted by his own quixotic personality. He charts in fascinating detail the meteoric rise of the controversial Harvey Weinstein, often described as the last mogul, who created an Oscar factory that became the envy of the studios, while leaving a trail of carnage in his wake. As in Easy Riders, Biskind's incisive account is loaded with vibrant anecdotes and outrageous stories, all of it blended into a fast-moving narrative. Redford, the Weinsteins, and the directors, producers, and actors Biskind profiles are the people who reinvented Hollywood, making independent films mainstream. But success invariably means compromise, and it remains to be seen whether the indie spirit can survive its corporate embrace.

Candid, mesmerizing, and penetrating, Down and Dirty Pictures is a must-read for anyone interested in the film world and where it's headed.Amazon.com Review
You've heard the rumors. The film industry is filled with ruthless executives who think nothing of brow-beating their employees, of using creative accounting to cheat filmmakers, and re-cutting a director's vision into a soulless crowd-pleaser. Well, it turns out those rumors are often true--at least according to Peter Biskind's highly entertaining Down and Dirty Pictures: Miramax, Sundance, and the Rise of Independent Film. Packed with industry anecdotes and history, the book chronicles the growth and eventual mainstreaming of independent films and offers the back-story to seminal works including sex, lies, and videotape and Pulp Fiction among others. Biskind, author of Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood, divides most of his time between Sundance Film Festival founder Robert Redford and Miramax co-chairman Harvey Weinstein. Biskind simultaneously credits these two as fostering, though ultimately ruining, the purity of indpendent film. Other indies are largely left out, although the now-defunct October Films appears prominently in the role of noble failure. Biskind has serious points to make, but he's not stingy with the war stories, either. (One particularly amusing scene involves October executives chasing Robert Duvall's agent through a Sheraton Hotel in an attempt to stop him from making a deal with Miramax to distribute The Apostle.) Those who have only a passing interest in the movie business may tire of Biskind's oft-repeated themes (Weinstein is an evil genius! Redford is a passive-aggressive control freak!) but for those who truly love film industry gossip, Down and Dirty Pictures is a feast of insider stories--each tidbit juicier than the last. --Leah Weathersby ... Read more

Customer Reviews (47)

Bullying, intimidation and videotape
I'm one of those who came of age in the `90s and who loves film, remembering all the great films that that decade produced is great fun as well as finding out how they came about from the mouths of the filmmakers themselves. That said, I loved the book but it goes further than talking about the directors and actors, to the guys who held the purse-strings and the exposure, namely the Weinstein brothers, Harvey and Bob, who created Miramax and Dimension, and Robert Redford, the movie star who founded the Sundance Film Festival.

You read about the Weinsteins' humble beginnings as concert promoters onto small films released on tape, and then small pictures released widely to garner a small profit. From there they go large, getting more pictures, some of which gain success enabling them to seem attractive to a massive corporation like Disney who then buys them and gives them the financial clout to corner the market on low budget films. Redford starts Sundance which then grows, after the initial few years, into a recognisable entity and then comes to be regarded as the place to have your film shown at, given how guys like the Weinsteins go there to buy films.

The Weinsteins themselves come across as monsters. Both screaming and abusing staffers, making them wait hours for meetings, docking pay, threatening them, throwing furniture. They really seem like bipolar ogres smashing around to get what they want. Redford comes across as a control freak who is unable to make decisions and thus contributes greatly to the Sundance brand failing to become as mainstream as he had hoped.

Contributions are from many recognisable faces, from the superstar directors Quentin Tarantino, Spike Lee and Kevin Smith to actors Edward Norton, Ethan Hawke, Uma Thurman, Ben Affleck and Matt Damon. Even Harvey Weinstein agrees to contribute to the book (Redford declines as he holds grudges). Biskind uses these to create a vivid and compelling portrait of the `90s throughout. While some might say the narrative is repetitive (Weinstein doesn't change nor does Redford and the anecdotes rarely differ - Redford bumbling about, Weinstein screaming foaming at the mouth) I found it too interesting and could easily have kept reading until the present day (it stops at 2003).

I loved it, as a fan of good writing and a fan of film, it's a fantastic read and utterly great fun. Here's hoping Biskind does a follow up of the `00s.

