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J. Sheridan LeFanu -- Irish author of such classics as the short vampire novel Carmella (reputed to be the inspiration for Bram Stoker's Dracula) and A Chapter in the History of the Tyrone Family (said to be the tale that gave rise to Emily Bronte's Wuthering Heights -- lived from 1814 until 1873. He wrote all sorts of tales, but he's best remembered as a writer of mysteries and horror.

Horrors like this one, The House by the Churchyard -- a thrilling, haunting tale that remains in the memory long after the lights go out. Set in Chapelizod in Dublin (where LeFanu lived for some time) it was an important source for James Joyce's Finnegans Wake. ... Read more

Customer Reviews (2)

Le Fanu's First Gothic Novel
Joseph Sheridan Le Fanu is studied today as Victorian gothic writer. Although he wrote several gothic mystery novels, some of his best work, however, may be discovered within his shorter tales such as "Green Tea," "Carmilla," etc. The House by the Churchyard was his first gothic novel, but it was unlike his other gothic novels due to the comical nature of the work. Although the gothic elements are indeed present, the humor which is found within this text is truly delightful; I could not help but to chuckle at a few select scenes. Unfortunately, this work seems to be falling out of print. Therefore, I would recommend to the literary student, who may be trying to acquire Le Fanu's work, to locate a good used copy on Amazon. This particular edition (Pocket Classics) is a good copy with a thick and durable paperback cover.

I didn't get it
I didn't get my book...do not buy from this dealer, or you won't get it.The money was taken out of my account & I did not recieve a book.So either I deserve an explanation, or this dealer is a thief & I warn you to not buy from them. ... Read more

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Late one evening, as some little boys from the village were returning from a ramble through the dark and devious glen of Cappercullen, with their pockets laden with nuts and "frahans," to their amazement and even terror they saw a light streaming redly from the narrow window of one of the towers overhanging the precipice among the ivy and the lofty branches, across the glen, already dim in the shadows of the deepening night. ... Read more

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The stranger, having finished this message, turned abruptly, and, with a quick, but silent step quitted the room, before Schalken had time to say a word in reply. The young man felt a curiosity to see in what direction the burgher of Rotterdam would turn, on quitting the studio, and for that purpose he went directly to the window which commanded the door. A lobby of considerable extent intervened between the inner door of the painter's room and the street entrance, so that Schalken occupied the post of observation before the old man could possibly have reached the street. He watched in vain, however. ... Read more

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Late one evening, as some little boys from the village were returning from a ramble through the dark and devious glen of Cappercullen, with their pockets laden with nuts and "frahans," to their amazement and even terror they saw a light streaming redly from the narrow window of one of the towers overhanging the precipice among the ivy and the lofty branches, across the glen, already dim in the shadows of the deepening night. ... Read more

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The Haunted Baronet. ... Read more

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The Haunted Baronet. ... Read more

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The stranger, having finished this message, turned abruptly, and, with a quick, but silent step quitted the room, before Schalken had time to say a word in reply. The young man felt a curiosity to see in what direction the burgher of Rotterdam would turn, on quitting the studio, and for that purpose he went directly to the window which commanded the door. A lobby of considerable extent intervened between the inner door of the painter's room and the street entrance, so that Schalken occupied the post of observation before the old man could possibly have reached the street. He watched in vain, however. ... Read more

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Late one evening, as some little boys from the village were returning from a ramble through the dark and devious glen of Cappercullen, with their pockets laden with nuts and "frahans," to their amazement and even terror they saw a light streaming redly from the narrow window of one of the towers overhanging the precipice among the ivy and the lofty branches, across the glen, already dim in the shadows of the deepening night. ... Read more

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The Haunted Baronet. ... Read more

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The stranger, having finished this message, turned abruptly, and, with a quick, but silent step quitted the room, before Schalken had time to say a word in reply. The young man felt a curiosity to see in what direction the burgher of Rotterdam would turn, on quitting the studio, and for that purpose he went directly to the window which commanded the door. A lobby of considerable extent intervened between the inner door of the painter's room and the street entrance, so that Schalken occupied the post of observation before the old man could possibly have reached the street. He watched in vain, however. ... Read more

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Joseph Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was the premier ghost story writer of the nineteenth century and had a seminal influence on the development of this genre in the Victorian era. Le Fanu studied law at Trinity College in Dublin. He soon abandoned law for journalism. In 1838 he began contributing stories to the Dublin University Magazine. He became owner of several newspapers from 1840, including the Dublin Evening Mail and the Warder. Le Fanu worked in many genres but remains best known for his mystery and horror fiction. He was a meticulous craftsman, with a penchant for frequently reworking plots and ideas from his earlier writing in subsequent pieces of writing. He specialised in tone and effect rather than "shock horror", often following a mystery format. Key to his style was the avoidance of overt supernatural effects. Among his famous works are: The House by the Church-Yard (1863), Uncle Silas (1864), Carmilla (1872), The Purcell Papers (1880), and The Evil Guest (1895). ... Read more

