Product Description
This catalog offers a retrospective of Gauguin’s entire artistic career, beginning with his early impressionist works through to his final masterpieces painted on the Marquesas Islands, where Gauguin was inspired to create artworks that are among the most vivid in the history of painting. "Gauguin had clearly decided to violate social norms, destroy consecrated artistic standards and create a scandal wherever he went, and he was successful. He wanted to be a dissenter, a rebel, an outsider and a renegade, but through art he also wanted to rebuild the fantastic images of a Golden Age that had dominated his mind from his first travels around the world." (From the introductory essay by Eisenman.) This book features a magnificent sampling of the artist’s paintings and an absorbing introduction by Stephen F. Eisenman, a noted scholar on artistic movements of the twentieth century. ... Read more

Customer Reviews (1)

Italian Gauguin
This book is the catalogue for an exhibition held in Rome in late 2007, early 2008. The introductory essays are quite interesting insofar as they tackle some rarely studied themes of Gauguin's art, such as his relationship topaper (as a medium supportinghis prints or drawings, but also as a source of inspiration throughprinted reproductions of old masters' works with the birth of photography), his idea of a mythic "golden age" which hesupposedly sought in Polynesia (and which may recall the myth of the golden age found in Ancient Rome), Gauguin as a bridge to modernity through his simplification of forms and pure colors heralding Matisse, Derain and the Fauves (this particular aspect is recurrent in any Gauguin study, though), or Gauguin's relationship with Italy (apparently a tenuous one, since he never set foot in Italy, but actually a very important one aesthetically when one takes into account his keen interest in Giotto and Boticelli).

On the whole, an interesting book, far from exhaustive on its subject, whith reasonably good half-page illustrations (and some horrendous black-and-white thumbnails though...). Now, the selection of Gauguin's works has very few masterpieces and many average if not minor early paintings, which is a little disappointing, considering the self-proclaimed goal of the exhibition covered by the book (i.e. to explore and illustrate the importance of myth in Gauguin's art). ... Read more

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A series that uncovers the life and times of some of the most important and influential artists of the modern world. It includes easy to follow chronological structure illustrated with colour and black and white contemporary photographs. It also features detailed timelines for quick reference, plus museum and gallery information. ... Read more

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Product Description
The creativity of the most celebrated artists of the modern period has been enriched and expanded by their work in the print medium. Exploiting the potential of such techniques as woodcut, lithography, etching and screenprint, as well as other processes, these artists have added immeasurably to their expressive vocabularies. Many have availed themselves of the expertise offered by master printers in professional workshops and have benefited from the fruits of such collaboration. They have found inspiration in traditional printed formats, such as portfolios and illustrated books, and have used them to explore thematic interests. As a result of these experiences, printmaking has exerted influence on their work in other mediums and has become integral to their creative thinking as a whole. Finally, the fact that prints are made in editions rather than as single impressions has enabled these artists to reach a much broader audience than would otherwise be possible.~This volume includes the work of artists from the late 19th century to the present and demonstrates the imaginative ways in which they used print techniques. The potential of the woodcut was explored by Paul Gauguin and Edvard Munch, and the woodcut later became a major preoccupation of the German Expressionists Ernst Ludwig Kirchner, Emil Nolde and Max Beckmann; lithographed posters were a specialty of Henri de Toulouse-Lautrec; Pablo Picasso and Joan Miró experimented with drypoint, etching, and lithography, among other techniques, in new and original ways; Andy Warhol and Jasper Johns exploited the painterly aspects of lithography and the commercial look of screenprint. The current generation of artists, among them Terry Winters and Kiki Smith, has gravitated to printed art as an essential aspect of their creative practice, with major bodies of work already produced.~Including more than 200 illustrations, this publication is organized as an unfolding historical narrative with a focus on individual artists, each with a succinct text describing his or her relationship to printmaking. Bibliographic references cite the latest scholarship in the field. An index of artists, printers, and publishers reflects the involvement of various partners in the printmaking enterprise. All works reproduced are from The Museum of Modern Art's extraordinary collection of over 50,000 prints, the finest of its kind in the world.With more than 200 prints by such modern masters as Hans Arp, Georg Baselitz, Joseph Beuys, Louise Bourgeois, Georges Braque, Vija Celmins, Paul Cézanne, Chuck Close, Willem de Kooning, Sonia Delaunay-Terk, Marcel Duchamp, Helen Frankenthaler, Lucian Freud, Robert Gober, Natalia Goncharova, Peter Halley, Damien Hirst, David Hockney, Edward Hopper, Vasily Kandinsky, Anish Kapoor, William Kentridge, Fernand Léger, Sol LeWitt, Elizabeth Murray, Bruce Nauman, Barnett Newman, Emily Nolde, Chris Ofili, Sigmar Polke, Martin Puryear, Robert Rauschenberg, Odilon Redon, Gerhard Richter, Dieter Roth, Susan Rothenberg, Kurt Schwitters, Shahzia Sikander, Kiki Smith, Frank Stella, Richard Tuttle and Kara WalkerEssay by Deborah Wye.Clothbound, 9.5 x 11 in./240 pgs / 275 color 20 BW0 duotone 0 ~ Item D20148 ... Read more

