Geometry.Net - Artists: Pissarro Camille

Kenji Imai Artworks And Fine Art At Arthistorynet.com
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Extractions: Last updated and links verified on: Feb 11, 2003 Indepth Arts Search: Please Select A Database By Name - Artist Portfolios Title, Description - Portfolios By Location - Artist Portfolios Arts News Search the Web / Websites Contact Info Free Arts News Browse the Arts Artist Portfolios ... WWAR.COM Services
Impressionist Paintings From Five American Museums
IM 023 pissarro, camille (18301903) The Garden of Les Mathurins at Pontoise details=2.IM 024 pissarro, camille (1830-1903) Le Grand Pont, Rouen details=1.
http://www.umich.edu/~hartspc/umsdp/IM.html

Extractions: FROM FIVE AMERICAN MUSEUMS The Carnegie Musuem of Art, the Minneapolis Insitute of Arts, the Nelson-Atkins Musuem of Art, the Saint Louis Art Musuem, and the Toledo Musuem of Art collectively organized a traveling exhibition of Impressionist paintings, drawing from their own outstanding collections. The exhibition traveled to each museum from November 4, 1989 through November 25, 1990. With the exception of the Minneapolis Institute of Arts, the University of Michigan Slide Distribution has already photographed the collections of the participating museums. The slide sets from these institutions include forty-one of the paintings in the exhibition. This new set is a selection of thirty-eight impressionist and post-impressionist paintings with forty-two details previously not available through the UMSD.
Impressionist Paintings From Five American Museums
IM 023 pissarro, camille (18301903) The Garden of Les Mathurins atPontoise details=2 The Nelson-Atkins Museum of Art. IM 024 pissarro
http://www.umich.edu/~hartspc/umsdp/IM/

Extractions: FROM FIVE AMERICAN MUSEUMS The Carnegie Musuem of Art, the Minneapolis Insitute of Arts, the Nelson-Atkins Musuem of Art, the Saint Louis Art Musuem, and the Toledo Musuem of Art collectively organized a traveling exhibition of Impressionist paintings, drawing from their own outstanding collections. The exhibition traveled to each museum from November 4, 1989 through November 25, 1990. With the exception of the Minneapolis Institute of Arts, the University of Michigan Slide Distribution has already photographed the collections of the participating museums. The slide sets from these institutions include forty-one of the paintings in the exhibition. This new set is a selection of thirty-eight impressionist and post-impressionist paintings with forty-two details previously not available through the UMSD.
PISSARRO, CAMILLE
pissarro, camille (18311903), French painter, was born at St Thomas in the DanishAntilles, of Jewish parents of Spanish extraction. pissarro, camille.
http://42.1911encyclopedia.org/P/PI/PISSARRO_CAMILLE.htm

Extractions: Pissarro is represented in the Caillcbotte room at the Luxembourg, and in almost every collection of impressionist paintings. A number of his finest works are in the collection of M. DurandRue! in Paris. PISTIL, a term in botany for the female or seed-bearing organ of a flower (q.v). The Lat. pistillum (diminutive from pi,tsere, pisturn, to pound), a pestle, a club-headed instrument used for crushing or braying substances in a mortar (qv.), was taken as the name for this organ from its similarity in shape, and thence adapted in Fr. pistil about the middle of the 18th century. In its complete form a pistil consists of three parts ovary, at the base, containing the bodies which become seeds, style (Gr. ari3Xoc, pillar), and stigma (Gr. ~TLyua, mark, ~TL~ELp, to brand), the, part which in impregnation receives the pollen. Ihe city is still surrounded by walls, dating from shortly aftet the siege of 130206; while two inner lines of streets represent two earlier and inner lines of wall. In the early development of architecture and sculpture Pistoia played a very important The industries of Pistoia include iron and steel works, especially manufactures of glass, silk, macaroni, woollens, olive oil, ropes, paper, vehicles and fire-arms. The word pistol is derived (apparently through pistolese, a daggerdagger and pistol being both small arms) from Pistoia, where that weapon was largely manufactured in the middle ages.
Barewalls Art Prints And Posters Online - Search Results
pissarro 14 X11 $6.00, pissarro Stone Bridge, Rouen Stone Bridge, Rouen camillepissarro 23 X16 $13.60, pissarro Quays At Rouen Quays At Rouen camille
http://www.barewalls.com/cgi-bin/search.exe?s=pissarro
Barewalls Art Prints And Posters Online - Search Results
Call us tollfree 1-800-455-3955, SEARCH RESULTS. There were 16 matchesfor all of the words camille pissarro pissarro Stone Bridge
http://www.barewalls.com/cgi-bin/search.exe?searchstring=Camille Pissarro
Gardens Of The Sunlight - Camille Pissarro
Within Impressionist family camille pissarro played the role of the best teacher,as well as that of the good shepherd who guided the strays back to the flock
http://art.koti.com.pl/pissarro/pissarro_en.html

