Product Description
In aid of Amnesty International, this is a brilliant 'serial' novel by fifteen of the very brightest talents in Irish writing. It begins with Roddy Doyle and ends with Frank McCourt. In between thirteen other Irish writers spin an increasingly elaborate tale of murder, mayhem and literary shenanigans in present-day Dublin. ... Read more

Customer Reviews (1)

"Yeats is dead?" O yes.
Well, of course he is; in fact, has been for some 60+ years now. But that's not the point. The point is, or at least seems to be, that "Yeats Is Dead!" is the unpublished last work of the doyen of Irish literature himself, James Joyce. Or is it? Or are the 600 pages of undecipherable scribble that are at the center of this book's wild ride really the chemical formula for a new anti-ageing skin cream? Or something else entirely? In short, what is the point of the chase; or put differently: Is there any point at all?

"Yeats Is Dead!" is the literary version of a midrange relay race; or of that party game in which a story is built one word or one sentence at a time, added in turns by each of the participants, often with hilarious results, particularly if the players abandon the idea of creating a story that actually makes sense and take off in whatever direction their fancy takes them. Here, the participants are fifteen Irish writers of varying calibers with a very well-developed sense of humor, who each get to add one chapter to the story, and the results are hilarious indeed. Bodies fall like flies, allusions to Joyce abound, and Irish clichés are jiggled by the dozen, from "O Danny Boy" (here: in a Rasta version) to bars serving whiskey and very strangely named drinks indeed, and accents from working class Dublin to Limerick and beyond. (And can there possibly be a more Irish-sounding name than Grainne O'Kelly?) Even one of Ireland's football - i.e., soccer - heroes, ex-midfielder turned sports journalist Eamon Dunphy (yes, that one) gets his fair share of shots from the authors' collective hips.

The book follows the example of the two short story collections "Finbar's Hotel" and "Lady's Night at Finbar's Hotel," likewise collaborative efforts by some of modern Ireland's best-known authors. Unlike those two collections, however, "Yeats Is Dead!" discloses the authors of the individual chapters; and unlike them, it also pretends not to contain several loosely-connected short stories but one continuous, novel-length storyline - for whatever that's worth, though, given the book's general premise and the differing styles and approaches of its writers. Contributors include acclaimed writers Roddy Doyle, Frank McCourt, Hugo Hamilton, Gene Kerrigan, Anthony Cronin and Joseph O'Connor (who also served as the book's editor), playwrights Conor McPherson and Gerard Stembridge, comedian Owen O'Neill, sports writer Tom Humphries, and others. Roddy Doyle gets to deliver the opening salvo, which is of course a hard act to follow - personally, I would rather have seen him write the final chapter; and I would also have loved to see a contribution from the editor (and co-contributor) of "Finbar's Hotel," Dermot Bolger. But from the murder by heart attack which starts it all to the surviving cast members' final conclave in (where else?) a bar in County Limerick, this is one great frolicking literary tour de force. It's not great literature; nor does it pretend to be ... just fifteen Irish writers poking fun at themselves, their country and the mystery genre, and they had me laughing out loud a lot in the process. Definitely. O yes.

Also recommended:
Finbar's Hotel: A Novel
The Barrytown Trilogy ... Read more

Product Description

Dubliners - James Joyce's stories of his native homeland - performed by a cast of 15 different actors originating from Ireland.  Unabridged.

The fifteen stories that make up this brilliant audio roam over a human landscape that stretches from the bleakest of despair to the most blinding of epiphanies.  First published in 1914, the stories are as lucid and accessible as they are memorable poignant.

As you listen to the cast of internationally famous stage and screen actors perform Dubliners, both the spiritually deadening atmosphere that drove Joyce from his homeland and the irresistible emotional pull it always kept on him to the end of his days become heartbreakingly beautiful.

Dubliners is an audio experience that will only grow in richness with each time you listen. 