Product Description
This splendid celebration of the illustrated book as an art form begins with remarkable works produced in France by Henri de Toulouse-Lautrec and Paul Gauguin at the end of the 19th century, and traces the international development of the modern illustrated book to the last decade of the 20th century. Major artists of the modern movement, among them Marc Chagall, Henri Matisse, and Pablo Picasso, turned to the "illumination" of poems, classical literature, and their own writings to make books that are now collectors' objects, luxuriously produced. Such limited editions have continued to be produced alongside other types of artists' books aimed at a much larger audience. The more available artists' books have served a different purpose, often expressing aesthetic and political principles, in the hands of such artists as Kasimir Malevich, Marcel Duchamp, Ed Ruscha, Joseph Beuys, and Barbara Kruger. Accompanying texts consider the historical background, complex relationships between artists and book manufacturers, technical constraints, and recent changes.

Essays by Riva Castleman,
Foreword by Richard E. Oldenburg. ... Read more

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36 page oversized paperback 14 by 10 inch format with full color prints of the artist's work. One of the 25 books in the Series THE GREAT ARTISTS, A Library of Their Lives, Times and Paintings. ... Read more

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- paperback versions of the highly successful hardback series; - an entertaining and humorous introduction to famous artists; - excellent colour reproductions of the artists work. ... Read more

Customer Reviews (2)

"Teacher's Choice Award" Crystal Productions Catalog
My sixth graders always enjoy reading about a new artist in this delightfully written and beautifully illustrated series.The cartoon style of writing, that is used on some pages, is another technique used to make the artist's biography interesting and funny to the students.All of this terrific information, beautiful pictues, and students that argue about who GETS to read the book FIRST, [...]

I have to wonder about the first reviewer who gave this book only 2 stars.Maybe s/he teaches concrete.

Silly
These cartoon-like books that Venezia puts out are pretty lame.They include more art by him than the artist covered.They look like cartoons or comic books and read like one.They do hold some valuable information, but I prefer the series "What makes a . . .a . . .?" by Muhlberger. ... Read more

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In 1889, Paris hosted the legendary Exposition Universelle (World's Fair), a massive cultural exhibition which transformed the face of French culture to come. The Eiffel Tower was built for it, the composer Claude Debussy first heard Javanese music there, and the painter Paul Gauguin (1848-1903), reacting against his exclusion from its arts component, organized an exhibit called L'Exposition de Peintures du Groupe Impressionniste et Synthesiste, on the walls of the Cafe Volpini, presenting the newest works by himself and his friends. It was the moment at which he "became Gauguin," for it was here that he premiered what is now known as the Volpini Suite, an amazing portfolio of 11 lithographs printed on radiant canary yellow paper, which marked the coalescence of his motifs (the fruitbearers, the mourning Eve, the woman in the waves) and the commencement of his mature style. The Suite also gives a chronicle of Gauguin's travels in Martinique, Brittany and Arles, and records the constellation of the Pont Aven group. Gauguin reconstructs this landmark exhibition, demonstrating the radicality of the works produced by Gauguin and his friends (Charles Laval, Leon Fauche, Emile Schuffenecker, Louis Anquetin, Georges Daniel, Emile Bernard, Louis Roy and Ludovic Nemo), and examining all paintings, woodcuts, ceramics, prints and drawings by Gauguin related to the show. ... Read more

Customer Reviews (1)