Customer Reviews (1)

Love will have its sacrifices. No sacrifice without blood
The vampire has always been used to convey sexuality -- and one of the earliest ones, the title character of "Carmilla," is no exception. Years before Bram Stoker ever dreamed of Dracula. Joseph Sheridan Le Fanu wove together a luscious, haunting gothic mystery that centers around a lovely, immortal young woman with a taste for blood.

When a mysterious carriage crashes at their schloss, Laura's father offers to take care of a young lady named Carmilla, who has been stunned by the collision. Laura herself is struck by how similar the girl looks to a strange figure that visited her as a child -- and Carmilla claims that they've had some sort of mutual vision of one another.

Even more striking, Carmilla immediately becomes VERY attached to Laura ("You are mine, you shall be mine, you and I are one for ever"), and Laura is strangely entranced by Carmilla's speech.

As the days go by, Laura is increasingly bespelled by Carmilla, despite the young woman's strange behavior (and her weird resemblance to an ancient painting in the schloss, of a woman named Mircalla -- get it?), and is becoming increasingly ill and nervous. But when they visit an old friend, he reveals the shocking truth about Carmilla's true nature... and what she will do to Laura.

"Carmilla" is a true gothic novel in the best sense of the word -- a lushly-written little novella filled with ruined palaces, abandoned villages, moonlight and blood. And Le Fanu injects a not-so-subtle lesbian subtext into the story, since Carmilla seems to be as infatuated with Laura as she is hungry for her blood. Lots of kisses, adoring speeches, and Carmilla constantly creeping into Laura's bedroom.

And Le Fanu's writing is utterly exquisite. He swathes this eerie little story in a ghostly wrap of lush writing ("Over the sward and low grounds a thin film of mist was stealing like smoke, marking the distances with a transparent veil") and some deeply creepy moments, such as Laura waking to see Carmilla covered in blood.

Le Fanu also sketches out his characters quickly and effectively, despite the novella's brevity. Laura is a sweet ordinary girl who seems both weirded out and entranced by Carmilla, and Carmilla herself is a larger-than-life character -- sensual, obsessive, vibrantly erotic and extremely creepy, except when she goes off on crazy rants about how much she hates hymns and funerals.

Stoker brought the vampire into the limelight, but "Carmilla" seductively introduced the vampire's eerie allure long before that. Luscious and eerie. ... Read more

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This book an EXACT reproduction of the original book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words.This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ... Read more

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Following a near fatal carriage collision, the beautiful young Carmilla is taken in by the narrator Laura and her father.The two young women become strangely attracted to each other, but there seems to be more to Carmilla than meets the eye. After her arrival in the village, local peasants begin to die and Laura falls ill and languishes.What is Carmilla's true identity, and can she be to blame?

A thrilling Victorian tale of horror and mystery and a major influence on Stoker's Dracula, Carmilla remains one of Sheridan Le Fanu's most enduring works.This Valancourt Books edition, the first-ever scholarly edition of Le Fanu's novella, follows the rare original text as it appeared serially in The Dark Blue in 1871-72 (including the original illustrations) and includes a new introduction and footnotes by Jamieson Ridenhour. Also featured in this edition is a wealth of contextual material, including texts by Yeats, Coleridge, Stoker, Padraig Pearse, and others, and the complete texts of Le Fanu's "The Child that Went with the Fairies" and F.G. Loring's "The Tomb of Sarah." ... Read more

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The book has no illustrations or index. Purchasers are entitled to a free trial membership in the General Books Club where they can select from more than a million books without charge. Subjects: Fiction / Anthologies; Fiction / Classics; Fiction / Science Fiction / Short Stories; Fiction / Short Stories; ... Read more

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This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature. ... Read more

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The Damned, by Algernon Blackwood 1914

The Turn of the Screw, by Henry James 1898

The Evil Guest, by J. Sheridan Le Fanu 1895 ... Read more

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Short story novella collection continued, includes Billy Malowney's Taste of Love and Glory. ... Read more

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I say I know this; I could prove it to your own conviction." He paused for a minute, and then added, "And as to accosting it, I dare not, I could not; when I see it I am powerless; I stand in the gaze of death, in the triumphant presence of infernal power and malignity. My strength, and faculties, and memory, all forsake me. O God, I fear, sir, you know not what you speak of. Mercy, mercy; heaven have pity on me!" ... Read more