The stories and performers are:

Sisters - Frank McCourt

An Encounter - Patrick McCabe

Araby - Colm Meaney

Eveline - Dearbhla Molloy

After the Race - Dan O'Herlihy

Two Gallants - Malachy McCourt

The Boarding House - Donal Donnelly

A Little Cloud - Brendan Coyle

Counterparts - Jim Norton

Clay - Sorcha Cusack

A Painful Case - Ciaran Hinds

Ivy Day in the Committee Room - T.P. McKenna

A Mother - Fionnula Flanagan

Grace - Charles Keating

The Dead - Stephen Rea

 

Customer Reviews (2)

Joyce Is Meant to Be Read Aloud
James Joyce was absorbed by music, people, languages, acting and actors, and though an exile from his native country and city, his literary consciousness was forever embedded in Dublin. He had an unerring ear for Dublin dialogue.
At night I turn out the lights and listen to these CD's, to the cadences of the people talking, and to me these Dubliners endlessly gossiping are in the room with me. Joyce's narrative adroitness, his choice of words, his lyrical descriptions, and above all, his sense of place are brilliant facets of a genius.
Stephen Rea's sensitive reading of "The Dead" is worth the price of this set of fifteen stories read by fifteen different mostly Irish personalities. The characters in the stories live and breathe, become real. Joyce was meant to be read aloud. It's good talk, conversations that you become a part of.
In these stories Joyce is very accessible. In Finnegan's Wake he became Jackson Pollock--obscure and difficult. In "The Dead" you can feel, touch, hear, and taste the snow that is falling outside the house while inside two old sisters are giving their annual bright and cheery party. It's a story of tenderness, love, regrets, and lost lovers, but it is mainly full of life, good times, fellowship, and above all humanity.

Dublin digitally discerned and declaimed
Handsomely produced, elegantly assembled, and consistently engrossing: these actors read the stories with appropriate sensitivity, wit, pathos, and distance. The detachment of Joyce in his "voice" on the page is re-created well. When I have taught students "Araby" or "The Boarding House," the chance to hear the language repeated as its author would have meant it to be rendered makes these stories come alive for a classroom six thousand miles and a century away from early 20c Dublin.

Although all of the stories succeed, those in the center of the book emerged when conveyed aloud most enlighteningly. Clay, A Mother, A Painful Case, and most of all Two Gallants, After the Race, and Counterparts all hit my ear with more force than they had when I had only read them. These stories are often overlooked compared to the others, but the skill that the actors brought to these more prosaic, less lively, and more nuanced examples of Joyce's careful craft deserve special acclaim. The packaging keeps the CDs securely in place, is itself compact and well-designed, fitting its outwardly austere & Edwardian yet subtly decorated and inviting contents.

Students, the curious newcomer, the experienced teacher, and those who read the book out of delight and not duty: all will benefit from the music on the page that by a technology Joyce himself spoke into at its early gramaphone stages is now digitally preserved so that those of us all over the world and a vastly changed world later can be entertained and instructed. I think JJ might have been pleased at this version of his pioneering, eloquent, yet accessible and moving, accounts of his imagined neighbors and municipal counterparts. ... Read more

Product Description

Customer Reviews (1)

Wow - Great book
Got this book as part of a 4 for 3 offer and couldn't be more pleased. Hardcover book, with large, beautiful, sometimes breathtaking pictures of Ireland. I am planning a trip to Ireland this summer and reading up on the folklore and myths will certainly come in handy for my travels. Great offer, everyone should buy this one. ... Read more

Product Description
This New York Times bestseller is a stirring photographic tribute to the New York City firefighters who lost their lives on September 11, 2001.

“Adorned with votive candles, flowers and handwritten prayers, many of New York City’s firehouses seem like red brick chapels since Sept. 11. Brotherhood gives a glimpse into the firefighters’ lives after the tragedy.... A lively introduction by Frank McCourt reflects on the civil connection we feel with firefighters....The personalized spaces within the firehouses resonate as powerfully as the portraits of the firefighters themselves.”—The New York Times

On September 11, 2001, more than 300 three New York City firefighters perished in the inferno and rubble of the World Trade Center.Brotherhood offers a moving photographic testament to those brave and honorable men, highlighting every engine, ladder and battalion that lost a brother on that fateful, terrible day. Poignant and stirring images, by Albert Watson, Mary Ellen Mark, Mark Seliger, Christian Wittkin, Mark Borthwick, and more than 50 other New York photographers, depict the places where those firefighters worked, the grieving survivors, and the outpouring of gratitude and love from all over the world. Mayor Rudolph Giuliani, Fire Chief Thomas Von Essen, and Pulitzer Prize-winning writer Frank McCourt contribute their deeply felt reflections.
... Read more

Customer Reviews (32)

Poignant photos
:( Sorry to start with an emotican, but looking at the photos in this book, you can really feel the sense of loss that the FDNY experienced. The note from a mother to her son was especially heartbreaking. Also loved the drawing of three superheroes asking an FDNY member for his autograph. You can get a sense of the lost men, and the support the FDNY got following what happend.I also loved the opening essay by Frank Mcourt-I could tell how lyrical his writing and how losing him silenced a wonderful voice.Overall, an item worth trying to obtain.

pictures
Thought it would have more written by Frank McCourt.Even though, I still appreciate great photographs, especially having to do with 9/11.