How Gauguin became Gauguin
This book is the catalogue for an exhibition held at the Van Gogh Museum in Amsterdam and the Cleveland Museum of Art and centers on a series of iconic prints (zincographs) that Gauguin showed during the 1889 World Fair in Paris. Being prevented from officially showing his art in the Fair itself, he chose to display it on the walls of Mr. Volpini's Café des Arts (alongside works by other artists belonging to the "synthetist movement"), which was located within the premises of the Fair. The "Volpini Suite", as this series later came to be known, is a concentrate ofall Gauguin's art, his first breakthrough as a modern master, and is thoroughly studied here by experts in the field. The text is accompanied by beautiful illustrations of about 60 works by Gauguin and his friends of the Pont-Aven school (Emile Bernard, Louis Anquetin...), which makes this book an interesting and erudite (sometimes too erudite...)addition to the literature on the artist. Do not expect a complete retrospective on Gauguin though, as this is not the aim of this study. ... Read more

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Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. ... Read more

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The life of Paul Gauguin is one of the richest and most mythic in the history of Western art. A banker and "Sunday painter," he left behind family and homeland and sailed to the South Seas, seeking a life "in ecstasy, in peace, and for art." Gauguin Tahiti, the first major retrospective of the artist's work in fifteen years, offers an in-depth study of the fabled Polynesian years that have so defined our image of the painter. Alongside essays by leading American and French critics on every aspect of Gauguin's art, from the legendary canvases to his sculptures, ceramics, and innovative graphic works, are discussions of the Polynesian society, culture, and religion that helped shape them; an in-depth biographical narrative of the artist's life, with the many epiphanies, frustrations, and discoveries that make his time in the South Seas one of the most mythologically potent episodes in the history of Western art; and a chronicle of his changing fortunes in the century since his death. At the center of it all is Gauguin's 1897 masterpiece, Where Do We Come From? What Are We? Where Are We Going?, the summation and crowning glory of his mature career, presented with unprecedented depth and authority. Over one hundred years later, Gauguin remains one of the most enigmatic and attractive figures of 19th-century art, the very pivot of modernism, and Gauguin Tahiti finally portrays this crucial period of his life in all its color and drama.You know that I have Indian blood, Inca blood in me, and it's reflected in everything I do. It's the basis of my personality; I try to confront rotten civilization with something more natural, based on savagery.--Paul Gauguin

Essays by George T.M. Shackelford, Claire Frèches-Thory, et al.

Clothbound, 9.5 x 11 in./372 pgs / 260 color and 80 b & w. ... Read more

Customer Reviews (3)

Gauguin fot the insider
This book gives a lot of informaton over the Tahiti-period of Gauguin, not only of his paintings but also of his his sculpture and graphic work. It's state of the art, but a bit dull. Beside, if you want to know more about the exoticism in Gauguin's oeuvre or the symbolism in his work I recommend Gauguin's skirt by Stephen Eisenman or Symbolism by Rodolphe Rapetti. On the other hand, if you are interested in the total output of the artist (and not only his paintings), this book is highly recommemded.

Gauguin:The Artist, Author, Ethnographer, and Promoter
Most art books give you lots of gorgeous plates and a view from 50,000 feet of the artist's entire life.Gauguin Tahiti was a pleasant and positive exception from that generalization.

The book does contain lots of gorgeous plates, but also shows a tremendous number of sketches and source materials backed with extensive notes on what the author wrote and said.This enables a careful reader to appreciate the development of icons, iconography, themes and cosmology.The number of interesting essays in the book is unexpectedly large:17 by my count where the usual art book has perhaps 3 or 4.The essays come at Gauguin from slightly different perspectives, helping you to fill in a 360 degree view over time.

Most art books focus on the artist's best known work.I was very pleased to see this book deal thoroughly with Gauguin's relatively little known sculptures, wood carvings, unusual prints and experimentation with materials and processes.To me, that made this book a particularly rich experience.

If the book has a weakness, it's that the authors of the essays cannot quite bring themselves to describe the less attractive parts of Gauguin's life style and personal habits.So you end up with a partially sanitized package.Like so many artists, his ability to communicate visually was marred by a weak ability to relate to others in constructive and supportive ways.

Be prepared to spend time with this book.Each essay builds on insights from earlier ones with lots of cross referencing of images.As a result, your knowledge will build to a level similar to that of taking an MFA course for a semester on Gauguin's Tahitian and South Sea works.