Extractions: Within Impressionist "family" Camille Pissarro played the role of the best teacher, as well as that of the good shepherd who guided the strays back to the flock, the better to form a common front against all those who would have liked to see the group break up. Pissarro, along with Degas and Monet, was the most active in collective Impressionist exhibitions. Moreover he was the only one to participate in all of them. Through all his life he was very close to the younger generation of painters. He was quick to take an interest in Gauguin, at another moment he gave in to the enticement of the scientific conceptions of Seurat's pointilism. Pissarro was a commited, discreet and open man. As a painter he deliberately chose the most humble and desolate subjects mostly in the countryside at Louveciennes and Pontoise.
Camille Pissarro Gallery
camille pissarro, The Red Roofs Buy this print! 9 in x 8 in. Price $8.99 22in x 18 in. Price $28.80 back to camille pissarro gallery
http://art.koti.com.pl/pissarro/pissarro7.html
French Impressionists From Art Museums And Imperial Palaces Of St.Petersburg
1874, pissarro, camille The Tuileries Gardens. 1900, Gauguin, Paul Late Afternoon. 1876,pissarro, camille Quai Malaquais, Signac, Paul The Large Pine.
http://www.artsstudio.com/reproductions/paintings/new_impressionist-page-mainpag
WebMuseum: Pissarro, Camille: The Red Roofs
pissarro, camille The Red Roofs. 1877 (220 Kb); Oil on canvas, 54.5x 65.6 cm (21 1/2 x 25 3/4 ); Musee d'Orsay, Paris This painting
http://www.sai.msu.su/wm/paint/auth/pissarro/redroofs/

Extractions: 1877 (220 Kb); Oil on canvas, 54.5 x 65.6 cm (21 1/2 x 25 3/4"); Musee d'Orsay, Paris This painting is certainly one of Pissarro's masterpieces and an illustration of some of the essential aims of Impressionism . It gives a dual sensationof truth to a particular region and aspect of nature so exactly realized that the spectator seems transported to the scene; and of color that, while creating this effect, has a vibration and lyrical excitement of its own. Pissarro has been described as an unequal painter but if this was from one standpoint a shortcoming it had also an advantage in enabling him to attain exceptional heights from time to time. The low tones of his Orchard at Pontoise might lead one to think of him as one confined by a particular mood or capacity of vision yet in The Red Roofs , painted in the same year, the low tones are exchanged for brilliance of light, the grave utterance of the rural philosopher turns into song. The effect can be appreciated without analysis but it is enlightening as to his method and general approach to consider the picture in relation to the advice he gave at a later date to a young painter, Louis Le Bail, whose unpublished notes of conversation with Pissarro were summarized by John Rewald in his History of Impressionism : `Do not define too closely the outlines of things; it is the brushstroke of the right value and color which should produce the drawing'. A look at this painting shows how Pissarro made this his own practice. `Don't work bit by bit but paint everything at once by placing tones everywhere with brushstrokes of the right color and value...' This has an important bearing on the color harmony so splendidly carried out here. Color is not localized but is picked up like a melody in various parts of the canvasthe blue of the sky in the blue of doors and shadows, the red of the roofs in field and foreground earthso that all comes into happy relation.
WebMuseum: Pissarro, Camille: Le Pont-Neuf: Un Matin D'hiver
pissarro, camille Le PontNeuf un matin d'hiver. Krannert Art Museumand Kinkead Pavilion, University of Illinois at Urbana-Champaign
http://www.sai.msu.su/wm/paint/auth/pissarro/pont-neuf/

