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Plays for Today contains three outstanding plays by three of the Caribbean's greatest playwrights, brought together for the first time in one volume. Ti-Jean and his Brothers is an uplifting St Lucian folk-tale. It tells the story of a poor family who dwell on the edge of a magical forest haunted by the devil's spirits. An Echo in the Bone is set during a traditional Nine-Night Ceremony held to honour the spirit of the dead. Shattering the sequential time in a series of dreamlike episodes, the play takes us back to the time of plantations and slavery - and the savage murder of the white estate owner. Who killed Mr Charles? The answers lie deep in the racial memory, they 'echo in the bone'.And Man Better Man is set in the giddy atmosphere of carnival. It is a rumbustuous, colourful comedy musical about stickfighters. With dance and song the battling troubadours and the calypsonian weave a tale of bravery, superstition and fraudulence. ... Read more

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This near-definitive study sets a new standard for the kind of meticulous scholarship that Nobel laureate Derek Walcott's poetry deserves. "Another Life", Walcott's masterpiece of autobiography in verse. (D.J. McClatchy, writing in "The New Republic", called it 'one of the best long autobiographical poems in English, with the narrative sweep, the lavish layering of details, and the mythic resonance of a certain classic'), is an ideal point of entry into Walcott's work. The two-hundred pages of detailed notes and commentary offered in this annotated edition - drawing to a great extent on unpublished sources - provide an invaluable resource for both teachers and students.Equally important, this book will enhance the accessibility of Walcott's poetry and personal history for all readers. This near-definitive study sets a new standard for the kind of meticulous scholarship that Nobel laureate Derek Walcott's poetry deserves, at the same time that it enhances the accessibility of Walcott's history and poetry for the general reader. ... Read more

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James Clifford tells us that modernism has become a "traveling culture" because it reflects the "discrepant cosmopolitanism" of the twentieth century -- that is, a world in which people are paradoxically migratory yet rooted, international yet local. Perhaps modernism has traveled so well because it has been transformed by its journey; this is the suggestion Charles Pollard makes in New World Modernisms, a fascinating first step in mapping the migration of modernism.

Pollard looks to recent Caribbean poetry as a means of reassessing modernism's cosmopolitanism; in particular, his book redefines the cosmopolitan influence of T. S. Eliot's modernism by examining how his ideas have been transformed by the two leading Anglophone Caribbean poets, Derek Walcott and Kamau Brathwaite. Pollard concentrates on three of Eliot's modernist principles: tradition, poetry's relation to speech, and poetry's social function. He then traces Walcott and Brathwaite's transformations of these ideas in their use of diverse cultural fragments to construct alternative Caribbean traditions, in their revitalization of poetic language with the rhythms and diction of Caribbean speech, and in their rearticulation of the poet's public role in a Caribbean context.

By examining these formative postcolonial expressions of modernism, Pollard challenges the prevailing critical approach that sets postcolonialism in opposition to modernism, an approach that assumes that a modernist aesthetic necessarily advances a colonial ideology.

New World Modernisms reinvigorates Eliot scholarship by tracing his international influence while providing the most comprehensive evaluation to date of the complementary contributions of Walcott and Brathwaite to the development of a New World modernist aesthetic. ... Read more

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Whether looming over public squares or dotting old battlefields, monuments certify a culture’spresent by securing its past and pledging its future. They embody exemplary persons or events and the shared ideals they stood for, prompting an obligation to keep those ideals standing now and forever. But monuments also exaggerate the staying power of civilizations and of art. In the second half of the twentieth century, postmodern critics often decried monuments not only for their pretensions and stiffness but also for their supposed role in perpetuating oppressive cultural conventions. Even so, many artists and thinkers of the same period tried to reimagine monuments in ways that were humbler and more provisional but still culturally confirming.

In Castings, Guy Rotella examines the work of five important poets who have engaged in that effort: Elizabeth Bishop, Robert Lowell, James Merrill, Derek Walcott, and Seamus Heaney. Considering their wider careers as well as particular poems—includingBishop’s "The Monument," Lowell’s "For the Union Dead," Merrill’s "Bronze," Walcott’s "The Sea Is History," and Heaney’s "In Memoriam Francis Ledwidge"—Rotella argues that these writers are less concerned with defending or condemning monuments than with pursuing ancient and current debates about the political, aesthetic, and broadly cultural issues that monuments condense. Among these concerns are the competing claims of life and art, persistence and change, meaning and meaninglessness, the self and society,and the governing and the governed.

