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Choreography & Choreographers:     more books (100)

Truth in movement: Ohad Naharin talks about his choreography, his world view, and why the mirror always lies.: An article from: Dance Magazine by Ohad Naharin, 2006-10-01 Moving and seeing: photographing dance; Far more than passive documentation, dance photography can collaboratively aid dancers and choreographers in the ... of Physical Education, Recreation & Dance by Steve Clarke, 2006-02-01 On Broadway: can Fosse's Sweet Charity still lure audiences without his signature choreography?: An article from: Dance Magazine by Sylviane Gold, 2005-04-01 All the right moves: creating choreography that looks great on your student.(COMPETITIONS: Winning Ways): An article from: Dance Magazine by Janet Weeks, 2006-10-01 Making a Ballet: The Choreographer Speaks by Mary Clarke, Clement Crisp, 2010-02-18 Troupe will dance classic choreography of Paul Taylor.(Entertainment): An article from: The Register-Guard (Eugene, OR) When the spirit moves: choreographers who draw inspiration from prayer.: An article from: Dance Magazine by Janet Weeks, 2006-12-01 Merce Cunningham: Fifty Years George Balanchine: The Ballet Maker (Eminent Lives) by Robert Gottlieb, 2010-02-01 Traces Of Dance: Choreographers' Drawings And Notations by Paul Virilio, 1994-03-02 Revelations: The Autobiography of Alvin Ailey by Alvin Ailey, A. Peter Bailey, 1995-02 Attitudes.(New York Choreographic Institute): An article from: Dance Magazine by Clive Barnes, 2006-02-01 Sci-fi dance. (News).: An article from: Dance Magazine by Heather Wisner, 2003-06-01 Jerome Robbins, 1918-1998.(Obituary): An article from: New Criterion by Laura Jacobs, 1998-09-01

lists with details

81. Choreography Resources For Cheerleading And Dance Routines
    choreography Resources for Cheerleading and Dance Routines, from your About Cheerleading Guide. choreography resources for Cheerleading and Dance routines, from About's choreography Chat Transcript. Read the transcript from our choreography chat with Michelle Zeitlin,  
    http://cheerleading.about.com/cs/choreography

82. Model, Dancer, Choreographer, Choreography, Teacher
    Choreographer for events, personal pageant trainer, model, dancer, producer of online photo contests, beauty pageants.  
    http://www.questmodels.com/about_staff.html
    
    Extractions: The career of Deborah Davidson is studded with successes that owe much to her diversity as a producer, director, choreographer, model, dancer and teacher/trainer. Ms. Davidson is president and founder of Quest Worldwide Productions. She has successfully combined her years of experience in the industries with her love of fashion, modeling, and dance and ability to train and guide young talent. Many can be seen performing in theaters across the nation as well as cruise ship lines, theme parks and shows and many have entered the fashion world, print and TV commercial modeling. Ms. Davidson has been involved in many capacities with the following pageant systems: Career highlights Radio City Music Hall Rockette , NYC, age 17 Performed with the Music Hall Corps de Ballet Cover Model Runway model Print model Instructor, Cappa Chell Agency, Wash. D.C. Rudas Dancer, Le Caf' Conc, Le Chateau Champlain, Montreal, Canada Appeared in Hallelujah Hollywood, MGM Grand Hotel, Las Vegas Choreographer, Kick Off Classic Bowl Game, Pre-Game Show, Giant Stadium

83. DANCE 4397: Choreography In Action
    segments Lectures on aesthetics and choreography; Interviews withchoreographers; Demonstrations of craft tools used in choreography.  
    http://www.class.uh.edu/choreography/courses/dance4397/
    
    Extractions: (Spring 2002) Choreography in Action features television interviews with esteemed choreographers from around the world who talk about their practical experience with dance making. Read more about the guest choreographers A Distance Education Course on Dance Making Instructor: Karen Stokes Choreography in Action is a course that investigates areas of creative process, compositional tools, and individual methods in dance making. The course introduces ideas about choreography that have influenced dance as a fine art in the contemporary genre. We will examine some of the influential choreographers of the 20th Century, in addition to exploring some theoretical and critical ideas on dance in the 20th century. While specialized towards the area of choreography, this course will emphasize an understanding of dance as an art form, and as part of a larger context and culture. Areas of study will include