Heart-rending images of emptied firehouses
For New York City firefighters, "September 11, 2001" is a reminder of the dark, hollow place that their brothers once filled. 341 firefighters lost in a single day -- half the total number lost in all the years prior to that date. This volume of photographs eloquently memorializes the lost by recording the images of the firehouses from which they served their community. The images, taken not long after 9/11, show the firehouses bedecked by mounds of flowers, photos of the lost, images of the things they left behind and banners proclaiming to never forget.

Even without the sense of loss, the book would have been fascinating. The firehouses are in all shapes, sizes and ages, from tiny, one-engine 19th-century brick filigreed music boxes to post-modern buildings that could be anything -- college student center, post office or shopping center. But the reminders of that day of darkness are what give the images an emotional punch -- oversized American flags fluttering in afternoon breezes; the list of names snaking across the bottom of the pages; the empty boots and racks of empty coats that grimly recall our minds to those who will no longer return.

"Brothers" contains some text -- short and eloquent testimonials written by former Mayor Giuliani, novelist Frank McCourt, satirist Tony Hendra and others. But these are deliberately placed second to the images that remind us of the brave men who face fire every day, advancing into an elemental reality that our very nature prompts us to flee, men who on an obscenely-blue-skied day in 2001, courageously entered towers from which they would never return.

A beautiful, near-wordless and moving elegy to the human American spirit that no enemy can destroy.

Excellence..
Simple and to the point, yet poingint and touching, this book shows like no other how the world's greatest fire department dealt with the aftermath of tragedy.

Brotherhood
Outstanding It shows the amazing grief and resolve of New York and its firefighters.It is is visual history of the Sept.11 attacks and their aftermath ... Read more

Product Description
All over the world there are people struggling to master the quirks and challenges of English. In today's America, many millions of them are Latino—and in this eloquent collection, nearly 60 of the best known contribute fascinating, revealing, often touching essays on the very personal process each went through to achieve this common end. Their successes are inspiring. Their pieces, engaging and entertaining all, express the whole range of emotions that learning any new language entails.

Congressman José Serrano, for example, describes learning English from Frank Sinatra records. Cuban-American author Oscar Hijuelos picked it up as a sick little boy in an American hospital bed. Many find it a daunting ordeal; for others English came easily. But from TV personality Cristina Saralegui to Hall of Fame baseball player Orlando Cepeda, every last one remembers what it felt like to do battle with bizarre idioms, irregular verbs, and all the other incomprehensible intricacies that tangle the tongue.

And of course, every new English-speaker has a tale to tell: an immigrant yearning to assimilate and achieve, or a political exile suddenly far from home and alone, or a child who just wants to fit in. Their fears and triumphs will resonate with everyone who has shared this exasperating, exhilarating experience, whether last year or a lifetime ago. This wonderful, eclectic, inviting collection speaks to—and for—all of them, and goes directly to the heart of the national debate on language and immigration. ... Read more

Customer Reviews (5)

Monroe, baseball and Desi Arnaz teach English

How I Learned English (also published in Spanish as Como aprendí inglés) is a collection of essays written by 55 Latinos about how they mastered the English language. Some of them learned English from popular music, some from the movies, some others learned it the old-fashioned way - in a classroom. Tom Miller has gathered contributions from novelists, journalists, musicians, performance artists, physicians, athletes, entertainers, businessmen. They are natives of 11 Central and South American countries, three Caribbean islands -- including Cuba -- and Mexico. Some found it easy, other found it difficult. But for all, learning English was the key to success in this their adopted homeland.

The idea of the book came to its editor Tom Miller when he moved from the East Coast to the Southwest in the late 1960s as a journalist. He found that most of the people he wrote about were people fir whom English was their second or perhaps third or fourth language. "And they carried it different from how they carried Spanish. They acted different. They had different body language. The pacing was different. The cadence was different. Their facial expressions were sometimes different. English is not just a language. It's a whole presence. And more and more, these people I was writing about became colleagues, they became friends. And eventually, I married into a Spanish- speaking family and watched, with wonder and pride, and my wife and my two stepsons as they acquired English." Miller believes that anyone learning a new language not only adopts a new persona, but also loses a bit of their old, pre-English persona.