If you read only one art book this year, you would do well to pick this one.This book will also make a wonderful gift for anyone who loves Gauguin's paintings and wants to learn more about his entire oeuvre.

Take a close look!

He was a man of amazing talent
Paul Gauguin (1848-1903) is one of 19th Century Europe's most mythic artists. He was a man of amazing talent, eccentric behavior, and controversial conduct. Leaving a career as a banker, Gauguin became obsessed with painting, eventually abandoning his family and sailing to the South Sea islands of Polynesia where he spent out the remainder of his life painting, sculpturing, producing innovative graphic works and unusual ceramics. Enhanced with 260 color and 80 b/w illustrations, Gauguin Tahiti is wonderfully presented, highly recommended, in-depth, 380-page biography of this gifted man's life and work as a European master artist who "went native" in the tropical paradise of Tahiti. ... Read more

Product Description
This colorful and exciting book follows the French artist Paul Gaugin on his journey to a tropical South Sea island: Tahiti.Through Gaugin's colorful paintings, young readers learn about the wonders of the island, the lives of its inhabitants, and its exotic tropical plants and animals. ... Read more

Product Description
Revealing documents, reprinted from rare, limited edition, throw much light on the painter’s inner life, his tumultuous relationship with van Gogh, evaluations of Degas, Monet, and other artists; hatred of hypocrisy and sham, life in the Marquesas Islands, much more. Twenty-seven full-page illustrations by Gauguin. Preface by Emil Gauguin.
... Read more

Customer Reviews (3)

Gauguin In His Own Words
Gauguin wasn't Picasso or Munch. Picasso thought his diary would someday make him even more famous as an important writer who also dabbled in the visual arts. Edvard Munch thought that his poetry-prose journals were as good as his paintings--even the title of his journals "We Are Flames Which Pour Out of the Earth" gives his readers a clue to the seriousness of his private journals. Gauguin didn't consider himself a great writer. He didn't feel that the words he was scribbling were all that important. He said "I should like to write as I paint my pictures,--that is to say, following my fancy, following the moon, and finding the title long afterwards." Gauguin was true to that desire.
Also unlike the poetry of Picasso and Munch, a reader doesn't have to carefully parse obscure poetic verses to maybe gain an insight into the mind of the artists. In Picasso's case he loved to write in different languages and in different styles and riddles and often in a stream of consciousness manner. As with his art, he couldn't resist toying with his audience. Gauguin wrote straightforward descriptions of people, places and things that fascinated him. One of the best parts of this book is Gauguin's eyewitness account of Vincent Van Gogh, his housemate's strange behavior. One evening Vincent ran toward him on the street with an open razor in his hand, but stopped suddenly in front of him, bowed and then turned and went home alone. Once there, he cut off his ear, taped up the wound enough to allow him to go out into the streets wearing a Basque Beret pulled down to conceal the missing ear. Van Gogh went straight to a local house of ill repute "and gave the manager his ear, carefully washed and placed in an envelope. `Here is a souvenir of me,' he said. Then he ran off home, where he went to bed and to sleep." The next morning the local police accused Gauguin of murdering his housemate, until Gauguin, who fearing for his own life, had spent the night in a hotel checked the undisturbed body in the blood-soaked bed and discovered his friend to still be alive. The hapless police then called an ambulance, but didn't apologize for their incompetent bungling.
Gauguin hated government bureaucrats and felt they, along with the French clergy were exploiting and destroying the pure culture of the South Seas and anywhere else France controlled.
This is fascinating, easy-to-read, meandering and very natural journal-diary. It provides lots of fresh and politically incorrect views of Gauguin's world in a very pithy style.

The True Iconoclast
It is impossible to read and re-read GAUGUIN'S INTIMATE JOURNALS and not be inspired to jump into the thrills of creativity and rebellion that sparks greatness in artists.Paul Gauguin's life has been well captured in films, in poems, in numerous biographies, in essays - but none of these supply what these extraordinary journals offer: here is the motivation for the fauvist mind and career and art movement Gauguin sprouted.

In these beautifully translated journal entries we learn why Gauguin, a self-taught artist, son of financially secure parents, a businessman able to succeed in the financial world of his era, would leave all of that to first paint in France with the likes of his roommate Vincent Van Goghand ultimately flee to the Pacific Islands where his unusual and avant-garde painting style set all of the art world into motion to change.