Original and provocative, Rotella’s readings will make us ponder how the human impulse to build to last, to reify our culturally derived and ideologically driven faiths, might coexist with those other creeds of our place and time: relativism, multiculuralism, and diversity. ... Read more

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This digital document is an article from World Literature Today, published by University of Oklahoma on June 22, 2001. The length of the article is 768 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Derek Walcott: Politics and Poetics. (St. Lucia).
Author: Jim Hannan
Publication: World Literature Today (Refereed)
Date: June 22, 2001
Publisher: University of Oklahoma
Volume: 75Page: 122(2)

Article Type: Book Review

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Chapters: Derek Walcott, Earl Lovelace, Ralph Maraj, Mustapha Matura, Errol Hill. Source: Wikipedia. Pages: 24. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: The Hon. Derek Alton Walcott, OCC (born January 23, 1930) is a Caribbean poet, playwright, writer and visual artist. Born in Castries, Saint Lucia, he was awarded the Nobel Prize for Literature in 1992. His work, which developed independently of the schools of magic realism emerging in both South America and Europe at around the time of his birth, is intensely related to the symbolism of myth and its relationship to culture. He is best known for his epic poem Omeros, an allusive, loose reworking of Homeric story and tradition into a journey within the Caribbean and beyond to the Africa, New England, the American West, Canada, and London (with frequent reference to the Greek Islands). Walcott founded the Trinidad Theatre Workshop in 1959, which has produced his plays (and others) since that time, and remains active with its Board of Directors. He also founded Boston Playwrights' Theatre at Boston University in 1981 with the hope of creating a home for new plays in Boston, Massachusetts. Walcott retired from teaching poetry and drama in the Creative Writing Department at Boston University in 2007. In fall 2009, he will commence a three year distinguished scholar in residence position at University of Alberta. He continues to give readings and lectures throughout the world. He divides his time between his home in the Caribbean and New York City. Walcott has published more than twenty plays. The majority of these plays have been produced by the Trinidad Theatre Workshop, and have also been widely staged elsewhere. Many of them deal, either directly or indirectly, with the liminal status of the West Indies in the postcolonial period. Epist...More: http://booksllc.net/?id=8945 ... Read more

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Chapters: V. S. Naipaul, Derek Walcott, Arthur Lewis. Source: Wikipedia. Pages: 25. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Sir Vidiadhar Surajprasad Naipaul Kt. TC (born 17 August 1932, in Chaguanas, Trinidad and Tobago), commonly known as V. S. Naipaul, is a Trinidadian novelist and essayist of Indo-Trinidadian descent. He is widely considered to be one of the masters of modern English prose. He has been awarded numerous literary prizes including the John Llewellyn Rhys Prize (1958), the Somerset Maugham Award (1960), the Hawthornden Prize (1964), the W. H. Smith Literary Award (1968), the Booker Prize (1971), and the David Cohen Prize for a lifetime's achievement in British Literature (1993). V. S. Naipaul was awarded the Nobel Prize in Literature in 2001, the centenary year of the award. In 2008, The Times ranked Naipaul seventh on their list of "The 50 greatest British writers since 1945". He is the son, older brother, uncle, and cousin of published authors Seepersad Naipaul, Shiva Naipaul, Neil Bissoondath, and Vahni Capildeo, respectively. His current wife is Nadira Naipaul, a former Pakistani journalist. Naipaul was married to Englishwoman Patricia Hale for 41 years, until her death due to cancer in 1996. The two shared a close relationship when it came to Naipaul's workPat was a sort of unofficial editor for Naipaulaccording to the new, authorized biography by Patrick French (although Naipaul is cited with admitting his fear that his devotion to his writing and infidelities may have accelerated Pat's death). As well as regularly visiting prostitutes in London, while she was at work as a school teacher, Naipaul often left her to spend time with his long-time also married mistress, Margaret Gooding. Patrick French has written that Naipaul subjected both wife and mistress to r...More: http://booksllc.net/?id=32619 ... Read more