84. DTe Directory Listings: Choreographers
    So we may continue offering you the Spirit Mall Directory of choreographers and Choreographyservices for dance, drill team, cheerleading, colorguard, twirling  
    http://dancecheer.net/dirchoreo.html
    
    Extractions: IMPORTANT!!! So we may continue offering you the Spirit Mall Directory of Choreographers and Choreography services for dance, drill team, cheerleading, colorguard, twirling, etc., please be sure to let these companies know you found them at DanceCheer.NET...and spread the word so that others may benefit from our web community's many invaluable resources! Choreographers GRAND OPENING Special for choreographers. Qualified choreographers receive a FREE 3 month listing! To get listed, simply complete our Choreographers Ad Form Dance With a Winner - LPC! Former captain M.S.U. Pom Pon Girls Former Choreographer for U.S.F.L. Dreamboats Dance Squad 10 yrs. dance training from Performing Arts Studio Former Universal Dance Association Instructor 7 years Choreographer for National High School Cheer and Dance Nationals Choreographer for Bowl Games and Exhibition Games, Professional and College Choreographer for Corporate Videos Choreographer for Music/Dance Videos Choreographer for the touring Professional Dance Team Main Attraction Choreographic Consultant for several N.B.A. Dance Teams

85. Danlectk
    The INTENT (or purpose of the choreographer/choreography) drives thechoreographers decisions in movement that build a dance piece.  
    http://www.tcjc.cc.tx.us/campus_nw/hpe/danappre/danlectk.htm
    
    Extractions: LECTURE #11 - SOME FINAL THOUGHTS ABOUT DANCE This course has primarily covered some highlights in the history of dance, as well as an overview of the basic concepts of the four major dance forms. The discussion of what is happening today in dance as we enter the twenty-first century could cover another semester. Can you make al living in this profession? Absolutely! Many professional choreographers make as much as $100 per hour for their craft. Good dance teachers command good salaries. Dancers who open dance studios (larger ones) often make salaries in the fifty thousand to one hundred thousand range. Dancers on Broadway y can make good salaries as we discussed earlier in this lecture. Perhaps the safest occupation (financially speaking) in dance is the college professor. I make a good salary, do not pay rent for my dance studio, work with hundreds of talented dancers, direct a company, and dance when my company when I choose to do so. I also get a long summer vacation. Professionals who work in the technical support area of our field may make the best money of all. On a final note, it is my great desire to open your minds to the endless possibilities of dance (as a dancer or as an audience member). Dance has reflected worship, community, and even terrible events throughout history. The options for the future seem exciting. Dance is once again emerging as a powerful means of communication. As a community integration dance specialist, I hope to see more dance programs that encourage dancers of all ages and ability levels (despite any physical or mental challenge) to participate in dance making. Please support the arts. They will always remind us of the good things we do when we all work together.

86. 9th International Ballet Competition And Contest Of Choreographers
    One variation of Odalisque (any one of the three) from pas de trois, Act III. choreographyM. Petipa. Variation of Lisa, Act II. choreography A. Gorsky.  
    http://www.russianballet.ru/competition/eng/program.htm

87. Danceworks
    A major focus is on the development of Australian choreography and choreographersand on work which is site specific. The company also tours interstate.  
    http://ausdance.org.au/profession/companies/danceworks/danceworks.html

88. Ballet Notes
    Ballet choreographers. Less emphasis on execution, more to feeling. Choreographyneedto watch lifecrowds, fields, trees-there is where we get inspiration.  
    http://www.calarts.edu/~dk/ballet.html

89. Improve Cheerleading Cheers, Dances, Routines And Competition Choreography
    Cool Hip Hop Dance Moves, Funk Dancing Lessons choreography. Learn how cheerleadingcompetition scores can be improved with Ginos choreography videos  
    http://www.urban-dance-videos.com/cheerleading/cheerleading-cheers.html
    
    Extractions: Improve cheerleading cheers, dances, routines and choreography by adding funk, hip hop and urban cheerleading motions to your cheerleading cheers. Excite the crowd and win more cheerleading competitions with fresh funky dance moves, steps, cheers and motions similar to the Dallas Cowboy Cheerleaders and Bring It On Cheerleaders. Surf our web site for urban dance music that's perfect for winning cheerleading competitions. A Recent Cheer and Dance Team Testimonial "I would like to express how awesome Atomic Dance Factory, Gino and his instructors are. If you are looking for the very best, look no further than here. They will teach the best of dance to individuals or teams. I highly recommend anyone who loves to dance to become familar with this company. Their attitudes are the best and they work very well with young children as well as teenagers. I would just like to say "Thank You" to Gino and Leslie for giving us such a wonderful choreographed routine!!! We will definitely be using them in the near future. All the girls of both teams would like to say hello, and cant wait to see you again soon!!! Thanks again for all you have done for the our girls."

