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Marlatt Daphne:     more books (65)

Salvage. by Daphne. MARLATT, 1991 here & there. by Daphne. MARLATT, 1981 The Story, She Said : The British Columbia (BC) Monthly Volume III Number 8 December 1977 by Daphne Marlatt, 1977 The Given --2008 publication. by Daphne Marlatt, 2008-01-01 Z-calo. by Daphne. MARLATT, 1977 Solstice : Lunade. by Daphne. Front cover illustration by Rhoda Rosenfeld. Marlatt, 1980 Our Lives by Daphne Marlatt, 1980-01-01 Frames of a Story. by Daphne. MARLATT, 1968 PERIODICS #7 / 8 by Daphne, and Paul de Barros, Editors (Kathy Acker, Charles Bernstein, St MARLATT, 1981-01-01 RETURNING PRESS ONE by Judith; Fertg, Mona; Marlatt, Daphne and Others COPITHORNE, 1972-01-01 The Capilano Review Number 16/17 by Michael Ondaatje, Daphne Marlatt, 1979 LEAF LEAF / S. by Daphne. Marlatt, 1969 DYKEVERSIONS: Lesbian Short Fiction by Anne; Marlatt, Daphne et al Cameron, 1986 Ana Historic: A Novel. by Daphne. MARLATT, 1988

lists with details

41. Poetry
    11, 125 Poems for Presevation Peace - Pleasure, Lodha, Manju, 1/1/95, 1. 10, HowHug a Stone, marlatt, daphne, 1/1/83, 1. 2, Touch to My Tongue, marlatt, daphne,1/1/84, 1.  
    http://thewomenscentre.tripod.com/data/Poetry_1.html

42. Directory :: Look.com
    marlatt, daphne (6) Sites. 100 Canadian Poets daphne marlatt Brief biography, publications,and list of critical materials. A Canadian book of poetry?  
    http://www.look.com/searchroute/directorysearch.asp?p=67598

43. Directory :: Look.com
    Crozier, Lorna (6) Echlin, Kim (4) Gallant, Mavis (6) Kogawa, Joy (5) Lau, Evelyn(6), Laurence, Margaret (12) Livesay, Dorothy (5) marlatt, daphne (6) Michaels  
    http://www.look.com/searchroute/directorysearch.asp?p=22642

44. Course Outlines - Winter 2003
    Autobiography. New York Routledge, 2001. marlatt, daphne. Readings from the Labyrinth.Edmonton, AB NeWest, 1998. Metcalf, John, and JR (Tim) Struthers, eds.  
    http://www.uoguelph.ca/college-of-arts/course_oulines/data/engl394002.shtml
    
    Extractions: 1,000- to 1,500-Word Take-Home Final Examination Based on Materials Presented in Final Series of Seminars (Due at Time and in Room Designated During Final Examination Period): 10% Required Resources Anderson, Linda. Autobiography. New York: Routledge, 2001. Marlatt, Daphne. Readings from the Labyrinth. Edmonton, AB: NeWest, 1998.

45. Atrium Books - Daphne
    of Handel's Operas Almira, Nero, Florindo, daphne, Rodrigo, Agrippina daphneDragon (Pullout Books) Mauve Nicole Brossard, daphne marlatt Rebecca The  
    http://www.atrium.com/names/name-Daphne.html

46. FFWD Weekly:April 3rd.1997
    All Rights Reserved. daphne marlatt A writer on the front line By ReneeGroves. Oh no, I didn't bring it, laments daphne marlatt.  
    http://www.greatwest.ca/ffwd/Issues/1997/0403/book1.html
    