Extractions: Thanks to Linda Duke , Director of Education, Krannert Art Museum and Kinkead Pavilion. Painted by Camille Pissarro near the end of his life, The Pont Neuf: A Winter Morning The painting poignantly contrasts the momentary effects of a winter sunrise with the lasting monuments of the city. The bare tree branches, the paving stones, and the distant buildings are briefly touched by the still-hidden sun, which warms and softens the gray chill with a suffused glow. As people go about their early-morning business and the river Seine flows strongly but calmly by, everything is dappled with pink or red lights and blue shadows or reflections from the sky. The unusually pristine condition of this painting, on a canvas that has never been relined, provides a rare opportunity to appreciate the textured surface, which carries an air of spontaneity for all its analytical craft. © 10 Dec 1995
Guggenheim Collection - Artist - Pissarro - Biography
b. 1830, Saint Thomas, West Indies; d. 1903, Paris Jacob camille pissarro was bornon July 10, 1830, to French Jewish parents on the West Indies island of St.
http://www.guggenheimcollection.org/site/artist_bio_127.html

Extractions: b. 1830, Saint Thomas, West Indies; d. 1903, Paris Jacob Camille Pissarro Jean-Baptiste-Camille Corot Edouard Manet Claude Monet ... Pierre Auguste Renoir , and Alfred Sisley, he began to revise his method of landscape painting, privileging the role of color in his expression of natural phenomena and employing smaller patches of paint. This artistic circle was dispersed by the Franco-Prussian War, which Pissarro fled by moving to London in 1870-71. There he met Paul Durand-Ruel, the Parisian dealer who would become an ardent supporter of Pissarro and his fellow Impressionists. Pissarro participated in his last official Salon in 1870. Paul Gauguin Pissarro experienced somewhat of an artistic crisis in 1885. As he had done consistently throughout his career, he opened himself up to fresh influences by meeting with the younger generation, this time with Paul Signac and Georges Seurat , who were experimenting with a divisionist technique rooted in the scientific study of optics.
Guggenheim Collection - Artist - Pissarro - The Hermitage At Pontoise
camille pissarro lived there on and off between 1866 and 1883, choosing the ruralenvirons of the provincial capital for a series of largescale landscapes
http://www.guggenheimcollection.org/site/artist_work_md_1271.html

Extractions: The view represented here is a winding village path at the base of a cluster of houses in Pontoise, France, known as the Hermitage. Camille Pissarro The painterly conventions that Pissarro utilized in The Hermitage were established by Gustave Courbet, Edouard Manet , and the Barbizon school, but the painting is also a product of its era. In the same year that Marx published Das Kapital, The Hermitage, more Cornelia Lauf
Reproduction Art Oil Paintings Of Camille Pissarro
reproduction art of camille pissarro, Including, Climbing Path,Bouquet of Flowers, River Early Morning and others.
http://www.soho-art.com/Camille-Pissarro.shtml

Extractions: Bio: A key member of the French group of impressionist painters and probably the most innovative of them all. He formed friendships with Paul Cézanne Claude Monet , Sisley and Renoir and was mentor to Cezanne and Gauguin . By the late 1860s, his powerful landscapes were praised by the prominent critic Emile Zola.
Famous Art Reproductions - Camille Pissarro Gallery
Main Page Reproductions Contact Us Order Information Van Gogh Claude Monet AugusteRenoir camille pissarro Caillebotte Cezanne Gauguin Amedeo Modigliani Fine
http://www.famousartreproductions.com/pissarro.html
Haber's Art Reviews: Camille Pissarro And The Jew As Modernist
John Haber in New York City camille pissarro. The building's awkward approachto modernity could stand for camille pissarro himself. Undivided loyalties.
http://www.haberarts.com/pissarro.htm