Ilan Stavans, author of On Borrowed Words: A Memoir of Language, contributed an excerpt. "Each language has its own world view, its own personality. It allows its speakers to dream, to think, to make love, to engage with one another in different ways. Probably, there is no better language than Spanish and French to say I love you. The best language to say offensive words might be Yiddish. The best language to put together thoughts, to develop argument, to make a speech, probably, in my mind, is English. The way the language the sentences are shaped, the way one knows where to put a period and a comma and a semicolon, it gives me a sense of a very precise, very methodical, very clear cut civilization that knows where it's going, what it's after, what its mission is. I think that one of the beauties of speaking more than one language is precisely the fact that one can live in different universes, as in different mentalities, in different levels of existence by using each of them at different points."

Another intentionally forgets Spanish: "Now, almost 40 years later, when I try to remember an intentionally forgotten Spanish word, what I first recall is the heartbroken expression on my [grandmother's] kind face."

Another writes, "Once you possess another language, your sense of reality changes. ... Suddenly the world seems twice as large, and twice as peopled, and more interesting than it did before."

Some offer practical advice, carry a pocket dictionary, or to ask "older people who [don't] seem in a hurry" for directions. Others listen to Sinatra, Fitzgerald, Van Halen or Cyndi Lauper, or watch "I Love Lucy" or subtitled movies from the '30s and 40s, or compare ESL lessons with what they hear on the street.

Some of the essays in the collection are thoughtful, many are anecdotes. But all are intensely human.


Robert C. Ross 2008

Better for bilinguals
I confess (embarrassedly) that along with many Americans, I am not bilingual. But I know more than enough Spanish to get by and I get the basics of the struggle to understand or be understood in a foreign language, having lived in Japan for several years. The "Lessons in Language and Life" of How I Learned English are probably best enjoyed by bilingual native Spanish speakers, who have the ability to empathize with and appreciate the writings of the "55 Accomplished Latinos" whose words are included in the book. The contents of their stories fall into a few basic categories: how to improve ones chances of learning English, examples of ridicule suffered by English learners due to teachers and students equating lack of language proficiency with stupidity, joyfulness at their bilingual ability in general or the English language in particular, specific activities or incidents which facilitated their ability or desire to learn, and (my favorite) funny or embarrassing anecdotes about language-related mistakes or misunderstandings. How I Learned English is a good book for bilingual Spanish-English speakers, but can be appreciated by anyone who has ever tried to learn a foreign language.

Enlightening Essays on Bilingualism
For a change of pace, consider this new collection of essays, "How I Learned English: 55 Accomplished Latinos Recall Lessons in Language and Life" (National Geographic Society, $16.95 paperback), edited by Tom Miller.The contributors include politicians, authors, scientists, athletes, educators, and others.One of my favorite essays is "The Learning Curve" by journalist Rubén Martínez.He recounts that "long before the debates over bilingual education or English Only or whether a hyphenated American was a real America," his parents decided that he, "their first child and American citizen by birth, would speak Spanish before English."This book will enlighten and, perhaps, lower the volume on the often incendiary debate over bilingualism in this country.[The full review first appeared in the El Paso Times.]

Fun read for ESL Professionals
I heard this book reveiwed on NPR and it was just as interesting as they said it wuld be..

should be required reading for monolinguals
Aside from teaching 'new words,' the process of learning a new language teaches empathy--so sorely lacking in today's 'me-first' and 'sucks-to-be-you' world...EVERYONE who only speaks one language should be required to read this book--everyone needs to gain insight into what it means to find oneself in a parallel linguistic universe. Better yet, everyone should study a second (and third, and fourth) language!

In today's increasingly charged immigration/language-debate, this book is essential. The essays and anecdotes speak volumes about human communication, separation, cruelty, kindness, understanding, and desires--all in a non-partisan, readable way.

All people who work with the public--whether it be in customer service or education--should read this book. Just because a person can't 'say what s/he means' does not mean the person is stupid--linguistically challenged does not equal mentally disabled!

Although the book deals only with the specific experiences of those whose native language is Spanish or Portuguese, those experiences translate into any language. Whether people want to remember or not, this IS a nation of immigrants, and so many of its citizens come from families who, at some point in the past, were the 'language-outsiders.' May we not forget...
... Read more