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This is a reproduction of a book published before 1923.This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process.We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide.We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ... Read more

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This was not what I thought it was, but I got a terrific deal getting 99.5% off the book price. ... Read more

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This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words.This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ... Read more

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1816. Part Three of Nine. Dramatist, poet, scholar and writer of court masques, Ben Jonson was the leading literary figure during the reign of King James I. Jonson was known as an avid scholar of Latin and Greek, and his mastery of the classics, the high-spirited buoyancy of his plays and the brilliance of his language have earned him a reputation as one of the great playwrights in English literature. Sejanus is a tragedy in which is told with discriminating taste the story of the haughty favorite of Tiberius with his tragical overthrow. In stressing the arrogance and fall of Sejanus, Jonson was influenced by the medieval conception of tragedy still surviving in the popular Mirror for Magistrates. The play was not a success. Volpone or The Fox Volpone restored Jonson's popularity, which had been temporarily dimmed by the poor reception accorded Sejanus. The subject is a struggle of wit applied to chicanery; from the villainous Fox himself, his rascally servant Mosca, Voltore (the vulture), Corbaccio and Corvino (the big and the little raven), to Sir Politic Would-be and the rest, there is scarcely a virtuous character in the play. The Silent Woman is a gigantic farce. The whole comedy hinges on a huge joke, played by a heartless nephew on his misanthropic uncle, who is induced to take to himself a wife, young, fair, and warranted silent, but who, in the end, turns out neither silent nor a woman at all. See other titles by this author available from Kessinger Publishing. ... Read more

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This scarce antiquarian book is a selection from Kessinger Publishings Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the worlds literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone! ... Read more

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In this thought-provoking study Mardock looks at Ben Jonson's epigrams, prose, and verse satire in order to focus on Jonson's theatrical appropriations of London space both in and out of the playhouse. Through this critical analysis, the author argues that the strategies of authorial definition that Jonson pursued throughout his career as a poet and playwright were in large part determined by two intersecting factors: first, his complicated relationship with London's physical places and its institutional topography, and secondly--challenging commonplace assumptions about Jonson's anti-theatricality--the distinctly theatrical model of spatial practice that he brought to bear on his representation of the urban experience. Although much criticism has focused on Jonson's role in the emergence of modern definitions of authorship, most has focused on the material contexts of the book trade, on the politics of Jonson's patronage, or on Jonson's self-construction as a neoclassical and primarily textual poet. Mardock engages with all these considerations, but with a focus onthe dramatic practices of urban space--a growing concern among scholars of early-modern drama--as a consistent factor in Jonson's authorial claims. ... Read more

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This Elibron Classics book is a facsimile reprint of a 1816 edition published in London. ... Read more

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With Selections From Their Works And An Introduction Dealing With The Origin And Significance Of The English Laureateship. ... Read more

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The Reverend Matthew Albert Bayfield (1852-1922) published this study at the end of his life after a long career as classical scholar, editor of Greek tragedies and headmaster of several public schools. He gives an account of the structure and characteristic features of Shakespeare's dramatic verse and argues that it has been fundamentally misunderstood by other scholars. In particular, he analyses the use of contractions or abbreviations found in the Folio and Quartos and continued in the editions of his own time. He weighs up which of the contractions familiar from many editions were actually Shakespeare's, and what that reveals about how Shakespeare might have intended his prose and verse to be spoken. Bayfield's many appendices evaluating the metre of specific lines and his detailed linguistic analysis remain thought-provoking for modern editors and scholars of Shakespeare. ... Read more

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Other ISBNs in this set include: 0548809429. ... Read more