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Mcclatchy J D: more books (100)

Birthday letters.: An article from: Poetry by J.D. McClatchy, 1998-06-01

Tales from Ovid.: An article from: Poetry by J.D. McClatchy, 1998-06-01

The New Yorker, Oct. 14, 1985 "A Cold In Venice" by J. D. McClatchy, 1985-01-01

Emmeline. by J.D. McCLATCHY, 1996

The New Yorker, Nov. 15, 1993 "Found Parable" by J. D. McClatchy, 1993-01-01

Canto. Review of the Arts. Vol. 3, No. 4. by PRIMO; MCCLATCHY, J. D., MONTALE, EUGENIO, et al.). (LEVI, 1981

Publisher's announcement for KILIM by J.D. McClatchy, 1987

The Yale Review July 1995 by J. D. McClatchy, 1995

THE YALE REVIEW: VOLUME 84, NUMBER 4 - OCTOBER 1996 by J. D. (editor) McClatchy, 1996

Lines/ Lignes Reflexions/ Reflections by Richard; Hollander, John; Graham, Jorie; Gregor, Debora; McClatchy, J. D. ; & Rosanna Warren Howard, 1996

THE YALE REVIEW by J. D.(editor) McClatchy, 1998

Bright Pages: Yale Writers, 1701-2001 (A Yale Tercentennial Book)

STARS PRINCIPAL. Poems by J. D. McClatchy, 1986

Publisher's announcement for KILIM issued by Sea Cliff by J.D. McClatchy, 1987

lists with details

Library Of America Longfellow Segment On National Public Radio
November 3, 2000 JD mcclatchy, editor of Henry Wadsworth Longfellow Poems andOther Writings, talks to Linda Wertheimer about Longfellow's prolific writing
http://www.loa.org/article.jsp?art=5
Poetz.com: Poetry Changes People
POET REVIEWED Reese Thompson on JD mcclatchy. THE HAZARDOUS PARTS OF JD mcclatchy.JD mcclatchy HAZMAT by Reese Thompson Alfred A. Knopf. Copyright 2002.
http://www.poetz.com/reviews/rev-mcclatchy.htm

Extractions: There are times, thumbing though the pages of Hazmat, J.D. McClatchys latest collection, that one has the sense of entering a very clean, very beautifully furnished house, where not a knick-knack is out of place, not a doorknob unpolished; every square inch having received approval from feng-shui guru and Ethan Allen interior design consultant alike. Other times, McClatchy gives the reader a sense of sightseeing in a fetish/sex dungeon, which happens to be in the basement of a cathedral. What sets McClatchy apart from almost every other formalist poet writing today is his ability to neatly frame his uniquely un-tidy subject. His technical confidence plays counterpoint to a personal insecurity, lodged deep within the psyche. In McClatchys Poetry of the Body, its of interest that he should begin with the heart, as in Fado: Suppose my heart had broken
Www.loc.gov/today/pr/1993/93-019
PR93019 Poets Digges and mcclatchy to Read at LC March 11 Press Contact John Sullivan(202) 707-9216 DEBORAH DIGGES AND JD mcclatchy TO READ AT THE LIBRARY
http://www.loc.gov/today/pr/1993/93-019