    Extractions: By Renee Groves "Oh no, I didn't bring it," laments Daphne Marlatt. She has forgotten her petition in support of stabilizing funding for the CBC. Marlatt, passionate about many issues, was born in Melbourne, but has championed her causes from Vancouver since 1951. She's been writing for over 30 years and recently stopped in Calgary on tour with her latest book, Taken. Marlatt, like many, is anxious about the CBC. "Once we get rid of it, there will never be funding again for a national radio station." But don't be fooled, Marlatt doesn't think the CBC is perfect. "There was an interview the other night that lasted the whole of the Arts Tonight with Bob Newhart. Now why is the CBC doing that?" She believes it's a bid "to be more international, but that the cost of doing so is ignorance of or obliviousness to our own literature, our own culture." The deficit of Canadian content extending to radio, newspaper and publishing worries Marlatt and she believes affirmative action is necessary. "There is such a strong current toward generic globalized culture that's happening all through the West... I think sometimes you have to set up a quota system. It's like trying to get women hired in the strongholds of male employment." Marlatt refuses to sell out to what she describes as the "unconscious tailoring of mainstream Canadian generic," despite the temptation. There naturally comes a point in every writer's life when they want to meet a larger audience. The option (for those with a publishing track record) is to start submitting manuscripts to larger presses. Marlatt reached that point and in her words, "Ran up against this thing which I'd only suspected happened - they want to edit your book so it will fit with their notion of what sells."

47. FFWD Weekly - May 17, 2001
    THIS TREMOR LOVE IS by daphne marlatt Talonbooks, 112 pp. WINTER/RICE/TEASTRAIN for Roy Kiyooka by daphne marlatt (M)othertongue Press, 5 pp.  
    http://www.greatwest.ca/ffwd/Issues/2001/0517/book3.htm
    
    Extractions: (M)othertongue Press, 5 pp. Winter / Rice / Tea Strain consists solely of four pages of fine paper in alternating blueberry and sage colour. Each poem is letterpressed and then constructed as part of a "fold-out sculptured piece," and the cover has been handprinted with a handcarved lino-cut print. The cost of this signed and numbered limited edition of 80 copies can be prohibitive ($95 per copy), but it is an incredible example of thoughtful and well-considered bookmaking. This Tremor Love Is is Marlatt's mapping of a lifetime of relationships and loves – literary and physical growing out of the "lost book" of her period with Kiyooka right up to the present. The danger with such a collection is that it can degenerate into an overly nostalgic, overly fond remembrance. There is no rose-coloured love here, but rather an intelligent approach to the personal and the poetic. DEREK BEAULIEU Top Back To This Issue Table of Contents Back To Main Index

48. Canadian Literature
    characters’ lives. My Own Story, In Other Words Cultural Memory andAutobiographical Drift in daphne marlatt’s Fiction . Bev Curran  
    http://www.uiowa.edu/~mmla/abstracts/122a.html
    
    Extractions: SESSION: CANADIAN LITERATURE 2002 TOPIC: Autobiographical Border Crossings by Canadian Women Novelists Session Chair: Lynda Hall, Dept. of English, University of Calgary “Between Borders: Adolescent Women in Evelyn Lau's Runaway and Maria Campbell's Halfbreed Numsiri Kunakemakorn, Program in Comparative Literature, Purdue University Email: numsirik@hotmail.com Instead of relying solely on the notion of borders as geographical or national, I would like to delve into the notion of manifesting border theory through an examination of adolescence as a physical borderland between childhood and adulthood. A study of adolescence identifies a necessary borderland that must be "moved through" and experienced, rather than a passive, static role that potentially creates yet another distinction between "us" and "them". The literally physical borders of adolescence seem to be the point in which social mores of gender, behaviour, and eventually society itself and the nation, make themselves deeply felt. I am curious to see how the depiction of adolescent Canadian women illustrates the threat of intrusion and, possibly, the subsequent use of oppressive powers to withhold them. To do this, I will discuss the geographical and physical borders as presented in Evelyn Lau’s Runaway and Maria Campbell’s Halfbreed . The importance of such a study lies not only in a more focused view of women's experiences, but because it would hopefully exist as a means of giving value to a borderland that has always existed but has so far been dismissed.