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Les achats comprennent une adhésion à l'essai gratuite au club de livres de l'éditeur, dans lequel vous pouvez choisir parmi plus d'un million d'ouvrages, sans frais. Le livre consiste d'articles Wikipedia sur : Henri Sainte-Claire Deville, Miguel Ángel Asturias, Michel Paul Guy de Chabanon, Derek Walcott, Charles Sainte-Claire Deville, Bobby Farrell, Maizie Williams. Non illustré. Mises à jour gratuites en ligne. Extrait : Henri Sainte-Claire Deville, né le 11 mars 1818 à Saint Thomas (Archipel des Antilles), décédé le 1 juillet 1881 à Boulogne-sur-Seine, inhumé au cimetière du Père-Lachaise, est un chimiste français, connu principalement pour ses travaux sur l'aluminium. Henri Sainte-Claire Deville est né dans les Antilles sur l'île de saint Thomas, possession à l'époque du Danemark. Son père, qui avait conservé sa nationalité française, était armateur. Sa famille est originaire de la région française du Périgord. Son frère Charles deviendra géologue et sera connu pour ses travaux sur les volcans. Il revient en France avec sa famille en 1824. Il entreprend des études de médecine et obtient son doctorat à 25 ans en 1843. Il se passionne pour la chimie et suit les cours du chimiste Louis Jacques Thénard. Il crée dans un grenier son premier laboratoire et découvre le toluène. Sa thèse de chimie porte sur l'essence de térébenthine. En 1845, lors de la réouverture de la faculté des sciences de Besançon, il est nommé professeur de chimie et doyen, il restera six ans. Il met au point un nouveau procédé d'analyse pour analyser l'eau du Doubs. Il isole l'acide nitrique anhydre en faisant passer du chlore sur du nitrate d'argent. Cette découverte lui vaut sa première renommée auprès du monde scientifique européen. En 1851, il est nommé maître de conférence de chimie à l'École normale supérieure de Paris à l'âge de 33 ans. Il cultive ses relations en ouvrant son laboratoire le dimanche après-midi aux célébrités scientifiques (Louis Pas...http://booksllc.net/?l=fr ... Read more

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Chapters: Derek Walcott, Patrick Manning, Owen 'alik Shahadah, P. J. Patterson, M. Nourbese Philip, Charlesworth Samuel, Lall Sawh, Imran Nazar Hosein, Kenny Anthony, Owen Arthur, Earl Williams, Don Wehby, Walter Rodney, Colin Leakey, Ralph Gonsalves, Colville Young, Vance Amory, Vena Jules, Keith Mitchell, Wayne Brown, Ravi Bissambhar, Lloyd Erskine Sandiford, Wendy Fitzwilliam, Dana Seetahal, Denzil Douglas, Richard Douthwaite, Rikrok, Pearlette Louisy, Lisa Hanna, Kamla Persad-Bissessar, Angela King, Ian Mcknight, Derick Milton Latibeaudiere, Neville Callam, George Alleyne, Kei Miller, Khalid Hassanali, Anthony Mcneill, Christopher Fitzherbert Hackett, Mario Michel, Howard Nelson, Permanand Mohan, Gillian Lucky, N. D. Williams, Trevor Munroe, George Irish, Monica Dacon, Dennis Scott, Edward Baugh, Fuad Khan, Dale Bisnauth, Julius Timothy, Colleen Holder, Petrus Compton, Liam Sebastien. Source: Wikipedia. Pages: 178. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: The Hon. Derek Alton Walcott, OCC (born January 23, 1930) is a Caribbean poet, playwright, writer and visual artist. Born in Castries, Saint Lucia, he was awarded the Nobel Prize for Literature in 1992. His work, which developed independently of the schools of magic realism emerging in both South America and Europe at around the time of his birth, is intensely related to the symbolism of myth and its relationship to culture. He is best known for his epic poem Omeros, an allusive, loose reworking of Homeric story and tradition into a journey within the Caribbean and beyond to the Africa, New England, the American West, Canada, and London (with frequent reference to the Greek Islands). Walcott founded the Trinidad Theatre Workshop in 1959, which has produced his plays (and others) since that time, and remains active with its Board ...More: http://booksllc.net/?id=8945 ... Read more