Extractions: PR93-019 Poets Digges and McClatchy to Read at LC March 11 Press Contact: John Sullivan (202) 707-9216 DEBORAH DIGGES AND J.D. McCLATCHY TO READ AT THE LIBRARY OF CONGRESS MARCH 11 Poets Deborah Digges and J. D. McClatchy will read from their work in the Library's Mumford Room on Thursday, March 11, at 6:30 p.m. The reading is presented under the auspices of the Gertrude Clarke Whittall Poetry and Literature Fund; the event is free and tickets are not required. Deborah Digges's first book of poems, Vesper Sparrows, (Atheneum, 1986), won the Delmore Schwartz Memorial Poetry Prize from New York University. Her second collection, Late in the Millennium, was published by Alfred A. Knopf in 1989. She has been a fellow of the National Endowment for the Arts, the Ingram Merrill Foundation, and the John Simon Guggenheim Foundation. Her poems have been published in many magazines and literary journals, including The New Yorker, The Atlantic Monthly, Antaeus, Ploughshares, and The American Poetry Review. Ms. Digges's memoir, Fugitive Spring, in 1992 by Knopf and was recently nominated as one of the five best nonfiction books by the Quality Paperback Book Club. Ms. Digges also served as Poetry Panelist for the National Endowment for the Arts in 1992 - 93 and has taught in the graduate writing divisions of New York University and Columbia University. She is now assistant professor of English at Tufts University. J. D. McClatchy is the author of three collections of poems: Scenes from Another Life (1981), Stars Principal (1986), and The Rest of the Way (1990). His literary essays are collected in White Paper (1989), which was awarded the Melville Cane Award by the Poetry Society of America. He has also edited several other books, including The Vintage Book of Contemporary American Poetry (1990), Poets on Painters (1988), Recitative: Prose by James Merrill (1986), and Anne Sexton: The Poet and Her Critics (1978). Mr. McClatchy is also a translator, and his new version of Horace's The Art of Poetry will be published later this year by Sea Cliff Press. Mr. McClatchy has taught for many years at Princeton, Yale, Columbia, UCLA, Rutgers, and other universities. Since 1991, he has served as editor of The Yale Review. In addition, he has written four opera libretti: for William Schuman's A Question of Taste, commissioned and premiered by the Glimmerglass Opera Theater in Cooperstown, New York, and later produced at Lincoln Center; for Francis Thorne's Mario and the Magician, to be given its world premiere next January at Brooklyn College; for Bruce Saylor's Orpheus Descending, based on the Tennessee Williams's play and commissioned by the Chicago Lyric Opera; and for Tobias Picker's Emmeline, for the Santa Fe Opera. Among his many honors, Mr. McClatchy has been awarded the Fellowship of the Academy of American Poets, and grants from the Guggenheim Foundation and the National Endowment for the Arts. Note: Sign language interpretation for the hearing-impaired will be available. # # # PR 93-19 2-12-93 ISSN #0731-3527
Enculturation: Robert Miltner On Collaboration As Conversation
mcclatchy, JD Introduction. Poets on Painters Essays on the Art of Painting byTwentiethCentury Poets. Berkeley, CA University of California Press, 1988.
http://enculturation.gmu.edu/3_2/miltner/workscited.html

Extractions: Where the Visual Meets the Verbal Robert Miltner continued . . . Works Cited Berger, John. Ways of Seeing. London: BBC/Penguin Books, 1977. Bly, Robert. "A Third Body." The Language of Life: A Festival of Poets. - - - . "Robert Bly." Interview. The Language of Life: A Festival of Poets. Cappellazzo, Amy and Elizabeth Licata. In Company: Robert Creeley's Collaborations. Cappellazzo, Amy. Introduction. Cappellazzo and Licata. 9. Ferguson, Russell. In Memory of My Feelings: Frank O'Hara and American Art Goldberg, Mike. Quoted in Ferguson. Hirsch, Edward. Introduction. Transforming Vision: Writers on Art. The Third Mind Licata, Elizabeth. "Robert Creeley's Collaborations: A History." Cappellazzo and Licata. 11-27. McClatchy, J. D. Introduction. Berkeley, CA: University of California Press, 1988. xi-xvii. Nemerov, Howard. "On Poetry and Painting, with a Thought on Music." McClatchy. 177-84. O'Hara, Frank. Quoted in Ferguson. - - - . "Why I Am Not a Painter." Ferguson. 22. Pound, Ezra. "AffirmationsAs For Imagisme." Selected Prose: 1909-1965.
Poems And Other Writings (in MARION)
Poems and other writings. Title Poems and other writings / Henry WadsworthLongfellow ; edited by JD mcclatchy. Uniform title Selections.
http://vax.vmi.edu/MARION/ABY-5805
About Magic Flute | Abbeville Press
of the title Magic Flute, Illustrations by Davide Pizzigoni,Translation and Introduction by JD mcclatchy,. Illustrations
http://www.abbeville.com/booktemplate.asp?stockno=6455
About The Magic Flute (Special Edition) | Abbeville Press
the title The Magic Flute (Special Edition) Boxed edition with signed print, Illustrationsby Davide Pizzigoni, Translation and Introduction by JD mcclatchy,.
http://www.abbeville.com/booktemplate.asp?stockno=6838
Last Name
LaHaye, Tim F. The merciful God of prophecy his loving plan for you inthe end times, 231.74 LaHaye. mcclatchy, JD, Hazmat, 813.54 mcclatchy.
http://www.ely.lioninc.org/page 11.htm
The James Merrill Legacy: James Merrill Links (SVIA)
See the archive section for a QuickTime guided video tour of the poet's WaterStreet home in Stonington; photo gallery; JD mcclatchy's article on Merrill
http://www.stoningtonvia.org/merrilllinks.htm