Beginning with the preface by his son Emil Gauguin, these journals are accompanied by full page, full color reproductions of some of this finest paintings, works which take on new life wheninformed by the accompanying words of the artist.This is a splendid book well worth adding to the art library of everyone.Grady Harp, October 05

Lots of fragments
This is a 'journal'. It's not a diary, nothing so organized, and he claims repeatedly that "This is not a book." Instead, it's a sequence of slightly connected thoughts, anecdotes, and aphorisms. Give the book time, though, it develops into something much more revealing in its second half.

Gauguin is known for his abrupt departure from respected commercial and family life into the most primitive world available to him. His son prefaces this book by explaining that the parting of ways was necessary and mutual. This book itself presents a few hints at what drove him out of polite and wealthy society - a distaste for the venal gendarmerie, a contempt for the church, and more.

What I found more interesting, though, was his recollections of rooming with Van Gogh and his first-person narrative of the Impressionist revolution in France. He sweetens any bitterness by describing the Tahitian people, as a society, as a system of mores, and as healthy and beautiful human animals.

There's a slight self-conciousness here. Gauguin seemed to be writing for some imagined reader, and in fact sent these journals to be published. I feel that not nearly enough is said; what's written here does little to describe the personal angel or demon that drove him to the farthest point on the planet. Still, I value the master's words.

I admit that I'm not fond of his art. Still, I acknowledge the place that history has given him, and I feel somewhat more of a person for reading what he chose to write.

//wiredweird ... Read more

Product Description
In this magisterial book, Henri Dorra synthesizes more than fifty years of study to present a comprehensive examination of Paul Gauguin's symbolism. Drawing on his profound grasp of the artistic and social contexts in which Gauguin worked, Dorra provides new, complex insights into and interpretations of Gauguin's multilayered symbolism. The Symbolism of Paul Gauguin is lavishly illustrated with a major visual compendium of the artist's prodigious output. The highly readable narrative, based on a sophisticated understanding of Gauguin's oeuvre, offers a masterly interpretation of recurrent images and their interrelationships in the contemporaneous artistic and social context.
Dorra discusses Gauguin's iconography and the artist's treatments of similar themes in various media, from prepatory drawings for paintings to related ceramics and wood carvings. He traces Gauguin's meanings in literary sources from classical mythology and the Bible to late ninetheenth-century literature. He also links the form and content of the artist's work to his unusual ancestry and upbringing. As the final scholarly work by an internationally recognized expert on nineteenth-century French symbolism, this book provides a profound new perspective on Gauguin and his work. ... Read more

Customer Reviews (1)

New perspective on Gauguin
This book is the culmination of a lifetime's study of the life and art of Paul Gauguin by a professor who has developed his material over years of teaching and analysis. It offers many new perspectives on the life and thinking of this artist, and is a must read for any person interested in the artist, his associates and the cultural world in which they worked. ... Read more

Product Description
Explores the often contradictory history of artist Paul Gauguin, considering the scandalous rumors that surrounded him, the inspirations for his work, the influences of his contemporaries, and his painful death. 12,500 first printing. ... Read more

Customer Reviews (6)

Good; solidly researched
In terms of scholarship, this is an excellent biography; it's very thoroughly researched about Gauguin's extended family and his upbringing; his marriage and other relationships.However, there were times that I found the author's voice too intrusive.For instance, when describing Van Gogh's and Gauguin's nine weeks' residence together at Arles, I felt the author needed to stop referring to Van Gogh as a "madman".

Then again, there was some unnecessary speculation regarding Gauguin's allegedly erotic feelings for his little daughter, Aline.I sincerely dislike when quick-fix psychology is used by an author who's 'analyzing' an artist's paintings, and 'meanings' are assigned thereto.One man's: he's-got-a-little-girl-fixation-because-she's-painted-sleeping-in-her-bed-with-her-back-turned-toward-the-viewer, is another's:It's a portrait of a sleeping child.Mary Cassatt once portrayed a little girl who's flopped into an armchair with her legs slightly open; does that portrayal make her a potential pervert, too?

The author seemed to veer from admiration for Gauguin's artistic accomplishments to an almost mocking tone regarding the (again) 'meanings' of the Tahitian paintings (and/or injecting a tone of derision when describing Gauguin's life in Tahiti).My point is, a better biographer would take an objective view of his subject; this one, about 70% of the time, doesn't.