90. Dancers And Choreographers For Hire
    DANCERS AND choreographers. Heidi Anderson Jarrett Best known for her star qualitychoreography for some of today's top singing personalities, as well as her  
    http://www.tributeproductions.com/dancers_and_choreographers.htm
    
    Extractions: DANCERS AND CHOREOGRAPHERS The Retter's Girls The Dance Troop 1-9 dancers to dance at Special Events, Bar and Bat Mitzva's. Feel free to contact Bella for creative ideas for your next event. BELLY DANCERS SHOW GIRL SHOW Up to 10 girls available Custom Choreograph you next Event with... Los Angeles Top Choreographer Heidi Anderson Jarrett Tribute Productions is happy to announce the collaboration of one of the hottest choreographer/dancers in the LA area. Heidi is now running our dance and choreography department at Tribute, and she is available for all special events, production, film, television and video. Heidi has expert experience in organizing any event, or dance production, and can choreograph professional dancers and non- dancers alike. She specializes in body movement and her keen eye for detail has helped actress Bridget Fonda move more like "Marilyn Monroe" for film Finding Graceland Heidi has worked for over ten years choreographing many celebrity impersonators and her exquisite choreography for Denise Bella Vlasis (Madonna) has been featured on international television, MTV, and performed live for singers Seal and Christina Aguilera and throughout the nation. Heidi has a dance team of over fifty of LA's best dancers, and can provide your special booking with today's hottest dance steps and choreography.

91. Dance Spirit Magazine
    Now you have some basic tools to shape your choreography. Professional choreographersuse these skills consciously (or unconsciously) as they create each new  
    http://www.dancespirit.com/backissues/may_june00/feature01chorg.shtml
    
    Extractions: From left to right: Ben Levy, Maggie Shamdasani and Darrin Wright To understand how to build choreography, you must first grasp the three basic elements of dance: space, time and energy. These components are used to break down all movement. Using and manipulating them will immediately add variety to your choreography. Space refers to the area a dancer performs in. Space can be divided into levels like a tiered birthday cake. Used most often, medium-level movement is performed by a standing dancer. Low choreography brings the dancer to floor level and high moves like leaps and lifts are performed in the air. Another aspect of space is how dancers move through the performing area. Energy, the most elusive of these basic dance elements, relates to the quality of movement. This concept is easily recognizable in contrasting dance forms such as ballet and tap, but applies to the different kinds of a discipline as well. Funky jazz dance, for instance, requires percussive and explosive energy, whereas 5, 6, 7, 8 lyrical jazz is based on soft and expansive qualities.

92. The Choreographic Process In Musical Theatre
    My first impression was the sharp distinction between concert and musical theatrechoreography. Concert choreographers are responsible for inventing and  
    http://dance.arts.uci.edu/rboross/jdh/columns/feb97.html
    
    Extractions: The Choreographic Process in Musical Theatre The art of choreography is almost as difficult to define as jazz dance. Many from the world of concert dance, particularly modern, have advanced their theories on dance creation and those who create them (the most notable being Doris Humphrey in The Art of Making Dances ). The world of musical theatre choreography has been less represented in expositions on the choreographic process. That is why a new book, Conversation with Choreographers , is so important. In this informative and intriguing collection of interviews, Svetlana McLee Grody and Dorothy Daniels Lister have assembled the history, secrets, and process of many of the top choreographers and director/choreographers in the business. Any dancer or aspiring choreographer interested in the world of musical theatre would do well to wear out the pages of this book. My first impression was the sharp distinction between concert and musical theatre choreography. Concert choreographers are responsible for inventing and defining the reason or concept for their piece. Their starting point is a blank stage and their personal vision. For the musical theatre choreographer, work is defined (or limited) by the show's plot, characters, music, time period, sets, and the working habits of the rest of the creative team. The concert choreographer has the primary creative responsibility for the piece, whereas the musical theatre choreographer must learn to be part of a collaborative team and work with more restrictions (Wayne Cilento, for one, abhors a blank stage and pleads "Give me obstacles to overcome!").