Extractions: Biography A James Merrill ... Poet's Legacy, A House Provided James Merrill Links The James Merrill Papers at Washington University This site features an online catalog of the James Merrill, Poet exhibit of manuscripts and printed works from the Modern Literature Collection of Washington University Libraries. Also of note is a transcript of the 1994 James Merrill: A Life in Writing Symposium panel discussion. Merrill resources from the publisher of James Merrill Collected Poems (2001). See the archive section for a QuickTime guided video tour of the poet's Water Street home in Stonington; photo gallery; J. D. McClatchy's article on Merrill, "Braving the Elements;" Merrill readings of "Icecap," "The Ring Cycle," "Alessio and the Zinnias;" and drafts and manuscript pages from "Charles on Fire," "The Kimono," "The School Play," "A Renewal," and "An Upward Look." Modern American Poetry: James Merrill Analyses of selected James Merrill poems from the Internet companion to the Anthology of Modern American Poetry (Oxford University Press, 2000).
Www.io.com/~beckerdo/books/sqrlst.txt
Mayer, Edwin Justice Children of Darkness McCarthy, Cormac Blood Meridian McCarthy,Cormac Child of God McCarthy, Cormac Suttree mcclatchy, JD The Rest of the
http://www.io.com/~beckerdo/books/sqrlst.txt
Johns Hopkins University Bookcenter - Faculty Authors
mcclatchy, JD mcclatchy, Ten Commandments Ten Commandments is a booklength sequenceof poems that plot the rules we were raised on, rules we forget but can't
http://www.bkstore.com/johns-hopkins/faculty/authors4.html

Extractions: The faculty of Johns Hopkins University are renowned for their scholarly writing, producing textbooks as well as general fiction and non-fiction. We are pleased to present a sampling of their work. Check back often for new additions and updates and visit the special faculty section of the Johns Hopkins University Bookcenter. "Poetry does not impose, it exposes itself," wrote Paul Celan. Werner Hamacher's investigations into crucial texts of philosophical and literary modernity show that Celan's apothegm is also valid for the structure of understanding and for language in general. "Subject position" is widely invoked today, yet Hamacher is the first to thoroughly investigate the premises for this invocation. He demonstrates that the promise of a subject position is not only unavoidable - and thus produces more and more fundamentalisms - but is also unattainable and therefore always open to innovation, revision, and unexpected transformation. In a book that is both philosophical and literary, Hamacher gives us the fullest account of the vast disruption in the very nature of our understanding that was first unleashed by Kant's critique of human subjectivity.
Untitled Document
Poetry from Around the World. Previous 1 2, JD mcclatchy. Divisionof Spoils. Division of Spoils is a selection of poems JD mcclatchy
http://www.arcpublications.co.uk/world2.htm

Extractions: publishing poetry Previous J. D. McClatchy is the author of five collections of poetry: Scenes from Another Life (1981), Stars Principal (1986), The Rest of the Way (1990), Ten Commandments (1998), and Hazmat (2002). His literary essays have been collected in White Paper (1989) and Twenty Questions (1998). He has written several opera libretti, and edited many other books. A Chancellor of the Academy of American Poets and a member of the American Academy of Arts and Letters, he teaches at Yale University, and since 1991 has been editor of The Yale Review. Paperback £8.95 84 pages Published 2002 ISBN 1 900072 65 3 with a foreword by Anthony Cronin Conleth O'Connor was one of Ireland's most distinctive and experimental poets until his premature death in 1993, dissecting the realities of modern Irish life in four acclaimed collections. Born in 1947, he grew up in Camolin, Co. Wexford, where his family had its roots and in Dun Laoghaire, Co. Dublin, he made middle-class Dublin suburbia a territory peculiarly his own in books like Trinities and A Corpse Auditions Its Mourners.
New Books On Tape
635.934 Or53o Book on Tape, Orlean, Susan. The orchid thief a true stroy of beautyand obsession. 811.5 F586 Book on Tape, mcclatchy, JD, Five American women / .
http://www.duluth.lib.mn.us/NewMaterials/BOT.html