49. Writers' Workshop / University Of Iowa / Iowa City / Writing / Toby Lyles / Liss
    (1983, June). Phillips, Jayne Anne; Conroy, Frank; marlatt, daphne, Thompson,Judith. Second thoughts (what I'd be if I were not a writer).  
    http://www.uiowa.edu/~iww/conroyau.htm
    
    Extractions: Author Title Publication Information Date Conroy, Frank. He began sleeping in the guest room. Berkeley, CA: Black oak Books. Conroy, Frank. Midair. New York: E.P. Dutton/S. Lawrence. Conroy, Frank. Boston: Houghton Mifflin/Seymour Lawrence. Conroy, Frank. London: H. Hamilton. Conroy, Frank. Stop-time. Harmondsworth, Middlesex, England; New York, N.Y., U.S.A.: Penguin Books. Conroy, Frank. Stop-time. London: Bodley Head. Conroy, Frank. Stop-time. New York: viking Press. Conroy, Frank. The sea's own secret. Conroy, Frank. First kiss. New Woman, 25(10), 56. Conroy, Frank. Stop nitpicking a genius. New York Times Magazine, 28 (1995, June 25). Conroy, Frank. Sam's scribes. Vanity Fair, 57(10), 184. (1994, October). Conroy, Frank. My tormented mentor. GQ, 64(9), 298-303+. (1994, September). Conroy, Frank. My favorite place. (1994, April). Conroy, Frank.

50. May 4, 2001
    1994. Toronto Penguin, 1995. marlatt, daphne. Ana Historic. Toronto Anansi,1988. Reid, Bill. Solitary Raven Selected Writings of Bill Reid.  
    http://www.english.ubc.ca/~joelmart/470-D.htm
    
    Extractions: Producing BC in Words and Images The University of British Columbia English 470 D, Section 003 September – December 2002 Tu and Th at 1400 in Buchanan B 312 In studying BC literary works as diverse as Emily Carr’s short stories, Denise Chong’s family biography, Daphne Marlatt’s feminist novel set in North Vancouver, and Bill Reid’s essays, what can we gain by considering visual art produced in corresponding cultural moments? We will explore this question by reading the core texts, viewing as many images as feasible, and reading related essays and theory. Required texts Course requirements Attendance and response journals (25%) Collaborative presentation (10%) Research paper of 3000 words (40%) Final exam (25%)

51. UBC Department Of English: Course Description 2002W
    The Concubine's Children. Penguin, 1996. marlatt, daphne. Ana Historic. Anansi,1988. Reid, Bill. Solitary Raven Selected Writings of Bill Reid.  
    http://www.english.ubc.ca/courses/winter2002/470d-003.htm
    
    Extractions: Term: 1 Producing BC in Words and Images In studying BC literary works as diverse as Emily Carr's short stories, Denise Chong's biography of her mother, Daphne Marlatt's feminist novel set in North Vancouver, and Bill Reid's essays, what can we gain by considering visual art produced in corresponding cultural moments? We will explore this question by reading the core texts, viewing as many images as feasible, and reading related essays and theory. Texts Course requirements

52. Review_Marlatt
    Construction a review of daphne marlatt’s Winter/Rice/Tea Strain.by derek beaulieu. As an aside to daphne marlatt’s most recent  
    http://www.housepress.ca/rmarlatt.htm
    
    Extractions: Construction Winter/Rice/Tea Strain by derek beaulieu This Tremor Love Is is her previous release (which is still in print and available) Winter / Rice / Tea Strain (M)othertongue press The entirety of Winter / Rice / Tea Strain is included in This Tremor Love Is , but as presented by (M)othertongue press this short series can really reveal the patient calm of the poems and the possible beauty of book art as publishing. Winter / Rice / Tea Strain consists solely of four pages of fine paper, letterpressed and then constructed as part of a "fold-out sculptured piece." The cover has also been hand printed with a handcarved lino-cut print. This gorgeous signed and numbered limited edition of eighty copies. Although the price, at $95 per copy, is prohibitive, Winter / Rice / Tea Strain nouns i want to call out to you winter/ rice/ tea strain, unlikely With all the attention to bookmaking and presentation, reading the 4 poems of Winter / Rice / Tea Strain The presentation of Winter / Rice / Tea Strain in the Talonbooks publication of This Tremor Love is Winter / Rice / Tea Strain This Tremor Love Is is a shallow presentation of some very resonant poems. Talon has used the same basic cover design for all of their books of poetry for the last several years – a horizontal division between image and text – this does create a distinctive "talon look" but in my opinion doesn’t do anything for the poetry within. This Tremor Love Is is Marlatt’s mapping of a lifetime of relationships and loves – literary and physical growing out of the "lost book" of her period with Kiyooka right up to the present. The danger with a collection like