Fair buy
The book came fast and as it was advertised. They advertised it had some minor wear and tear and sure it did, so it was an honest evaluation. And the wear and tear was indeed minor, thus didn't alter the pleasure provided by the book.

Sticking with a Format that Works for Him
This is the third Biskind book I have read.The first I picked up was his famous Easy Riders, Raging Bulls.Enjoying it so much, I purchased this book as well as Seeing is Believing, his book about the 50s.Seeing is Believing was a big letdown, as my review for the book demonstrates.It was with trepidation that I picked up Down and Dirty Pictures, but I was happy to see Biskind was sticking with his Easy Riders formula.

Using Sundance and Miramax as his focal point, Biskind explores the so-called independent film movement from the late 1980s until around 2002.I say so-called independent film because Biskind pretty well demonstrates that by the mid 1990s most of what was hyped as independent film was being driven by studio divisions dedicated to them.I have no doubt true independent film still exists, but once Miramax shifted from acquisitions to production and studios began buying up companies like Miramax, folks with their own cameras and a few friends seem less likely to get distribution agreements.

Biskind seems to have done extensive interviewing, though he acknowledges in the preface that he had access to the Weinsteins, the top men at Miramax, but had much more limited access to the folks at Sundance, including Robert Redford.As a result, the book deals more extensively with Miramax than Sundance.At times, it can become a little gossipy but those stories do a good job of demonstrating the personalities of the business and some of its harsh financial realities.

If you read this book, you will walk away with a good understanding of the economics of the business, especially in the 1990s.You will also end up with a list of movies to add to your netflix list or to pick up at blockbuster.

Of course, the book ends just before the Weinsteins split from Miramax (their baby from the start, named after their parents Miriam and Max) and started a new production company.Still, it encapsulates a moment in time where the Sundance Film Festival and Miramax exploded into the film industry and helped drive tremendous creative output that for the first time, reached an audience outside of Park City, Los Angeles, and New York.

Film history comes to life in audio
Peter Biskind's DOWN AND DIRTY PICTURES: MIRAMAX, SUNDANCE AND THE RISE OF INDEPENDENT FILM receives Phil Gigante's smooth experienced acting and directing voice as it tells of the rise of independent filmmakers and the two film festivals that powered them. Film history comes to life in audio.

Interesting at first, then gets repetitive and boring
Mr Biskind's previous book, "Easy Riders, Raging Bulls" was far better, simply because the people he wrote about (directors like Friedkin, Scorsese, Altman, etc.) were more interesting people and filmmakers. I never had the feeling that the author really cared about the movies he was writing about. This book is really about Miramax and Harvey Weinstein and once you've understood that Harvey Weinstein is a savvy producer but also a monster prone to uncontrollable fits of rage, you've understood 70% of the book's content. There are some interesting passages, mainly about Tarantino and Soderbergh, but the same story could have been told in a much shorter form. I often had the impression that the publisher badly wanted a 400 pages book, even if 250 pages would have been more than enough. ... Read more

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This digital document is an article from Take One, published by Thomson Gale on September 1, 2005. The length of the article is 920 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Yorkton Short Film & Video Festival (5/26-29/05).(FESTIVAL WRAPS)
Author: Calvin Daniels
Publication: Take One (Magazine/Journal)
Date: September 1, 2005
Publisher: Thomson Gale
Volume: 14Issue: 51Page: 43(2)

Distributed by Thomson Gale ... Read more

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This digital document is an article from CineAction, published by CineAction on March 22, 2010. The length of the article is 2005 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

Citation Details
Title: European melodramas: the Refuge and I Am Love.(TORONTO INTERNATIONAL FILM FESTIVAL)(Movie review)
Author: Richard Lippe
Publication: CineAction (Magazine/Journal)
Date: March 22, 2010
Publisher: CineAction
Issue: 80Page: 47(3)