93. Moving Current   " The Guest Choreographers"
    The Guest choreographers. Dale Nickelodeon. She received her MFA in choreographyfrom the Ohio State University and her BA in dance from UCLA.  
    http://www.info-lution.com/webs/movingcurrent/guestchoreographers2.htm
    
    Extractions: Home The Collective Our Story Directors ... Contact us The Guest Choreographers Dale Andree (Choreographer) a graduate of the Boston Conservatory of Music, began her performing career in New York , then moved to Miami where she established the Mary Street Dance Theatre in 1985. She has been a recipient of the Florida Individual Artist Fellowships as well as receiving funding from the national Endowment for the Arts for Mary Street Dance Theatre (MSDT). Ms. Andre has taught internationally, as well as conducted residency workshops at festivals in Florida Peru Brazil and Columbia As Director of MSDT she has conceived and developed many community outreach programs, most recently developing an after school program with ASPIRA/ACCOLADE Middle School.

94. UMASS Dance Department Emerging Choreographers Series
    Every year, the UMASS Dance Department presents two concerts of student choreographyThe Emerging choreographers Series Dance Concert, a traditionally  
    http://www.umass.edu/fac/calendar/centerwide/events/UMASSDance1.html
    
    Extractions: A fresh evening of innovative dance and student choreography performed by UMASS Dance Department majors. A melange of works ranging from neo-classical modern dance to a capella tap dance. Every year, the UMASS Dance Department presents two concerts of student choreography: The Emerging Choreographers Series Dance Concert, a traditionally undergraduate show, followed by a concert of senior dance majors' choreography, entitled Alive with Dance.

95. List 2000 : Arts And Culture / Performing Arts / Dance And Choreography / Dancer
    1. Sonja RomeisTanztheater http//www.kulturbox.de/berlin/kultur/tanz/sonja.htmlopen new window 2. The choreographers Their Biographies http//www.escape  
    http://www.list2000.com.tr/en/arts_culture/performing_arts/dance_choreography/da
    
    Extractions: Arts and Culture Business Computers and the Net Countries and Regions Education Family and Society Finance and Economy Food and Drink Government and Politics List 2000 Hobbies and Leisure Human Resources and Classifieds Information Desk Kidz 2000 Music and Entertainment Natural and Human Sciences News and Weather On-Line Shopping Sports Travel and Tourism 4 April 2003, Friday Arts and Culture Performing Arts Dance and Choreography Dancers and Choreographers ... Sonja RomeisTanztheater http://www.kulturbox.de/berlin/kultur/tanz/sonja.html open new window The Choreographers - Their Biographies http://www.escape.ca/~cesmb/wcd/directors.htm open new window David Toguri http://www.marmont.demon.co.uk/1049.html open new window Ugur Seyrek : Ugur Seyrek - bale koreografý, heykeltraþ, ressam http://www.ugurseyrek.com open new window List 2000 ver 4.0, Türkiye © 2001

96. Choreography
    Scott Blevins Original choreography £4 21 of Scott`s dances, all original choreographerssheets. Bill Bader Original choreography - £4 23 of Bill`s dances.  
    http://www.renegaderanch.com/accessories/choreography_books_and_videos.htm
    
    Extractions: When I first started line dancing some years ago, sources of notation were few and far between. I usually kept up to date via friends who flew on the airlines to the US, and on my own visits. Nowadays, our lives as line dance instructors are made much easier as more people are travelling to the US, and of course choreographers are visiting our shores. As well as this, excellent sources of material, such as Jo Thompson`s Dance Link video series (no longer in current production, although back issues are available), Jo Thompson technique videos and books such as those listed below are available.

97. Louder Than Words
    This show featured the work of ten local choreographers. Much of the choreographyhad its start in intensive choreographic and technique workshops with Anna  
    http://www.infonet.st-johns.nf.ca/ltw/shows.html

98. Equity For Choreographers On Londondance.com
    Equity for choreographers Equity is the union for professional performers,choreographers, directors, designers and stage management.  
    http://www.londondance.com/Content.asp?Level=3&Subsection=611

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