Extractions: To receive an e-mail notification when this list is updated, click here Call Number Author Title Book on Disc D-9187 Book on Disc Block, Lawrence. Small town D-9188 Book on Disc Grisham, John. The king of torts D-9183 Book on Disc Huxley, Aldous Brave new world D-9182 Book on Disc King, Stephen The man in the black suit : four dark tales D-9181 Book on Disc Ludlum, Robert The Janson directive D-9189 Book on Disc Orwell, George Animal Farm D-9160 Book on Disc Roberts, Nora. Chesapeake blue D-9044 Book on Disc Roberts, Nora. Dance upon the air. (Three Sisters Island trilogy, book 1.) D-9185 Book on Disc Saul, John. Midnight voices D-9195 Book on Disc Weiner, Jennifer. In her shoes D-9120 Book on Disc Wells, Rebecca. Divine secrets of the Ya-Ya Sisterhood D-9186 M Book on Disc Braun, Lilian Jackson.
Poets On Painters
JD mcclatchy, editor Poets on Painters Essays on the Art of Painting by TwentiethCenturyPoets JD mcclatchy has addressed a topic of real interest. . . .
http://www.ucpress.edu/books/pages/2300.html

Extractions: "By this century, poets and picture makers were as intimately associated as poets and musicians had been. This superb collection of utterly characteristic, scintillant, and riveting writings by Yeats, Pound, Williams, Lawrence, Stein, Stevens, Auden, cummings, Rexroth, and 16 others demonstrates how firmly cemented that intimacy is."Ray Olson, Booklist "J. D. McClatchy has addressed a topic of real interest. . . . I think this is a book that many painters might well read with pleasure."Christopher Reid, Times Literary Supplement "It is invigorating to read about art in writings by sensitive, intelligent observers who love art but are not art critics. . . . These writers are so gloriously themselves in these works. It is an object lesson in the truth that a great writer's style and preoccupations are not just put on like a coat but grow from within and find their way to the surface no matter the subject at hand."Stevenson Swanson, Chicago Tribune "Although they agree on little else in the inspiringly cross-purposed jumble of their enthusiasms, these essays return again and again to the belief that looking at art moves us into a larger and more spacious world, into a state of consciousness most simply described as spiritual. This beliefsometimes at the center of the essay, sometimes hovering around its edgesgives these pieces, taken in the aggregate, a significance beyond what any one of them would have had by itself."Jim Moore
James Merrill
James Merrill The School Play (200). JD mcclatchy The verse is highly structured(200). JD mcclatchy He kept in touch with primary emotions (200).
http://archives.theconnection.org/archive/2001/04/0413b.shtml

Extractions: That was the first principle of poet James Merrill. The mid-century Golden Boy of American poetry. While the wild-eyed, wild- haired beat poets and bards of pop song took Walt Whitmans style to the edge of meaning to howl about the condition of American society, Merrill looked into his own world and with great lyrical precision forged that idiom peculiar to himself. Merrill was born into the Aristocracy of Money. His father co-founded Merrill Lynch. It was a world of beauty and refinement, with Merrill himself the most beautiful and refined thing in it.
Books: Booster Shots (The Boston Phoenix . 04-20-98)
By Adam Kirsch. APRIL 20, 1998 TWENTY QUESTIONS, by JD mcclatchy. Columbia UniversityPress, 200 pages, $22.50. JD mcclatchy, of course, is no Philistine.
http://weeklywire.com/ww/04-20-98/boston_books_2.html