53. English Reading List, ENGL 3013
    1932. daphne marlatt, Anahistoric. Marlene Goldman, ‘daphne marlatt’sAna Historic A Genealogy for Lost Women’, RFR/DRF, 21 (3/4), pp. 33-37.  
    http://lib5.leeds.ac.uk/rlists/english/postcol.htm
    
    Extractions: ENGL 3013 Postcolonial Literature (Semester 1, 1999-2000) Prof S Chew Selected Reading List General Reading a) Postcolonial Literature Bill Ashcroft, Gareth Griffiths and Helen Tiffin, The Empire Writes Back: Theory and Practice in Post-Colonial Literatures (Routledge, 1989). Elleke Boehmer, Colonial and Postcolonial Literature (Oxford, 1995). Diana Brydon and Helen Tiffin, Decolonising Fictions (Dangaroo, 1993). *Frank Davey, Post-National Arguments: The Politics of the Anglophone Canadian Novel (Toronto, 1993). [B2075] Rosemary M. George, The Politics of Home: Postcolonial Relocations and Twentieth-Century Fiction (CUP, 1996). Terrie Goldie, Fear and Temptation: The Image of the Indigene in Canadian, Australian and New Zealand Literatures Dark Side of the Dream: Australian Literature and the Postcolonial Mind (Allen and Unwin, 1991). Graham Huggan, Territorial Disputes: Maps and Mapping Strategies in Contemporary Canadian and Australian Literature (University of Toronto Press, 1994). Bruce King (ed.)

54. The South End Online
    daphne marlatt and Lydia Kwa from Canada joined American poet Diane Wakoski , a MichiganState University professor, for the YMCA Writer's Voice International  
    http://www.southend.wayne.edu/days/feb2002/2212002/news/poetic/poetic.html
    
    Extractions: Canadian Daphne Marlatt, who has published 14 books of poetry and two works of non-fiction, read her poetry at the YMCA Writer's Voice International Writers Series 2002 last night. Marlatt, who is the author of "Ana Historic," cited Vancouver as an inspiration for her work. Poets from Canada, U.S., featured at reading By Adrea Korthase Contributing Writer Although the gallery walls of the Scarab Club, usually full of artwork, were empty on Tuesday night, no one seemed to notice. The chairs were still full. Nearly 75 people gathered to listen to the poetry of three featured authors. Daphne Marlatt and Lydia Kwa from Canada joined American poet Diane Wakoski , a Michigan State University professor, for the YMCA Writer's Voice International Writers Series 2002. The evening, co-sponsored by the YMCA Writer's Voice, marked the first event of Wayne State University's third annual Canadian Writer's Series. English professor M.L Liebler and other coordinators of the event were pleased with the turnout. "(This was) Definitely the biggest crowd the Canadian Series has seen," Liebler said.

55. Edgewise Café: Words- The B.C. Poetry Bash 2002
    Click on the titles to see the video, click on the author’s name to see theirbio (where available). daphne marlatt’s Small Print; Aislinn Hunter’s The  
    http://www.edgewisecafe.org/words/bcpoetrybash.html
    
    Extractions: edgewise café As well, we documented performances from the night, some of which you can see on our site. Click on the titles to see the video, click on the author’s name to see their bio (where available). The event took place at the WISE Hall in East Vancouver, and was presented by TalonBooks . The night would not have been possible without the further support of: We at Edgewise would particularly like to acknowledge support from The Canada Council for the Arts The League of Canadian Poets , and The Writers Union of Canada The night was hosted by Sheryl MacKay, host of CBC Radio One's North by Northwest Book sales were managed by: During the intermission, the music of Paul Plimley and Travis Baker was featured.