Article Type: Movie review

Distributed by Gale, a part of Cengage Learning ... Read more

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Purchase includes free access to book updates online and a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: Onam, Vishu, Mar Thoma Weddings, International Film Festival of Kerala, Thrissur Pooram, Ayya Vaikunda Avataram, Nemmara Vela, Pooram, Cochin Flower Show, Feast of Saint Raphael, Ollur, Vibgyor Film Festival, Edakkunni Uthram Vilakku, Aanayoottu, Kalpathi Ratholsavam, Gandharvanpattu, Dhanu, Tattamangalam Kuthira Vela, Makaravilakku, Kottankulangara Festival, Aluva Sivarathri Festival, Kerala New Year, Karivela, Keralotsavam, India International Boat Show, Aaraattu, Peruvanam Pooram. Excerpt:The Aanayoottu (feeding of elephants ) is a festival held in the precincts of the Vadakkunnathan temple in Thrisur, Kerala . The festival falls on the first day of the month of Karkkidakam (timed against the Malayalam calendar ), which coincides with the month of July. It involves a number of unadorned elephants being positioned amid a multitude of people for being worshipped and fed. A large number of people throng the temple to feed the elephants. Every year of Aanayoottu, gaja pooja , is conducted. It is believed that offering poojas and delicious feed to the elephants is a way to satisfy Lord Ganesha the god of wealth and of the fulfillment of wishes. The Vadakkunnathan temple, which is considered to be one of the oldest Shiva temples in southern India, has hosted the Aanayottoo event for the past few years. Procedure item the number of elephants was reduced following directives given by the district administration regarding parading of elephants for temple festivals. Fifty elephants had participated in the festival held in 2003.: The special feed of the elephants includes sugar-cane leaves, coconut, jaggery and the sweet mix of Ganapthi pooja prasadam. The feeding session begins with an offering by the chief priest of the temple usually to an elephant calf. The festival presently invo... ... Read more

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Chapters: Vietnam Film Festival, Vietnamese Actors, Vietnamese Film Directors, Vietnamese Film Score Composers, Vietnamese Films, Paris by Night, the Lover, Best Director Award, Trinh T. Minh-Ha, Best Actress Award, Best Actor Award, Golden Lotus, Three Seasons, Muoi: the Legend of a Portrait, Oh, Saigon, the Rebel, List of Vietnamese Films, 16th Vietnam Film Festival, 15th Vietnam Film Festival, Tran Anh Hung, Dustin Nguyen, 13th Vietnam Film Festival, the Beautiful Country, 14th Vietnam Film Festival, Hoàng Thùy Linh, 12th Vietnam Film Festival, Giang Le-Huy, 7th Vietnam Film Festival, 11th Vietnam Film Festival, 8th Vietnam Film Festival, Vietnamese International Film Festival, Tony Bui, 10th Vietnam Film Festival, Linh Dan Pham, the Scent of Green Papaya, Kieu Chinh, Choi Voi, Nguyễn Võ Nghiêm Minh, Cyclo, 9th Vietnam Film Festival, Bebe Pham, Nguyễn Thùy Lâm, Lưu Huỳnh, Owl and the Sparrow, 2nd Vietnam Film Festival, 3rd Vietnam Film Festival, the Buffalo Boy, Doan Hoang, Bolinao 52, Đặng Nhật Minh, Othello Khanh, Ngo Thanh Van, Việt Linh, Tran Van Thuy, Saigon Eclipse, Nữ Tướng Cướp, Thuy Thu Le, Saigon Love Story, Diem Lien, Hon Truong Ba Da Hang Thit, Kathleen Luong, Ringo Le, Ham Tran, Tram-Anh Tran, Stephane Gauger, Billinjer C. Tran, Ben Khong Chong, Đặng Hữu Phúc, Maye Choo, Chiec Chia Khoa Vang, Mike Nguyen, Nguyen Thai Nguyen, le Hoang, the Anniversary, Minh Van Dang, Đoàn Minh Phượng, Chuyen Cua Pao, Khi Đàn Ông Có Bầu, Saigon, U.s.a., Trà Giang, Nu Hon Than Chet. Source: Wikipedia. Pages: 245. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Paris By Night is an on-going Vietnamese language musical variety show produced by the French company Thúy Nga. With the diaspora of Vietnamese after the Vietnam War, many Vietnamese turn to Paris By Night for Vietnamese language entert...More: http://booksllc.net/?id=1923271 ... Read more