I also wish more, and/or clearer, larger reproductions of Gauguin's work had been included with this volume.Other than these provisos, I found this a well researched and readable biography.

Vivid and disturbing
This is a disturbing story.My previous knowledge of Paul Gauguin basically came from a subway ad for the New York School of Visual Arts, which stated that at age 35 he was working as a bank teller.Being a late-bloomer myself, I wanted to know more.Although this is a long book (565 pages of text plus notes and index), it never got tiring for me.I remained fascinated all the way through.Gauguin created some wonderful works, but I really would not want to have known him.He comes across as very childish and irresponsible (which is perhaps a characteristic that all artists share to some degree).His journeys to Brittany and the South Seas are rendered in detail as Sweetman unflinchingly documents Gauguin's descent into drug addiction, madness and destitution.Sweetman also deftly analyzes Gauguin's work and the impact of those influences, creating a vivid portrait of the artist and his world.Parts of the book are horrifying, especially the descriptions of Gauguin's syphillis-ravaged body.Gauguin was a strange man and his story is an unsettling one.I strongly recommend this book to anyone with an interest in Impressionist and Post-Impressionist art.The book has many black-and-white photographs of Gauguin and his milieu as well as color reproductions of several of the works discussed.This book will guarantee a deeper appreciation of Gauguin's work.

Difficult Reading...
I am a voracious reader with some knowledge of art history, but after attempting to read this book for the last six months, I am finally stopping at the half-way mark.It is certainly full of new facts and demonstrates an exhaustive amount of research, but I find Sweetman's narrative plodding and unorganized.Also, the book pre-supposes the reader's depth of knowledge on the subject -- the lack of which is quite obviously my problem in enjoying the book.

The First & Only Bio of Gauguin
Brilliant biographer David Sweetman has created a masterpiece with his biography of Gauguin.I don't know how he did it; but I was in awe throughout the reading of this well-thought-out and researched book.Gauguin was a complicated man; and through his exhaustive research, Sweetman gives us the rare opportunity to journey with one of the most colourful and oft-misunderstood artists in history.There are so many new facts uncovered in this book... I could feel the spirit of Gauguin rise up and rebel...http://www.mystic-art.com

Go Get "Gauguin"!
I am disappointed to see that this book is out of print but if you have any interest in Gauguin whatsoever, you should try to get your hands on a copy. This is such an excellent book! Mr. Sweetman has clearly done hishomework and he writes beautifully. By the time you finish this book youwill feel as though you knew Gauguin for, as much as such a thing ispossible, Mr. Sweetman gets you inside the artist's head so that you knowwhat he was thinking and what he was feeling at all the important points ofhis life. The author gives a very balanced view of Gauguin and of theimportant people in his life, including his wife Mette. Gauguin is notportrayed as a saint. Mr. Sweetman does not let him off the hook for theshabby way he sometimes treated his friends and family. In other words,this behavior is not excused just because Gauguin was a brilliant artist.On the other hand, Gauguin is not demonized for his irresponsible behavioreither, as he sometimes could be a caring person and a good friend. Gauguinleft notebooks and correspondence, so when Mr. Sweetman gives you hisinterpretations of the meanings of some of Gauguin's greatest paintings heis not whistling in the dark. Gauguin himself is oftimes present to tellyou what he was trying to do. One of the nice things about the book is thatit does not focus exclusively onGauguin. You learn what what was going onin the Paris art world. There is interesting information given about otherartists, such as Camille Pissarro and Emile Bernard and you also learnabout some of the art dealers, such as Durand-Ruel and Vollard. You aregiven in depth information of what was going on in the French communitieson Tahiti and in the Marquesas. Mr. Sweetman also provides a sympatheticand reasonable explanation for Gauguin's behavior following the death ofVincent Van Gogh. As Mr. Sweetman says in the book, the picture most peoplehave of Gauguin is based almost completely on the portrayal by AnthonyQuinn in the 1950's movie "Lust For Life". If you read thiswonderful book you will get a much more well-rounded picture of what thisvery complicated man was truly like. ... Read more

Product Description
Paul Gauguin "painted and dreamed at the same time," yet he forecast much of what became basic to 20th-century art. A magnificent sampling of the artist's paintings is provided here, along with an absorbing introduction and commentaries by Robert Goldwater, a noted scholar on primitivism in art. ... Read more