Extractions: in New York City The Jewish Museum may lie at the remote northern end of New York's "museum mile," but it has no need to hide its ambitions. In 1994 it completed restoration of its magnificent 1908 structure. On year later, it has taken on the first career examination of an Impressionist. From the outside, the former Warburg mansion stands in all its Gothic fancy. C. P. H. Gilbert already had a string of midtown residences to his credit when he began work. Nope, he was not Cass Gilbert, famous for the Woolworth building. His sense of design was quite strong enough, however, and the charming decoration of the uppermost story somehow never weighs down this large corner facade. The oldest Impressionist, Pissarro was also the first to lose interest in the official Salon. Bearded like an Old Testament prophet, he made his career learning from younger men. The only painter stubborn enough to show in every single Impressionist exhibition, from the very first , he nonetheless adopted each new movement, right through Pointillism. As cosmopolitan as his styles, he somehow managed to remain an outsider, as
Camille Pissarro - The Impressionist Art Game - BirdCage Books
camille pissarro.
http://www.birdcagebooks.com/impart/pis_text.shtml

Extractions: In 1853, Emperor Napoleon III and Baron Haussmann set out to redesign the city of Paris. Shabby old buildings were torn down and replaced with 40,000 new buildings, including grand hotels, theaters, apartment buildings and department stores (a new invention). Narrow, winding streets were replaced by 85 miles of wide tree-lined boulevards graced with gas street lamps, sidewalks and even public toilets. The redesign of Paris was not just to make the city more beautiful. Not long before, the citizens of Paris had revolted against the government, barricading many streets and shooting at the government soldiers. Napoleon III knew that wide boulevards would be much harder to barricade. Also, with wider streets, the army would be able to move quickly throughout the city.
CGFA- Camille Pissarro
Hamburg. 183KB. Graphic Portrait of Madame pissarro Sewing near aWindow, 187879, oil on canvas, Ashmolean Museum, Oxford. 155KB.
http://cgfa.sunsite.dk/pissarro/

Extractions: The Hermitage at Pontoise, 1867, Solomon R. Guggenheim Museum, New York. 136KB Orchard in Bloom at Louveciennes, 1872, National Gallery of Art, Washington D.C. 111KB The Railway Bridge at Pontoise, 1873, private collection. 101KB Sunlight on the Road- Pontoise, 1874, oil on canvas, Museum of Fine Arts, Boston. 151KB Resting in the Woods at Pontoise, 1878, oil on canvas, Kunsthalle, Hamburg. 183KB Portrait of Madame Pissarro Sewing near a Window, 1878-79, oil on canvas, Ashmolean Museum, Oxford. 155KB The Pork Butcher, 1883, Tate Gallery, London. 157KB Apple Picking at Eragny-sur-Epte, 1888, Dallas Museum of Art. 198KB Hyde Park, London, 1890, soaked color on paper laid on canvas, private collection. 167KB
Oil Paintings - Camille Pissarro - Tamsquare Art Oil Painting Reproduction
Oil Paintings camille pissarro - Artist oil painting on canvas reproductionof original masterpiece, landscape, by van Gogh, Monet, Renoir Modern
http://www.tamsquare.com/pissarro/

Extractions: at DealDig.com Oil Paintings - Camille Pissarro Click on the images to view larger. Excellent museum quality is guaranteed for all of our paintings. And we offer the lowest price on the internet for our genuine hand-painted oil paintings on canvas. Please check out our "Free Gift Program" for more. (size unit: cm x cm). If you like to have a painting that we do not show here, please send/email us a picture of it. Or if it's a masterpiece, you can simply email us the artist's name and the painting title. Check here: Your Desired Motif . If you like to have the painting size different from the original size we show here, please go ahead to place an order here and tell us your desired size in the check out "comment" area.
Oil Paintings Of Masterpiece Reproduction - Tamsquare Art
Berthe Munch, Edvard Murillo, Bartolomé Esteban Partridge, Nehemiah Patel, PierrePiero della Francesca Piette, Ludovic pissarro, camille Pollock, Jackson
http://www.tamsquare.com/auth/

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