Extractions: Today's poetry critics veer dangerously close to mere cheerleading. By Adam Kirsch TWENTY QUESTIONS, by J.D. McClatchy. Columbia University Press, 200 pages, $22.50. A WAY OF HAPPENING: OBSERVATIONS OF CONTEMPORARY POETRY, by Fred Chappell. Picador, 322 pages, $24. It is sometimes thought that criticism flourishes most at times when creative vigor is in deficit," wrote T.S. Eliot, the last great poet-critic in English. "Rather, you may say that the development of criticism is a symptom of the development, or change, of poetry." By this standard, poetry today is stagnating; there is no impassioned criticism being written by poets, there is no one to help us redefine the past as a way of seeing a new future for the art. In their own ways, J.D. McClatchy and Fred Chappell, poet-critics of very dissimilar temper and ability, both illustrate the predicament of criticism today; their two books, for all their differences, seem to be stuck in neutral, content to describe the state of poetry without burning to change it. And, without intending to, they bear out Eliot's dictum: only criticism that aims to change poetry is worthy of the name. McClatchy and Chappell labor at opposite poles of the literary world. Chappell, a professor at the University of North Carolina, writes determinedly practical criticism; more reviewer than critic, and more explainer than reviewer, he is content to act as a tour guide through vast tracts of mediocrity and obscurity. Virtually every book he discusses in
Books: Laws Of Gravity (The Boston Phoenix . 03-30-98)
by. By Graham Christian. MARCH 30, 1998 THE TEN COMMANDMENTS, byJD mcclatchy. Alfred A. Knopf, 104 pages, $21. Canonization, we
http://weeklywire.com/ww/03-30-98/boston_books_1.html

Extractions: A poet draws subtle and erudite lessons from the rules we (sometimes) live by. By Graham Christian THE TEN COMMANDMENTS, by J.D. McClatchy. Alfred A. Knopf, 104 pages, $21. Canonization, we are told, requires, in addition to evidence of an exemplary life, at least three well-attested miracles. Harold Bloom, in his famously controversial The Western Canon , elevated poet J.D. McClatchy's previous book, The Rest of the Way , to his own modern literary canon of texts. Though this gesture may seem a little premature even the Vatican waits until after the death of a candidate for sainthood before examining the case the appearance of a new volume gives us new reason to weigh the high praise that Bloom's inclusion of McClatchy implies. McClatchy's work has always been characterized by a deep familiarity with the vigorous poetic traditions of the English Renaissance, as well as by a consuming curiosity about the living poetry of his own day. He has been not only a poet but a profoundly sensitive critic of poetry; for the past seven years McClatchy has stood at the editorial helm of the prestigious Y ale Review The Ten Commandments , McClatchy's fourth book of poetry, is organized by the precepts of the Decalogue of Moses. There can be a certain paint-by-numbers danger in the strictness of such an approach, but we see in McClatchy's treatment that these commandments predict, and encompass, the range of human pleasures and failings. His formal skill is enviable, from the elegiac distichs of "Auden's OED" to the subtle syllabic stanzas that shape the volume's strongest poems.
Speed Reader -- Nov 7, 2002
On Monday, November 11, acclaimed poet JD mcclatchy will stop byat 5 pm for a signing and reception. He reads on the University
http://www.squarebooks.com/speedreader/archives/021107.php
Poets & Writers - Magazine January/February 1998
Bigotry? Confessions of a Poet A Profile of JD mcclatchy Lorin Confessionsof a Poet A Profile of JD mcclatchy Lorin Stein
http://www.pw.org/mag/mag9801.htm

Extractions: "Being a Christian writer presents internal challenges no different from those facing a gay novelist or a Native American poet," says writer and professor James Calvin Schaap. His article illuminates the obstacles facing writers too earthy for the Christian Bookseller’s Association, and too religious for mainstream distribution — a publishing no man’s land that only some "crossover" authors like Kathleen Norris have been able to navigate. Confessions of a Poet: A Profile of J.D. McClatchy
POZ APRIL 2001 / PLANET / ARTS - Monette & Merrill
04.01/PLANET/ARTS READ THIS BOOKS BRIEFS READ THIS Monette Merrill Two Deaths, Two Lives By JD mcclatchy University of Wisconsin Press.
http://www.poz.com/archive/april2001/planet/arts.html

Extractions: University of Wisconsin Press We have seen the best minds of our generation destroyed by AIDS, and Loss Within Loss (University of Wisconsin Press), a collection of essays about 25 of those inspired but interrupted lives written by comrades and lovers, is our unique "Howl." Here is an excerpt from "Two Deaths, Two Lives," by the poet J.D. McClatchy. WA EXCERPT For years before he died, everyone knew that [writer] Paul Monette was sick. It was his subject, his means to life. [Poet] James Merrill had told no one or no one but his lover and his lawyer, each sworn to secrecy. And until a slight physical erosion set in, years after his diagnosis, he kept the secret. In 1993, we traveled to the Glimmerglass Opera Festival in Cooperstown. One afternoon, Jimmy asked if I'd stop by his room. There was a bit of banter, then his face grew uncomfortably grim. "I want to lay something serious on you," he said....

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