56. Authors: M
    Marcus, Greil. Mare, Walter De La. Margulies, Donald. Mariani, Paul. marlatt, daphne.Marlowe, Christopher. Marlowe, Katharine. Marquez, Gabriel Garcia. Marsden, John.  
    http://www.artistactoractress.com/author/m/

57. NIKKEI BOOKS
    Mother talk Life Stories of Mary Kiyoshi Kiyooka. By Roy Kiyooka, ed. daphnemarlatt. Steveston,. Poetry by daphne marlatt, photographs by Robert Minden.  
    http://www.najc.ca/books.htm
    
    Extractions: NATIONAL ASSOCIATION OF JAPANESE CANADIANS Books on Japanese Canadian Redress Available at Nikkei Books: j.hashimoto@sympatico.ca Bittersweet Passage By Maryka Omatsu A memoir encompassing the redress movement by a member of the NAJC strategy committee that negotiated the redress settlement with the federal government. Economic Losses of Japanese Canadians After 1941 (Price Waterhouse study) The documentation that supported the redress movement in the 1980s. Exiles in Our Own Country: Japanese Canadians in Niagara, ed. By Addie Kobayashi and Michael Power Historical background and interviews with nisei who were relocated to the Niagara region during WWII. (Richmond Hill, Ontario, Forgotten History of the Japanese Canadians: Volume I, The Role of Japanese Canadians in the Early Fishing Industry in B.C. and an Annotated Bibliography By Yuko Shibata, Shoji Matsumoto, Rintaro Hayashi, Shotaro Iida History of Japanese Canadians in Manitoba By Manitoba Japanese Canadian Citizens' Association History of the JCs who were relocated to Manitoba farms during World War II.

58. Feb, 1984HOW(ever)
    Carolyn Burke In this issue daphne marlatt Barbara Guest alerts postcardsendnotes (Click on image to view the original front page.).  
    http://www.scc.rutgers.edu/however/print_archive/0284.html

59. Postcards
    postcards daphne marlatt, with a response by Kathleen Fraser Deborah Woodard JuliaBlumenreich Susan Howe letter excerpt from daphne marlatt (tessera, no.  
    http://www.scc.rutgers.edu/however/print_archive/0189post.html
    
    Extractions: letter excerpt from Daphne Marlatt (tessera, no. 5, is available for $10, from Department of English, Simon Fraser University, Burnaby, B.C. V5A lS6, Canada.) Dear Daphne, Why end HOW(ever) after five volumes, six years? As you might imagine, the decision has been extremely difficult to make, provoked by major and unexpected depletions of time and energy for editing competing with the more private pull of one's own writing. Also, funding for our "modest proposal" has been nearly impossible, between an intentional page limitation and our peculiar hybrid of innovative poetry with feminist critical writing. However, there's been such a voiced disappointment among our readers that we are currently considering alternative solutions. Meanwhile, it is evident that women interested in new directions in writing are no longer isolated, urged on by the provocative legacy embedded in the texts of the modernist women preceding us. We've got a good start on building a much-needed community; the talent and invention of women poets is clearly burgeoning; and the once non-existent dialog among scholar/critics and innovative writers has warmed up. Surely there is more to come.

60. Message
    1 Manzoni, Alessandro 1 Marcoux, Alex 1 Marcus, Greil 19 Mare, Walter dela 1 Margulies, Donald@ 2 Mariani, Paul 1 marlatt, daphne@ 6 Marlowe  
    http://web.politinfo.com/index.cgi?base=/Arts/Literature/Authors/M/

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